Friday, November 14, 2014

Robben Ford - City Life

Bitrate: 320K/s
Time: 55:51
Size: 127.8 MB
Styles: Blues-jazz guitar
Year: 2006/2013
Art: Front

[9:28] 1. City Life
[8:30] 2. One Day At A Time
[6:22] 3. I Could See Forever
[7:39] 4. Wanderlust
[6:19] 5. Billie's Bounce
[7:22] 6. I Put A Spell On You
[6:01] 7. Blues Connotation
[4:06] 8. Blues Connotation (Reprise)

"City Life" is a collaboration between guitarist Robben Ford and drummer Jerry Granelli, an all instrumental jazz and fusion project which was partially recorded in 1988 and partially recorded in 1992. "City Life" also features stellar artists contributing to the music, including guitarist Bill Frisell, synthesist Ralph Towner, trombone player Julian Priester, bassist Charlie Haden, alto saxophonist Kenny Garrett and more. Sharp-eyed fans will remember these tracks released under the album title of "Blues Connotation" back in the mid-1990's, and now these tracks are finally available again. Shortly after the recording of these tracks, Ford returned to his devotion to the blues, so this fusiony improv style wasn't to be heard again in a long time.

City Life

Serenity Stewart - Champagne Taste

Bitrate: 320K/s
Time: 46:21
Size: 106.1 MB
Styles: Pop-jazz vocals
Year: 2013
Art: Front

[3:28] 1. Champagne Taste
[4:41] 2. That's The Way I Always Heard It Should Be
[2:46] 3. Por Favor
[2:45] 4. Tonight I'll Say A Prayer
[2:53] 5. Mink Shmink
[5:19] 6. Eres Tu
[2:56] 7. I Must Have That Man
[3:17] 8. I Wanna Be Evil
[4:18] 9. Come In From The Rain
[3:14] 10. 99 Miles From L. A
[2:57] 11. You'd Better Come Home
[2:12] 12. Put That Ring On My Finger
[5:30] 13. Good Morning Heartache

Take the glamor of the late 1930s and 1940s mixed with a modern twist and Serenity Stewart was born. Music is in the blood of this eclectic beauty and single mom to four.

While Serenity has had many careers over the years, nothing beckoned her more than her love for the arts -- a constant staple throughout her life. Serenity began at the ripe age of eight when the congregation fell silent upon her rendition of a popular hymn. She then went on to train classically as a Coloratura Soprano and at the age of fourteen, was asked to audition for the Detroit Metropolitan Opera.

A talented musical and theater production artist, Serenity has performed in countless productions such as Murder in the Key of C and Murder by Proxy. Serenity was the lead vocalist/soloist in Voices of the Desert. She went on to win a Kiwanis Silver Medal for Canada for Best Supporting Actress in an ensemble play, as well as performing bit parts in film for Toronto’s Visual Productions.

Champagne Taste

Hank Crawford - Dig These Blues

Bitrate: 320K/s
Time: 35:08
Size: 80.4 MB
Styles: Hard bop. Soul jazz
Year: 1965/2005
Art: Front

[4:31] 1. Dig These Blues
[5:01] 2. Don't Get Around Much Anymore
[2:57] 3. Banana Head
[2:47] 4. H. C. Blues
[2:34] 5. It's A Sin
[3:17] 6. Hollywood Blues
[5:45] 7. Baby Won't You Please Come Home
[4:22] 8. New Blues
[3:51] 9. Bluff City Blues

Hank kicks back and blows soulfully – working in a variety of groups with hip players that include Wendell Harrison, Ali Mohammed, Wilbur Brown, and Leroy Cooper. The overall sound is similar to Crawford's other work on Atlantic – nothing too challenging, but in a soulful mode that's always pretty tight.


