Wednesday, August 24, 2022

Stephen Riley - I Remember You

Styles: Saxophone Jazz
Year: 2021
File: MP3@320K/s
Time: 70:19
Size: 161,5 MB
Art: Front

(6:58) 1. You Stepped Out Of A Dream
(7:45) 2. My Ideal
(8:17) 3. I'll Remember April
(8:22) 4. Wild Flower
(6:58) 5. I Remember You
(7:14) 6. Ugly Beauty
(8:22) 7. Alone Together
(9:07) 8. God Bless The Child
(7:11) 9. Equinox

American tenor saxophonist Stephen Riley lists John Coltrane, Sonny Rollins, Stan Getz and Lester Young as his influences. When he just 17, Riley won the Stan Getz/Clifford Brown fellowship, and he has toured and recorded with a host of musicians including, Wynton Marsalis, Joe Levano, Joe Henderson and Michael Brecker. In other words, this man has chops. Riley had recorded around a dozen albums before this one as a leader, and decided that he wanted a change of direction, and use a guitarist rather than a pianist.

The player he chose was in fact, an old music teacher of his, Vic Juris, a guitarist who had played with the likes of Larry Coryell, Lee Konitz, Gary Peacock, Dave Liebman and Joe Locke. Sadly, these would be the last sessions Juris played, because he died from cancer soon after their conclusion. This gives the album’s title a certain poignancy, and on the band photograph on the back of the CD booklet, the three other band members have a trace of a smile on their faces, while Juris looks haunted. The album is dedicated to him.

Bassist Jay Anderson has been a sideman for many including, Bob Belden, Paul Bley, George Cables, Lee Konitz, Bob Mintzer and Maria Schneider. He’s also played with Frank Zappa and David Bowie. Drummer Jason Tiemann’s resume includes Benny Gilson, Dave Liebman and Harold Mabern.

This is a straight-ahead jazz album, with the band playing nine covers, some of them standards from the pop and jazz worlds the composers include Wayne Shorter, Thelonious Monk and John Coltrane. The complementary nature of guitar and sax is strongly evident throughout the album, from the opening bossanova-tinged ‘You Stepped Out Of A Dream’ to the powerful closer, Coltrane’s ‘Equinox’. On the former, the influence of Getz is easy to discern, with Riley’s s airy sax phrases producing a cascade of wispy, sighs, and Juris comping excellently, before playing a solo with such touch and delicacy, that the notes sparkle like raindrops dancing off a lake.

On the nine-minute plus Billie Holiday number ‘God Bless The Child,’ Riley and Juris play together softly and tenderly - Juris’s opening, delicate chords and harmonics are a joy to listen to. The band plays a lovely swinging version of Arthur Schwartz’s ‘Alone Together.’ Riley’s opening, snaking solo is accompanied by more superb comping by Juris (just listen to the chiming chord he strikes at around the 1.45 mark). Wayne Shorter’s waltz-time composition ‘Wild Flower’ is played with some zest, while the title track composed by Gene DePaul is an uptempo, feet-tapping, rendition. A note should be made about the great support provided by the rhythm section of Anderson and Tiemann, Anderson also solos excellently on many tracks including, ‘You Stepped Out Of A Dream,’ ‘Equinox,’ and the band’s excellent interpretation of Monk’s haunting waltz, ‘Ugly Beauty.’

This album was a great pleasure to listen to, and one hopes that Riley reaches an even wider audience with it he deserves too. And it’s a fitting swansong to the talented and much-missed Vic Juris.~George Cole https://www.jazzviews.net/stephen-riley---i-remember-you.html

Personnel: Stephen Riley (tenor sax); Vic Juris (guitar); Jay Anderson (bass); Jason Tiemann (drums)

I Remember You

Gary Bartz Quintet - West 42nd Street

Styles: Saxophone Jazz
Year: 1990
File: MP3@320K/s
Time: 68:47
Size: 158,4 MB
Art: Front

( 8:51) 1. West 52nd Street
(19:10) 2. Speak Low
(11:45) 3. Its Easy to Remember
(10:02) 4. Cousins
(18:56) 5. The Night Has a Thousand Eyes

