Susie Meissner - Tea For Two

Bitrate: MP3@320K/s
Time: 66:05
Size: 151.3 MB
Styles: Jazz vocals
Year: 2015
Art: Front

[3:20] 1. If I Were A Bell
[7:06] 2. Tea For Two
[4:40] 3. Mean To Me
[2:42] 4. Moonlight Saving Time
[6:52] 5. Laura
[4:10] 6. Love Is Here To Stay
[4:04] 7. Moonglow
[2:33] 8. Just You, Just Me
[4:51] 9. Everything I Love
[6:46] 10. Guess I'll Hang My Tears Out To Dry
[4:50] 11. I Didn't Know Time It Was
[4:46] 12. Crazy He Calls Me
[4:55] 13. Triste
[4:22] 14. Say It Isn't So

A major jazz and swing singer, Susie Meissner always seems to have a smile in her voice. In addition to her very appealing tone and impeccable musicianship, the enthusiasm that she displays when she performs is infectious. She always swings and is an excellent improviser yet the lyrics that she interprets are very important to her. "When I perform a song," says Susie, "I want to express the emotions of the words so the listener is experiencing the lyrics the way that the writer intended. I'm never casual about the lyrics." Her skill at reviving and revitalizing classic songs is very much in evidence throughout her finest recording, Tea For Two.

Since the New York-based Susie Meissner also performs regularly in Philadelphia, particularly at Chris' Jazz Café, for her latest recording she decided to feature some of Philly's best jazz musicians along with a few guests. Heard along the way are such greats as tenor-saxophonist Larry McKenna (a Philadelphia legend), valve trombonist John Swana, trumpeter Freddie Hendrix, guitarist Paul Meyers and clarinetist Ken Peplowski plus the superb rhythm section of pianist John Shaddy, bassist Lee Smith and drummer Dan Monaghan.

Tea For Two

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Don Byron - Bug Music

Styles: Clarinet And Saxophone Jazz
Year: 1996
File: MP3@320K/s
Time: 51:06
Size: 119,0 MB
Art: Front

(3:18)  1. The Dicty Glide
(2:52)  2. Frasquita Serenade
(2:53)  3. St. Louis Blues
(2:52)  4. Wondering Where
(1:41)  5. Bounce of the Sugar Plum Fairies
(2:48)  6. Charley's Prelude
(1:54)  7. Royal Garden Blues
(2:52)  8. Siberian Sleighride
(2:50)  9. The Penguin
(2:51) 10. The Quintet Plays Carmen
(2:55) 11. Powerhouse
(2:36) 12. Tobacco Auctioneer
(2:36) 13. War Dance for Wooden Indians
(2:49) 14. Cotton Club Stomp
(3:25) 15. Blue Bubbles
(9:47) 16. SNIBOR

Bug Music is a tribute to the music of the Raymond Scott Quintette, the John Kirby Sextet and Duke Ellington, headed by the remarkably versatile clarinetist Don Byron. Raymond Scott's legendary compositions feature eccentric song titles (including, on this set, "Siberian Sleighride," "Tobacco Auctioneer" and "War Dance for Wooden Indians"), complex and thoroughly composed arrangements (all of which were originally memorized rather than being written out) and unique melodies. Kirby's brand of swing, which is quite complementary to Scott's novelties, often utilized themes from classical music and had solos, but were also tightly arranged (even "St. Louis Blues" and "Royal Garden Blues"). The CD begins and ends with four Ellington/Strayhorn pieces that fit well into the idiom (particularly "The Dicty Glide" and "Cotton Club Stomp"). In addition to Byron, the key players on the project include altoist Steve Wilson (one of the best of the younger swing stylists), trombonist Craig Harris and pianist Uri Caine, in addition to four other horns and several rhythm sections. Other than a silly rendition of Ellington's "Blue Bubbles" and an adventurous interpretation of "Snibor," the selections are played with respect and great understanding of the somewhat forgotten style. None of the modern musicians sound as if swing were only their second language, making the continually surprising set a major success. ~ Scott Yanow https://www.allmusic.com/album/bug-music-mw0000078877

