Wednesday, April 11, 2018

Brubeck Brothers Quartet - Lifetimes

Bitrate: MP3@320K/s
Time: 55:18
Size: 126.6 MB
Styles: Contemporary jazz
Year: 2012
Art: Front

[ 6:02] 1. The Duke
[ 6:26] 2. Jazzanians
[ 7:10] 3. Kathy's Waltz
[ 7:03] 4. Go Round
[ 5:14] 5. Prezcence
[ 6:46] 6. The Girl From Massapequa
[ 6:08] 7. My One Bad Habit
[10:25] 8. Take Five

Chris Brubeck: electric bass, bass trombone; Dan Brubeck: drums; Mike DeMicco: guitar; Chuck Lamb: piano.

LifeTimes, the fourth CD from the Brubeck Brothers Quartet, is a powerful tribute to musical giant Dave Brubeck by two of his natural sons (bassist/trombonist Chris Brubeck and drummer Dan Brubeck) and two of their "honorary brothers" (guitarist Mike DeMicco and pianist Chuck Lamb). Half the compositions are Dave's, most of them dating back decades, but they are so freshly imagined that they sound as if they've just been written. The set ends with "Take Five," which is Paul Desmond's tune but arguably Dave's most famous performance (here, it starts with a second-line, New Orleans groove).

Downloaders will miss a rare historic document, as the CD package is full of nostalgic family photos and revealing notes by Chris, which includes this heartwarming sentence: "We have taken the greatest pleasure in playing these tracks for Dave, who, at nearly 92, grins from ear to ear when he hears our take on his ageless compositions."

While it's clear the project is historically important, the CD stands on its own because of the Brubeck Brothers Quartet's consistently high level of mastery. It's rare to find this combination of sizzling swing, rich melodies, tight arrangements, inventive solos, and warm, yet crisp recording. As always, Chris's fretless expressions on trombone and bass are strong, propulsive, and full of wit (check out his solos on both instruments in "Prezcence"), while Dan's polyrhythms are rarely less than electrifying. Both DeMicco and Lamb are also superb, and their compositions and interpretations fit seamlessly into the mix.

I have a special fondness for the driving juggernaut of "Jazzanians," but the whole CD rocks like mad. It only slows down once, for the ballad "My One Bad Habit," where Chris's trombone lead is achingly soulful. In sum, it's easy to understand why Dave was so happy to hear "LifeTimes"; I did quite a lot of grinning myself. ~DR. JUDITH SCHLESINGER

Lifetimes mc
Lifetimes zippy

Cory Weeds, Bill Coon Quartet - With Benefits

Bitrate: MP3@320K/s
Time: 66:18
Size: 151.8 MB
Styles: Saxophone jazz
Year: 2013
Art: Front

[5:29] 1. Broadway And Alma
[5:17] 2. There's A Small Hotel
[7:27] 3. Cory's Story
[5:20] 4. Smile Stacey
[6:39] 5. East Of The Sun
[7:08] 6. With Benefits
[8:29] 7. Search For Peace
[8:43] 8. Just Squeeze Me
[7:09] 9. Wesology
[4:34] 10. Sunday Morning

Cory Weeds: tenor saxophone, Bill Coon: guitar, Peter Washington: bass, Lewis Nash: drums.

A saxophonist with an expressive sound rooted in Jazz tradition, a label owner tirelessly documenting unsung Jazz heroes, one of Canada’s most important Jazz impresarios, the hardest-working man in Jazz business – Cory Weeds is all of these things, and much more. Weeds may be best known as the founder and owner of Cory Weeds’ Cellar Jazz Club in Vancouver, which he successfully ran for more than 13 years. Weeds built the Cellar to become one of North America’s best Jazz clubs, where masters such as George Coleman, Jeff Hamilton, Louis Hayes, David “Fathead” Newman, Dr. Lonnie Smith, and the finest Jazz musicians from Vancouver and across Canada performed before it closed in February 2014.

