Wednesday, May 8, 2024

Tony Bennett & Diana Krall - Love Is Here To Stay (With The Bill Charlap Trio)

Styles: Vocal Jazz
Year: 2018
Time: 36:27
File: MP3 @ 320K/s
Size: 85,5 MB
Art: Front

(2:50) 1. 'S Wonderful
(2:48) 2. My One And Only
(3:05) 3. But Not For Me
(2:45) 4. Nice Work If You Can Get It
(4:26) 5. Love Is Here To Stay
(1:57) 6. I Got Rhythm
(3:40) 7. Somebody Loves Me
(2:53) 8. Do It Again
(3:58) 9. I’ve Got A Crush On You
(2:41) 10. Fascinating Rhythm
(3:23) 11. They Can’t Take That Away From Me
(1:56) 12. Who Cares?

Tony Bennett and Diana Krall's partnership didn't begin with the 2018 duets album Love Is Here to Stay. Krall popped up on two prior duets albums from Bennett and the pair toured at the dawn of the 2000s, but Love Is Here to Stay marks their first full record together, and it's an elegant affair.

Conceived as a tribute to George Gershwin, the album is filled with familiar tunes, but hints of imagination lurk around the edges, such as the revival of "Fascinating Rhythm," the tune Bennett recorded for his first single in 1949. Nearly 70 years separate that version of "Fascinating Rhythm" from this 2018 rendition, and while Bennett certainly sounds older his voice is slightly raspy, he can't hit the high notes the way he used to, nor does he sing with quite as much force he still sounds spry and commanding, happily dancing through these cozy melodies, singing with as much rhythm as lyricism. “

Krall responds in kind, trading staccato phrases that are slyly complementary to Bennett's own. In the Bill Charlap Trio, the pair have empathetic support, keeping the proceedings both light and lush, helping to turn this album into a charming testament to endurance endurance of the Gershwin catalog, the collaboration between Krall and Bennett, and, especially, how Tony Bennett can still sound completely committed to songs he's spent decades singing.By Stephen Thomas Erlewine https://www.allmusic.com/album/love-is-here-to-stay-mw0003196487#review“

Tony Bennett and Diana Krall's partnership didn't begin with the 2018 duets album Love Is Here to Stay. Krall popped up on two prior duets albums from Bennett and the pair toured at the dawn of the 2000s, but Love Is Here to Stay marks their first full record together, and it's an elegant affair.“

Personnel: Tony Bennett – vocals (tracks 1, 2, 4–12); Diana Krall – vocals (tracks 1–11); arrangement (track 3).

The Bill Charlap Trio: Bill Charlap – piano, arrangement (all tracks); Peter Washington – bass (tracks 1, 2, 4–12); Kenny Washington – drums (tracks 1, 2, 4–12)“

Love Is Here To Stay (With The Bill Charlap Trio)

Karen Souza - Language of Love

Styles: Vocal
Year: 2020
File: MP3@320K/s
Time: 39:31
Size: 91,5 MB
Art: Front

(3:57) 1. This Masquerade
(2:50) 2. Everybody Knows
(3:36) 3. Love Is Not Fair
(3:57) 4. Language of Love
(4:28) 5. Less Is More
(3:39) 6. Someone Brought Me Wine
(3:33) 7. There You Are (Second Chance)
(3:43) 8. Rhythm and Blues
(2:58) 9. It's Gonna Happen Tonight
(2:42) 10. It Will All Work Out
(4:04) 11. Autumn Leaves / Dance Me to the End of Love

Latin American jazz singer Karen Souza, who has performed and recorded under the pseudonyms Pacha Ibiza, FTV (FashionTV), and Privé, is best known for her work on the popular jazz and '80s series, which featured sultry, jazz-infused covers of '8os hits like "Do You Really Want to Hurt Me" (Culture Club) and "Personal Jesus" (Depeche Mode). Souza also contributed to '70s and '90s versions of the series as well.By James Christopher Monger https://www.allmusic.com/artist/karen-souza-mn0000917461/biography

Language Of Love

Joe Lovano - Trio Fascination Edition One

Styles: Saxophone Jazz
Year: 1998
Time: 66:09
File: MP3 @ 320K/s
Size: 151,4 MB
Art: Front

(3:05) 1. New York Fascination
(6:44) 2. Sanctuary Park
(7:37) 3. Eternal Joy
(4:56) 4. Ghost of a Chance
(7:12) 5. Studio Rivbea
(4:59) 6. Cymbalism
(9:36) 7. Impressionistic
(7:15) 8. Villa Paradiso
(5:12) 9. 4 on the Floor
(9:28) 10. Days of Yore