Maucha Adnet & Helio Alves - Milagre

Styles: Jazz, Bossa Nova
Year: 2013
File: MP3@320K/s
Time: 57:07
Size: 130,8 MB
Art: Front

(4:31)  1. O Cantador
(3:22)  2. Eu Vim Da Bahia
(3:41)  3. Waters of March
(7:22)  4. Gabriela
(3:58)  5. Retrato Em Branco E Preto
(4:17)  6. Coração Vagabundo
(4:04)  7. Caminhos Cruzados
(4:38)  8. Vale Do Ribeira
(3:33)  9. Desafinada
(3:57) 10. Amor Infinito/ Bons Amigos
(2:54) 11. Milagre
(3:33) 12. Tico-Tico No Fuba
(3:18) 13. Canto Triste
(3:53) 14. April Child

Vocalist Maucha Adnet and pianist Helio Alves have been collaborating in various settings for two decades, but Milagre marks their first full-length recording as a twosome. Adnet, who's best known for her decade-long tenure with the great Antonio Carlos Jobim, and Alves, a first call pianist who's worked with everyone from saxophonist Joe Henderson to cellist Yo-Yo Ma, are both part of a group of close-knit veterans that breath Brazilian air into the jazz atmosphere of Manhattan. This Brazilian jazz mafia, which also includes guitarist Romero Lubambo, bassist Nilson Matta and drummer Duduka Da Fonseca, has served as a binding entity of sorts between Alves and Adnet, which helps to explain the deep bond they've formed over the years. 

Now, with Milagre, they can finally parlay their shared experiences into a passionate, bare-all project for two. Together, Adnet and Alves explore Grade A material written by Brazil's finest composers, who also happen to be friends, former employers, and favorites of both musicians. Jobim, Dori Caymmi, Caetano Veloso, Hermeto Pascoal, Moacir Santos, Gilberto Gil, Toninho Horta and several other notables are given their due during this intimate fourteen-song recital. Gentle journeys and energetic fare are both doled out with equal skill as they explore the ins and outs of their homeland's compositional élite. Adnet's voice is an emotionally powerful instrument capable of firmness or fragility, depending on the situation. When the tempo slows down and the lights are low, she reveals an attractive vocal wave more a quiver than out-and-out vibrato that heightens the intensity in her delivery; this level of directness and honesty transcends mere language when it appears. 

Alves can be called an equal partner here or an accompanist-cum-soloist but, regardless of his classification, he proves to be the perfect pianistic companion for Adnet. He mirrors and amplifies her mood, shades around her lines, creates in-the-wee-small-hours settings or implies the Brazilian rhythmic undercurrents that are usually delivered by the bottom end of a band. When he's given space and free rein to set the scene, he doesn't let the opportunity go to waste ("Vale Do Ribeira"). Adnet and Alves have such an easy way with one another throughout this date so, given their close musical proximity over the years; it's surprising that it took this long for them to get together sans company. Milagre is a long overdue treat. ~ Dan Bilawsky  http://www.allaboutjazz.com/milagre-maucha-adnet-zoho-music-review-by-dan-bilawsky.php#.VF_DZsmHmtg
 
Personnel: Maucha Adnet: vocals, percussion (8, 12, 14); Helio Alves: piano.

Tedeschi Trucks Band - Made Up Mind

Styles: R&B
Year: 2013
File: MP3@320K/s
Time: 53:22
Size: 122,4 MB
Art: Front

(3:55)  1. Made Up Mind
(4:36)  2. Do I Look Worried
(5:11)  3. Idle Wind
(5:43)  4. Misunderstood
(4:08)  5. Part Of Me
(4:06)  6. Whiskey Legs
(4:59)  7. It's So Heavy
(5:13)  8. All That I Need
(5:04)  9. Sweet And Low
(6:35) 10. The Storm
(3:46) 11. Calling Out To You