But he wasn’t just the club owner. As a saxophonist who studied at the University of North Texas and Capilano College, Weeds spent many nights on the Cellar bandstand as a leader and sideman. He held his own when performing with icons like Joey DeFrancesco and Christian McBride. Weeds has also recorded twelve albums as a leader, including: Dreamsville (with The Jeff Hamilton Trio), It’s Easy To Remember (with David Hazeltine, Joe Magnarelli, Paul Gill and Jason Tiemann) This Happy Madness, (with The Jeff Hamilton Trio), Condition Blue, The Music Of Jackie McLean (with Peter Bernstein, Mike LeDonne, and Joe Farnsworth), As Of Now (with the Harold Mabern Trio), Let’s Go (with Steve Davis), the Juno-nominated Up A Step (Cory Weeds Quartet), With Benefits (with Lewis Nash and Peter Washington), Just Like That (with the Tilden Webb Trio), The Many Deeds of Cory Weeds (with Joey DeFrancesco), Everything’s Coming Up Weeds (with Jim Rotondi), and Big Weeds (with Peter Bernstein, Mike LeDonne, and Joe Farnsworth).

With Benefits mc
With Benefits zippy

Lucy Ann Polk - Lucy Ann Polk With The Les Brown Orchestra

Bitrate: MP3@320K/s
Time: 76:32
Size: 175.2 MB
Styles: Vocal jazz
Year: 1997
Art: Front

[2:34] 1. Swingin' At The Met
[3:00] 2. Sometimes I'm Happy
[2:53] 3. Boptized
[2:50] 4. Waitin' At The Station
[2:04] 5. Sabre Dance
[2:01] 6. Where Are You
[3:26] 7. How High The Moon
[2:33] 8. You're Different
[2:21] 9. Rosetta
[2:15] 10. Crazy He Calls Me
[3:23] 11. Them There Eyes
[1:55] 12. What's Happened To Joe
[2:59] 13. Moon Of Manakoora
[1:34] 14. It's Too Soon To Know
[3:16] 15. Bopple Sauce
[2:39] 16. Black Coffee
[2:08] 17. Pretty Baby
[3:19] 18. Squeeze Me
[2:41] 19. I May Be Wrong
[1:57] 20. Again
[2:08] 21. Honeysuckle Rose
[1:56] 22. September Song
[3:36] 23. Pell Mell
[2:59] 24. Rock Me To Sleep
[2:44] 25. Harlem Nocturne
[2:56] 26. Back In Your Own Backyard
[2:11] 27. Laura
[3:26] 28. I've Got The World On A String
[2:32] 29. The Song Is Ended

Lucy Ann Polk (May 16, 1927 – October 10, 2011) was an American jazz singer who performed with Les Brown's orchestra in the 1950s. Polk began her music career with her sister and brothers in a quartet named the Four Polks, which was eventually changed to the Town Criers. They performed with big bands led by Les Brown, Lionel Hampton, and Kay Kyser until they disbanded in 1948. Polk became the lead vocalist with the Les Brown Orchestra. From 1952–1954, she was named Best Girl Singer with Band by Down Beat magazine.

She began her solo career with the album Lucy Ann Polk with the Dave Pell Octet (Trend, 1954), followed by Lucky Lucy Ann (Mode, 1957; reissued by Interlude under the name Easy Livin in 1959). The latter album featured arrangements by Marty Paich. On both albums, she sang jazz and traditional pop songs by Duke Ellington, Billy Strayhorn, Hoagy Carmichael, Cole Porter, Sammy Cahn, Jule Styne, and Jimmy Van Heusen. She released no more albums and ended her career in 1960.

Lucy Ann Polk with the Les Brown Orchestra 

Jordan Officer - Blue Skies

Bitrate: MP3@320K/s
Time: 40:33
Size: 92.8 MB
Styles: Jazz/Blues guitar
Year: 2015
Art: Front

[3:21] 1. Blue Skies
[2:58] 2. Got You On My Mind
[2:58] 3. It's You I Love
[3:04] 4. Shot Of Rhythm And Blues
[4:28] 5. Chains Of Love
[4:08] 6. Night Flight
[2:40] 7. How Long Blues
[3:38] 8. That's For Me
[3:54] 9. Then She Kissed Me
[5:01] 10. When The Deal Goes Down
[4:18] 11. Takin' Off

Jordan Officer treads a fine line between jazz, blues, country and traditional rock’n’roll. On his latest release, Blue Skies, he opens the album with his version of Tom Waits’ title track, but eschews Waits’ solo finger-picking in favour of a two guitar backing, one comping and one adding solos and licks, adding a trad-jazz sheen that wasn’t altogether obvious on the original. And it works very nicely, adding a little joie de vivre to the already-excellent original.

