Jo Harrop & Jamie McCredie - Weathering the Storm

Styles: Vocal And Guitar Jazz
Size: 105,4 MB
Time: 46:04
File: MP3 @ 320K/s
Released: 2020
Art: Front

1. My Foolish Heart (4:51)
2. I Fall in Love Too Easily (3:46)
3. Tenderly (3:00)
4. Take It with Me (4:34)
5. Guilty (5:08)
6. More Than You Know (4:48)
7. You Must Believe in Spring (5:22)
8. Charade (3:16)
9. Early Autumn (4:19)
10. In the Wee Small Hours of the Morning (4:34)
11. If (2:24)

This is a little gem of an album: simple, modest and, as far as I can tell, perfect. Jo Harrop sings, Jamie McCredie plays guitar, and the songs date from between the late 1920s and the early 2000s, from Billy Rose to Tom Waits. Nothing unusual there, you might think. However, what sets Weathering the Storm apart from similar offerings is that the duo get everything right, and that’s quite rare.

Harrop has a soft contralto voice which, particularly on lower notes, is wonderfully warm and intimate. Mostly, she trusts the song to tell its own story, occasionally altering or adding a phrase. The guitar accompaniment is light, almost skeletal at times, but always cannily fitting. There’s always space around the music, and this holds the listener’s attention well, mine anyway.

All 11 songs are slow, or slowish, ballads and the calm mood settles them happily together. It’s an enterprising choice too: the rarely heard Early Autumn, Randy Newman’s Guilty, Legrand’s You Must Believe In Spring, etc. People remember albums like this, with their own unique atmosphere that you enter as you listen. Just what we need at this trying time.
https://www.theguardian.com/music/2020/may/30/jo-harrop-jamie-mccredie-weathering-the-storm-review-they-get-everything-right-gem

Weathering the Storm

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Jo Harrop - The Path Of A Tear

Styles: Vocal And Trumpet Jazz
Size: 115,8 MB
Time: 49:26
File: MP3 @ 320K/s
Released: 2024
Art: Front

1. Beautiful fools (4:25)
2. Whiskey or the truth (5:42)
3. A love like this (5:41)
4. Traveling light (4:38)
5. The path of a tear (le chemin d'une larme) (3:10)
6. You'll never be lonely in Soho (4:53)
7. If it wasn't for bad (3:29)
8. Too close to the sun (4:16)
9. Hurt (3:44)
10. Goodbye (5:46)
11. Stay here tonight (3:36)

The Path of a Tear is Durham-born singer and songwriter Jo Harrop's fifth album release on the Lateralize label, which was established in 2018. Harrop's first album was Songs For The Late Hours (Lateralize, 2019), a download-only release on which she and her guitar, piano and bass trio arranged and played a selection of Tin Pan Alley songs, including the Gershwins' "How Long Has This Been Going On," which showcased Harrop's voice well.

Her second album, the first on CD, was Weathering the Storm (Lateralize, 2020) which was jointly credited to Harrop and Jamie McCredie who accompanied her on guitar, giving the music a sound which blurred the boundary between folk and jazz. Again, there were no songs by Harrop or McCredie but the ones they played were rather more modern than those on the previous album, including "Take It With Me" by Tom Waits, "Guilty" by Randy Newman and "If" by David Gates.

Harrop's third album, The Heart Wants (Lateralize, 2021) was a pivot point of her career, as she is credited as a composer of eight of its thirteen tracks, having used the opportunity presented by Covid to work on the album which she had longed to make for years. In addition, a plethora of musicians and singers made the music on the album far richer than on any previous Harrop album. Her fourth album, When Winter Turns To Spring (Lateralize, 2022) was jointly credited to Harrop and pianist and arranger Paul Edis who penned and/or arranged this musical journey through a year's weather.

