Showing posts with label Jon Eardley. Show all posts
Showing posts with label Jon Eardley. Show all posts

Friday, December 15, 2023

Chet Baker - 'Round Midnight (Live In Cologne)

Styles: Vocal And Trumpet Jazz
Year: 2023
File: MP3@320K/s
Time: 46:21
Size: 106,4 MB
Art: Front

( 7:00) 1. Prayer For The Newborn
( 8:09) 2. My Ideal
( 7:07) 3. Lady Bird
( 9:30) 4. 'Round Midnight
(14:33) 5. Beatrice

On May 21 and 23 of 1981, trumpeter Chet Baker performed at the Salt Peanuts Club in Cologne, Germany. Backing him were Jon Eardley (fhrn), Bob Mover (as), Dennis Luxion (p), Rocky Knauer (b) and Burkhart Ruckert (d, only on the first three tracks). Now Germany's Circle Records has released a streaming remaster of the performance on 'Round Midnight: Chet Baker Live in Cologne, culled from the gigs. Mark Wingfield did an incredible job on the remastering.

Rudolf Kreis, who founded Circle in 1976, recorded the performances in Cologne, where the label was located at the time. He knew the club's owner, Christoph Höver. The recording was first released in 1982 on vinyl.

The album openswith Prayer for the Newborn, a gorgeous composition by Luxion that features Baker, Eardley and Mover playing off each other. The standard My Ideal follows, with a reedy vocal by Baker. Tadd Dameron's Lady Bird is next. The next two songs Thelonious Monk's 'Round Midnight and Sam Rivers's Beatrice were recorded without drums.

What's notable about this album is its gentle, hammock-like quality. Baker and Eardley are gorgeous together and richly laid back, whether playing in unison or when one is playing lead and the other is on harmony. Add Mover on alto saxophone and you can hear the Pacific Coast.

I can't remember the last time I heard an album this beautiful that moved so cat-like. Quite remarkable. The microphones caught the horns clearly, the piano is a bit less pronounced, the bass even less so and the drums could have been across the street. Nonetheless, it's one of the best Baker albums I've heard in some time. The poetic playing is touching and enveloping. Chet Baker died in 1988; Jon Eardley died in 1991. By Marc Myers
https://www.allaboutjazz.com/news/chet-baker-and-jon-eardley-in-cologne/

Personnel: Trumpet, Vocals – Chet Baker; Alto Saxophone – Bob Mover; Double Bass – Rocky Knauer; Drums – Burkhart Ruckert ; Flugelhorn – Jon Eardley; Piano – Dennis Luxion

'Round Midnight (Live In Cologne)

Sunday, June 27, 2021

Gerry Mulligan - The Original Sextet: Complete Studio Master Takes

Styles: Saxophone And Piano Jazz
Year: 2019
File: MP3@320K/s
Time: 152:17
Size: 353,3 MB
Art: Front

(5:07) 1. Mud Bug
(5:07) 2. Sweet and Lovely
(5:29) 3. Apple Core
(4:39) 4. Nights at the Turntable
(6:39) 5. Broadway
(5:25) 6. Everything Happens to Me
(5:13) 7. Lady Is a Tramp
(6:46) 8. Benie's Tune
(4:07) 9. Makin' Whoopee
(5:43) 10. Demanton
(4:29) 11. Duke Ellington Medley: Moon Mist,In a Sentimental Mood
(4:26) 12. Westward Walk
(3:30) 13. La Plus Que Lente
(8:17) 14. Blues
(6:52) 15. Elevation
(6:49) 16. Mainstream
(5:24) 17. Ain't It the Truth
(6:58) 18. Igloo
(5:44) 19. Blues at the Roots
(5:53) 20. Lollypop
(7:02) 21. Blues (Bonus Track)
(5:42) 22. Lady Is a Tramp (Bonus Track)
(5:41) 23. Demanton (Bonus Track)
(6:37) 24. Broadway (Bonus Track)
(2:46) 25. Sweet and Lovely [Feat. Jon Eardley, Bob Brookmeyer & Zoot Sims] (Short Version, Bonus Track)
(2:40) 26. Bernie's Tune [Feat. Jon Eardley, Bob Brookmeyer & Zoot Sims] (Short Version, Bonus Track)
(5:22) 27. Westwood Walk (Bonus Track)
(3:39) 28. La Plus Que Lente (Bonus Track)