As it turns out, this inventive, almost playful approach to the music inhabits the rest of a fascinating album that takes in covers by Waits, Leroy Carr, Bob Dylan, Fats Domino and Phil Spector as well as songs popularised by the likes of The Big Three Trio, Big Joe Turner, Louis Armstrong and Arthur Alexander. Officer himself contributes two instrumentals, the enticingly discordant “Night Flight” and the closing track, “Takin’ Off”, which features the top-notch keyboard talents of Augie Meyers, formerly with the Sir Douglas Quintet and the Texas Tornados. ~Rhys Williams

Blue Skies mc
Blue Skies zippy

NYC Jazz Quartett, Nashi Young Cho - The Great American Jazz Songbook Vol 1

Bitrate: MP3@320K/s
Time: 72:06
Size: 165.1 MB
Styles: Jazz vocals
Year: 2008
Art: Front

[3:14] 1. Moonlight In Vermont
[5:54] 2. Cheek To Cheek
[3:30] 3. Fly Me To The Moon
[3:22] 4. You Took Advantege Of Me
[4:18] 5. Blue Moon
[3:51] 6. Honeysuckle Rose
[5:07] 7. Lover Man
[4:06] 8. Mambo Craze
[3:09] 9. One Note Samba
[4:19] 10. How Insensitive
[4:05] 11. That Old Devil Called Love
[2:58] 12. Santa Baby
[3:19] 13. Diamond's Are A Girl's Best Friend
[3:38] 14. Paris Match
[6:24] 15. What A Difference A Day Makes
[3:25] 16. Why Don't You Do Right
[3:40] 17. My Baby Just Cares For Me
[3:37] 18. As Time Goes By

Hello, my name is Nashi Young Cho. I sing, speak, moderate, compose and act. Since early childhood, I sang in public and wrote my own songs. I have already worked as a singer parallel to the A-levels and now have my own recording studio and a jazz band. I have made jazz / lounge / soul / electro releases, as well as numerous jobs in advertising, events (live music). Currently I'm moderating the event magazine X on the radio, Radio X Frankfurt. In addition, as a single singer, I'm on the road with my own band or another, have a large repertoire in the field of jazz, soul, classics, charts. I have been involved in musicals and have been working as a broadcaster, as well as voice-over roles in TV and theater productions, as well as advertising and language course production. I am pleased with inquiries that challenge me because I am versatile. Sincerely. ~Nashi young cho

We combine traditional jazz with modern lounge music. We play the pearls of jazz in sophisticated arrangements. Travel with us from trendy New York to glamorous Hollywood. Experience the soul of the Blue Note Classics and enjoy a touch of sophisticated exoticism. Atmospheric original compositions alternate with newly arranged pop songs and popular movie classics. Energetic soul jazz, groovy cool jazz, swing, bossa nova and chachacha pieces take you to musical paradise. Our exotic cocktail with its heavenly magic gives some often heard songs a new, unexpected sheen. NYC Jazz Quartet sounds like pure jazz holidays. (Translated from German.)

The Great American Jazz Songbook Vol 1 mc
The Great American Jazz Songbook Vol 1 zippy

Sonny Fortune - Serengeti Minstrel

Styles: Saxophone And Flute Jazz
Year: 1977
File: MP3@320K/s
Time: 41:38
Size: 96,2 MB
Art: Front

(5:43)  1. Bacchanal
(7:26)  2. The Afro-Americans
(6:50)  3. There’s Nothing Smart About Being Stupid
(5:55)  4. Not All Dreams Are Real
(6:16)  5. Never Again Is Such A Long Time
(9:23)  6. Serengeti Minstrel

A great one from Sonny Fortune  done with the fusiony sound he was working so well with at the time, and still filled with a tight conception and an incredible group of musicians who bring depth and deliver some really great solos! The title track is an incredible 10 minute cut that breaks into a beautiful modal groove about 4 minutes into it  and that groove is completely wonderful. It's far from the only high point of a set filled with them. Players include Kenny Barron on Fender Rhodes, Woody Shaw on coronet & flugelhorn, Gary King on bass, Jack DeJohnette on drums, Sammy Figueroa on congas, Rafael Cruz on percussion, and Sonny doing his thing on flute, piccolo and sax. Other tracks include "Bacchanal", "Never Again Is Such A Long Time", "There's Nothing Smart About Being Stupid" and "The Afro-Americans". (Cover has a cutout hole, a promo sticker, light wear, and a bit of stuck-on paper on back.)  © 1996-2018, Dusty Groove, Inc. https://www.dustygroove.com/item/8745

