Saturday, September 3, 2022

Orrin Evans - Easy Now

Styles: Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 55:32
Size: 127,5 MB
Art: Front

(5:49) 1. Captain Black
(5:21) 2. BM
(6:06) 3. For DE
(8:11) 4. Don't Fall Off the L.E.J.
(5:22) 5. Easy Now
(4:21) 6. Bonus Round
(9:29) 7. Dance on the Moon
(2:12) 8. Dorm Life
(7:24) 9. Song for My Father
(1:11) 10. Don't Fall Off the L.E.J. (cont.)

For those who may have been disappointed by the Philadelphia pianist-composer Orrin Evans' recent experiments with backbeats and electric keyboards, Easy Now marks a notable return to swinging on acoustic instruments. But this new venture is primarily a tribute to the late Don Evans, a gifted playwright and educator, as well as Orrin's father.

If these compositions are any indication, Don Evans must have been complex, thoughtful, and unpredictable, perhaps a bit like the jutting measure of 5/4 time that concludes each chorus of "Don't Fall Off The L.E.J.," which is in all other aspects a fast 4/4 cooker. Actually, like most of the musicians who work in the new mainstream of today's jazz world, Orrin Evans uses composition to create modern challenges for modern impovisers. This would also include the drum thwacks that constitute part of the line of "Captain Black."

Further, the playing here is consistently top-shelf, giving these tunes a worthy presentation. Evans often plays percussively, playing clusters, even pounding the piano. But that's hardly all he does. He can play gently and lyrically, or he can spin a long, swinging line. Although he sometimes alludes to Monk, Orrin Evans is very much his own man. Saxophonist Ralph Bowen is also his own man. Heard here on alto and soprano sax rather than his customary tenor, Bowen reveals a lush, warm sound on each horn, almost as if he were trying to combine Eric Dolphy with Benny Carter or perhaps Lucky Thompson. He swings up a storm on "Don't Fall Off The L.E.J." and "Dorm Life."

Finally, J.D. Allen should be singled out for his warm, deeply moving tenor sax playing on "Song For My Father." He and Evans play the Horace Silver classic as a duet, in a stately ballad that may be the highlight of the album.~AAJ Staff https://www.allaboutjazz.com/easy-now-orrin-evans-criss-cross-review-by-aaj-staff

Personnel: Orrin Evans, piano; Ralph Bowen, alto and soprano sax; Mike Boone, bass; Byron Landham, drums. Track 9 only: J.D.Allen, tenor sax. Tracks 5, 7 only: Eric Revis, bass. Tracks 1,2,3, 5 only: Rodney Green, drums.

Easy Now

Brian Lynch - Unsung Heroes Vol.1

Styles: Trumpet Jazz
Year: 2011
File: MP3@320K/s
Time: 67:56
Size: 170,7 MB
Art: Front

(8:09)  1. Terra Firma Irma
(7:28)  2. I Could Never Forget You
(9:47)  3. Further Arrivals
(8:02)  4. Saturday Afternoon At Four
(7:26)  5. Household Of Saud
(7:02)  6. Roditisamba
(5:36)  7. Big Red
(7:10)  8. Unsung Blues
(7:11)  9. Wetu

Trumpeter extraordinaire Brian Lynch is always willing, quite rightly, to acknowledge the masters who have gone before him. Some of the finest jazz trumpeters never made it big, while others no longer sit as securely in the minds of jazz fans as they once did. Nevertheless, they are all part, as Lynch writes, of "the jazz trumpet tradition" and their talents as players and composers deserve to be remembered and revisited. Unsung Heroes is Lynch's salute to some of these players. It's a superb album: no mere tribute to past masters, it puts their work firmly in the present living, breathing, exciting music that is as vibrant in the twenty-first century as it was in the twentieth. Like Finnish pianist Iiro Rantala's own reflections on past greats, the stunning Lost Heroes (ACT Music, 2011), Unsung Heroes is the work of an exceptionally talented player. Rantala performed solo, but this record features a kick-ass band. Altoist Vincent Herring and pianist Rob Schneiderman are particularly strong, but every player impresses. One of the most stylish solos comes from bassist David Wong on Idrees Sulieman's "Saturday Afternoon At Four," a bop relative of Kurt Weill's "Speak Low."

Lynch's heroes on this album are players whose own work is predominantly from the bebop era and later, men who could play hard and fast but who could also swing, and play with feeling. The writing skills of many of these trumpeters were also exceptional, giving Lynch some terrific compositions to work with, some of which were never recorded by the writers themselves. Tommy Turrentine's beautiful ballad, "I Could Never Forget You," affords Lynch the opportunity to deliver a masterclass in pure-toned, considered yet emotive playing. Charles Tolliver's "Household of Saud" is a standout ensemble performance as well as featuring one of Lynch's more high-energy solos. Lynch's own tunes are just as enjoyable. "RoditiSamba," dedicated to Claudio Roditi, is smoothly seductive; "Unsung Blues" gives Lynch and Schneiderman the chance to stretch out with a deft lyricism. 