After a long period of indifferent recordings, altoist Gary Bartz started to fulfill his potential in the early '90s. Joined by a superb rhythm section (comprised of pianist John Hicks, bassist Ray Drummond, and drummer Al Foster) and trumpeter Claudio Roditi (whose restrained power complements rather than competes with Bartz), the altoist really stretches out, particularly on "Speak Low" and "The Night Has a Thousand Eyes" which both clock in at within seven seconds of 19 minutes apiece. Bartz is quite lyrical on a superior version of "It's Easy to Remember" and also takes inventive solos on his modal blues "Cousins" and Wilbur Harden's "West 42nd Street." A highly recommended gem. ~ Scott Yanow https://www.allmusic.com/album/west-42nd-street-mw0000073378

Personnel: Saxophone [Alto, Soprano] – Gary Bartz; Bass – Ray Drummond; Drums – Al Foster; Flugelhorn, Trumpet – Claudio Roditi; Piano – John Hicks

West 42nd Street

Abdullah Ibrahim - Solotude

Styles: Piano Jazz
Year: 2021
File: MP3@320K/s
Time: 42:41
Size: 99,7 MB
Art: Front

(3:10) 1. Mindiff
(1:56) 2. Trieste My Love
(2:24) 3. Nisa
(2:08) 4. Blue Bolero
(5:04) 5. In-Tempo
(2:30) 6. Dreamtime
(0:38) 7. Blue Bolero (First Reprise)
(1:49) 8. Peace
(1:05) 9. Blues For A Hip King
(1:02) 10. District 6
(0:39) 11. Tokai
(0:14) 12. District 6 (Reprise)
(0:42) 13. Pula
(3:20) 14. Sotho Blue
(0:23) 15. Blue Bolero (Second Reprise)
(1:29) 16. Did You Hear That Sound?
(1:33) 17. In The Evening
(6:27) 18. Once Upon A Midnight
(4:52) 19. The Wedding
(1:06) 20. Signal On The Hill

Abdullah Ibrahim once told a seminar at his M7 Academy in Cape Town, "The devil lives on the stage. This is where the ego comes out." On the strength of Solotude, recorded live on his eighty-sixth birthday, Ibrahim has crushed such personal demons and now lets angels guide his performing. One takes his point though, given that even the most spiritual music needs some sense of conceit to create and promote it. But this is an artist with nothing left to prove or justify, having laid down musical markers since emerging on record as Dollar Brand in 1968.

Solotude is neatly titled, with its aching sense of seclusion and repose. The record was made at Hirzinger Hall in east Germany, during the 2020 lockdown, with no audience beyond a technical crew. If anything, this format works better as each piece is left framed by brief silence rather than applause. The only background noise is actually supplied by Ibrahim with his occasional grunts and gasps of concentrated pleasure. Just possibly they could be groans of annoyance at a fluffed note, inaudible to any but himself. But more probably Ibrahim was captivated in the moment at his piano, just as the listeners are left enrapt.

The opening cut, "Mindif," is one of several which he revisits from a stellar career. Shorn of its previous orchestration, the track's blend of mystic light and golden silence sets a tone; also the album's most spectral cut, it echoes some of Espen Eriksen's noirish turns. "Trieste My Love," reworked from Dream Time (Enja Records, 2019) conveys a sweet sense of longing, while the playful rolls and jabs of "Nisa" are distinct from the brassy rendering on The Balance (Gearbox Records, 2019).

More geeky fun can be had with hearing "District 6" retain its funky swagger from the vibrant African Magic album (Enja Records, 2002). Elsewhere, a stark version of "Sotho Blue" supremely mimics the original's haunting sax and flute parts. Trying to unravel Ibrahim's sonic secrets is probably futile, though his fingertip sensitivity and use of sustain are evident on the romantic contemplations of "Blue Bolero" and "Once Upon A Midnight." Further, several short fragments, such as "Peace," "Blues For A Hip King" and "Tokai," echo a philosophical quality found in Franz Liszt's more intimate works.

Ibrahim presents one of his most enduring songs, "The Wedding," near the end like an encore. New numbers include the rhapsodic "In-Tempo" with its ripples of trilling birdsong, plus the closing cut, "Signal On The Hill," which brings a final note of serenity.

The meditative strength of this outing is born of one who recognises martial arts, medicine and movement as key elements. Ibrahim offers his symphonic poems to us here with quiet reverence. Who could refuse such a gift?~Gareth Thompsonhttps://www.allaboutjazz.com/solotude-abdullah-ibrahim-gearbox-records

Personnel: Abdullah Ibrahim: piano.

Solotude