Personnel:  Clarinet, Baritone Saxophone – Don Byron (tracks: 1, 14);  Alto Saxophone – Steve Wilson (2) (tracks: 1 to 7, 14);  Banjo – Paul Meyers (3) (tracks: 1, 14);  Bass – Kenny Davis (tracks: 1 to 14, 16);  Drums – Billy Hart (tracks: 2 to 7, 16), Joey Baron (tracks: 8 to 13), Pheeroan akLaff (tracks: 1, 14);  Guitar – David Gilmore (tracks: 16);  Piano, Vocals – Uri Craine (tracks: 4);  Tenor Saxophone – Robert DeBellis  (tracks: 1, 8 to 14);  Trombone – Craig Harris (3) (tracks: 1, 14);  Trumpet – Charles Lewis (2) (tracks: 1 to 3, 5, 6, 8 to 14), James Zollar (tracks: 1, 14), Steve Bernstein (tracks: 1 to 4, 7, 14);  Vocals – Dean Bowman (tracks: 14), Don Byron (tracks: 4)

Bug Music

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Andy Bey - Tuesdays In Chinatown

Bitrate: MP3@320K/s
Time: 57:01
Size: 130.5 MB
Styles: Vocal jazz
Year: 2001
Art: Front

[6:52] 1. Tuesdays In Chinatown
[4:51] 2. Fragile
[4:59] 3. Bridges
[5:32] 4. Saidas E. Bandeiras
[7:04] 5. In A Mist
[5:32] 6. I'll Remember April
[7:00] 7. Invitation
[6:14] 8. Little Girl Blue
[2:36] 9. Just Friends
[6:17] 10. Feelin' Lowdown

Vocalist/pianist Andy Bey is in fine form on Tuesdays in Chinatown, the third installment in a comeback series that began in 1995 with Ballads, Blues & Bey and continued with 1998's Shades of Bey. Here Bey continues to explore fairly eclectic repertoire. His jazz roots are well represented with standards such as "I'll Remember April," "Invitation," "Little Girl Blue," and "Just Friends." There are also two beautiful songs by Milton Nascimento, "Bridges" and "Saidas e Bandeiras" (the latter sung in Portuguese), as well as a (so-so) cover of Sting's "Fragile." Bey's vocal is entirely wordless on the Bix Beiderbecke composition "In a Mist," one of the disc's more ambitious undertakings. The best cuts, however, are the first and the last: first, the lush and mellow title track, featuring John Sneider on flügelhorn; last, Big Bill Broonzy's "Feelin' Lowdown," a self-accompanied slow blues that showcases Bey's gift to full effect. Bey is backed mainly by bassist Peter Washington and drummer Victor Lewis, with guitarist Paul Meyers playing a major role on four tracks. Appearing as guests are Ron Carter, Marty Ehrlich, Steve Turre, Earl Gardner, Mino Cinelu, and more. Geri Allen crafted the horn arrangements; one only wishes there were more of them. ~David R. Adler

Tuesdays In Chinatown mc
Tuesdays In Chinatown zippy

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Louise Rogers - Come Ready and See Me

Styles: Vocal
Year: 2007
File: MP3@320K/s
Time: 46:49
Size: 107,4 MB
Art: Front

(4:52)  1. Be My Baby
(6:54)  2. Islands
(5:43)  3. Conjunction
(3:11)  4. Come Ready and See Me
(5:13)  5. Shadows of Yesterday
(5:42)  6. The Song Is You
(5:35)  7. Poetic Song
(3:30)  8. Louise
(6:04)  9. Lass from the Low Countree

Louise Rogers proves absolutely infectious with her delightful vocals. Her expressive voice, playful scatting, and crystal-clear intonation strike the listener right off the bat. Her core group includes Rick Strong (her husband) on bass and Mathias Kunzli on drums, with pianist Matthew Fries, guitarist Paul Meyers, and saxophonist Gottfired Stoger added on a few tracks. Rogers and Strong wrote a hip tune to accompany poet Nikki Giovanni's "Be My Baby," with Kunzli's hand percussion initially serving as her sole accompaniment, adding the bass after the first chorus and scatting up a storm with it in octave unison. Jerry Bergonzi's melancholy "Conjunction" benefits from her hopeful lyrics. Rogers wrote both the words and music to the soft bossa nova "Shadows of Yesterday." Stoger's tense "Poetic Song" features demanding unison lines by the singer and saxophonist. Rogers also finds a fresh approach to the standard "The Song Is You" (adding Stoger on soprano sax) and a playful duet with Strong of the forgotten chestnut "Louise." But the biggest surprise is her setting of a traditional Celtic song, "Lass from the Low Countree," a haunting duet with Strong on electric bass. Highly recommended. ~ Ken Dryden http://www.allmusic.com/album/come-ready-and-see-me-mw0001169217

