Barbara Knight & The Cleveland Jazz Orchestra - Night & Day

Styles: Vocal
Year: 2007
File: MP3@320K/s
Time: 43:37
Size: 102,1 MB
Art: Front

(3:10)  1. The Song Is You
(4:11)  2. Bewitched
(2:50)  3. Bye Bye Blackbird
(5:06)  4. Night And Day
(2:45)  5. Just In Time
(4:33)  6. When You Wish Upon A Star
(4:04)  7. They All Laughed
(2:38)  8. Perdido
(5:17)  9. Like A Lover
(3:26) 10. Teach Me Tonight
(2:20) 11. Just One Of Those Things
(3:12) 12. This Lullaby

Barbara Knight is Northeast Ohio's premier big band jazz singer. She is known for captivating an audience with her tantalizing voice and is recognized by jazz bands and musicians as a truly gifted singer with dynamic stage presence and an intimate knowledge of her repertoire. Her enchanting renditions of the jazz classics will delight you while her melodic vocals will lure you into the song and make listening a truly magical experience. Experience the magic as you discover vocalist Barbara Knight in this exciting debut CD, "Night and Day".

“Barbara Knight's jazz style beautifully combines power and poise. She's a singer's singer, swinging on "Perdido," seductive on "Like a Lover," mysterious on her namecheck tune, "Night and Day," welcoming on "Just in Time." Both queenly and friendly, Knight is particularly comfortable with standards. But she's not afraid to be modern, either. "Night and Day," her CD with the Cleveland Jazz Orchestra, effectively demonstrates how well Knight and her favorite backup work together. This lush album is a honey, proving how persuasive mainstream jazz can be. Credit Barbara Knight for making the reminder so resonant.” ~ Carlo Wolff, jazz reviewer for the Cleveland Plain Dealer and contributor to Billboard online, Goldmine and the Boston Globe.

“There’s a rightness about this CD that is hard to define, one that I haven’t heard on anything I’ve ever been on except this. It’s just on another level. Wow!” ~ Jack Schantz, musical director of Cleveland Jazz Orchestra

“Barbara Knight's "Night And Day" is a refreshing change of pace. Knight shows us her love of the songs she sings, by actually just singing them. No self indulgent, vocal exercises on this session. Just Barbara's warm, crystal clear voice bringing life to a collection of very hip charts. What a delight!” ~ Dan Polletta, jazz host, WCPN - FM 90.3

“Barbara Knight sings with confidence and affection. Her interpretations of the great standards are straight from the heart of the music." ~ Tony Mowod, executive producer / jazz host, WDUQ - FM 90.5 http://www.cdbaby.com/cd/bkwtcjo

Night And Day

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Adela Dalto - Exotica

Styles: Vocal
Year: 1996
File: MP3@320K/s
Time: 55:32
Size: 128,0 MB
Art: Front

(1:09) 1. Dawning
(6:07) 2. Moon And Sand
(4:51) 3. And When The Clouds Fade Away
(4:51) 4. Dreams Of Paradise
(4:17) 5. Summer Passion
(5:04) 6. Brazilian Summer
(4:06) 7. Chora Coracao
(4:32) 8. Bachianas Brasileiras No. 5
(1:50) 9. Sol Do Meio Dia
(4:19) 10. Pobre De Mim
(3:22) 11. Coração Vagabundo
(4:06) 12. Waiting For Him
(6:53) 13. Afro Sambas

Adela Dalto has been immersed in the highest levels of creative Latin and Brazilian music and has mixed the sophisticated elements of this music with American jazz. Her Latin jazz repertoire also includes her original compositions, combining beautiful vocal sounds with fiery rhythms. She has performed around the world with her musical group including the U.S., Latin America, the Caribbean, Europe, Japan, China, Indonesia and Egypt. One of her first performances was as a backup singer for Celia Cruz, and she has since performed with some of the top Latin jazz artists including Arturo O'Farrell, Mario Bauza's AFRO CUBAN JAZZ ORCHESTRA and Carlos "Patao" Valdez. Her recordings include world class musicians such as Chucho Valdez, David Sanchez, Jerry Gonzalez, David Valentin, Ray Vega and Claudio Roditi. She has collaborated on albums with Mario Bauzá, Lee Konitz, and Aloisio Aguiar.