Never predictable, Joe Lovano's saxophone artistry has him moving in all directions at once. Similarly, his ensembles have ranged from large to small, and this latest session features an excellent grouping. Presenting his own compositions, the 45-year-old leader draws upon nearly 30 years of professional experience and dedicates the album to those artists in Cleveland, Ohio who were there for him at the start. After performing with his father's band and attending the Berklee School of Music in Boston, Lovano's career went through the traditional phases that included experience with Lonnie Smith, Jack McDuff, Woody Herman, and Mel Lewis. Teaming with singer Judi Silvano in 1980, the saxophonist discovered a unique jazz presentation that employed the human voice as an instrument amid the timbres of a traditional ensemble. Combining tradition with avant-garde ideas, Lovano brings a unique sound to the modern mainstream. Three of the pieces on this album are extracted from a larger work that Lovano composed as part of a Jazz At Lincoln Center commission. “

Dave Holland works as a melodic counterpart to Lovano's saxophone lead. The bassist, who turned 52 last month, began his professional career in his native England before linking up with Miles Davis and later garnering associations with leading members of the modern jazz idiom, including Jack DeJohnette, Herbie Hancock, Sam Rivers, and Chick Corea. Elvin Jones accompanies with a light touch and subtle shadings; however, his periodic emphatic statements add a vital force needed for the balance this trio has attained. Jones, who turned 71 in September, is the younger brother of pianist Hank Jones and trumpeter Thad Jones. His name recognition stemming from his role in the John Coltrane quartet of the early 1960s, Jones has spent much of his career teaching and helping younger musicians to find their own voices in jazz.“

Joe Lovano chooses to present his familiar tenor saxophone sound on most tracks; the soprano saxophone is employed on "Eternal Joy," the alto sax on "Studio Rivbea" & "4 on the Floor," and the alto clarinet on "Impressionistic." Victor Young's "I Don't Stand a Ghost of a Chance With You" is presented in standard form with brushes and strolling bass in support. It's all about the melody, as Lovano offers his heartfelt interpretation of Ned Washington's lyrics. With the leader choosing alto clarinet and Holland using the bow, the trio performs "Impressionistic" with an ear on the melody and a hand on the arrhythmic pulse.

Jones provides a feature, using every facet of the drum set to create various textures while Lovano and Holland pair off with doubled melodic lines. Switching to alto sax at mid-stream, Lovano continues to deliver the session's highlight with a superb presentation from all three artists. For the most part, the album contains music from a jazz trio that is steeped in the hard bop tradition, willing & free to unleash creative feelings, and in agreement as to what constitutes the modern mainstream in jazz. Highly recommended.https://www.allaboutjazz.com/trio-fascination-joe-lovano-blue-note-records-review-by-jim-santella“

Personnel: Joe Lovano- tenor saxophone, soprano saxophone, straight alto clarinet; Dave Holland- acoustic bass; Elvin Jones- drums

Trio Fascination Edition One

Art Pepper - Surf Ride

Styles: Saxophone Jazz
Year: 1956
File: MP3@320K/s
Time: 37:25
Size: 87,3 MB
Art: Front

(2:54)  1. Tickle Toe
(2:59)  2. Chili Pepper
(3:14)  3. Susie The Poodle
(2:26)  4. Brown Gold
(3:11)  5. Holiday Flight
(2:54)  6. Surf Ride
(2:52)  7. Straight Life
(3:10)  8. Cinnamon
(3:29)  9. Thyme Time
(3:48) 10. The Way You Look Tonight
(3:15) 11. Nutmeg
(3:07) 12. Art's Oregano

The music on this Savoy LP is quite brilliant, but the packaging leaves something to be desired. The recording dates are all incorrect and there are only 12 performances included (around 37 minutes). There are quartet outings with either Russ Freeman or Hampton Hawes on piano and tracks from a classic session with tenor saxophonist Jack Montrose. The somewhat random nature of this set is unfortunate, for Pepper is in superior form throughout, with highlights including "Tickle Toe," "The Way You Look Tonight," and his earliest recordings of such originals as "Susie the Poodle," "Straight Life," and "Surf Ride." ~ Scott Yanow https://www.allmusic.com/album/surf-ride-mw0000612532

Personnel:  Art Pepper - alto saxophone; Jack Montrose - tenor saxophone; Russ Freeman, Hampton Hawes, Claude Williamson - piano; Monty Budwig , Joe Mondragon, Bob Whitlock - bass; Larry Bunker, Bobby White - drums

Surf Ride