Personnel:  Louise Rogers – vocals;  Gottfried Stoger – saxophones;  Paul Meyers – guitar;  Matthew Fries – piano;  Rick Strong – bass;  Mathias Kunzli - percussion, drums

Come Ready and See Me

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Louise Rogers - Black Coffee

Styles: Jazz, Vocal

Year: 2010

File: MP3@320K/s

Time: 58:21

Size: 134,1 MB

Art: Front

(4:26)  1. Comes Love

(2:57)  2. Alice in Wonderland

(4:53)  3. Easy to Love

(3:43)  4. Sentimental Journey

(2:42)  5. Lazy Afternoon

(4:45)  6. Pennies from Heaven

(3:47)  7. Alright Okay You Win

(5:55)  8. Black Coffee

(3:43)  9. Ain't Misbehavin'

(3:45) 10. Happiness Is a Thing Called Joe

(4:40) 11. Skylark

(5:16) 12. When the Sun Comes Out

(4:13) 13. Be My Baby

(3:32) 14. Gentle Rain

Jazz vocalist Louise Rogers has been gradually winning over converts with her beautiful burnished tone, clear diction, flawless intonation, and impeccable musicianship. Her natural, unforced delivery harkens back to such pure singers as Peggy Lee, Ella Fitzgerald, Chris Connor, and Doris Day. And while she may possess considerable technique and a capacity to improvise and scat up a storm like her most significant role model, Ella, Rogers takes a more relaxed and restrained approach on Black Coffee, her fifth recording overall and first for Chesky Records. https://www.amazon.com/Black-Coffee-Louise-Rogers/dp/B003TT72LO

...a pure incandescent voice, free of affectation or obvious influence... ~ Christopher Loudon, Jazz Times

Personnel: Louise Rogers (vocals); Paul Meyers (guitar); Billy Drummond (drums).

Black Coffee

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Ken Peplowski - A Good Reed

Styles: Clarinet And Saxophone Jazz 
Year: 1997
File: MP3@320K/s
Time: 59:37
Size: 137,5 MB
Art: Front

( 7:46)  1. Luck Be A Lady
( 7:07)  2. Dream Theme
(17:25)  3. Homage Concerto For Clarinet
( 7:08)  4. Deep
( 6:14)  5. I've Never Been In Love Before
( 7:53)  6. Purple Gazelle
( 6:00)  7. Royal Garden Blues

Featuring the seventeen-minute "Homage Concerto For Clarinet And Jazz Orchestra" with Loren Schoenberg's big band backing clarinetist Ken Peplowski, this session is well-balanced, with four numbers by the leader's small group and four with the large ensemble. Peplowski plays clarinet on three tracks; tenor saxophone on the other four. His experience with the Tommy Dorsey ghost orchestra under Buddy Morrow's direction, working some with Benny Goodman, and more recently with Rosemary Clooney, Mel Torme, and as a duo with Howard Alden, has gained the clarinetist considerable exposure; this is his fourteenth Concord Records album as a leader. On tenor saxophone, Peplowski maintains a quiet posture on "Luck Be A Lady" and "I've Never Been In Love Before." The latter is arranged by guitarist James Chirillo, includes Schoenberg's big band, and features a delightful bass clarinet solo by Danny Bank. 

Bassist Greg Cohen composed "Dream Theme" with the random qualities of a stereotypical dream in mind; it features Peplowski's dreamy tenor, the composer's lyrical bass solo, and pianist Ben Aronov's dreamy keyboard work as well. The "Homage Concerto for Clarinet and Jazz Orchestra" in three movements was written by Chirillo and naturally infuses a classical bent. The names of each movement, "Swing," "Elegy," and "Driving," give one a feel for what is being accomplished. It is Peplowski's strong point, and the big band backs him capably. Duke Ellington's "Purple Gazelle" finds guest tenorist Loren Schoenberg beside the quartet of clarinetist Peplowski, pianist Aronov, bassist Cohen, and drummer Chuck Redd. With a Latin rhythm and a unique Monkish piano outing, the clarinet and tenor saxophone trade phrases and work very well together. The full orchestra returns for the final track, Duke Ellington's arrangement of "Royal Garden Blues." Up-tempo, yet relaxed with a swing, the big band works out behind the confident and imaginative clarinet solos by Ken Peplowski. ~ Jim Santella https://www.allaboutjazz.com/a-good-reed-ken-peplowski-concord-music-group-review-by-jim-santella.php?width=1920