Personnel: Sonny Fortune – saxes, flute;  Woody Shaw – cornet, flugelhorn;  Kenny Barron – Fender Rhodes;  Gary King – electric bass; Jack DeJohnette - drums,  Horacee Arnold – drums, celesta, marimba, gong, handclap;  Sammy Figueroa - congas;  Rafael Cruz - percussion

Serengeti Minstrel

Margeaux Lampley - Love for Sale

Styles: Vocal 
Year: 2009
File: MP3@320K/s
Time: 44:40
Size: 102,9 MB
Art: Front

(4:21)  1. Love for Sale
(3:33)  2. Fly Me to the Moon
(3:37)  3. Still in the Mood
(4:08)  4. Autumn Leaves
(4:39)  5. When Sunny Gets Blue
(4:13)  6. Buildin' Walls
(3:32)  7. My Funny Valentine
(3:21)  8. What Is This Thing Called Love?
(3:35)  9. I Thought About You
(3:37) 10. Stars Fell On Alabama
(3:14) 11. La Javanaise
(2:45) 12. Lady Is a Tramp

Paris-based American jazz and gospel singer, the soulful vocalist Margeaux Lampley welcomes a challenge. Originally from Oakland, California, she has degrees from UCLA and Columbia Law School, but left Wall Street and a renowned law firm in New York and Paris to live the artist’s life, studying jazz and in no time establishing herself as a featured artist, backup vocalist and songwriter for various French groups and singers. As part of the duo Sodex, she had two club hits, including “Move Me”, featured on the soundtrack of the film “De battre mon coeur s’est arrêté”, and even collaborated with disco legend Edwin Starr on one of his last recordings, "Burns Like Fire", which she co-wrote and for which she sings backup vocals. With her warm, intimate style, Margeaux is a regular on the Paris music scene at Paris clubs such as the Sunset-Sunside and has been making a name for herself throughout France and Europe as a solo jazz artist and as a member of various European gospel groups (The 100 Voices of Gospel, Liberty Gospel...). She was a finalist with The 100 Voices of Gospel in the 2016 edition of Britain's Got Talent, one of the largest and most well-known talent competitions in the world.

In 2008, she proposed her first solo jazz album Love for Sale, which revisits the great jazz standards. A second well-received album Rain followed in 2012 with 9 original compositions and 3 standards, oscillating between jazz, pop, soul and latin music. In January 2018, Margeaux will release the first single from her new album with the album to follow in April 2018. « Love for Sale », Margeaux’s debut jazz album, was recorded in Paris with Romain Molist (piano), Nicolas Grammosenis (double bass) and Jérôme Villefranque (drums). The album reflects her true love of the great jazz standards sung by her idols Ella Fitzgerald, Dinah Washington and Billie Holiday. She offers us simple and elegant versions of these favorites, each with its own personal musical style. The tracks “Buildin’ Walls” and “Still in the mood” give a taste of Margeaux’s own composition style, a vibrant fusion of pop, jazz and soul.  https://store.cdbaby.com/cd/margeauxlampley

Love for Sale

Conrad Herwig - The Latin Side Of Herbie Hancock

Styles: Trombone Jazz
Year: 2008
File: MP3@320K/s
Time: 66:12
Size: 153,4 MB
Art: Front

(10:16)  1. Oliloqui Valley
( 5:33)  2. One Finger Snap
( 8:52)  3. Butterfly
( 6:58)  4. The Sorcerer
( 9:22)  5. Actual Proof
( 8:42)  6. Maiden Voyage
( 9:30)  7. Cantaloupe Island
( 6:55)  8. Watermelon Man

