Bobby Scott - Scott Free

Styles: Piano, Vibraphone Jazz
Year: 1955
File: MP3@320K/s
Time: 43:37
Size: 100,1 MB
Art: Front

(3:31) 1. Two Toes
(2:45) 2. What's New
(4:53) 3. Between the Devil and the Deep Blue Sea
(3:07) 4. Summer Night
(4:16) 5. Over the Rainbow
(3:05) 6. Squaw Rock
(4:14) 7. Potatoe Zalud
(4:17) 8. These Foolish Things
(3:49) 9. Milt Shake
(6:06) 10. Skyline
(3:30) 11. Richard the Lion Hearted

Robert William Scott (January 29, 1937 – November 5, 1990) was an American musician, record producer, and songwriter. Scott was born in Mount Pleasant, New York, United States, and became a pianist, vibraphonist, and singer, and could also play the accordion, cello, clarinet, and double bass. He studied under Edvard Moritz at the La Follette School of Music at the age of eight, and was working professionally at 11. In 1952, he began touring with Louis Prima, and also toured and performed with Gene Krupa, Lester Young, and Tony Scott in the 1950s. In 1956 he hit the U.S. Billboard Hot 100 with the song "Chain Gang", peaking at number 13. (This was not the same song as the 1960 pop hit "Chain Gang" by American singer/songwriter Sam Cooke.) It sold over one million copies, and was awarded a gold disc.

As a bandleader, he did sessions for Verve, ABC-Paramount, Bethlehem, and Musicmasters. As a songwriter, he won a Grammy Award for Best Instrumental Composition for the song "A Taste of Honey". In addition to "A Taste of Honey", Scott also co-wrote the song "He Ain't Heavy, He's My Brother". In the 1960s he became a music teacher and studied again under Moritz, but occasionally recorded as well, including a Nat King Cole tribute album released in the 1980s. He also composed film soundtracks, including the scores to Slaves (1969), Joe (1970), and Who Says I Can't Ride a Rainbow! (1971). During the 1980s he composed music for classical guitar, harp, and piano. He also arranged for jazz and easy listening musicians such as Les and Larry Elgart. https://en.wikipedia.org/wiki/Bobby_Scott_(musician)

Personnel: Bobby Scott (p, vib), Whitey Mitchell, Jim Corbett, Nabil 'Knobby' Totah (b), Will Bradley Jr., Al Levitt (d)

Scott Free

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Bobby Scott - The Compositions Of Bobby Scott

Styles: Piano Jazz
Year: 1955
File: MP3@320K/s
Time: 45:21
Size: 105,2 MB
Art: Front

(3:38)  1. Dot
(2:57)  2. Kwan Youen
(3:49)  3. Moon Tan
(4:16)  4. Betty
(4:10)  5. Aunt Sarah
(4:09)  6. Cerebellum
(2:19)  7. Wigwam
(4:03)  8. The Creed
(2:59)  9. Table Cloth Stomp
(2:59) 10. A Parable
(2:35) 11. The Wig
(2:45) 12. Count Bill
(4:36) 13. Makin' Whoopee (bonus track)

29 January 1937, New York City, New York, USA, d. 5 November 1990, New York City, New York, USA. Scott was a pianist, singer, composer, arranger, teacher and record producer. He also played several other instruments such as cello, bass, vibraphone, accordion and clarinet, but was mainly known for his jazz piano work and vocals. He attended Dorothea Anderson Follette’s School of Music, and then in 1949 studied composition with Edward Moritz, a former pupil of Claude Debussy. Despite his early classical training, Scott turned to jazz in his teens, and played with small bands led by the likes of Louis Prima, Tony Scott and Gene Krupa, with whom he cut some sides for Verve Records. From 1954, he recorded under his own name for labels such as Bethlehem, Savoy, Atlantic and ABC, and in 1956 had a US Top 20 hit with ‘Chain Gang’, written by Sol Quasha and Hank Yakus (not the Sam Cooke song). In 1960, Scott wrote the title theme for Shelagh Delaney’s play A Taste Of Honey, which became popular for pianist Martin Denny and, when Ric Marlow added a lyric, for Tony Bennett. It was also included on the Beatles’ first UK album. The song won a Grammy in 1962, and three more when Herb Alpert took it into the US Top 10 in 1965. In the early 60s Scott was the musical director for Dick Haymes for a time, and, as a pianist, arranger and record producer for Mercury Records, also maintained a close working relationship with Quincy Jones. Scott played piano on most of Jones’ Mercury albums, and accompanied Tania Vega and John Lee Hooker on Jones’ soundtrack music for the film The Color Purple (1986). As a producer, Scott supervised sessions for important artists such as Aretha Franklin, Marvin Gaye, Bobby Darin, Harry Belafonte and Sarah Vaughan. He discovered and recorded guitarist/vocalist Perry Miller, who changed his name to Jesse Colin Young, and he is also credited with taking singer Bobby Hebb back to Mercury, although Scott left the label before Hebb released his biggest hit, ‘Sunny’, in 1966.