Personnel: Ken Peplowski (clarinet, tenor saxophone); James Chirillo, Paul Meyers (guitar); Jon Gordon , Steve Wilson (flute, alto saxophone); Doug Lawrence, Mark Lopeman (clarinet, tenor saxophone); Danny Bank (bass clarinet, baritone saxophone); Loren Schoenberg (tenor saxophone); John Edkert, Greg Gisbert, Tony Kadleck, Bob Millikan (trumpet); Eddie Bert, Bobby Pring, Mike Christianson (trombone); Tim Newman (bass trombone); Dick Katz, Benny Aronov (piano); Chuck Redd (drums)

A Good Reed

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John Di Martino - A Tribute to King of Jazz

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 52:39
Size: 120,7 MB
Art: Front

(6:12)  1. Candlelight Blues
(5:58)  2. Magic Beams
(4:22)  3. Falling Rain
(4:47)  4. Love in Spring
(4:24)  5. Love at Sundown
(4:33)  6. Oh I Say
(3:21)  7. Blue Day
(3:57)  8. H.M. Blues
(5:11)  9. I Think of You
(4:08) 10. Still on My Mind
(5:42) 11. Echo

John di Martino is a New York area based pianist, composer, arranger and Venus recording artist. He is a sought after musical director and is in demand by many singers as an accompanist, having accompanied such singers as Jon Hendricks, Sylvia Sims, Diane Schuur and Billy Eckstine. His talents as a pianist and arranger can be heard on recordings with Freddy Cole, Gloria Lynne and Grady Tate. Noted for his versatility, di Martino has also performed and recorded with such notables as Kenny Burrell, James Moody, Joe Lovano, the late David "Fathead" Newman, Pat Martino, Paquito D'Rivera and Houston Person. Di Martino was a long time member of Ray Barretto's "New World Spirit" group and he was a featured pianist and arranger on several recording including Barretto's Grammy-nominated CD, Contact! (Blue Note, 1997). He also enjoyed a long association with percussionist Bobby Sanabria and can be heard on Sanabria's Grammy-nominated CD Afro-Cuban Dream: Live And In Clave (Arabesque, 2000). Born in Philadelphia, di Martino was a student of Lennie Tristano, Don Sebesky and Jimmy Amadie. He has performed everywhere from Carnegie Hall to the Peoples' Republic of China.~Marcia Hillman http://www.allaboutjazz.com/john-di-martino-piano-man-in-on-demand-john-di-martino-by-marcia-hillman.php 

Personnel:  John Di Martino - musical direction, arrangements, piano, keyboards;  Alex Foster - soprano saxophone, alto saxophone, clarinet;  Paul Meyers - acoustic nylon string guitar;  Deanna Kirk – vocals;  Boris Kozlov – bass;  Tim Horner – drums

A Tribute to King of Jazz

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Paul Meyers - I Let A Song Go...

Size: 121,2 MB
Time: 51:56
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Guitar Jazz
Art: Front

01. Solitude (5:50)
02. Falling In Love With Love (4:51)
03. If I Should Loose You (5:25)
04. A Flower Is A Lovesome Thing (5:20)
05. I Let A Song Go.. (3:38)
06. Living To Love You (4:02)
07. September Song (5:51)
08. That Old Feeling (4:23)
09. A Time For Love (4:43)
10. Love Walked In (3:19)
11. Seven Steps To Heaven (4:29)

On his new CD Paul Meyers continues to explore the possibilities of improvisation solo nylon string guitar. Paul is a Potsdam native who lives near New York City. He teaches at two colleges in New Jersey, and travels all over the world playing in a number of musical settings. His new CD is called “I Let A Song Go” and unlike last year’s release, “Welcome Home”, this CD is almost entirely standards.

I Let A Song Go...