Trombonist and bandleader Conrad Herwig has quite colorfully and majestically explored the Latin side of some of modern music's most enduring composers and performers, and herewith adds his survey of Herbie Hancock's compositional catalog to previous Latin sets that honored Miles Davis and Wayne Shorter. "It's a little daunting in the sense that these tunes are so iconic," Herwig admits. "I grew up idolizing Herbie's music. His tunes became the new standards for a whole generation of post-Coltrane players." To navigate this territory, recorded in performance at the Blue Note in NYC, Herwig turned to two old friends: Trumpeter Randy Brecker, who first played with Herwig three decades ago; and pianist Eddie Palmieri, one of Latin jazz's reigning piano masters and one of Herwig's Latin jazz advisors for more than two decades. He also brought one new friend onboard: pianist Bill O'Connell, a veteran of classic sessions by Mongo Santamaria, Jerry Gonzalez, and others. O'Connell and Herwig either split or shared all these Latin Hancock arrangements. Brecker's trumpet burns through the group's collective descarga on "The Sorcerer" like a flame through tissue paper, while O'Connell takes charge with a powerful improvised passage that refracts Hancock's original tune into shards of melodic light. Brecker's and Herwig's intertwined improvisational passages only send these shards flying higher and brighter.

But Herwig's closing trilogy, a howling ensemble hurricane, is simply as good as Latin jazz gets. O'Connell's arrangement strings tethers the familiar "Maiden Voyage" melody to soft horns that float in harmonic space, the shadow of a passing cloud that gently darkens the rhythm section's roiling sea, with Craig Handy on flute, Brecker on trumpet so soft that your ears hear flugelhorn, and O'Connell on piano, painting brilliant solo strokes. More than a beautiful rendition, "Maiden Voyage" rediscovers this jazz classic. Palmieri jumps back in to help fire the remainder back up to a torrid Latin boil. Latin rhythms illuminate the sweet funky insides of "Cantaloupe Island," which, after Palmieri's two-fisted piano excursion, culminates in a blazing percussion/horn breakdown; with no piano or bass to anchor them to the percussion rhythms, Handy, Brecker and Herwig are left free to scatter and soar skyward like untethered birds. In a torrent, "Watermelon Man" pours out from the aftermath of "Cantaloupe," highlighted by Palmieri's spirited dialogue with the rhythm and percussion instruments. Even on just the strength of these last three tunes, Herwig's Latin Hancock presents tremendously rewarding, eye-opening and ear-popping, new interpretations of classic jazz pieces. ~ Chris M.Slawecki https://www.allaboutjazz.com/the-latin-side-of-herbie-hancock-conrad-herwig-review-by-chris-m-slawecki.php

Personnel: Conrad Herwig: trombone; Craig Handy: saxophones, flute, bass clarinet; Mike Rodriguez: trumpet; Bill O'Connell: piano; Ruben Rodriguez: bass; Robby Ameen: drums; Pedro Martinez: percussion; Eddie Palmieri: piano; Randy Brecker: trumpet.

The Latin Side Of Herbie Hancock

Fausto Papetti - Donna...

Styles: Saxophone Jazz
Year: 1976
File: MP3@320K/s
Time: 44:43
Size: 186,8 MB
Art: Front

(2:35)  1. Georgia On My Mind
(2:42)  2. Ballade Pour Adeline
(2:29)  3. Lara's Theme
(3:37)  4. Angela
(2:26)  5. My Funny Valentine
(3:01)  6. Tema Di Nadia
(2:50)  7. Raffaella
(2:34)  8. Chloe
(2:07)  9. Laura
(3:57) 10. Natali
(2:26) 11. Tema Di Adriana
(3:21) 12. Emmanuelle
(2:42) 13. Elise
(2:04) 14. Yasmin's Theme
(3:06) 15. Alexandra
(2:40) 16. Maria Elena

Fausto Papetti (28 January 1923 – 15 June 1999) was an Italian alto saxophone player. His recordings, sometimes under the pseudonym "Fausto Danieli", are also characterized by album art with sexy women posing half naked. His works have been widely known all over the world for the last six decades. He has played the majority of the most famous pop & jazz songs, in a career spanning 45 years. He was born at Viggiù in Lombardy. His performance of the song "Love's Theme" (originally by Barry White's Love Unlimited Orchestra) was featured on the breakbeat compilation "Ultimate Breaks and Beats". Papetti reached the height of his popularity in the 1960s and 1970s, and all of his new albums were hits (most of which were also released in the Latin American market). During the 1970s, Papetti also released two collections a year, the best-selling being the 20th one from 1975. These records are also characterized for their sexy covers, often featuring topless nudity. His influence on saxophone music was substantial and in the 1970s many imitators appeared, like Johnny Sax and Piergiorgio Farina. He died in San Remo. https://en.wikipedia.org/wiki/Fausto_Papetti

Donna...

