Monday, December 1, 2014

Daryl Sherman & John Cocuzzi - Celebrating Mildred Bailey And Red Norvo / New O'leans

Album: Celebrating Mildred Bailey And Red Norvo
Size: 145,8 MB
Time: 62:25
File: MP3 @ 320K/s
Released: 1996
Styles: Jazz Vocals
Art: Front

01. I Go For That (3:13)
02. Squeeze Me (5:30)
03. I've Got My Love To Keep Me Warm (3:54)
04. The Man I Love (Instrumental) (4:01)
05. Medley: Georgia On My Mind/Rockin' Chair (5:15)
06. Arthur Murray Taught Me Dancing In A Hurry (3:47)
07. Medley: Guess I'll Go Back Home (This Summer)/It's So Peaceful In The Country (4:22)
08. There'll Be Some Changes Made (4:21)
09. You're Laughing At Me (4:36)
10. Always And Always (3:22)
11. You Started Something (3:39)
12. Wrap Your Troubles In Dreams (Instrumental) (5:47)
13. Right As The Rain (3:20)
14. Lover, Come Back To Me (7:12)

The talented swing singer Daryl Sherman and vibraphonist John Cocuzzi pay tribute to Mildred Bailey and Red Norvo on this very enjoyable CD. Sherman does a superlative job of emulating "The Rockin' Chair Lady" without needing to change her own basic approach much on some of Bailey's greatest hits, plus a few obscurities. "Georgia on My Mind" and "Rockin' Chair" are effectively combined in a medley, the spirit of Bailey's saucy rendition of "Squeeze Me" is re-created, "It's So Peaceful in the Country" is wistful, and "I've Got My Love to Keep Me Warm" really swings. Cocuzzi (whose sound is somewhere between Norvo and Lionel Hampton) takes some fine solos, but the spectacular trumpeter Randy Sandke (reminding one of both Bunny Berigan and Charlie Shavers) steals the show every time he appears. Trombonist Randy Reinhart and clarinetist Bobby Gordon also fare well, and both "The Man I Love" (which has a memorable Sandke-Reinhart tradeoff) and "Wrap Your Troubles in Dreams" are taken as instrumentals. But it is Daryl Sherman's wonderful singing that makes this a particularly memorable outing. ~Review by Scott Yanow

Celebrating Mildred Bailey And Red Norvo

Album: New O'leans
Size: 135,9 MB
Time: 58:24
File: MP3 @ 320K/s
Released: 2008
Styles: Jazz Vocals, Swing
Art: Front

01. S'mardi Gras (4:49)
02. Way Down Yonder In New Orleans Louisiana (4:31)
03. Red Cap (5:38)
04. Ill Wind (4:56)
05. Mr. Bojangles (4:02)
06. Petite Fleur (4:54)
07. Shaking The Blues Away (5:16)
08. Wendell's Cat (3:21)
09. I Don't Want To Miss Mississippi (4:32)
10. Doin The Chameleon (2:59)
11. Eloise (5:02)
12. New O'leans (4:05)
13. Moon River (4:12)

Singer/pianist Daryl Sherman has been a fixture on the Manhattan music scene for years, playing various clubs since her arrival in 1974 and ending a 14-year run at the Waldorf-Astoria earlier this year. New O’Leans is her tribute to the survival spirit of the Crescent City’s residents, still present after the devastation of Hurricane Katrina, where a parade is possible any day for any occasion.

Joined by several of the city’s top jazz musicians, including guitarist James Chirillo, clarinetist/tenor saxophonist Tom Fischer, bassist Al Menard and guest trumpeter Connie Jones, Sherman’s light, swinging vocals and subtle, effective piano complement her interesting mix of songs. One can feel the pulse of the city with her opening track “S’Mardi Gras,” which was penned by her friend Rhodes Spedale (one of many residents displaced by the storm). “Mr. Bojangles” was a hit for the Nitty Gritty Dirt Band in the early ‘70s, though Sherman’s soft, engaging setting of Jerry Jeff Walker’s tune conveys a sense of nostalgia while also adding a personal touch in the arrangement. Dick Hyman’s “Doin’ the Chameleon” is an old-fashioned strut, punctuated by Jones’ muted trumpet, while Sherman’s moving duet of Dave Frishberg’s “Eloise” with clarinet is another gem of recent vintage.

