Monday, April 24, 2023

Smith Dobson, Steve Gadd, Eddie Gomez - Smithzonian

Styles: Contemporary Jazz
Year: 1986
File: MP3@320K/s
Time: 42:47
Size: 99,1 MB
Art: Front

(4:35) 1. Smithzonian
(5:00) 2. Lullaby For V
(4:32) 3. Getting Sentimental Over You
(4:20) 4. Tones For Joan's Bones
(4:00) 5. Warning
(6:49) 6. Where Or When
(3:31) 7. Ottawa On
(4:58) 8. Isotope
(4:58) 9. It's A Quiet Thing

Steve Gadd: is one of the most sought-after studio/live drummers in the world. His feel, technique, and musicality on such tunes as Paul Simon's "Fifty Ways", Steely Dan's "Aja", and Chick Corea's "Nite Sprite" were so awe-inspiring and his concepts so innovative that they instantly assured his special position in the history of the percussive arts. Gadd attended the Manhattan School of Music as well as Eastman School of Music. After the army, he rapidly rose to prominence with a wide variety of artists, including Al DiMeola, Stanley Clarke, Rickie Lee Jones, Frank Sinatra, Paul McCartney, Dr. John, Michel Petrucciani and Stuff. Today, Gadd is as busy as ever, working with James Taylor, Eric Clapton, Blicher Hemmer Gadd, Mika Stoltzman, and his own, Grammy Award Winning Steve Gadd Band!

Eddie Gomez: was born in 1944 in Santurce, Puerto Rico. He moved to New York City with his family when he was a child. He attended the New York City High School of Performing and Art, and later graduated from the Juilliard school in 1963. By age 18 he had also played with such luminaries as Paul Bley, Buck Clayton, and Marian McPartland. Soon after this period, he would begin an 11 year stint with Bill Evans and the Bill Evans Trio. He would tour and record extensively with the group during his time, with 2 albums winning grammy awards. Eddie Gomez left the Bill Evans Trio in 1977, and has since played with Dizzy Gillespie, Freddie Hubbard, George Benson, McCoy Tyner, Hank Jones, Nancy Wilson, and Chick Corea. Two of the albums that Eddie Recorded with Chick have been awarded Grammys.
Http://www.highresaudio.com/en/artist/view/5c3433e8-5e76-40ad-bbd7-9dfe05884a2d/steve-gadd-eddie-gomez-ronnie-cuber

Smith Dobson: Jazz musician Smith Dobson was a renowned pianist in the South Bay area of California. Dobson initially received his appreciation of music at a young age via his mother, who sang and taught him harmony (his father was also musical, playing piano and accordion). After attending San Francisco State University and the University of the Pacific, Dobson honed his piano skills working the Nevada casino circuit. In 1967, Dobson joined the Airmen of Note (a United States Air Force band) which was the official White House Jazz Band, as he recorded with the likes of Cannonball and Nat Adderley, Joe Pass, Arthur Prysock, Clark Terry, Joe Williams, and Nancy Wilson. Dobson then returned back home, where he either played for or recorded with such artists as Woody Shaw, Bud Shank, Frank Rosolino, Freddie Hubbard, Pharaoh Sanders, Joe Henderson, Art Pepper, Richie Cole, Eddie Jefferson, Mark Murphy, and Bobby Hutcherson. In 1981, Dobson founded what would go on to become San Jose, CA's, most successful and longest-running annual jazz concerts, the Jazz Series at Garden City, during which he shared the stage with Stan Getz, Toots Thielmans, and Herb Ellis, among many others. Dobson also performed on his own, as part of a trio (which appeared at the Monterey Jazz Festival from 1984 through 1993), and alongside his wife, jazz vocalist Gail Dobson. In addition to appearing on numerous albums by other artists, Dobson also released his own albums 1986's Smithzonian, 1988's Live at Garden City, and Sasha Bossa and in 1995, he was the featured pianist on arranger Ray Brown's album, Impressions of Point Lobos. Dobson also found time to teach music to others at the University of California (Santa Cruz) and San Jose State University (where he helped form the first San Jose Summer Jazz Camp), and also served on such music boards as the San Jose Jazz Society, the Stanford Jazz Alliance, and the Kuumbwa Jazz Center. On April 20, 2001, Smith Dobson was tragically killed in a car crash while driving home from a performance
https://www.allmusic.com/artist/smith-dobson-mn0000023084/biography

Personnel: Smith Dobson - Piano; Eddie Gomez - Bass; Steve Gadd - Drums

Smithzonian

Wayne Shorter - The All Seeing Eye

Styles: Saxophone Jazz
Year: 1965
File: MP3@320K/s
Time: 44:33
Size: 102,5 MB
Art: Front

(10:34) 1. The All Seeing Eye
(11:48) 2. Genesis
( 6:57) 3. Chaos
( 5:32) 4. Face Of The Deep
( 9:40) 5. Mephistopheles