This isn't the first time that Lynch has paid tribute to his predecessors: Tribute To The Trumpet Masters (Sharp Nine) appeared in 2000. Unsung Heroes is volume one of an extended project, which includes some fascinating writing by Lynch on his website. The project is a great idea, and on the evidence of this beautiful recording it's also brilliantly executed. ~ Bruce Lindsay https://www.allaboutjazz.com/unsung-heroes-brian-lynch-hollistic-musicworks-review-by-bruce-lindsay.php

Personnel: Brian Lynch: trumpet, flugelhorn; Vincent Herring: alto saxophone; Alex Hoffman: tenor saxophone; Rob Schneiderman: piano; David Wong: bass; Pete Van Nostrand: drums; Vicente "Little Johnny" Rivero: congas (3, 6).

Unsung Heroes Vol.1

Lizz Wright - Holding Space (Lizz Wright live in Berlin)

Styles: Vocal, Neo-Soul
File: MP3@320K/s
Time: 67:00
Size: 153,8 MB
Art: Front

(6:57) 1. Barley
(6:37) 2. Old Man
(4:56) 3. Wash Me Clean
(5:50) 4. Somewhere Down The Mystic
(7:22) 5. The New Game
(8:33) 6. Walk With Me Lord
(3:47) 7. Southern Nights
(5:52) 8. Grace
(3:15) 9. No More Will I Run
(8:04) 10. Seems I'm Never Tired Lovin' You
(5:41) 11. All The Way Here

Lizz Wright’s seventh album, Holding Space, is a glorious declaration of independence. It’s the first release on her artist-centric new label Blues & Greens Records, a platform that allows musicians to retain the masters and rights to their music. Artistically, the project presents Wright at her most elemental, backed by a working combo with guitarist Chris Bruce, bassist Ben Zwerin, keyboardist Bobby Ray Sparks II, and drummer Ivan Edwards.

Recorded in Berlin in the summer of 2018 at the conclusion of a European tour, the album captures Wright in full flight, focusing on music from 2017’s Grace while also drawing from her previous Concord release, 2015’s Freedom & Surrender, and her project with the WDR Big Band. Since the release of her star-making 2003 debut Salt, Wright has tried on several instrumental settings. Her producers tended to gussy up her songs with an array of keyboards and string instruments; the results didn’t always serve her well. Holding Space is Wright unadulterated, from Allison Russell’s carved-oak “Barley” to a lusciously slow version of k.d. lang’s “Wash Me Clean.”

Wright’s own work as a songwriter is also well represented, with the rapturously folk-rocking “Somewhere Down the Mystic” and swampy anthem “The New Game.” Most striking is when Wright seizes a song indelibly linked to another artist and makes it her own, gently wrestling Allen Toussaint’s “Southern Nights” from Glen Campbell and positively pocketing Neil Young’s “Old Man.” (Have two artists ever offered greater tonal contrast?)

Wright’s voice is one of the marvels of the contemporary scene, but it’s her preternatural calm that sets her apart. Rather than evoking the Black church’s ecstatic fervor, she channels her intensity into the density of her sound. Her phrasing flows imperturbably. She’s a rock, and with Holding Space she’s building an edifice of her own.https://jazztimes.com/reviews/albums/lizz-wright-holding-space-blues-greens/

Holding Space (Lizz Wright live in Berlin)

Denise Jannah - Take It From The Top

Styles: Jazz, Vocal
Year: 1991
File: MP3@320K/s
Time: 58:46
Size: 134,9 MB
Art: Front

(5:04)  1. Pennies From Heaven
(8:01)  2. Willow Weep For Me
(6:29)  3. Fragile
(4:12)  4. I've Got the World On a String
(7:41)  5. I'm in a Minor Key Today
(3:51)  6. I Get Along Without You Very Well
(4:16)  7. Groovin' High
(5:49)  8. I'm a Fool to Want You
(4:56)  9. A Sleepin' Bee
(8:22) 10. My Funny Valentine

Denise Jannah made her debut as a leader with this 1991 session for Timeless. This native of Surinam (Dutch Guiana) has a strong voice that swings mightily and conveys emotion without ever resorting to sappiness. You have to like a singer who restores the often omitted verse to an oldie like "Pennies from Heaven," then scats up a storm to boot. No one does the verse to the standard "Willow Weep for Me," yet Jannah's haunting introduction, backed solely by pianist Michel Herr, sets up the message of the song perfectly. But nowhere does Jannah pack as big a punch as she does in her moving take of "I Get Along Without You Very Well." Bop fans will love the intricate take of "Groovin' High" featuring a fine alto sax solo by Rolf Delfos and muted trumpet by Angelo Verploegen in which she alternates between adept scatting and singing Kirby Stone's vocalese lyrics. She is also open to contemporary material, delivering a heartfelt interpretation of rocker Sting's "Fragile" in an easygoing bossa nova setting. Though Denise Jannah has made many rewarding CDs following this remarkable debut, this CD is well worth acquiring, too. ~ Ken Dryden http://www.allmusic.com/album/take-it-from-the-top-mw0000426428

Personnel: Denise Jannah (vocals); Jan Verwey (harmonica); Rolf Delfos (soprano saxophone, alto saxophone); Boris Vanderlek (tenor saxophone); Angelo Verploegen (trumpet, flugelhorn); Michel Herr (piano).

Take It From The Top