In so many ways, Tedeschi Trucks Band has bucked the odds: a band, on paper, doomed to fail and yet, here it is with its second studio recording, after the 2011 debut, Revelator and 2012 live album, Everybody's Talkin' (both, Sony Masterworks). In these days of escalating touring costs, the idea of an eleven-piece rock/soul/blues band being not just viable but successful would seem impossible. Then there's the decades-old unwritten rule: never date or, worse, marry one of your band mates. And yet, with a behemoth of a band and its two leaders a married couple, TTB continues, moving from success to success. Derek Trucks, nephew of drummer Butch Trucks both now playing together in the Allman Brothers Band, where Butch is a founding member, for more than a decade seems to embody a rare humility; his own Derek Trucks Band, which preceded TTB from 1997-2010, an ideal proving ground for the guitarist who has been on the road since the age of 12, picking up the torch left by the late Duane Allman and evolving, with influences that transcend blues and roots music to incorporate jazz and world music concerns, into today's most impressive, emotive and virtuosic slide guitarists, with a thick, singing and instantly recognizable tone. Tedeschi, since achieving her first real success with Just Won't Burn (Tone Cool, 1997), has emerged as a blues singer for the new millennium; a singer whose interests, like Trucks, go beyond the purer roots and into the areas of soul, R&B, rock and roll, and more. 

With Bonnie Raitt a touchstone but a voice more powerful and with greater range and grit, when Tedeschi and Trucks hooked up (both in life and music), it seemed like a match made in heaven. On the strength of Made Up Mind, it clearly must be, as the two lead a band with the only change being the loss of keyboardist/flautist Kofi Burbridge's brother, bassist Oteil. The music remains a thoroughly compelling and exciting blend, ranging from joyously upbeat ("Part of Me") and positively soul-drenched ("Do I Look Worried") to flat-out rocking ("Made Up Mind"), greasy funk ("Misunderstood") and folk-informed ("Idle Wind," featuring Burbridge's lovely flute work). 

But with a couple years of significant touring under its belt, TTB has become, at once, both tighter and even more relaxed. Trucks remains the predominant soloist, and his slide playing continues to evolve at an almost alarming rate, executing huge intervallic leaps with absolutely perfect intonation, for example, but never for the sake of it. Because it's music the joy of making it, the joy of performing it live and the joy of simply being in it that clearly drives Tedeschi Trucks Band. Backup singer Mike Mattison (and previous Derek Trucks Band lead singer) writes, in his liner notes: "What better way to gain resonance, to offer sustenance, to show your reverence for the deep meaning of the blues? Have a Singing Army! Throw DOWN the music like you mean it and make the performance bigger, crazier, messier and maniacal. "I'm going to THAT party."
~John Kelman  http://www.allaboutjazz.com/made-up-mind-tedeschi-trucks-band-sony-masterworks-review-by-john-kelman.php#.VGUmIMmHmtg

Personnel: Susan Tedeschi: guitar (6, 7), vocals, percussion (1); Derek Trucks: guitars, percussion (10); Kofi Burbridge: keyboards (1-10), flute (3); Tyler Greenwell: drums (1-10), percussion (1-10); J.J. Johnson: drums (1-10), percussion (1-10); Kebbi Williams: saxophone (1-5, 7, 8) ; Maurice Brown: trumpet (1-5, 7, 8); Saunders Sermons: trombone (1-5, 7, 8), vocals; Mike Mattison: vocals (1-5, 7-9); Mark Rivers vocals (1-5, 7-9); Pino Palladino: bass (1, 7-9, 10); Bakithi Kumalo: bass (3, 4), percussion (3, 4), congas (4); George Reiff: bass (6); Dave Monsey: bass (2, 5); John Leventhal: guitar (2); Doyle Brahmall II: guitar (5, 8); Jim Scott: handclaps (5); Erik Krasno: guitar (7), percussion (10).

Steve Tyrell - I'll Take Romance

Styles: Vocal
Year: 2012
File: MP3@320K/s
Time: 43:30
Size: 105,4 MB
Art: Front

(3:52)  1. At Last
(4:04)  2. That's All
(2:39)  3. Taking A Chance On Love
(3:33)  4. (I Love You) For Sentimental Reasons
(2:54)  5. I'll Take Romance
(4:06)  6. Talk To Me, Talk To Me
(3:11)  7. You Turn Me Around
(3:39)  8. A Love That Will Last
(3:41)  9. All Of You
(4:04) 10. Trust In Me
(3:09) 11. Don't Know Much
(4:32) 12. The Way You Look Tonight

