Showing posts with label Hiromi Kanda. Show all posts
Showing posts with label Hiromi Kanda. Show all posts

Thursday, May 13, 2021

Hiromi Kanda - Seven Elegant Ballads

Styles: Vocal
Year: 2020
File: MP3@320K/s
Time: 25:58
Size: 60,0 MB
Art: Front

(4:17) 1. A Nightingale Sang in Berkeley Square
(3:55) 2. Moonlight in Vermont
(2:55) 3. Around the World
(3:39) 4. Days of Yesterday
(3:44) 5. Smile
(4:20) 6. Don't Blame Me
(3:06) 7. Twilight Tears

Seven Elegant Ballads opens with “A Nightingale Sang in Berkeley Square,” written in 1939. Hiromi makes it her own in this expansive rendition, which, she says, was inspired by Marc Chagall’s painting “Lovers in the Red Sky.” Says Hiromi, “I love the brilliant world he creates in that painting, and the lyrics of ‘A Nightingale Sang in Berkeley Square’ remind me of it. Plus, it’s just fun to sing.” “Moonlight in Vermont,” written in 1944, is “a very romantic love ballad that evokes the winter,” says Hiromi. “I love the image of the lines ‘Icy finger waves, ski trails on a mountainside, snow light in Vermont.’” “Around the World” is the theme from the 1956 film Around the World in 80 Days. Once again, Kanda puts her own stamp on it, exploring the cinematic qualities of the tune with great flourish. “I sing this song as if I’m a traveler on a beautiful hot-air balloon,” she says. The first of the album’s two originals, “Days of Yesterday,” is next in the sequence.

Both it and “Twilight Tears,” which closes out the recording, were composed by Hiromi and Hoguchi, a famous Japanese composer, arranger, studio musician and lyricist, who is also Hiromi’s husband. Both songs appeared earlier on Hiromi’s Days of Yesterday album, and she felt the two sentimental love ballads deserved another go on the new project, in order to spotlight Hoguchi’s talents. “He is a marvelous composer and arranger, who knows and respects the Great American Songbook,” she says. “The original songs create a nice balance in the album. I believe it is important to keep this style fresh by creating new songs in that vein.” Two other classics fill out the track list. “Smile,” with music by the great Charlie Chaplin, is “a very lovely song and it gives me courage,” Hiromi says. “Joe Sample’s piano playing on this track is just wonderful.” Finally, there’s “Don’t Blame Me,” from 1933. “This is the first time I’ve sung the song,” she says. “I feel like it’s coming out of an old radio when I hear it.” Hiromi says that the time spent in Hollywood recording Seven Elegant Ballads with such an illustrious cast of contributors was “thrilling, and I’m very proud of it. We had a dream that someday we would create wonderful music in the U.S. That dream has now come true several times over the years. I hope listeners enjoy entering my romantic music world in Seven Elegant Ballads.” https://musicians.allaboutjazz.com/seven-elegant-ballads-hiromi-kanda

Seven Elegant Ballads

Thursday, September 19, 2013

Hiromi Kanda - Hiromi In Love

Styles: Jazz Vocals
Year: 2010
File: MP3@320K/s
Time: 46:13
Size: 107,8 MB
Art: Front

(3:14)  1. That Old Feeling
(3:22)  2. Always Here For You
(3:36)  3. How Deep IS The Ocean
(3:12)  4. I'll Never Smile Again
(4:14)  5. Blue Love
(4:03)  6. Someone To Watch Over Me
(3:27)  7. My Funny Valentine
(2:57)  8. In The Wee Small Hours Of The Morning
(3:26)  9. All The Way
(3:31) 10. When I Fall In Love
(3:16) 11. Cry
(4:03) 12. The Second Time Around
(3:47) 13. Unforgettable

Japanese singer Hiromi Kanda expresses her affection for American pre-rock traditional pop music on Hiromi in Love. She is accompanied by members of the Honolulu Symphony Orchestra, playing arrangements written and conducted by Matt Catingub (who also contributes alto saxophone, piano, and backup vocals) on a set of standards written by the likes of Irving Berlin, the Gershwins, and Rodgers & Hart, plus a couple of originals in a similar style. Her timbre may remind some listeners of Linda Ronstadt, who made three albums of similar music, though native English speakers probably will feel the same way about Kanda that native Spanish speakers did listening to Ronstadt's albums of Mexican music, in the sense that Kanda sings with a slight Japanese accent throughout. She is certainly comprehensible, and these are much more than karaoke-like performances, but it is impossible to ignore that, for example, in "That Old Feeling," the word "foolish" comes off sounding like "fulitch," or that, in "Cry," "sunshine" is rendered as "sanshan." Thus, English speakers may suppose they are listening to the soundtrack of an old movie set in post-World War II, U.S.-occupied Japan. This probably means that Hiromi in Love will be most successful in Japan itself and the Pacific Rim in general, where Kanda's accent won't be as much of an issue.~ William Ruhlmann  http://www.allmusic.com/album/hiromi-in-love-mw0001959346