Monday, February 13, 2017

Johnny Rivers - Totally Live At The Whiskey A Go Go

Bitrate: MP3@320K/s
Time: 75:25
Size: 172.7 MB
Styles: AM Pop, Contemporary pop-rock
Year: 1995
Art: Front

[2:44] 1. Memphis
[3:30] 2. It Wouldn't Happen With Me
[2:38] 3. Oh Lonesome Me
[3:01] 4. Lawdy, Miss Clawdy
[3:57] 5. Whisky A Go-Go
[3:51] 6. Walkin' The Dog
[2:36] 7. Brown Eyed Handsome Man
[3:20] 8. You Can Have Her (I Don't Want Her)
[2:51] 9. Multiplication
[6:23] 10. La Bamba Twist And Shout (Medley)
[2:17] 11. Maybelline
[2:34] 12. Dang Me
[2:30] 13. Hello Josephine
[3:52] 14. Hi-Heel Sneakers
[2:40] 15. Can't Buy Me Love
[6:22] 16. I Got A Woman
[5:54] 17. Baby What You Want Me To Do
[2:31] 18. Midnight Special
[2:59] 19. Roll Over Beethoven
[2:37] 20. Walk Myself On Home
[2:56] 21. Johnny B. Goode
[3:12] 22. Whole Lotta Shakin' Going On

The "totally live" appellation is a bit of a reach (translation: there are obvious after-the-fact overdubs), but nevertheless this is a pretty faithful representation of what a good mid-'60s rock & roll club band sounded like. Rivers was (and remains) a flexible, expressive singer, equally at home covering R&B, rockabilly, country, and the Beatles, and as a guitarist, while no virtuoso, he was occasionally capable of the sort of stinging, bluesman's attack associated with original '60s axe heroes like Lonnie Mack (as on the hit version here of Chuck Berry's "Memphis"). In retrospect, this is all a bit shagadelic, but it's fun nonetheless. ~AllMusic

Totally Live At The Whiskey A Go Go

Jimmy Smith - The Sounds Of Jimmy Smith

Bitrate: MP3@320K/s
Time: 61:34
Size: 141.0 MB
Styles: Hard bop, Soul-jazz
Year: 2005
Art: Front

[5:31] 1. There Will Never Be Another You
[5:02] 2. The Fight
[8:40] 3. Blue Moon
[5:33] 4. All The Things You Are
[8:33] 5. Zing Went The Strings Of My Heart
[5:15] 6. Somebody Loves Me
[8:06] 7. First Night Blues
[8:08] 8. Cherokee
[6:42] 9. The Third Day

Drums – Art Blakey, Donald Bailey; Guitar – Eddie McFadden; Organ – Jimmy Smith.

This LP, which has been included as part of a Mosaic Jimmy Smith three-CD box set, features the organist taking a pair of rare unaccompanied solos on "All the Things You Are" and a fairly free "The Fight" and jamming several songs ("Zing Went the Strings of My Heart," "Somebody Loves Me" and "Blue Moon") with his trio. Art Blakey fills in for drummer Donald Bailey on "Zing" while guitarist Eddie McFadden is heard throughout the three selections. Excellent straightahead jazz from the innovative organist. ~Scott Yanow

The Sounds Of Jimmy Smith

Michelle Simonal - The Best Of

Bitrate: MP3@320K/s
Time: 29:23
Size: 67.3 MB
Styles: Bossa Nova, Lounge
Year: 2014
Art: Front

[3:32] 1. (I Can't Get No) Satisfaction
[3:41] 2. With Or Without You
[3:42] 3. Time
[3:40] 4. Stir It Up
[4:11] 5. Mixed Emotions
[2:40] 6. Diamonds Are Forever
[3:30] 7. I Want To Hold Your Hand
[4:25] 8. (I Can't Get No) Satisfaction (Choral Mix)

couldnt find any review for the album or artist's bio. will appreciate any info you can provide. thanks!

The Best Of

The Naden Band Of The Royal Canadian Navy - Ride The Waves

Bitrate: MP3@320K/s
Time: 70:59
Size: 162.5 MB
Styles: Contemporary jazz
Year: 2014
Art: Front

[6:37] 1. Caravan
[5:37] 2. Yes And No
[6:13] 3. Gloria's Step
[4:55] 4. Miguelito's Blues
[4:07] 5. Cotton Tail
[5:53] 6. Blackbird
[4:37] 7. St. Thomas
[4:32] 8. Ride The Wave
[6:27] 9. A Night In Tunisia
[6:35] 10. Bolivia
[6:39] 11. Sophisticated Lady
[4:16] 12. When You're Smiling
[4:25] 13. La Suerte De Los Tontos (Fortune Of Fools)

This dynamic group of jazz musicians, all accomplished soloists and improvisers, enjoy performing jazz, latin, rock, pop and R&B music. The ensemble comprised of saxophone, trumpet, piano, bass and drums, is also featured on the Naden Band’s latest jazz recording Ride the Wave.