In several ways, The Path of a Tear differs from Harrop's previous albums. Firstly, the album was recorded at The Village Studios Studio D, Los Angeles, in September 2023, making it the first Harrop album to be recorded outside of the UK. Secondly, it was produced by Larry Klein, who plays bass and has previously produced albums by Joni Mitchell, Madeleine Peyroux and Herbie Hancock among others. He was married to Mitchell for a period in the '80s and '90s. He is also a four-time Grammy winner. Thirdly, no musician from any previous Harrop album plays on the album. All of the musicians here have impressive track records as jazz players.

Of the album's eleven tracks, eight were co-composed by Harrop. The other three are "Travelling Light" by Leonard Cohen, "If It Wasn't For Bad" by Leon Russell, and "Goodbye" by Steve Earle. As is fitting, Harrop's voice dominates the album, rather than the musicians who accompany her. She has the uncommon knack of sounding as if she has experienced every emotion that she sings about. Where The Heart Wants was an album about love and life, as its song titles suggest, The Path of a Tear focuses more on the pain of love; it is a measure of her talent that Harrop conveys the ups and downs of love with equal credibility. Even when she is singing about being hurt, her voice makes beautiful listening. Sure to be one of the year's best.By John Eyles
https://www.allaboutjazz.com/the-path-of-a-tear-jo-harrop-lateralized

The Path Of A Tear

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Jo Harrop - Songs For The Late Hours

Styles: Vocal
Size: 80,1 MB
Time: 34:28
File: MP3 @ 320K/s
Released: 2019
Art: Front

1. You’re not the kind (2:27)
2. More than you know (4:44)
3. You turned the tables on me (3:34)
4. How long has this been going on (3:59)
5. I want a little sugar in my bowl (2:19)
6. Fine & dandy (2:30)
7. Sophisticated lady (5:07)
8. Easy street (3:29)
9. Two for the road (3:15)
10. You taught my heart to sing (3:02)

Lateralize Records are immensely proud to announce the release of The Heart Wants, the much-anticipated first self-penned solo album by Jo Harrop.

Written and recorded over the last year when the world came to a sudden standstill in the wake of the pandemic, The Heart Wants is an album about love and life, about losing and then finding oneself in the silence after the applause has faded away.

Although she has built a reputation as an intuitive interpreter of other people’s songs, Jo Harrop would be the first to admit that she always lacked the confidence to reveal her own songs to the world. With no shows in her diary, she started working on what would eventually turn out to be her first album of original material with producers Hannah Vasanth and Jamie McCredie alongside a guest list of world-class musicians including Christian McBride, Jason Rebello and Troy Miller.

“In an unexpected moment of stillness, when the world came to a sudden stop and confusion, frustration and fear seemed to sweep across the earth, I finally began to work on the album that I had longed to make for many years,” Harrop explains. “Ideas that I had talked over with Hannah and Jamie began to unfold, and emotions that I’d always pushed aside began to spill onto the page.”

From the sublime chamber pop of If I Knew to the Muscle Shoals soul of Hold On,

The Heart Wants will no doubt come as quite a surprise to anyone who thought Jo Harrop was only capable of singing jazz ballads.

“I sent my first lyrics to Paul Edis and we wrote If I Knew, which became the key that unlocked the door to creating this album. ‘The heart wants what the heart wants’ was something that Hannah had said to me late one night after a show, and somehow it just stuck inside my head. Each song is a true story about the dreams and desires, doubts and regrets and trials and tribulations of the human heart.”

Born in Durham and raised on a heady musical diet of Nina Simone, Billie Holiday and Aretha Franklin, Jo Harrop cut her teeth as a session singer, working with a host of iconic artists including Neil Diamond, Rod Stewart and Gloria Gaynor.

After moving to London, she quickly established herself as one of the most unmistakable voices in British jazz. Having signed to London-based jazz label, Lateralize Records, she recently received a raft of rapturous reviews for Weathering The Storm, her debut with guitarist, Jamie McCredie. The Guardian dubbed it ‘a little gem of an album: simple, modest and perfect,’ whilst BBC 6 Music’s Iggy Pop fell in love with her voice, calling her “a very fine jazz singer.”

