Sunday, July 26, 2015

Sonny Clark - Dial "S" For Sonny

Bitrate: MP3@320K/s
Time: 45:49
Size: 104.9 MB
Styles: Bop, Piano jazz
Year: 1957/1997/2015
Art: Front

[7:22] 1. Dial S For Sonny
[5:12] 2. Bootin' It
[6:56] 3. It Could Happen To You
[8:35] 4. Sonny's Mood
[6:41] 5. Shoutin' On A Riff
[5:48] 6. Love Walked In
[5:13] 7. Bootin' It

Dial "S" for Sonny, Sonny Clark's first session for Blue Note Records and his first session as a leader, is a terrific set of laidback bop, highlighted by Clark's liquid, swinging solos. Clark leads a first-rate group -- Art Farmer (trumpet), Curtis Fuller (trombone), Hank Mobley (tenor sax), Wilbur Ware (bass), Louis Hayes (drums) -- through four originals and two standards, balancing the selections between swinging bop and reflective ballads. There are traces of Bud Powell in Clark's style, but he's beginning to come into his own, developing a style that's alternately edgy and charmingly relaxed. Mobley, Farmer and Fuller have their moments, but Clark steals the show in this set of fine, straight-ahead bop. ~Stephen Thomas Erlewine

Dial "S" For Sonny

Susanne Alt - How To Kiss

Bitrate: MP3@320K/s
Time: 55:13
Size: 126.4 MB
Styles: Saxophone jazz
Year: 2012
Art: Front

[4:44] 1. How To Kiss
[3:31] 2. B. Jammin'
[5:44] 3. Scotheny
[5:34] 4. Cold Sweat
[2:54] 5. Snokie
[4:39] 6. What's Going On
[4:43] 7. Willow Weep For Me
[5:36] 8. Brothers And Sisters
[5:22] 9. African Dream
[4:12] 10. No Rules
[4:55] 11. Frida's Birds
[3:12] 12. Just A Little Lovin'

Susanne Alt is a saxophone player and composer, living in Amsterdam. So far, she has released 5 cd’s. Since 2006 Susanne has been using Youtube almost like a concert diary, uploading 200 videos of her live concerts on YouTube. Up to now the clips have been viewed more than 500 000 times and counting.. By using social media and Youtube, Susanne created a dedicated worldwide fan community, still growing each day.

Susanne has been getting even more media attention since her third album 'On Track' (2009), it featured trombone legend Fred Wesley, famous from his work with James Brown and George Clinton & Parliament Funkadelic. 'On Track' has been nominated for the Edison Publieksprijs. Her latest release is 'How to kiss' (2012), and has been released in BeNeLux, USA, Germany, Austria, Switzerland, France. Also 'How to kiss' has been nominated for the Edison Publieksprijs.

How To Kiss

Grover Washington Jr. - Jazz Moods: Cool

Styles: Saxophone Jazz
Year: 2004
File: MP3@320K/s
Time: 54:08
Size: 124,3 MB
Art: Front

(4:22)  1. Strawberry Moon
(4:49)  2. Love Like This
(4:15)  3. Soulful Strut
(5:07)  4. Caught A Touch Of Your Love
(5:38)  5. Sacred Kind Of Love
(4:58)  6. Take Five (Take Another Five)
(5:02)  7. Time Out Of Mind
(5:10)  8. I Can Count The Times
(5:00)  9. Play That Groove For Me
(4:36) 10. The Look Of Love
(5:06) 11. Next Exit

The late saxophonist Grover Washington, Jr. had three distinct periods during his musical career. The first was as a sideman with Charles Earland in his great cooking soul-jazz band of the mid-'60s; the second  his best musically was his association with producer and label boss and producer Creed Taylor at Motown and then at Kudu where he recorded his greatest records, including Soul Box, Feels So Good, Mister Magic, Reed Seed, and A Secret Place; and the last of these was his most commercially viable period recording for Elektra and finally Columbia. This compilation concerns itself with his Columbia tenure and sticks close to the bone of Washington's "cool" period which is nonsense because he never played anything remotely resembling "cool" jazz, either historically or musicologically, despite recording Dave Brubeck's "Take Five," which appears here. 