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Bob Kindred & Paul Meyers - Your Place Or Mine

Styles: Jazz, Easy Listening
Year: 2011
File: MP3@320K/s
Time: 48:25
Size: 112,9 MB
Art: Front

(4:28)  1. These Foolish Things
(3:27)  2. I Got It Bad and That Ain't Good
(2:49)  3. My Funny Valentine
(3:26)  4. The Touch of Your Lips
(4:04)  5. Tenderly
(3:53)  6. Makin' Whoopie
(3:56)  7. Hey, Look Where I Am
(4:16)  8. Everything I Have Is Yours
(3:40)  9. My Foolish Heart
(3:16) 10. Perdu
(5:09) 11. Teach Me Tonight
(2:37) 12. Two Dances of Love (Flirtation Embrace)
(3:19) 13. Love Is Just Around the Corner

That romantic moment can happen at anytime. Be ready! ‘Your Place Or Mine’ will set the mood. This is the CD to have in your collection for those moments.

“Bob Kindred invests every note with passion,” “The ‘Gentle Giant’ of the tenor saxophone,” “Just plain sexy!”… combined with the intimate beauty of Paul Meyers’ acoustic guitar, ‘Your Place Or Mine’ sets the scene for an unforgettable evening of romance. http://www.cdbaby.com/cd/bobkindredandpaulmeyers

Your Place Or Mine

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Paul Meyers & Santi Debriano - Spirit & Samba

Bitrate: 320K/s
Time: 56:48
Size: 130.0 MB
Styles: Samba, Swing, Guitar jazz
Year: 2005
Art: Front

[4:17] 1. Amazing Grace
[4:02] 2. Woody 'n' You
[9:23] 3. Lament
[7:11] 4. Circle Chant
[4:42] 5. For Heaven's Sake
[5:46] 6. Lazy Afternoon
[5:21] 7. Blues For Mel
[7:06] 8. Some Other Spring
[5:23] 9. Passarim
[3:33] 10. My Lord, What A Morning

Playing the New York jazz scene together for over a decade, Paul and Santi have grown into one of jazz’s great duos. Paul’s flawlessly warm guitar sound blends Wes Montgomery’s bluesy soulfulness with Jobim’s Brazilian sensuality. That quiet excitement is doubled by Santi’s big, rich-sounding bass. Bowed or plucked, Santi adds subtly swinging groove. Striking, melodic arrangements ranging from centuries-old spirituals to modern sambas and classic jazz ballads.

Paul Meyers (guitar); Paul Meyers (acoustic guitar); Santi Debriano (double bass). Recording information: Mapleshade studio (04/02/2002/04/03/2002).

Spirit & Samba

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Paul Meyers Quartet - Paul Meyers Quartet Featuring Frank Wess

Bitrate: 320K/s
Time: 65:32
Size: 150.0 MB
Styles: Guitar jazz, Saxophone jazz
Year: 2010
Art: Front

[7:25] 1. Snibor
[6:32] 2. Blue Lanturn
[5:36] 3. In The Wee Small Hours Of The Morning
[7:32] 4. One For Miss D
[5:00] 5. Lazy Afternoon
[4:53] 6. Menage A Bleu
[5:25] 7. Just One Of Those Things
[8:30] 8. My One And Only Love
[6:54] 9. Who Cares
[7:39] 10. I Cover The Waterfront

Count Paul Meyers among those relatively few jazz guitarists who concentrate on playing a nylon-string instrument. Assembling a terrific band for these sessions, including veteran bandleader and Basie alum Frank Wess on tenor sax and flute, bassist Martin Wind (a leader as well and regular collaborator with pianist Bill Mays), and drummer Tony Jefferson, Meyers includes a mix of standards, originals, and well-known jazz compositions. Oddly enough, the bluesy opener, "Snibor," is not one of Billy Strayhorn's more widely played works (though Duke Ellington fans will be familiar with it), but the light, swinging treatment with Wind's intricate solo, Wess' robust tenor, and the leader's subtle playing signals immediately that this is an impressive outing. All of the standards shine, including the breezy setting of "Just One of Those Things" with engaging features for Meyers and Wess; the warm rendition of "Lazy Afternoon" with guest vocalist Andy Bey; and the gorgeous "My One and Only Love," which opens as a duo by Wess and Meyers with a delayed entrance by the rhythm section. Wess contributed "Menage a Bleu," a tasty blues that sounds like the perfect wrap-up for a late-night club date. Meyers penned a pair of originals, "Blue Lantern," a pulsating vehicle featuring Wess' spirited flute and Meyers' cooking guitar, and the choppy, infectious "One for Miss D." The Paul Meyers Quartet Featuring Frank Wess is a delight from start to finish. ~ Ken Dryden

Acoustic jazz guitarist Paul Meyers is joined by Frank Wess on tenor saxophone and flute, bassist Martin Wind, drummer Tony Jefferson. Joining the quartet on vocals on the song Lazy Afternoon is Andy Bey.