The leader doesn’t neglect older material. Her playful take of Louis Armstrong’s nostalgic “Red Cap” and enticing medley of “Way Down Yonder in New Orleans” and “Louisiana” stand out. She sings the lyrics to Sidney Bechet’s “Petit Fleur” in both French and English, backed by Chirillo’s quiet guitar and Fischer’s bittersweet clarinet. The ‘30s era “(Belle of) New O’leans” starts with a hilarious quote from The Animals’ “House of the Rising Sun” then segues into a sauntering tempo. ~By Ken Dryden

Personnel: Daryl Sherman: piano, vocals; James Chirillo: electric guitar; Al Bernard: bass; Tom Fischer: clarinet, tenor sax; Connie Jones: trumpet.

New O'leans

Irvin Mayfield's Jazz Playhouse - A New Orleans Creole Christmas

Size: 100,5 MB
Time: 42:34
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz, Holiday
Art: Front

01. O Tannenbaum - O Christmas Tree (4:46)
02. Silent Night (5:19)
03. Winter Wonderland (5:00)
04. The Christmas Song (7:12)
05. Christmas Time Is Here (Feat. Michael Watson) (4:15)
06. Have Yourself A Merry Little Christmas (8:24)
07. It Came Upon A Midnight Clear (3:27)
08. Christmas Time Is Here (Trio) (4:09)

Grammy award-winning trumpeter and bandleader, Irvin Mayfield, debuts his first album of holiday music with A New Orleans Creole Christmas, a collection of timeless classics reinterpreted by the widely renowned cultural ambassador of New Orleans. With his 12th release for Basin Street Records, Mayfield demonstrates his maturity as a player and arranger alongside The Jazz Playhouse Revue.
The album blends traditional-style playing on the upbeat rendition of 'O Tannenbaum O Christmas Tree' with soulful, gospel-inspired versions of 'Silent Night' and 'Winter Wonderland', and melodic, modern jazz renditions of favorites such as 'The Christmas Song' and 'Have Yourself a Merry Little Christmas'. Michael Watson graces the listener with his velvet singing voice on the Vince Guaraldi/Lee Mendelson classic, 'Christmas Time is Here'.
Highlighting the acumen of these fine musicians, A New Orleans Creole Christmas was recorded in true jazz fashion, as a 'live' session at Irvin Mayfield's Jazz Playhouse on Bourbon Street in New Orleans.
A New Orleans Creole Christmas is sure to delight the serious jazz listener as well as families looking to enjoy a fresh take on their favorite Christmas melodies.

Personnel:
Irvin Mayfield - Trumpet
Derek Douget - Soprano and
Tenor Saxophones
Jason Marshall - Baritone Saxophone
Vincent Gardner - Trombone
Jon Chin - Piano
Peter Harris - Bass
Adonis Rose - Drums
Michael Watson - Vocals
Ronald Markham - Piano

A New Orleans Creole Christmas

Jacob Fred Jazz Odyssey - Worker

Size: 103,5 MB
Time: 40:24
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Experimental, Avant-Garde
Art: Front

01. New Bird (5:16)
02. Appropriation Song (3:12)
03. Betamax (3:37)
04. Hey Hey Nsa (5:05)
05. Say Nothing (4:47)
06. Council Oak (0:21)
07. Bounce (3:35)
08. Let Yourself Out (5:04)
09. Mesa (1:14)
10. Better Living Through Competitive Spirituality (3:21)
11. The Finder's Keeper (4:46)