Ride The Waves

Adrienne Hindmarsh - Jazz Moods (2 Parts)

Singer and jazz organist Adrienne Hindmarsh is a truly unique talent on today's music scene. With today's musicians learning jazz within the classroom, it has become an exception rather than the rule for a musician develop and learn "on the road", playing clubs and festivals and touring. This album keeps the legacy of soul jazz/hard bop organists alive while also offering something new.

Album: Jazz Moods (Part 1)
Bitrate: MP3@320K/s
Time: 55:53
Size: 128.0 MB
Styles: Vocal jazz
Year: 2012

[3:31] 1. Besame Mucho
[4:19] 2. Fly Me To The Moon
[2:32] 3. My Baby Just Cares For Me
[4:07] 4. You Can't Take That Away From Me
[2:36] 5. Girl From Ipanema
[2:14] 6. Sway
[2:15] 7. Perhaps Perhaps Perhaps
[4:20] 8. Sunny
[3:02] 9. You Make Me Feel So Young
[3:25] 10. Making Whoopee
[3:33] 11. Route 66
[4:13] 12. Do Nothing Till You Hear From Me
[3:24] 13. Night And Day
[6:32] 14. Just Squeeze Me
[5:44] 15. I Let A Song Go Out Of My Heart

Jazz Moods (Part 1)

Album: Jazz Moods (Part 2)
Bitrate: MP3@320K/s
Time: 58:53
Size: 134.8 MB
Styles: Vocal jazz
Year: 2012
Art: Front

[4:59] 1. Bye Bye Blackbird
[4:00] 2. There Is No Greater Love
[4:45] 3. Pennies From Heaven
[6:32] 4. September In The Rain
[3:38] 5. Blue Skies
[3:31] 6. Wave
[3:37] 7. Rainy Day Blues
[3:48] 8. Agua De Beber
[2:18] 9. Deed I Do
[4:14] 10. Corcovado
[3:48] 11. Caravan
[6:05] 12. In A Mellow Tone
[4:02] 13. Don't Know Why
[3:30] 14. Love Me Or Leave Me

Jazz Moods (Part 2)

Joe Henderson - Joe 'Piano' Henderson

Bitrate: MP3@320K/s
Time: 26:03
Size: 59.7 MB
Styles: Piano jazz, Easy Listening
Year: 1959/2008
Art: Front

[2:31] 1. Cheek To Cheek
[2:47] 2. Isn't This A Lovely Day
[3:03] 3. I Won't Dance
[2:37] 4. They Can't Take That Away From Me
[2:53] 5. Let's Call The Whole Thing Off
[2:55] 6. Let's Face The Mucsic
[2:23] 7. Lovely To Look At
[2:23] 8. They All Laughed
[2:22] 9. The Way You Look Tonight
[2:06] 10. Top Hat