As a Latin Jazz vocalist, recording artist and songwriter, with a successful career that spans over 30 years, her performance has been described as "A sublime melding of Latin and jazz styles Dalto is sensuous and spellbinding." (Mark Holston, JAZZIZ). https://elusivedisc.com/adela-dalto-exotica-single-layer-stereo-japanese-import-sacd/

Musicians: Adela Dalto, vocals; Aloisio Aguiar, piano, marimba, celeste, percussion; Romero Lubambo, guitar; David Finck, bass; Portinho, drums; Waltinho, percussion, voice; Mauricio Smith, flute; Jimmy Cruz, percussion, wooden flute; Cidinho Teixeira, accordian

Exotica

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Larry Coryell - I'll Be Over You

Styles: Jazz Fusion
Year: 1994
File: MP3@320K/s
Time: 52:04
Size: 120,7 MB
Art: Front

(4:57) 1. I'll Be Over You
(4:22) 2. Redwing
(4:43) 3. Tonight Is the Night
(3:06) 4. Try a Little Tenderness
(5:17) 5. St. Louis Blues
(5:14) 6. For the Love of You
(4:50) 7. Nightshade
(4:34) 8. This Love of Ours
(4:49) 9. Before Dawn
(4:28) 10. Cumulus
(5:39) 11. Better Get Hit in Yo' Soul

As one of the pioneers of jazz-rock perhaps the pioneer in the ears of some Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, and phrasing and note-bending that owed as much to blues, rock, and even country as it did to earlier, smoother bop influences. Yet as a true eclectic, armed with a brilliant technique, he remained comfortable in almost every style, covering almost every base from the most decibel-heavy, distortion-laden electric work to the most delicate, soothing, intricate lines on acoustic guitar. Unfortunately, a lot of his most crucial electric work from the '60s and '70s went missing in the digital age, tied up by the erratic reissue schemes of Vanguard, RCA, and other labels, and by jazz-rock's myopically low level of status in certain quarters.

According to Coryell, his interest in jazz took hold at the age of four, and after his family moved from Galveston to the state of Washington three years later, he began to learn the guitar, studying records by Tal Farlow, Barney Kessel, and Johnny Smith. As a teenager, he played in a band led by pianist Mike Mandel, and by 1965 he gave up his journalism studies at the University of Washington in order to try his luck in New York as a musician. Before the year was out, he attracted much attention jamming in Greenwich Village and replaced Gabor Szabo in Chico Hamilton's band. In 1966, he made a startling recorded debut on Hamilton's The Dealer album, where his blues and rock ideas came to the fore, and that year he also played with a proto-jazz-rock band, the Free Spirits. Coryell's name spread even further in 1967-1968 when he played with Gary Burton's combo, and he was one of the most prominent solo voices on Herbie Mann's popular Memphis Underground album (recorded in 1968). He, Mandel, and Steve Marcus formed a group called Foreplay in 1969 (no relation to the later Fourplay), and by 1973 this became the core of the jazz-rock band Eleventh House, which after a promising start ran aground with a string of albums of variable quality.

In 1975, Coryell pulled the plug, concentrating on acoustic guitar and turning in a prolific series of duo and trio sessions with the likes of Philip Catherine, Emily Remler, John Scofield, Joe Beck, Steve Khan, and John McLaughlin. In the mid-'80s, Coryell toured with McLaughlin and Paco de Lucía, and in 1986 participated in a five-way guitar session with his old idol Farlow, Scofield, Larry Carlton, and John Abercrombie for the Jazzvisions series. Coryell also recorded with Stéphane Grappelli, Charles Mingus, Sonny Rollins, and Kenny Barron, and taped Brazilian music with Dori Caymmi for CTI, mainstream jazz for Muse, solo guitar for Shanachie and Acoustic Music, and (for Nippon Phonogram in Japan) an album of classical transcriptions of music by Stravinsky and Rimsky-Korsakov.