Recording information: Bennett Studios, Englewood, NJ (01/18/2007-01/19/2007).

Personnel: Paul Meyers (nylon-string guitar); Martin Wind (acoustic bass); Tony Jefferson (drums).

Paul Meyers Quartet Featuring Frank Wess

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Dan Block - Duality

Bitrate: 320K/s
Time: 51:24
Size: 117.7 MB
Styles: Saxophone jazz
Year: 2012
Art: Front

[5:06] 1. Long Ago And Far Away
[3:30] 2. I'm Bringing A Red Red Rose
[3:02] 3. Chorino For Dennis
[6:08] 4. If You Could See Me Now
[4:17] 5. Out Of Touch
[3:08] 6. Pitter Panther Patter
[4:58] 7. Lyric Waltz [from Dance Of The Dolls]
[7:25] 8. In The Dark
[4:09] 9. My Own Morning
[4:45] 10. The Jazz Samba
[4:52] 11. I'll Build A Stairway To Paradise

It must be one of the most pure ways to improvise: the duet. Call and respond are the basic elements of jazz music, born a century ago ..... Dan Block had the audacity to make such an album, entitled Duality - almost a dozen duo-specials, featuring Dan Block in duet with pianist Ted Rosenthall, guitar player Paul Meyers, awards winning vocalist Catherine Russell, baritone saxophone player Scott Robinson, vibist Mark Sherman and a handfull of others.

Recording information: Cathedral Sound (02/16/2011-05/??/2011); Zebulon Sound Factory (02/16/2011-05/??/2011); Cathedral Sound (05/17/2011/05/21/2011); Zebulon Sound Factory (05/17/2011/05/21/2011).

Duality

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Paul Meyers - World On A String

Bitrate: 320K/s
Time: 64:04
Size: 147.1 MB
Styles: Guitar jazz
Year: 2009
Art: Front

[7:14] 1. I've Got The World On A String
[8:46] 2. Eyes That Smile
[6:43] 3. Plum
[7:15] 4. Twilight
[7:03] 5. Stars
[9:06] 6. Panama
[4:42] 7. Because
[6:45] 8. River
[6:26] 9. North Meets South

The music of nylon-string acoustic guitarist Paul Meyers isn't easily classifiable, as it has elements of several Brazilian styles, along with both straight-ahead and contemporary jazz. His rhythm section includes two Brazilians, pianist Helio Alves, and drummer/percussionist Vanderlei Pereira (who is also a fine guitarist, though he sticks to drums in these sessions), plus saxophonist Donny McCaslin, and electric bassist Leo Traversa. For example, the opener, the chestnut "I've Got the World on a String," alternates styles and rhythms in an eclectic setting, ending in mid-phrase. The Beatles' "Because" is not commonly heard in a jazz setting, but Meyers' unusual reharmonization makes it work. The remaining tunes are all Meyers' originals. The infectious "Panama" was recorded in 1989 by Gary Burton with Pat Metheny; here Pereira does double duty on percussion and marimba, with the leader adding a guitar synth pickup for a portion of the piece. Meyers' chops are best displayed in the trio setting of "Plum," which blends his intricate solo with the constantly shifting bass and drums. In essence, WORLD ON A STRING is Brazilian music, but with a decidedly personal twist. Equally conversant in straight ahead jazz and Brazilian music, guitarist Paul Meyers has shared the bandstand with the likes of Kenny Barron, Andy Bey, Jon Hendricks, Frank Wess and Wynton Marsalis while also being active on the Brazilian scene in New York.

Recording information: The Studio (02/13/2007-06/18/2007).

Paul Meyers (acoustic guitar); Leo Traversa (electric bass); Vanderlei Pereira (drums, drum, percussion).

World On A String

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