This two-disc, 28-track compilation gathers all of Gerry Mulligan's sides recorded with a short-lived sextet lineup in 1955 and 1956. Originally released as three LPs on the Emarcy and Mercury labels 1955's Presenting the Gerry Mulligan Sextet and A Profile of Gerry Mulligan and 1956's Mainstream of Jazz this material was recorded in New York City after Mulligan had returned to his hometown following the 1954 drug bust that ended his star-making Los Angeles group with Chet Baker. As a result, some call these sessions the first flowering of "West Coast" cool jazz on the Eastern Seaboard, but in point of fact, these tracks can be traced directly back to Mulligan's work with Miles Davis and Gil Evans on the Birth of the Cool sessions in 1949.

As on those sides, Mulligan's primary musical sparring partner is a trombonist, Bob Brookmeyer, and the unusual pairing of Mulligan's baritone and Brookmeyer's trombone takes precedence over the more conventional trumpet (Jon Eardley and Don Ferrara) and tenor (Zoot Sims) parts. The primary difference here is in the rhythm section (drummer Dave Bailey and either Peck Morrison or Bill Crow on bass, with both Mulligan and Brookmeyer doubling on piano when necessary), which gooses the tempos in a way that Mulligan's more languid early groups rarely managed. Furthermore, unlike the earlier recordings, which had to be edited for 78 rpm play, this group is allowed to stretch out, leading to longer and more daring solos. The sextet never became the hot group of the moment in the way that the Mulligan and Baker lineup did, but this set beautifully showcases their gifts. As an added gift, the second disc includes eight rare and unissued alternate takes, including both sides of a 1955 single pairing greatly reduced versions of "Sweet and Lovely" and "Bernie's Tune."~ Stewart Mason https://www.allmusic.com/album/the-original-sextet-complete-studio-master-takes-mw0001170379

Personnel: Baritone Saxophone, Piano – Gerry Mulligan; Bass – Bill Crow, Peck Morrison; Tenor Saxophone – Zoot Sims; Trombone, Piano – Bob Brookmeyer; Trumpet – Don Ferrara, Jon Eardley

The Original Sextet: Complete Studio Master Takes (Bonus Track Version)

Tuesday, January 30, 2018

Zoot Sims, Henri Renaud - Zoot Sims Avec Henri Renaud Et Son Orchestre

Bitrate: MP3@320K/s
Time: 33:56
Size: 77.7 MB
Styles: Bop, Swing
Year: 1956/2002
Art: Front

[5:02] 1. Captain Jetter
[7:22] 2. Nuzzolese Blues
[4:18] 3. Everything I Love
[3:21] 4. Evening In Paris
[5:35] 5. On The Alamo
[3:23] 6. My Old Flame
[4:53] 7. Little Jon Special

Bass – Benoit Quersin; Drums – Charles Saudrais; Piano – Henri Renaud; Tenor Saxophone – Zoot Sims; Trumpet – Jon Eardley. Recorded in Paris, 15th & 16th March 1956.

Splendid japanese reissue of ultra rare french only jazz 10" LP from 1956 featuring Jon Eardley.