b. 2 May 1920, Glasgow, Scotland, d. 4 May 1980, London, England. A pianist and composer, Henderson formed his own band to play at school dances before turning professional at the age of 13. In the early 50s he served as accompanist for former child actress and singer Petula Clark, who featured frequently in the UK charts, and subsequently recorded several of her ex-pianist’s compositions. Henderson himself became extremely popular on the UK variety circuit, alongside other solo piano acts, such as Winifred Atwell, Russ Conway and - much later - Bobby Crush. He survived the radical changes in popular music that began to take place in the 50s, and still retained an audience. He also featured in Bumper Bundle on Radio Luxembourg, and had his own television series Sing Along With Joe and Mr. Piano Plays. Henderson’s first hits came in 1955 with ‘Sing It With Joe’ and ‘Sing It Again With Joe’. These consisted of short piano medleys of jolly standards, such as ‘Margie’ and ‘Somebody Stole My Gal’. In 1958 he had another UK Top 20 hit with ‘Trudie’, accompanied by the Beryl Stott Chorus. It was the best-known of his mostly bright, catchy compositions, and won an Ivor Novello Award for The Year’s Best Selling And Most Performed Item. He earned another Ivor the following year for the movie title song ‘Jazzboat’, The Year’s Most Outstanding Composition In The ‘Jazz’ Or ‘Beat’ Idiom. Jazzboat was one of three films that Henderson scored that starred Anthony Newley. The others were Idle On Parade, the film that launched Newley’s singing career (he co-wrote some of the songs) and Let’s Get Married. Henderson’s other compositions, published by his own company, included ‘Why Don’t They Understand?’ (a US and UK chart hit for country singer George Hamilton IV), ‘Chick’, ‘Treble Chance’ (his last Top 30 entry, in 1959), ‘Dear Daddy’ (with lyrics by Jack Fishman, featured on Ruby Murray Successes), ‘Matchbox Samba’, ‘Coffee Bar Jive’, ‘What A Day We’ll Have’, ‘I’d Have A Long Way To Go’, ‘When You’re Away’, ‘Dream Of Paradise’, ‘First Theme’, ‘I Need You’, ‘Somebody’ and ‘Crinoline Waltz’. His other recordings included Charles Chaplin’s ‘Smile’, Leroy Anderson’s ‘Forgotten Dreams’, ‘The Theme From the Threepenny Opera (Moritat)’ and a lively version of the novelty ‘Don’t Ring-A Da Bell’. On the latter he played harpsichord, while the vocal was by the British actress Shani Wallis, who went on to play Nancy in the movie of Lionel Bart’s Oliver! A very likeable and genial personality, Henderson continued to entertain for many years after the hits dried up, particularly in the seaside summer season, at top venues such as Blackpool and Bournemouth. ~bio from AllMusic

Joe 'Piano' Henderson

Al Jarreau - Ain't No Sunshinne

Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 28:33
Size: 78,8 MB
Art: Front

(2:06)  1. Ain't No Sunshinne
(4:23)  2. Lean On Me
(3:41)  3. Use Me
(3:49)  4. Kissing My Love
(2:06)  5. Grandma's Hands
(5:20)  6. You
(3:41)  7. Lonely Town Lonely Street
(3:23)  8. Same That Made Me Laugh

The only vocalist in history to net Grammy Awards in three different categories (jazz, pop, and R&B, respectively), Al Jarreau was born in Milwaukee, Wisconsin, on March 12, 1940. The son of a vicar, he earned his first performing experience singing in the church choir. After receiving his master's degree in psychology, Jarreau pursued a career as a social worker, but eventually he decided to relocate to Los Angeles and try his hand in show business, playing small clubs throughout the West Coast.  He recorded an LP in the mid-'60s, but largely remained an unknown, not reentering the studio for another decade. Upon signing to Reprise, Jarreau resurfaced in 1975 with We Got By, earning acclaim for his sophisticated brand of vocalese and winning positive comparison to the likes of Billy Eckstine and Johnny Mathis. After 1976's Glow, Jarreau issued the following year's Look to the Rainbow, a two-disc live set that reached the Top 50 on the U.S. album charts. With 1981's Breakin' Away, he entered the Top Ten, scoring a pair of hits with "We're in This Love Together" and the title track. After recording 1986's L Is for Lover with producer Nile Rodgers, Jarreau scored a hit with the theme to the popular television program Moonlighting, but his mainstream pop success was on the wane, and subsequent efforts like 1992's Heaven and Earth and 1994's Tenderness found greater success with adult contemporary audiences.  A string of budget compilations and original albums hit the shelves at the end of the decade, but into the turn of the century his original output slowed down. That was until he signed with the Verve/GRP label in 1998 and reunited with producer Tommy LiPuma. LiPuma had produced Jarreau's ostensible 1975 debut, We Got By, and the pairing seemed to reinvigorate Jarreau, who went on to release three stellar albums under LiPuma's guidance, including 2000's Tomorrow Today, 2002's All I Got, and 2004's Accentuate the Positive. Givin' It Up, recorded with George Benson and released in 2006, was nominated for three Grammy Awards each one for a different song. Jarreau returned with his first ever full-length holiday-themed album, Christmas, in 2008. Four years later he offered a live recording, Al Jarreau and the Metropole Orkest: Live, performing alongside the Dutch ensemble. ~ Jason Ankeny http://www.allmusic.com/artist/al-jarreau-mn0000606283/biography

R.I.P.
Born: March 12, 1940, Milwaukee, Wisconsin, United States
Died: February 12, 2017, Los Angeles, California, United States