Jacob Fred Jazz Odyssey's 2014 effort, Worker, is the first studio album the group have recorded since paring down to a trio in 2013. The album also follows up the group's vinyl-only Record Store Day release Millions: Live in Denver at DazzleJazz, and features the same lineup with longtime leader/pianist Brian Haas, guitarist/electronic programmer Chris Combs, and drummer Josh Raymer. On the group's previous studio album, 2011's Race Riot Suite, Haas and JFJO took a more eclectic, large ensemble approach, bringing on Sexmob trumpeter Steven Bernstein and others for an organic, free-jazz influenced vibe. On Worker, with the stripped-down trio, Haas takes the exact opposite approach, delving into a batch of tightly composed if no less groove- and jam-oriented songs. These are quirky, frenetic recordings that utilize a bevy of keyboard, organ, and guitar sounds as well as spacy electronics. Though clearly jazz-influenced, Haas and the JFJO have never been particularly interested in playing solo-oriented jazz, and Worker is no exception. Cuts like "Betamax," and "Hey Hey NSA" have an '80s-influenced, robot circus quality that's one-part Herbie Hancock's "Rock-It" and one-part sci-fi movie soundtrack. In that sense, Worker brings to mind the similarly inclined approach of bands like Kneebody, the Bad Plus, and Robert Glasper, as wells as the '90s post-rock of band's like Tortoise and Isotope 217. There's also a strong experimental quality to many of the tracks on Worker and cuts like "Council Oak" and "Mesa," with their mix of atmospheric sampled sounds, sound less like jazz or rock and more like ambient classical music. Ultimately, with Worker, Jacob Fred Jazz Odyssey continue to make it their business to craft intellectual, highly creative music that’s never a grind to listen to.

Worker

Marc Eliot - Strangers, Lover And Friends

Size: 127,9 MB
Time: 54:39
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz/Pop Vocals
Art: Front

01. Our Love Is Here To Stay (3:54)
02. In The Wee Small Hours Of The Morning (3:12)
03. But Beautiful (3:55)
04. Speak Silently (3:46)
05. Strangers, Lovers And Friends (4:08)
06. Last One Standing (5:21)
07. I Should Have Said I Love You (4:25)
08. Letting Go (2:34)
09. Front Porch Blues (3:18)
10. Grown Up Girl (3:35)
11. So Much More Than Love (4:35)
12. Music That Makes Me Dance (5:13)
13. Nine O'clock (2:43)
14. I Was Here (3:55)

Composer, Singer, Lyricist, Writer, Actor

Amongst an abundance of stellar endorsements, Marc was humbled receiving this review...

When I listened to Marc Eliot's CD, my jaw dropped! Marc has a sensational voice and 'Broadway Energy' and I wish him much success in his great future. I honestly thought I was listening to a recording of my husband singing one of his favorite signature songs, 'Come Back To Me.' ~Mrs. Sammy Davis Jr.

Marc Eliot has audiences everywhere responding to his expressive baritone, charisma and passion for the music he sings and composes. If you're a new fan of Marc Eliot, prepare to be thoroughly entertained.

Gifted with voice, talent and charm, Marc's melodic, refreshing style is compelling for his fans. "Diamond In The Rough" and "New York Blue", two of Marc's newest compositions, are proof positive that his talent and poetic artistry are finely tuned and that his star is on the rise. New ventures and collaborations on Broadway, in television and film are on the horizon for this composer & crooner.

Creative material for Marc is inspired by a walk in Central Park and his adventures abroad. He is always thinking lyrics and melody! He believes that the overall success and appeal of a great song can come down to that very precise lyric or the one note that informs the creative process. Marc's collection "One of the Good Guys" has yielded top notices and acclaim across the country. He is following up that success with a new collection, "New York Blue".

Marc is a popular, active member of the Friars Club. When in town, he performs at this New York institution where distinguished members and invited guests always demand an encore. Marc has cultivated a solid resume in regional theater, summer stock and Off-Broadway, and has performed with various orchestras coast to coast. His goals include appearing on Broadway and the chance to sing his own compositions with symphony orchestras. Projects in the works include the new original musical "Latte Lady" and a book, "Colorways Of Time."