With such titles as "The All Seeing Eye," "Genesis," "Chaos," "Face of the Deep," and "Mephistopheles," it is clear from the start that the music on this LP is not basic bop and blues. Wayne Shorter (who composed four of the five originals) picked an all-star cast (trumpeter Freddie Hubbard, altoist James Spaulding, trombonist Grachan Moncur III, pianist Herbie Hancock, bassist Ron Carter, and drummer Joe Chambers, along with brother Alan Shorter on flügelhorn for the final song) to perform and interpret the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh. By Scott Yanow
https://www.allmusic.com/album/the-all-seeing-eye-mw0000097755

Personnel: Wayne Shorter – tenor saxophone; Freddie Hubbard – trumpet, flugelhorn; Grachan Moncur III – trombone; James Spaulding – alto saxophone; Herbie Hancock – piano; Ron Carter – bass; Joe Chambers – drums; Alan Shorter – flugelhorn (track 5 only)

The All Seeing Eye

Mike Melito - To Swing is the Thing

Styles: Jazz, Swing
Year: 2023
File: MP3@320K/s
Time: 63:01
Size: 146,7 MB
Art: Front

(6:27) 1. You Said It
(4:57) 2. Big Red
(7:10) 3. A Bee Has Two Brains
(6:53) 4. Blue Key
(6:27) 5. Lush Life
(4:55) 6. Make Believe
(6:38) 7. Ruby My Dear
(7:57) 8. Straight Street
(5:52) 9. Three For Carson
(5:40) 10. Locke Bop

Twenty-eight years ago, in March 1994, Mike Melito's fellow Rochesterian, Chuck Mangione, presented a traveling festival in upstate New York. He hired Roy McCurdy to play with Nat Adderley - with whom McCurdy had played on 7 leaders, plus another 19 with Cannonball Adderley, between 1966 and 1979 - in a band that included pianist Don Menza and Rochester guitar stalwart Bob Sneider. He assigned Melito to the other act, James Moody, in a unit including then up-and-coming pianist Danilo Pérez.

Roy and I hit it off right away, Melito says. I'd obviously been checking him out for years. We played the same set of drums, same cymbals and I learned a lot about sound. He didn't talk to me about anything. I watched him, and figured out what he was doing that I wasn't. I believe you're a student forever. I work a lot on my sound, on my hands, on my cymbal beat. My goal has always been to sound as authentic as possible as a player and strive for the same sound as my heroes.

Melito offered this self-assessment after relating an encounter some thirty years ago with iconic drum conceptualist Max Roach, whom he'd studied closely since age 12, when Melito heard the 1947 Charlie Parker-Miles Davis-Roach classic Dewey Square on the first jazz record I ever bought on my own. Another Rochester friend, trumpeter John Sneider, had played Roach some tapes featuring Melito, and the maestro noticed.

I met Max and he gave me one of the greatest compliments I've ever received, Melito recounts. He said, 'You really know how to phrase; the snare drum...' and gave me a big hug. The 56-year-old master offers a highly personalized refraction of Roach's late 1950s investigations of the possibilities of 3/4 waltz time towards the end of his eighth self-released album, To Swing Is The Thing, a title that efficiently encapsulates the imperatives that have driven him through 40 years as a professional drummer.By Editorial Reviewshttps://www.amazon.com/Swing-Thing-Mike-Melito/dp/B0BVSDM92R

Personnel: Mike Melito- drums; Grant Stewart- tenor saxophone; Joe Magnarelli - trumpet and flugelhorn; Jeb Patton- piano; Neal Miner - bass

To Swing is the Thing

Chris Byars - Look Ahead

Styles: Saxophone Jazz
Year: 2023
File: MP3@320K/s
Time: 61:42
Size: 143,8 MB
Art: Front

(6:56) 1. Times Square Lights
(6:35) 2. Melatonin'
(6:04) 3. Look Ahead
(5:47) 4. Endure And Remain
(5:39) 5. Bophthalmology
(6:36) 6. Little Quito
(5:51) 7. 3D Flat
(5:45) 8. Four For Plov
(4:54) 9. Blessings For Giacomo
(7:29) 10. This Account Is Private

The tenor of Chris Byars is nicely paired with the guitar of Pasquale Grasso here in an album without any piano at all, which allows for even more freeplay between the two instruments! Things still swing nicely thanks to the work of Ari Roland on bass and Keith Balla on drums but Byars also penned some great original material that really fits the open spirit of the record at a level that showcases the strong sense of color that Grasso has on his guitar, and that lean, almost raspy tone that can make Chris a very distinct player on tenor. Titles include "Little Quito", "3D Flat", "Times Square Lights", "Melatonin", "Blessings For Giacomo", and "This Account Is Private".
© 1996-2023, Dusty Groove, Inc.https://www.dustygroove.com/item/141224/Chris-Byars:Look-Ahead

Personnel: Chris Byars - (tenor saxophone); Pasquale Grasso - (guitar); Ari Roland - (bass); Keith Balla - (drums)

Look Ahead