Ain't No Sunshinne

Barney Kessel Trio - Live in Los Angeles at P.J.'s Club

Styles: Guitar Jazz
Year: 2012
File: MP3@320K/s
Time: 62:55
Size: 145,1 MB
Art: Front

(8:20)  1. Slow Burn
(4:03)  2. Just In Time
(3:25)  3. The Shadow Of Your Smile
(4:53)  4. Recado Bossa Nova
(3:30)  5. Sweet Baby
(2:24)  6. Who Can I Turn To
(8:10)  7. One Mint Julep
(4:29)  8. Medley: Manhã de Carnival: Samba de Orfeu
(5:05)  9. Blues
(7:06) 10. Basie's Blues
(3:49) 11. The Shadow Of Your Smile
(7:35) 12. Blue Mist

CD from the Jazz great containing the complete 1965 album on Fire plus five bonus tracks from 1969 and 1973. Features musical assistance from, among others, bassist Larry Ridley, drummer Don Lamond and guest stars Kenny Burrell and Grant Green on guitar. This issue offers the first time that Barney Kessel was ever recorded live while playing in a night club. As a bonus track this CD concludes 'Blue Mist', a Kessel original, which is the springboard for stunning "conversations" among three guitar giants Barney Kessel, Kenny Burrell, and Grant Green captured at Ronnie Scott's in London in 1969. a must for collectors. Gambit. ~ Editorial Reviews https://www.amazon.com/Live-Los-Angeles-PJs-Club/dp/B000CFYCMU

Live in Los Angeles at P.J.'s Club

Harold Danko - Oatts & Perry III

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 73:46
Size: 171,0 MB
Art: Front

( 8:08)  1. Epistophy
( 6:45)  2. Chelsea Bridge
(11:03)  3. Well You Needn't
( 9:09)  4. High Priest
( 9:14)  5. Contemplation
( 6:41)  6. Dance of the Infidels
( 8:57)  7. Straight No Chaser
( 6:08)  8. Quietude
( 7:37)  9. Dis Here

“ This album is a true sleeper. the date is beautifully planned and recorded …”, commented Thomas Conrad of JazzTimes on the first “Oatts & Perry” (SCCD 31588) released in 2006. Following the equally highly acclaimed sequel “Oatts & Perry II” (SCCD 31689) of 2010 this latest addition to Harold Danko’s favorite project proves again the pianist/leader Danko’s endless ideas to keep the perfect conversation going between Dick Oatts (alto) and Rich Perry (tenor), arguably the two best on the scene today.

Personnel: Harold Danko (piano), Dick Oatts (alto saxophone), Rich Perry (tenor saxophone), Michael Formanek (bass), Jeff Hirshfield (drums)

Oatts & Perry III

Thelonious Monk - The Finest In Jazz

Styles: Piano Jazz
Year: 2007
File: MP3@320K/s
Time: 31:36
Size: 73,1 MB
Art: Front

(2:59)  1. Well You Needn't
(3:11)  2. 'Round Midnight
(2:58)  3. Straight No Chaser
(2:56)  4. In Walked Bud
(3:07)  5. Epistrophy
(7:02)  6. Reflections
(9:20)  7. Misterioso

With his angular piano lines, odd spaces and pauses, dissonant resolves, and quirky compositional sense, Thelonious Monk was a maverick among mavericks in the bop world, an enigma whose body of work is instantly recognizable, stubbornly consistent, and as insular and mysterious as it was when he first began recording as a bandleader some 60 years ago. Those first recordings, six sessions recorded for Alfred Lion's Blue Note Records between 1947 and 1948 and 1951 and 1952, show a fully formed Monk unfurling the stylistic template that he would follow for the rest of his life. This brief set picks highlights from those first sessions, along with two sides recorded with Sonny Rollins ("Reflections" and "Misterioso") for Blue Note in 1957. Included are the original recorded versions of "Well, You Needn't," "In Walked Bud," "Straight, No Chaser," and "'Round Midnight," featuring such players as drummers Art Blakey and Max Roach, vibraphonist Milt Jackson, pianist Horace Silver, and alto saxophonist Lou Donaldson, among others. There are many different ways to get this material, since it has been reissued countless times over the years, and this sampler certainly doesn't tell the whole story, but as an introduction to the strange world of Monk for the uninitiated, this one does as good a job as any. Consider it a gateway sampler to a world of intricate and fascinating oddness. ~ Steve Leggett http://www.allmusic.com/album/finest-in-jazz-mw0000584391

The Finest In Jazz