Judy Niemack & Jay Clayton - Voices in Flight

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 73:18
Size: 168,5 MB
Art: Front

(6:50) 1. Questions And Answers (Play Pen)
(7:25) 2. Ditto
(6:10) 3. With You (Orange Blossom): Body And Soul
(6:58) 4. You (Hum)
(4:25) 5. Beloved
(4:34) 6. Beginner
(4:51) 7. Looking Back (Reflections)
(4:49) 8. Soaring (Lotus Blossom)
(2:13) 9. Haperchance
(6:24) 10. Eagle Poem
(5:41) 11. He’s A Man (Sagittarius)
(5:10) 12. Like Water Off A Stray Dog
(2:43) 13. Badadadat
(4:57) 14. Wondering

New York City is the center of many worlds, the jazz world being one of them, and musicians have always felt the pull of the Big Apple. In 1977, California-born vocalist Judy Niemack’s improvisation teacher, saxophonist Warne Marsh, told her to move there if she wanted to be a jazz singer, and once she did, she never looked back. Niemack’s experiences in New York shaped her career and life, and by the early 80’s she realized her dream to be professional jazz singer. However, in order to have a career as a jazz singer, it was necessary to perform abroad, and this led to her move to Europe in 1992, where she resided in Brussels and later in Berlin, teaching vocal jazz and performing.

The album “Voices In Flight" is the result of her collaboration with veteran vocalist Jay Clayton, a brilliant and highly influential improviser and teacher. Judy and Jay met in the late 1970s on New York City's vibrant music scene. At the time, Jay was performing avant-garde and experimental music in the jazz lofts and Judy had just arrived from California, making her debut at the Village Vanguard with Warne Marsh. Judy was on the lookout for inspired vocal improvisers and Jay fit the bill a singer with her own sound, a free approach to improvising and an authentic way with a story. Over the years their friendship grew deeper and they became a source of inspiration for each other. https://www.allaboutjazz.com/album/voices-in-flight-judy-niemack-jay-clayton

Personnel: Judy Niemack, Jay Clayton- vocals; Jay Anderson - bass.; Jean francois Prins - guitar; John J. DiMartino - drums.

Voices in Flight

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Fred Hersch, Jay Clayton - Beautiful Love (Remastered)

Bitrate: MP3@320K/s
Time: 61:45
Size: 141.4 MB
Styles: Vocal jazz, Piano jazz
Year: 1995/2017
Art: Front

[5:35] 1. Beautiful Love
[7:27] 2. You Don't Know What Love Is
[6:26] 3. My Heart Stood Still
[7:36] 4. So In Love
[5:19] 5. Day By Day
[6:11] 6. Wild Is The Wind
[4:33] 7. Everthing I Love
[7:22] 8. Footprints
[6:11] 9. Blame It On My Youth
[5:01] 10. I Love You

Jay Clayton - vocals; Fred Hersch - piano.

Jay Clayton has been a leader in applying avant-garde, creative modern techniques to the art of jazz vocal. She has been successful in this commendable objective ever since her first album as a solist in 1980, where a 25-year-old Jane Ira Bloom was a major partner. Although working with a play list of classic standards, except for Wayne Shorter's jazz standard "Footprints," Clayton has by no means set aside her modern jazz vocal leanings. Joined by Fred Hersch a pianist with like perspectives, they work in tandem to present this familiar music in an offbeat non-familiar way. This is not to say that lovely melody lines are lost among cacophonies of grunts, groans, and other extra terrestrial events. The lyrical lines are there, but the tempo, the phrasing, the emphasis has been rearranged so the light of these tunes is refracted through a prism rather than through a window of ordinary glass. Full fledged avant-garde comes, as one would expect, on Shorter's "Footprints," where Clayton engages in wordless vocalizing reminiscent of the vocal part in Hector Villa-Lobas "Bachianas Brasileiras No. 5," with Hersch doing a marvelous job replacing the cellos as the voice accompaniment. This is seven minutes of remarkable virtuosity. "Regular" standards, such as "Blame It on My Youth," are treated with respect as Clayton plays little games with the melody line and chordal structure and inserts wordless vocalizing here and there. "Beautiful Love" is introduced slowly by Clayton a cappella before moving into a medium lilting tempo. Not much here ever gets beyond that pace. This album is thoughtful and is for those who want to hear the full measure of a song, with nothing skipped, casually dismissed, or unknowingly overlooked. Highly recommended. ~Dave Nathan

Beautiful Love                

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