Scott’s compositions included ‘He Ain’t Heavy, He’s My Brother’ (lyrics by Bob Russell), a hit for Neil Diamond (in 1970) and for the Hollies a year earlier and again in 1988, when it featured impressively in a UK television commercial for Miller Lite Lager; ‘Where Are You Going?’ (with Danny Meehan), sung by Joe Butler in the film Joe (1970); and ‘Slaves (Don’t You Know My Name?)’, performed by Dionne Warwick in the movie Slaves (1969). Scott also composed incidental music for the play Dinny And The Witches, and several pieces for harp and string trios, including ‘The Giacometti Variations’, so-called because it was part-used as a radio advertisement for the Giacometti Exhibition held at the New York Museum of Modern Art. His compositions for guitar included ‘Solitude Book’ and ‘The Book Of Hours’, the latter recorded with Brazilian guitarist Carlos Barbosa-Lima. For Sentimental Reasons displayed Scott simply as an accomplished pianist, who also sang. He died of lung cancer in the year of its release. http://www.oldies.com/artist-biography/Bobby-Scott.html

Personnel: Bobby Scott (arranger, piano); Hal McKusick, Charlie Mariano (alto saxophone); Bill Holman (tenor saxophone); Al Epstein, Jimmy Giuffre (baritone saxophone); Ronnie Woellmer, Conte Candoli (trumpet); Eddie Bert, Frank Rosolino (trombone); Milt Hinton, Max Bennett (bass); Osie Johnson, Stan Levey (drums).

The Compositions Of Bobby Scott

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Bobby Scott - Great Scott

Styles: Piano Jazz
Year: 1954
File: MP3@320K/s
Time: 20:20
Size: 48,2 MB
Art: Front

(2:20)  1. Pee Wee
(2:45)  2. Phil's Mood
(2:04)  3. Moonbeaux
(2:48)  4. Tenderly
(2:39)  5. Ode To Monk
(2:54)  6. Polka Dots And Moonbeams
(2:15)  7. Gone With The Wind
(2:33)  8. Lullaby Of Birdland

Though he left performing for composing at the end of the '50s and stayed away many years before returning, Bobby Scott made some entertaining, delightful music. He was a good pianist, effective vocalist, and above average vibist. Scott also played accordion, bass, cello, and clarinet. He studied at the La Follette School of Music in New York City in 1945 with Edvard Moritz, a former Debussy pupil as a child, and was a professional at 11. He was playing with Louis Prima and traveling with veteran musicians at 15. Scott worked with Gene Krupa and Tony Scott (unrelated) in the mid-'50s, and had a pop hit with his version of "Chain Gang." Scott worked at the Cafe Bohemia, and appeared at the Great South Bay Jazz Festival in 1958 and the New Haven Festival of Arts in 1959. He then became a teacher of theory and harmony and resumed his studies with Moritz. But Scott gradually returned to performing and recording. His final album, the Nat King Cole tribute For Sentimental Reasons, was recorded in 1989 and released in 1990, the same year that Scott died of lung cancer at the age of 53. Scott recorded as a leader for Verve, ABC-Paramount, Bethlehem, and Musicmasters. His recordings have been made available during the digital era on such releases as the 2000 Collectables two-fer A Taste of Honey/The Compleat Musician and the 2007 Fresh Sound compilation The Compositions of Bobby Scott. ~ Ron Wynn https://itunes.apple.com/us/artist/bobby-scott/id922300#fullText

Personnel:  Bobby Scott – piano;  Whitey Mitchell – bass;  Bill Bradley, Jr. – drums.