Zoot Sims Avec Henri Renaud Et Son Orchestre mc
Zoot Sims Avec Henri Renaud Et Son Orchestre zippy

Sunday, October 30, 2016

Jon Eardley - From Hollywood to New York

Styles: Trumpet Jazz
Year: 1955
File: MP3@320K/s
Time: 40:31
Size: 93,1 MB
Art: Front

(5:01)  1. Late Leader
(5:29)  2. Indian Spring
(4:08)  3. Black
(4:38)  4. Gloss
(5:52)  5. Hey There
(4:38)  6. Demanton
(4:19)  7. Sid's Delight
(6:23)  8. If You Could See Me Now

Trumpeter Jon Eardley's first two sessions as a leader (he would only lead two others during the next 20 years) are combined on this reissue CD. A fine boppish player who mostly stuck to the middle register of his horn, Eardley would soon be joining Gerry Mulligan's group. He is heard on four selections heading a quartet with pianist Pete Jolly (who was just starting his career), bassist Red Mitchell, and drummer Larry Bunker, and on four other numbers with tenor saxophonist J.R. Monterose, pianist George Syran, bassist Teddy Kotick, and drummer Nick Stabulas. The music (five originals and three standards) is essentially cool-toned bop and was quite modern for the period. ~ Scott Yanow http://www.allmusic.com/album/from-hollywood-to-new-york-mw0000690506

Personnel: Jon Eardley (trumpet); J.R. Montrose (tenor saxophone); Pete Jolly, George Syran (piano); Red Mitchell, Teddy Kotick (bass); Nick Stabulas (drums)

From Hollywood to New York

Friday, October 28, 2016

Phil Woods & Jon Eardley - Pot Pie

Styles: Saxophone And Trumpet Jazz
Year: 1955
File: MP3@320K/s
Time: 41:57
Size: 96,3 MB
Art: Front

(5:14)  1. Pot Pie
(5:26)  2. Open Door
(6:35)  3. Mad About the Boy
(5:20)  4. Robin's Bobbin
(5:12)  5. Cobblestones
(4:57)  6. Toos Bloos
(4:49)  7. Sea Beach
(4:20)  8. Horseshoe Curve

Phil Woods was only 22 at the time of this program (reissued on CD), but he was already an explosive and very talented bop-oriented altoist. This obscure set, one of his earliest recordings, has seven group originals, plus the lone standard "Mad About the Boy," and is full of excitement. Woods, trumpeter Jon Eardley, pianist George Syran, bassist Teddy Kotick and drummer Nick Stabulas all display both youthful energy and a strong knowledge of Charlie Parker's innovations, making this an essential, if little-known acquisition for bop collectors. ~ Scott Yanow http://www.allmusic.com/album/pot-pie-mw0000087380

Personnel:  Phil Woods, alto saxophone;  Jon Eardley, trumpet;  George Syran, piano;  Teddy Kotick, bass;  Nick Stabulas, drums.

Pot Pie

Thursday, October 27, 2016

Jon Eardley - The Jon Eardley Seven

Styles: Trumpet Jazz
Year: 1956
File: MP3@320K/s
Time: 35:12
Size: 81,2 MB
Art: Front

(4:58)  1. Leap Year
(5:48)  2. There's No You
(8:05)  3. On the Minute
(5:16)  4. Ladders
(5:50)  5. Koo Koo
(5:12)  6. Eard's Word

The soft-toned trumpeter Jon Eardley (who was playing with Gerry Mulligan's Sextet at the time) holds his own with tenor saxophonist Zoot Sims and altoist Phil Woods on this excellent straightahead septet set; also in the group are trombonist Milt Gold, pianist George Syran, bassist Teddy Kotick and drummer Nick Stabulas. The CD reissue (Eardley's third and final American session as a leader) features the excellent group on three of the trumpeter's originals, one apiece by Syran and Woods plus the standard "There's No You." ~ Scott Yanow http://www.allmusic.com/album/the-jon-eardley-seven-mw0000177102

Personnel: Jon Eardley (trumpet); Phil Woods (alto saxophone); Zoot Sims (tenor saxophone); Milt Gold (trombone); George Syran (piano); Nick Stabulas (drums).

The Jon Eardley Seven