Ted Nash - The Mancini Project

Styles: Saxophone Jazz
Year: 2008
File: MP3@320K/s
Time: 64:30
Size: 148,2 MB
Art: Front

(5:52)  1. Theme From The Night Visitor
(6:30)  2. Dreamsville
(4:53)  3. Something For Nash
(1:31)  4. Shot In The Dark
(6:28)  5. Lujon
(7:27)  6. Breakfast At Tiffany's
(3:09)  7. Cheryl's Theme
(1:24)  8. Mr Yunioshi
(4:58)  9. Soldier In The Rain
(6:25) 10. The Party
(1:38) 11. A Quiet Happening
(6:11) 12. Two For The Road
(6:17) 13. Experiment In Terror
(1:42) 14. Baby Elephant Walk

While Henry Mancini (1924-1994) borrowed plenty from jazz, he returned in kind by contributing a large body of fine, memorable music worthy of the melodic jazz tradition. Much of Mancini's best film music particularly those scores from the early 1960s sprang from the "cool jazz" of the 1950s West Coast Scene and featured some of the era's best players. Aside from insanely catchy music, Mancini brilliantly fused instrumental colors and devised some of the cleverest musical patterns imaginable. Oddly, though, Mancini never inspired the great wealth of jazz tributes that composers such as Gershwin, Jobim or Ellington motivated over the last several decades. Of the few that have surfaced over the last few years, none were as inspired as the music being honored. Ted Nash's exquisite The Mancini Project is a most pleasurable exception. This fine tribute finds the reed player exploring 14 of Mancini's compositions, including at least two of the composer's very best ("Lujon" and "Dreamsville") and several surprising and satisfying choices ("Theme From Night Visitor" and "Cheryl's Theme"). Nash is joined by three like-minded partners of the highest order, pianist Frank Kimbrough, bassist Rufus Reid and drummer Matt Wilson. Together, and not always at once, they breathe beautiful life into Maestro Mancini's music.

Nash, who has become well known for his considerable contributions to Wynton Marsalis' Lincoln Center Jazz Orchestra as well as the Jazz Composers Collective, charts a path that's very much his own. He's more inspired here than ever before. This is due, perhaps, to his special connection to the music. Both his father and uncle were part of the Mancini aggregates which recorded the original versions of songs heard here. Indeed, "Something For Nash," featured in Blake Edwards' 1987 film Blind Date and covered here, was written by Mancini for Ted's father. Nash sounds lush throughout, primarily but not exclusively on tenor sax. The Kimbrough/Reid/Wilson triumvirate responds in kind with some marvelously melodic and truly creative complicity. This is especially evident on the moodiest pieces, notably "Night Visitor," "Lujon" and "Experiment in Terror." The trio's take on "Breakfast At Tiffany's" moves beyond mood toward pure inspiration, where Nash bravely hints at the motions and emotions David Murray has expertly explored. 

The remarkably funky "The Party," elsewhere an odd rock-ish number highlighting an odd Peter Sellers film, is given great resonance by Kimbrough's strong-as-church gospel foundation. Nash finds a niche on soprano for the lovely, swinging "A Quiet Happening" and "Two For The Road" and finesses the flute on the equally enchanting "Something For Nash," "Soldier In The Rain" and "Baby Elephant Walk." Surprisingly, Nash gives several of the more familiar titles ("Shot In The Dark," "Baby Elephant Walk") a refreshing sprite, but disallows any sort of improvisation and keeps them well below the two-minute mark. But it's hard to fault this collection which could easily stretch into multiple volumes for its attempt at a most beautiful tribute. Nash and company give this timeless music the sense of essential it most surely deserves. ~ Douglas Payne https://www.allaboutjazz.com/the-mancini-project-ted-nash-palmetto-records-review-by-douglas-payne.php

Personnel: Ted Nash: tenor sax, alto sax, soprano sax, alto flute, piccolo; Frank Kimbrough: piano; Rufus Reid: bass; Matt Wilson: drums.

The Mancini Project