Strangers, Lover And Friends

Mandy Harvey - All Of Me

Size: 151,5 MB
Time: 64:31
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Call Me Irresponsible (3:35)
02. Begin The Beguine (3:35)
03. Bei Mir Bist Du Schon (3:26)
04. How High The Moon (2:22)
05. Don't Explain (5:00)
06. Goody Goody (2:58)
07. Do You Know What It Means To Miss New Orleans (3:37)
08. Happy Again (4:15)
09. Envy (5:07)
10. All Of Me (3:17)
11. Summertime (4:18)
12. Try (3:40)
13. Night And Day (3:31)
14. When Your Lover Has Gone (3:13)
15. Embraceable You (5:32)
16. Falling Down (2:49)
17. Going Home (4:10)

A beautiful blend of original music and jazz standards filled with a delightful spirit. "All of Me" follows up her second album "After You've Gone" and expresses oneself coming into their own.

Mandy splits her time between Colorado and Florida and is a regular performer at Dazzle Jazz Lounge in Denver. Her love for music and singing has been years in the making. She was selected as the top female vocalist of her high school and entered the Music Education program at Colorado State University. During her freshman year she lost her hearing and left the university. While her dream of becoming a music teacher has died, the music is still alive and well within her. In 2011 she won VSA's International Young Soloist Award and has performed at the Kennedy Center in DC multiple times. She also became an Ambassador for non profit No Barriers and strives to support those with disabilities to pursue their dreams.

All Of Me

Branford Marsalis - In My Solitude: Live At Grace Cathedral

Size: 149,6 MB
Time: 64:38
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Saxophone, Classical
Art: Front

01. Who Needs It (4:14)
02. Stardust (6:21)
03. Improvisation No. 1 (6:33)
04. Sonata In A Minor For Oboe, Wq. 132 I. Poco Adagio (4:53)
05. The Moment I Recall Your Face (6:35)
06. Improvisation No. 2 (4:47)
07. Mai, Op. 7 (8:44)
08. Improvisation No. 3 (6:29)
09. Improvisation No. 4 (6:29)
10. Blues For One (6:57)
11. I'm So Glad We Had This Time Together (2:32)

Until now, the one thing Branford Marsalis hasn't recorded is a solo saxophone album. In My Solitude: Live at Grace Cathedral realizes that ambition in grand style. It was meticulously planned and recorded in the same venue where Duke Ellington delivered his first Sacred Concert in 1965. Marsalis uses the cathedral's amazing acoustics as a collaborator in delivering a dazzling array of material. Playing soprano, tenor, and alto saxophones, he begins with the straight horn Steve Lacy's "Who Needs It," bringing the composition's unconventional yet wondrous scalar lyricism to the fore. He follows this on tenor with a truly soulful read of the Hoagy Carmichael standard "Stardust," allowing its bluesy undertones to shine through. He also uses the tenor for a reading of C.P.E Bach's "Sonata in A Minor for Oboe, Wq. 132." Marsalis is faithful and precise but not overly reverential, making room for some of the horn's tonal possibilities in coloring and sonorously embellishing the harmonics. There are four excellent improvisations here as well. The first is played on alto. His sure-footed arpeggios take the horn from bebop to post-bop and beyond without overplaying, creating spatial and lyrical narratives simultaneously. The concert's finest moment, however, is his alto reading of classical composer Ryo Noda's Mai, Op. 7. The work, written as a sonata for saxophone, curiously and mysteriously employs multiphonics -- textural and tonal characteristics to reflect the character of Japan's traditional shakuhachi flute. It is haunting and resonant, showcasing Marsalis' breath control across the alto's timbral range. He also contributes two original tunes. An airy ballad played on soprano, "The Moment I Recall Your Face" is as lyrical as a folk song. His walking "Blues for One" is nearly seven minutes in length and retains the 12-bar structure throughout, yet traces the history of the form as it relates to both improvisation and song. The encore "I'm So Glad We Had This Time Together" -- from The Carol Burnett Show -- is a tender, sincere engagement with the tune, revealing the saxophonist's genuine love of popular culture and its influence on his work. In My Solitude is not only the completion of another chapter in Marsalis' long and varied musical career, but a peak in it. With all its elegance, warmth, and humor, this concert is a musical tour de force. ~Review by Thom Jurek