An homage to the Great American Songbook, vocalist Steve Tyrell's 2012 studio album I'll Take Romance features the singer on various classics of American popular song. Featured are such compositions as "That's All," "Taking a Chance on Love," and more. Also included are Tyrell's versions of such R&B classics as Etta James' "At Last," Sam Cooke's "(I Love You) For Sentimental Reasons," and the Supremes' "You Turn Me Around." 
~ Matt Collar  http://www.allmusic.com/album/ill-take-romance-mw0002235665

Personnel: Shari Zippert, Michele Richards, Gina Kronstadt, Jenny Takamatsu, Diane Rammon, Nancy Roth, Lesa Terry, Neel Hammond, Mark Cargill (violin); Robin Ross, Jimbo Ross, Philip Rammon, Rodney Wirtz (viola); David Mann (alto saxophone); Lawrence Feldman (tenor saxophone); Lou Marini (baritone saxophone); Randy Brecker (trumpet); Mike Davis (trombone).

Roy Meriwether - Preachin'

Styles:R&B, Piano Jazz
Year: 1969
File: MP3@256K/s
Time: 29:42
Size: 58,3 MB
Scans:

(7:38)  1. Prologue That's Enough, By Myself, Ending Pilgram Of Sorrow
(4:02)  2. What He's Done For Me
(3:13)  3. Preachin'
(2:31)  4. Ode To Billie Joe
(2:34)  5. Little Green Apples
(3:31)  6. I'm Gonna Make You Love Me
(2:32)  7. Tribulation
(3:38)  8. This Guy's In Love With You

A multi-dimensional and self-taught virtuoso, Roy Meriwether blends jazz, blues, and gospel with classical elements in a unique and innovative style that has drawn enthusiastic crowds to night clubs, colleges, and concert halls across the country.Born in Dayton, Ohio, Mr. Meriwether started playing piano at the age of three and had composed two pieces before he was four. Shortly thereafter, he began playing in his father’s church, accompanying the family choir, and performing with gospel singers throughout the Midwest. Mr. Meriwether turned professional with his own group at age 18 and has devoted himself to both composing and performing ever since. Reviewers are frequently impressed by his power. Critic Arnold Shaw once described him as a “two-fisted pianist who in this day of right-handed wizards has the sound of a champion, with thunder in his left hand and lightning in his right.” As reported in the Scottsdale, Arizona Daily Progress: “Mr. Meriwether performs both standards and original compositions with a creativity that is nothing short of genius. Meriwether himself is the epitome of a ‘giving’ musician, at his best with a responsive, listening audience. He does not require it, but appreciates it and rewards it with dynamite delivered with the power his hands produce.” In 1973, the National Endowment for the Arts bestowed on Mr. Meriwether a Jazz Composition Fellowship Grant for the purpose of writing a musical work tracing the history of the black experience in America. 

The scope and breadth of the project resulted in the 21-piece suite, BLACK SNOW, written and premiered for the United States Bicentennial Celebration, April, 1976, with the Howard Roberts Chorale and the Dayton Contemporary Dance Guild. Living in New York City since 1976, Roy continually elicits standing ovations from his audiences. He is frequently called upon to compose specific works for special events such as the November, 1989 NAUBA Salute to Women Conference in the Bahamas, where he performed his piece, “A Tribute To You, My Lady.” He has received numerous awards including Jamaica Queens New York Jazz Community Award, the New York Manhattan Association of Cabaret Award (MAC Award), and has been considered for a Grammy nomination. In March of 1999, Mr. Meriwether received a Lifetime Achievement to Music Award. Mr. Meriwether's sound is unmistakable, and his music is timeless! His latest releases are: “The Art Of The Groove”, "Inspiration", "Live at John Word's", and "Live at Gordy's." Roy continues to tour regularly throughout the US and occasionally to Europe. ~ Bio  http://www.amazon.com/Roy-Meriwether/e/B000APZH44


Thank You GGLTD!
Preachin'