These tunes were plucked from the Sony vault for inclusion on this budget compilation and serve no purpose other than to highlight that the man could play "mellow" like no body's business. As musically lightweight as this material is, there is something clearly of the man's gifts on offer: his facility for melodic improvisation even during the smooth jazz era. While melody was king during the '80s and '90s in this subgenre of jazz, Washington did it better and more intuitively than anyone else and never took a dive, even if the arranged sounds around him were not up to his abilities. ~ Thom Jurek  http://www.allmusic.com/album/jazz-moods-cool-mw0000474940

Jazz Moods: Cool

Hank Jones - Compassion

Styles: Piano Jazz
Year: 2007
File: MP3@320K/s
Time: 66:25
Size: 152,5 MB
Art: Front

(5:23)  1. A Foggy Day
(6:25)  2. Angel Face
(3:49)  3. Alan's Allies
(5:57)  4. Hank's Blues
(6:27)  5. Yours Is My Heart Alone
(8:16)  6. Compassion
(6:22)  7. Come to Me
(4:53)  8. A Foggy Day (Take 1)
(6:21)  9. Yours is my Heart Alone (Take 2)
(8:21) 10. Come To Me (Take 1)
(4:06) 11. Alan's Allies (Take 1)

Hank Jones is marvelous in this 1978 trio date with bassist George Duvivier and drummer Alan Dawson, one of several dates they made together for Black & Blue in the latter part of the decade. It's hard to imagine any of these three superb musicians being in anything other than top form, and they do not disappoint. Jones' delightful tradeoffs with Dawson (on brushes) are the highlight of "A Foggy Day." The leader swings mightily in the oldie by Franz Lehár, "Yours Is My Heart Alone." The pop song "Come to Me" is successfully recast as a samba. "Alan's Allies" is a virtual master class for aspiring jazz drummers. The often low-key Duvivier provides terrific support without result to gimmickry. Like many of the reissues by the label during the late '90s, bonus tracks consisting of alternate takes of several numbers have been added. ~ Ken Dryden  http://www.allmusic.com/album/compassion-mw0000084392

Compassion

Laila Dalseth - Glad There Is You

Styles: Jazz, Vocal
Year: 1978
File: MP3@320K/s
Time: 42:41
Size: 98,2 MB
Art: Front

(3:14)  1. Like Someone in Love
(4:38)  2. Ev'ry Time We Say Goodbye
(3:21)  3. There Will Never Be Another You
(3:02)  4. Drinking Again
(3:03)  5. Fine and Dandy
(2:15)  6. I'm Glad There Is You
(6:05)  7. My Romance
(4:01)  8. If You Were Mine
(4:45)  9. I Got It Bad
(3:57) 10. Have You Met Sir Jones
(4:15) 11. But Beautiful

Norway is famous for fjords, northern lights, Edvard Grieg and for two very good jazz singers, Karen Krog and Laila Dalseth. In 1954, Dalseth began her singing career at the age of 14 in her home town of Bergen. Moving from her home of Bergen to Oslo in 1960, Dalseth began a career which resulted in her performing and recording with some of the most prominent European and American jazz artists. She has made solo albums with Al Cohn, Milt Hinton, Red Mitchell, Bucky Pizzarelli, Louis Stewart and Phillip Catherine for Norway's Gemini Records. 

She has appeared as a guest on albums of Arne Domnerus, Bengt Hallberg and her husband, saxophone player Totti Bergh. During the 1980's and 1990's she was featured at important jazz events including Playboy's, the Caribbean and Sacramento festivals where she appeared with Major Wholley, Flip Phillips, Roger Kellaway, Frank Capp, Jim Hughart, Nat Pierce and modernist Per Husby among others. Dalseth has been awarded the prestigious Norwegian "Spellenmannprisen" on three different occasions for outstanding jazz performing. The Norwegian Jazz Society has also honored her with their "Buddy" Award. Celebrating her 40th anniversary as a jazz artist, Dalseth's ability to be at ease with several jazz styles, combined with her sensitive, discerning interpretations of standard and non-standard material keep this fine singer at the apex of the Scandinavian jazz scene. ~ Bio  https://itunes.apple.com/us/artist/laila-dalseth/id129870047#fullText

Glad There Is You

James Darren - This One's From The Heart

Styles: Vocal Jazz
Year: 1999
File: MP3@320K/s
Time: 54:46
Size: 126,2 MB
Art: Front

(2:25)  1. The Best Is Yet To Come
(3:05)  2. Come Fly With Me
(3:08)  3. That Old Black Magic
(4:17)  4. All The Way
(2:31)  5. It's Only A Paper Moon
(2:06)  6. I've Got the World On a String
(2:04)  7. You'd Better Love Me
(7:18)  8. Sophisticated Lady
(2:22)  9. Just In Time
(3:13) 10. I've Got You Under My Skin
(4:36) 11. The Way You Look Tonight
(3:20) 12. Here's to the Losers
(2:17) 13. You're Nobody 'Til Somebody Loves You
(3:02) 14. Dancing in the Dark
(2:20) 15. Night And Day
(3:07) 16. I'll Be Seeing You
(3:27) 17. Satin Doll

During a career that's stretched for more than 40 years, James Darren has touched many of the bases in the entertainment game. He started in the 1950s when he was a teenage idol of the big screen, and then moved on to appearances on any number of TV shows over the ensuing years. One of the more notable of these appearances was his portrayal of a swinging 1960s Rat Pack crooner on Star Trek: Deep Space Nine. This wasn't one of those too-often-seen instances of miscasting: The man can sing, and this, his latest album, is telling evidence of his gift. Coincidentally, ironically, or whatever, Darren comes across a bit like another singer who began his career in the 1950s: the similarly surnamed Bobby Darin. And like his near namesake, Darren suffers from unfair and unnecessary comparisons to Frank Sinatra. It probably doesn't help matters that several songs on the album are strongly associated with Sinatra, including "All the Way," "Come Fly With Me," "Night and Day," and "I've Got You Under My Skin." If any singer with a style like Darren's were forced to limit his selections to songs not already done by Sinatra, the vocal pickings would be slim indeed. Darren has something to say with each of these tunes, and he says it well.