In My Solitude

Susanne Menzel & Klaus Ignatzek - Soulmates

Bitrate: 320K/s
Time: 64:39
Size: 148.0 MB
Styles: Vocal jazz
Year: 2009
Art: Front

[7:21] 1. Someone To Watch Over Me
[5:48] 2. Penny Lane
[5:53] 3. But Not For Me
[7:44] 4. Can't Buy Me Love
[7:55] 5. The Fool On The Hill
[7:42] 6. Embraceable You
[6:49] 7. With A Little Help From My Friends
[4:52] 8. Here, There And Everywhere
[4:57] 9. Norwegian Wood
[5:32] 10. Our Love Is Here To Stay

Susanne Menzel - vocals; Klaus Ignatzek - piano; Johannes Enders - tenor sax; Jean-Louis Rassinfosse - bass; Sebastian Merk - drums. Bremen Philharmonic Strings Arranger & Conductor: Steffen Drabek.

Some of the most beautiful Gerschwin and Beatles songs presented by one of Germany’s most beautiful female jazz singers and a band of internationally known musicians plus the members of the Bremen Philharmonic Strings. There is hardly any way not to enjoy this music. While listening to this CD you will definitely be all excited with joy as the audience was on this very special night.

"...Ignatzek always succeeds in arousing his audience’s enthusiasm, thanks to his richly nuanced performance on the piano in connection with the wonderful Gershwin and Beatles compositions. Here he is
joined by the outstanding female vocalist Susanne Menzel ... If you enjoy a solid driving jazz recording performed by a dynamic group combined with gorgeous strings, 'Soulmates' should be on your playlist."~Jazz Podium

Soulmates  

Lalo Schifrin - Chega De Saudade

Bitrate: 320K/s
Time: 75:30
Size: 172.8 MB
Styles: Latin jazz
Year: 2014
Art: Front

[ 3:18] 1. Desafinado
[ 3:28] 2. The Snake's Dance
[ 3:13] 3. Cubano Be
[ 2:44] 4. An Evening In Sao Paulo
[ 6:14] 5. Kush
[ 4:32] 6. Rhythm-A-Ning
[ 4:02] 7. Sphayros
[ 4:37] 8. Mount Olive
[ 3:13] 9. Poema Do Adeus
[ 4:11] 10. Borneo
[ 2:34] 11. Chora Tua Tristeza
[ 3:16] 12. The Fakir
[ 6:14] 13. Kush
[ 5:12] 14. Chega De Saudade
[10:05] 15. Samba Para Dos
[ 3:02] 16. What Kind Of Fool Am I
[ 1:59] 17. My Funny Valentine
[ 3:29] 18. Time After Time

Best known for his "Mission: Impossible" theme song, Lalo Schifrin is an Argentinean-born composer, arranger, pianist, and conductor, whose jazz and classical training earned him tremendous success as a soundtrack composer. Born Boris Claudio Schifrin in Buenos Aires on June 21, 1932, his father was a symphonic violinist, and he began playing piano at age six. He enrolled in the Paris Conservatoire in 1952, hitting the jazz scene by night. After returning to Buenos Aires, Schifrin formed a 16-piece jazz orchestra, which helped him meet Dizzy Gillespie in 1956. Schifrin offered to write Gillespie an extended suite, completing the five-movement Gillespiana in 1958; the same year, he became an arranger for Xavier Cugat. In 1960, he moved to New York City and joined Gillespie's quintet, which recorded "Gillespiana" to much general acclaim. Schifrin became Gillespie's musical director until 1962, contributing another suite in "The New Continent"; he subsequently departed to concentrate on his writing. He also recorded as a leader, most often in Latin jazz and bossa nova settings, and accepted his first film-scoring assignment in 1963 (for Rhino!). Schifrin moved to Hollywood late that year, scoring major successes with his indelible themes to Mission: Impossible and Mannix. Over the next decade, Schifrin would score films like The Cincinnati Kid, Bullitt, Cool Hand Luke, Dirty Harry, and Enter the Dragon. As a jazzer, he wrote the well-received "Jazz Mass" suite in 1965, and delved into stylish jazz-funk with 1975's CTI album Black Widow. Schifrin continued his film work all the way through the '90s; during that decade, he recorded a series of orchestral jazz albums called Jazz Meets the Symphony, and became the principal arranger for the Three Tenors, which complemented his now-dominant interest in composing classical music. ~bio by Steve Huey

