Johnny Richards & His Orchestra - Softly... Wild... And Something Else!

Styles: Jazz, Big Band
Year: 2013
File: MP3@320K/s
Time: 79:57
Size: 185,6 MB
Art: Front

(6:04)  1. Waltz, Anyone?
(3:17)  2. For All We Know
(7:12)  3. Dimples
(5:06)  4. Band Aide
(6:27)  5. Turn Aboot
(4:12)  6. Burrito Borracho
(2:56)  7. Long Ago and Far Away
(5:46)  8. Aijalon
(2:42)  9. Walk Softly
(3:57) 10. Run Wild
(3:47) 11. The Way You Look Tonight
(4:01) 12. Laura
(4:53) 13. Tempest on the Charles
(3:06) 14. Sunday's Child
(2:17) 15. Alone Together
(4:06) 16. Three Cornered Cat
(3:42) 17. You Go to My Head
(6:18) 18. Yemaya

Johnny Richards was a man of convictions. Hearing the Richards aggregation, one can feel the leader's expansive expressiveness working. His main goal was the creation of interesting, stimulating music, not music of any particular kind. "We are an ORCHESTRA, not a band of sections; an organized orchestra of interested and interesting musicians who play a music of many dimensions and feelings." Richards once said: "Our music is ambitious. That explains why our instrumentation is not exactly standard. Although we are a jazz orchestra, this does not mean that other musical forms and rhythms cannot be incorporated into our music. After all, music is expressed in many languages. We should be aware and learn from that." https://www.freshsoundrecords.com/johnny-richards-albums/4073-softly-wild-and-something-else.html

Maynard Ferguson, Buddy Childers, Pete Candoli, Stu Williamson, Ray Copeland, Shorty Rogers (tp), Milt Bernhart, Frank Rosolino, Don Nelly, Jimmy Cleveland (tb), Julius Watkins, Vince De Rosa (Frh), Charlie Mariano, Gene Quill, Dave Schildkraut (as), Richie Kamuca, Frank Socolow (ts), Ronny Lang (bs), Marty Paich, John Knapp (p), Buddy Clark (b), Stan Levey, Ed Shaughnessy (d)

Softly... Wild... And Something Else!

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Johnny Richards Orquestra - Kiss Her Goodbye

Styles: Jazz, Big Band
Year: 2011
File: MP3@320K/s
Time: 77:27
Size: 179,9 MB
Art: Front

(1:22)  1. Intro & Theme
(1:55)  2. Kiss Her Goodbye
(2:28)  3. On the Wagon
(2:05)  4. Juke Jumps
(2:19)  5. Shutters
(3:04)  6. Nightmare
(1:40)  7. Playground
(3:27)  8. The Baby's Missing
(1:35)  9. At the Beach
(3:35) 10. Another Chance
(3:48) 11. Grown Up
(3:20) 12. Special Friends
(1:02) 13. Emily
(1:53) 14. Confession
(2:51) 15. End Title
(3:13) 16. The Moon Was Yellow
(0:50) 17. Theme
(4:13) 18. Ochun
(3:42) 19. Estoy Cansado
(7:31) 20. Dimples
(4:21) 21. Laura
(1:19) 22. Theme
(6:41) 23. Dimples
(4:56) 24. Band Aide
(4:06) 25. Laura

Johnny Richards was a forward-thinking arranger who incorporated Latin rhythms and dissonance, spending the early decades of his career working on Hollywood soundtracks before moving to New York City to contribute charts to Stan Kenton and leading his own band. Yet Richards has been badly neglected in the CD era, with few of his albums being reissued. This compilation is an important addition to his legacy, for it centers around an important, never-before-released soundtrack to the film Kiss Her Goodbye, shelved by Warner Bros. after the film (shot in Cuba) was seized following Fidel Castro's 1959 takeover. The source material came from a test pressing given to Richards by the label, which was tracked down by Uptown owner Bob Sunenblick, MD, with substantial help from discographers Michael Sparke and Jack Hartley in the identification of the musicians and song titles. The first 15 selections were recorded for the soundtrack, though they were likely only excerpted in the movie, as is typically the case, even though all of them are under four minutes. Some of the highlights include the breezy "Juke Jumps" (with fine solos by Phil Woods, Jimmy Cleveland, Burt Collins, and Ray Copeland), the mellow ballad "Shutters" featuring the trombone section and muted trumpet, and the suspenseful "The Baby's Missing" (showcasing Gene Quill's explosive alto). It is a shame that the movie was never completed, but at least Johnny Richards impressive soundtrack is finally available. The only previously issued track is "The Moon Is Yellow" from an LP by the Luis Tiramani Orchestra, with the arrangement credited to Tiramani but very likely ghost written by Richards. The final nine songs come from a pair of 1959 NBC radio broadcasts, with his mellow, playful original "Dimples" and lush, richly textured setting of "Laura" (both heard in two separate performances), which best display the arranger's gifts. The detailed liner notes and period photographs add value of this valuable, long lost music. ~ Ken Dryden https://www.allmusic.com/album/kiss-her-goodbye-new-york-city-1958-1959-mw0002146822

Johnny Richards - composer;  Ray Copeland, Clyde Reasinger, Burt Collins, Jerry Kail - trumpet;  Jimmy Cleveland, Jim Dahl, Billy Byers - trombone;  Al Antonucci - French horn;  Phil Woods - alto sax;  Frank Socolow - tenor sax;  Billy Slapin - baritone sax;  Shelly Gold - bas sax;  Bobby Pancoast - piano; Chet Amsterdam - acoustic double bass;  Charlie Persip, drums.

Kiss Her Goodbye

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Johnny Richards & His Orchestra - Something Else Again

Styles: Jazz, Big Band
Year: 2000
File: MP3@320K/s
Time: 41:36
Size: 95,9 MB
Art: Front

(6:07)  1. Waltz, Anyone?
(2:01)  2. For All We Know
(8:37)  3. Dimples
(5:14)  4. Band Aide
(6:32)  5. Turn Aboot
(4:13)  6. Burrito Borracho
(2:57)  7. Long Ago And Far Away
(5:51)  8. Aijalon

Johnny Richards was one of the more progressive-minded arrangers of the 1950s and '60s, turning out big, heavily orchestrated scores with a sometimes unabashed use of dissonance and a good feel for Latin rhythms. His music has been called "provocatively colorful," though in the case of his notoriously portentous "Prologue" for the ego-tripping Stan Kenton, simply the word "provocative" says it all. Richards grew up in Schenectady, NY, learning piano, violin, banjo, and trumpet; his mother was a concert pianist who had studied with Paderewski. He started writing film scores, first in London in 1932-1933, and then in Hollywood for the remainder of the decade, as Victor Young's assistant at Paramount while studying composition with Arnold Schoenberg. From 1940 to 1945, he led a big band and then returned to Los Angeles to arrange for Charlie Barnet and Boyd Raeburn. He also arranged a string album for Dizzy Gillespie in 1950, along with recording dates with Sarah Vaughan, Helen Merrill, and Sonny Stitt. His most famous association was with Kenton, with whom he started arranging in 1952; Kenton's album Cuban Fire! is an outstandingly flamboyant example of Richards' work. Richards continued to lead his own orchestras in 1956-1960 and 1964-1965, recording for Capitol, Coral, Roulette, and Bethlehem, and co-wrote one of Frank Sinatra's signature songs, "Young at Heart." ~ Richard S.Ginell https://www.allmusic.com/artist/johnny-richards-mn0000242438/biography

Something Else Again

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