That he is blessed with outstanding arrangements by some of the best in the business, like Alan Broadbent, Sammy Nestico, Tom Ranier, and the late Marty Paich, contributes mightily to making this session an enjoyable listening experience. The instrumental accompaniment includes appearances by some of the finest jazz musicians extant. On a midtempo "I've Got the World on a String," Darren is backed by a strong tenor saxophone solo by Pete Christlieb. "Sophisticated Lady" features Ranier's piano and the graceful, floating figures of Warren Luening on a Sweets Edison-like muted trumpet. Luening makes a similar contribution on "I'll Be Seeing You." Darren's rendering of one of Duke Ellington's most popular tunes stands up well with most interpretations. Darren is accompanied by a big band, with strings attached, on eight of the cuts. 

This group provides the background for very lush renditions of such standards as Jerome Kern and Dorothy Fields' hauntingly beautiful "The Way You Look Tonight" (on which Luening's flügelhorn is prominent). For the remaining nine tunes, Darren is backed by a small group of fine musicians, including Luening, Ranier, Christlieb, Chuck Berghoffer, Gregg Field, and Ron Escheté. Darren offers a legitimate option to the hip male singers of the day. His is a crooning, swinging style that reached its zenith with Bing Crosby, Sinatra, and Darin, and was carried on by the inestimable Tony Bennett and Darren himself. This One's From the Heart is an amiable 52 minutes of great music, excellently arranged and performed by a good singer backed by fine musicians. ~ Dave Nathan http://www.allmusic.com/album/this-ones-from-the-heart-mw0000245901

Personnel:  James Darren (vocals); Ron Eschete, John Pisano (guitar); Gary Foster, Dan Higgins (alto saxophone); Gene Cipriano (tenor saxophone); Lee Callett (baritone saxophone); Warren Luening (trumpet, flugelhorn); Charlie Loper (trombone); Tom Rainer (piano); Chuck Berghoffer (bass); Gregg Field (drums); Bob Zimitti (percussion).

This One's From The Heart

Harrison Craig - L.O.V.E.

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 44:42
Size: 102,9 MB
Art: Front

(4:35)  1. Because We Believe
(4:22)  2. Angels
(4:28)  3. Beneath Your Beautiful
(2:30)  4. You Belong To Me
(2:58)  5. Moon River
(3:03)  6. Dream a Little Dream of Me
(3:46)  7. The Way You Look Tonight
(2:35)  8. L.O.V.E.
(2:17)  9. Til There Was You
(3:16) 10. How Sweet It Is
(4:31) 11. All of Me
(2:33) 12. Let It Be Me
(3:42) 13. Love Is In the Air

Everyone knows Harrison Craig from his stand out performances on The Voice Australia. The 18 year old has been sweeping Australia off its feet with his silky tones and heart-warming vocals. From his rendition of “Unchained Melody”, to Elvis Presley’s “Can’t Help Falling In Love” to his own original single, “More Than A Dream; Harrison has been setting the charts alight. Born in Victoria, Harrison has had to overcome challenges that would stop many people in their tracks, but growing up without his father, and becoming the man of the house at a young age has in his words, ‘made me the person I am today, and I am grateful for that thank you’. On top of rising above family responsibilities, Harrison has had to deal with a severe stutter, which he has had ever since he began talking. This courageous artist began to feel peace in his singing when he realized he could sing without stuttering. Singing has always been place of contentment for Harrison, and it’s no wonder he dedicated himself to crafting and developing his now unique and incredible voice.

In true testament to his character, his defining quote from the show was related to his discussion with Seal regarding his original song, ‘More than a dream’. Harrison said, ‘No matter whether you grew up without a father, you were bullied at school, or you can’t speak, you never stop’. Harrison’s vocal development began when he joined the Victorian Boys Choir in 2005, and with the help of his private singing teacher David Jaanz, he continued to refine his vocal ability until he was ready to debut it for the world in 2013 on The Voice Australia. Of his experience on The Voice and the future, Harrison said, ‘I feel like I am coming home. It’s going to be amazing’. ~ Bio http://www.harrisoncraigofficial.com/member/harrison-craig/

L.O.V.E.<