Chega De Saudade

Lucy Woodward - Hooked!

Styles: Vocal
Year: 2010
File: MP3@320K/s
Time: 50:01
Size: 116,0 MB
Art: Front

(3:55)  1. He Got Away
(4:06)  2. Sans souci
(4:08)  3. Purple Heart
(4:16)  4. I Wan'na Be Like You (Monkey Song)
(3:34)  5. Another Woman
(3:59)  6. Babies
(4:37)  7. Slow Recovery
(4:01)  8. Ragdoll
(3:46)  9. This Empty Room
(3:49) 10. Too Much to Live For
(3:30) 11. Leave It to You
(2:33) 12. Stardust
(3:41) 13. Fashion

Lucy Woodward's 2010 album Hooked!, a jazz-inflected collection of classic pop and torch song ballads, makes the most of Woodward's soulful voice. Having long moved past the mainstream pop/rock of her 2003 debut, While You Can, Hooked picks up where her 2008 sophomore effort, ...Is Hot and Bothered, left off, with Woodward delivering a kind of pop/rock-meets-jazz sound that falls somewhere between the retro R&B and singer/songwriter pop of such similarly inclined artists as Duffy and Jamie Cullum. In that sense, songs such as the cheeky "Another Woman" and the yearning "Slow Recovery" will certainly draw some favorable comparisons to such icons as Dusty Springfield. Certainly, these songs are produced with an ear to re-creating the big ensemble pop of the '50s and '60s, and fans of that old-school Brill Building sound should find Hooked! to be an appealing catch. ~ Matt Collar  http://www.allmusic.com/album/hooked!-mw0001968700

Hooked!

Jonathan Fritzen - Love Birds

Styles: Piano Jazz, Smooth Jazz
Year: 2008
File: MP3@320K/s
Time: 52:07
Size: 119,4 MB
Art: Front

(4:30)  1. Temple Of Dreams
(4:13)  2. One Night With You
(4:07)  3. Like A Star
(4:34)  4. Back 2 The Club
(6:00)  5. Love Birds
(4:53)  6. Midnight Secrets
(5:01)  7. Distant Mountains
(5:21)  8. Deep Down
(3:45)  9. Always Be My Lover
(4:39) 10. Far Away
(4:59) 11. Take Me Home

If Oli Silk is the British version of Brian Culbertson, Jonathan Fritzén is the Swedish edition of Brian Culbertson, the 36-year-old American pianist known for his melodic and much-imitated style. That style puts memorable pop music, much of it love songs, at the top of the to-do list, with liberal proffering of warm and fuzzy piano runs. It’s a highly likable style, and one that seems easy but is actually difficult to pull off. Like Silk, Fritzén succeeds. The pianist, who has a master’s degree in jazz studies from the Royal Academy of Music in Stockholm, is an auteur in the studio, as he plays guitar, bass and programs multiple instruments and sounds. 

His smooth-jazz is mellow for a twentysomething performer, but he’s also a romantic at heart. His music has a groove that takes it far out of the standard easy-listening category, which Culbertson also designs to perfection. Acoustic keyboards are accented by electric keyboard shout-outs and a profusion of computerized blips. “Temple of Dreams” and “Back 2 to the Club” would sell as hits on any smooth-jazz radio station in the States, while tracks like “Deep Down” and “Far Away” are snuggle-worthy or just a fine complement to an equally fine companion. ~ Brian Soergel  http://jazztimes.com/articles/24464-love-birds-jonathan-fritz-n