Beyond the mellifluous perfection of her chocolate and cream voice, there is always a beautifully bruised intimacy at the very heart of Jo Harrop’s music. It’s almost as if she’s staring directly into your soul when she sings. This may only be her second LP, yet she sounds as if she’s already lived a thousand lifetimes.

“When I was a teenager, my dad took me to see Tony Bennett live in Newcastle,” she recalls. “I was so moved and so inspired, I realised that I needed to sing. I wanted to be able to touch people with my music in the same way. The loss of dear loved ones in recent years has opened my heart and given me more reason to sing and to write than ever before, which is why I felt the time was right to record my first album of original songs. I pour all of the sad stuff into my music and it somehow comes out in the way that I sing and write, so it really is a form of catharsis for me.

“These songs feel timeless, but they also reflect where we are here and now, caught up in life’s bittersweet journey. Music has been my whole world for as long as I can remember; it has always had the power to transport me and to move me deep inside, and I want to create the same emotional connection with people who hear my songs.”

The Heart Wants was released through Lateralize Records on Limited Edition heavyweight vinyl and CD on 8th October 2021 with a live launch at London’s Cadogan Hall on 5th November 2021.https://www.allaboutjazz.com/musicians/jo-harrop/

Songs For The Late Hours

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Jo Harrop - The Heart Wants

Styles: Vocal
Size: 121,7 MB
Time: 52:43
File: MP3 @ 320K/s
Released: 2021
Art: Front

1. The Heart Wants What The Heart Wants (4:42)
2. All too soon (3:23)
3. Everything's changing (3:24)
4. I think you'd better go (3:36)
5. Wise words (4:31)
6. Red mary janes & a brand new hat (3:38)
7. Hold on (4:04)
8. Life inside (3:55)
9. What if (3:01)
10. If I knew (3:40)
11. Rainbow sleeves (2:59)
12. If I ever would leave you (7:41)
13. Weather the storm (4:04)

Is it the behind-the-beat feel Ms Harrop gets, even when she is not? Or perhaps it is in the phrasing? Somehow, she puts a listener in mind of Keely Smith, which is a good thing. There are some very talented jazz singers in the United Kingdom; Jo Harrop is certainly one of them. Here is a recording of loss and longing, and very well done it is.

Much of the material Harrop presents in this recording, bluesy, mournful in a minor key, is original. She discloses a considerable talent as a songwriter and, of course, she knows just how she wants the interpretation to go. Harrop is surrounded by a group of excellent musicians who only enhance the feelings she evokes. There are times, as in "Wise Words," when the mood is mildly sanctified. "Red Mary Janes," on the other hand, with a dead-on rhythm section, is ironic and arch. Somehow, one wonders if the red mary janes to which she alludes are shoes.

"I Think You Better Go" and "Hold On" manage to evoke contrary emotions based on the kind of complicated adult relationship that real people contrive to create. Yet it would sound good in a Texas road house near the end of the night. "Life Inside" brings on vocal accompaniment, just a touch, but effective. "What If" is so subtly done that it takes a bit to realize that Ms Harrop is singing in three quarter time. "If I Knew" is a kind of pour the martinis song, not sentimental, but still soulful. Somehow, Harrop manages to do a lot of crying without shedding too many tears, blues for the disillusioned, but not embittered. She has a smoky sound to her voice, aged, even weary, but not dark.

No-one would think that anyone could do a song from the musical "Camelot" in this day and age without somehow sounding corny or at least affected, without a touch of Bob Goulet. Well, Harrop manages, navigating all the subtle harmonies which a more melodramatic version effectively obscures. So, yes, it is not surprising that Harrop has managed to cause a stir in the United Kingdom.

It is not fair to wonder how Harrop would come off with a different genre, or up tempo. This is a kind of "only the lonely" album, and should be appreciated for that. The full range of Harrop's talents will certainly be well served in another recording, which one hopes, will appear soon.

She closes out with "there is nothing we can't do." You do believe her. By Richard J Salvucci https://www.allaboutjazz.com/the-heart-wants-jo-harrop-jo-harrop-laterialize

The Heart Wants

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