Monday, October 19, 2020

Enrico Rava - The Pilgrim And The Stars

Styles: Trumpet Jazz
Year: 1975
File: MP3@320K/s
Time: 39:45
Size: 91,5 MB
Art: Front

(9:45) 1. The Pilgrim And The Stars
(1:48) 2. Parks
(9:20) 3. Bella
(5:15) 4. Pesce Naufrago
(1:55) 5. Surprise Hotel
(4:49) 6. By The Sea
(6:50) 7. Blancasnow

In celebration of its fortieth anniversary, ECM has initiated a program called Touchstones in which forty albums recorded from 1971-1993 have been reissued. The program has been designed both to allow collectors to fill in missing releases and to introduce new listeners to a wide range of the music that has defined the "ECM sound." Many of those chosen have been out of print or not readily available in the United States, including trumpeter Enrico Rava's debut album The Pilgrim And The Stars, which has never been available as a CD in the United States. As fascinating as jazz can be by the seemingly endless creation of the new and heretofore unheard, a reissue of a currently hard-to-acquire album allows for the old(er) to be experienced as new. While Western classical music measures its history in centuries, jazz does so in decades. The Pilgrim And The Stars, recorded in 1975, is from ECM's first decade of existence, and presents early performances of guitarist John Abercrombie, bassist Palle Danielsson, and drummer John Christensen, the latter two of whom were members of pianist Keith Jarrett's "European Quartet"see Belonging (ECM, 1974). The music itself sounds remarkably fresh today, which is just an indication that good music is timeless and rises above any stylistic constraints of its era. The compositions, all by Rava (with Graciela Rava added for "By The Sea") vary widely, allowing for an attractive pacing and flow. Overall, there is a strong feeling of each individual performer's freedom intersecting, reacting with, and responding to the group sound of the moment, always, colored, however, by the free romanticism of Rava's trumpet.

Although the album is obviously Rava's through his compositions and trumpet playing, Abercrombie very nearly steals the record with his intense, flying, and completely unpredictable solos, as well as his lush and well-placed, sharp accompaniment. While all of the tracks have something to offer, the title track and "Bella," besides being the longest, are standouts. Constructed similarly, their opening, rubato sections offer beauty and grace, before the band takes off in the middle, extended sections. It is here that Abercrombie, particularly in "Bella," shines, practically searing the speakers and eliciting a "woo," presumably from Rava. Danielsson and Christensen, as the rhythm section, are easily taken for granted since their playing is so highly attuned both to each other and to the rest of the band, pushing and pulling the music along. The Pilgrim And The Stars is a most welcome reissue regardless of perspective, being very alive, vibrant, and simply great music jazz at its best.~ Budd Kopman https://www.allaboutjazz.com/the-pilgrim-and-the-stars-enrico-rava-ecm-records-review-by-budd-kopman.php

Personnel: Enrico Rava: trumpet; John Abercrombie: guitar; Palle Danielsson: bass; Jon Christensen: drums.

The Pilgrim And The Stars

John Abercrombie & Don Thompson - Witchcraft

Styles: Guitar, Post Bop
Year: 1991
File: MP3@320K/s
Time: 60:04
Size: 138,9 MB
Art: Front

(5:59) 1. Everything I Love
(5:33) 2. Sometime Ago
(6:04) 3. Witchcraft
(8:50) 4. My Foolish Heart
(6:12) 5. Fall Colours
(5:56) 6. I'm Getting Sentimental Over You
(5:41) 7. Peace
(7:01) 8. You'd Be So Nice To Come Home To
(8:43) 9. You Don't Know What Love Is

For followers who bemoan guitarist John Abercrombie's tendency to record rather adventurous albums with an often electronically treated tone, Witchcraft will be a delight. On this duo recording with bassist Don Thompson (who also plays piano on three tracks), the guitarists' sound is untreated, and the repertoire is standards. The two play well together, and there are some lovely moments on the record. The title track finds Abercrombie using the differing tonal qualities of his guitar's open strings to give the melody a unique interpretation. The sole original on the record, "Fall Colours" (credited to both writers, although the Canadian spelling may reveal the true author), is based on the standard "Autumn Leaves." Abercrombie sounds fine here, if at times pretty rather than substantial. He prefers to play in long single-note lines, rather than taking the more chordal approach many guitarists attempt in such a stripped-down setting. Thompson is a highly interactive bass player with enviable technique, allowing him to play melodic, fluid solos throughout. There seem to be several sound problems on Witchcraft; the recording level is very low, and a rattling sound often accompanies the musicians' louder notes, which grows to be quite distracting on repeated listenings.~ Dan Cross https://www.allmusic.com/album/release/witchcraft-mr0000352205

Personnel: John Abercrombie - guitar; Don Thompson; double bass, piano

Witchcraft