Great Scott

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Bobby Scott & His Trio - For Sentimental Reasons

Styles: Vocal And Piano Jazz

Year: 1990

File: MP3@320K/s

Time: 70:43

Size: 162,5 MB

Art: Front

(6:04)  1. Night Lights

(6:14)  2. What'll I Do

(4:49)  3. Lovewise

(6:34)  4. For Sentimental Reasons

(6:22)  5. The More I See You

(6:40)  6. Gee Baby, Ain't I Good To You

(9:20)  7. I Keep Going Back To Joe'S

(5:09)  8. Mamselle

(9:04)  9. That's All

(5:43) 10. That Sunday, That Summer

(4:40) 11. Nature Boy

It's a bit ironic that Nat "King" Cole was the singer Bobby Scott paid tribute to on For Sentimemal Reasons, for the singers sounded nothing alike. Cole's voice was about as smooth and urbane as it gets, whereas Scott's expressive singing had a rough, weathered quality during the last years of his life. This intimate CD, which features Bucky Pizzarrelli on guitar, Steve La Spina on bass and Ronnie Zito or Jimmy Young on drums, isn't a tribute in the sense that the singer/acoustic pianist tries to emulate Cole; rather, Scott brings his own recognizable style to "Nature Boy," "Gee Baby, Ain't I Good to You," "For Sentimental Reasons" and other songs associated with Cole. Another high point of the CD is "Mamselle," a lovely gem that Frank Sinatra and Art Lund recorded in the 1940s. Even though Scott's singing wasn't very Cole-like, they did have one thing in common: both recognized the value of economy and simplicity. Sadly, Scott had only about a year and a half left to live when this excellent album was recorded. ~ Alex Henderson  http://www.allmusic.com/album/for-sentimental-reasons-mw0000204459

For Sentimental Reasons

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Hal McKusick, Eddie Bert, Ronnie Woellmer, Milt Hinton, Frank Rosolino, Conte Candoli, Charlie Mariano, Jimmy Giuffre, Bill Holman, Stay Levey, John Murtaugh & Marly Flax - The Compositions Of Bobby Scott

Bitrate: MP3@320K/s
Time: 75:48
Size: 173.6 MB
Styles: Piano jazz
Year: 2011
Art: Front

[4:12] 1. Betty
[3:45] 2. Moon Tan
[4:05] 3. Aunt Sarah
[4:04] 4. Cerebellum
[3:33] 5. Dot
[3:59] 6. The Creed
[2:55] 7. The Tablecloth Stomp
[2:55] 8. A Parable
[2:52] 9. Kwan Youen
[2:31] 10. The Wig
[2:37] 11. Count Bill
[2:14] 12. Wigwam
[3:35] 13. Sally's Pound Cake
[4:20] 14. Every Woman
[5:11] 15. Woodville
[4:16] 16. Myrt
[4:10] 17. Box Car Blues
[5:01] 18. The Good Ship Linda
[3:00] 19. The Old Man
[6:24] 20. Theme Iii

After an impressive debut as a pianist in 1953, Bobby Scott was 17 when, a year later, he conducted the first of a series of three genuinely creative albums dedicated to his own works, all now compiled on this CD. A man of many moods, bursting with creativity, his compositions are full of a fine feel for harmonic textures and melodically interesting lines.

But also among the outstanding aspects of these sessions are the soloists given ample scope by the writing; Hal McKusick, Eddie Bert, Conte Candoli, Frank Rosolino, Charlie Mariano, Bill Holman, Jimmy Giuffre, Marty Flax and the little known Ronnie Woellmer and John Murtaugh are prime examples of the best of the East and West Coast jazzmen of the era. With Scott also shining as pianist on the second and third dates, this collection is a unique portrait of his precocious talent.

Personnel on #1-5: Bobby Scott, conductor; Ronnie Woellmer, trumpet; Eddie Bert, trombone; Hal McKusick, alto sax; Al Epstein, baritone sax; Milt Hinton, bass; Osie Johnson, drums. Recorded in New York City, November 1954

Personnel on #6-12: Bobby Scott, piano & conductor; Conte Candoli, trumpet; Frank Rosolino, trombone; Charlie Mariano, alto sax; Bill Holman, tenor sax; Jimmy Giuffre, baritone sax; Max Bennett, bass; Stan Levey, drums. Recorded in Hollywood, January 1955

Personnel on #13-20: Bobby Scott, piano; John Murtaugh, tenor sax; Marty Flax, baritone sax; Whitey Mitchell, bass; Howie Mann, drums. Recorded in New York City, October 1956

The Compositions Of Bobby Scott

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