Coryell's career in the early 21st century was just as active. The year 2004 saw the release of Tricycles, an excellent trio date with drummer Paul Wertico and bassist Mark Egan. Electric from 2005 found Coryell playing jazz standards and rock anthems with Lenny White on drums and Victor Bailey on electric bass. In 2006 he released the performance album Laid Back & Blues: Live at the Sky Church in Seattle, followed two years later by Impressions: The New York Sessions on Chesky. In 2011 the guitarist joined a group of musicians closely associated with the Bay Area's Wide Hive label for Larry Coryell with the Wide Hive Players. He then returned in 2013 with The Lift, featuring organist Chester Thompson. Two years later, he delivered his third album for Wide Hive, Heavy Feel. In January 2017, Coryell announced he had reunited members of his '70s fusion group Eleventh House, including trumpeter Randy Brecker, for the album Seven Secrets. The album was slated to arrive in early June of that year, with a number of U.S. summer tour dates confirmed in support of the release. However, following a pair of weekend shows at New York City's Iridium club, Coryell died of heart failure in his hotel room on February 19, 2017. He was 73 years old. https://www.allmusic.com/artist/larry-coryell-mn0000124784/biography

Personnel: Larry Coryell - acoustic, electric, 12-string electric & Flamenco guitars; Sharon Bryant - background vocals; David Charles - percussion; Chris Parks - keyboards, programming; Carmen Cuesta - background vocals; Zach Danziger - drums; Mark Herman - keyboards, programming; Mark Sherman - vibraphone, keyboards, percussion, programming; Dan Heymann - piano; Rick Bottari - keyboards; Tracy Wormwood - bass; Steve Ferrone - drums; Chuck Loeb - guitar, electric guitar; Will Lee - bass; Grover Washington, Jr.- soprano saxophone, tenor saxophone; Peabo Bryson - vocals; Donald Harrison - vocals, soprano & tenor saxophones; Lani Groves - background vocals; Vaneese Thomas - background vocals

I'll Be Over You

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Wayne Shorter - Introducing

Styles: Saxophone Jazz
Year: 1959
File: MP3@320K/s
Time: 66:00
Size: 151,6 MB
Art: Front

( 5:35)  1. Blues A La Carte
( 4:40)  2. Harry's Last Stand
( 9:41)  3. Down In The Depths
( 6:49)  4. Pug Nose
( 6:00)  5. Black Diamond
( 4:27)  6. Mack The Knife
( 5:43)  7. Blues A La Carte (alternate take)
( 4:59)  8. Harry's Last Stand (alternate take)
(10:18)  9. Down In The Depths (alternate take)
( 7:43) 10. Black Diamond (alternate take)

Also known as Blues A La Carte, this Vee Jay disc has tenor-saxophonist Wayne Shorter's first session as a leader and it shows that, even at this early stage, Shorter was far along toward developing his own sound. Teamed up with trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb, the six selections (five of which are Shorter originals) capture the young tenor shortly after he joined Art Blakey's Jazz Messengers. The music is essentially hard bop and, although none of these Shorter tunes caught on, the music is quite enjoyable. A special treat is the one standard of the date, a swinging version of "Mack The Knife." ~ Scott Yanow http://www.allmusic.com/album/introducing-wayne-shorter-mw0000036851 

Personnel: Wayne Shorter: Tenor Saxophone; Lee Morgan: Trumpet; Wynton Kelly: Piano; Paul Chambers: Bass; Jimmy Cobb: Drums.

Introducing

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