Sunday, December 31, 2017

Phil Woods-Lee Konitz 5et - Play Woods

Bitrate: MP3@320K/s
Time: 65:54
Size: 150.9 MB
Styles: Bop, Saxophone jazz
Year: 2004/2010
Art: Front

[ 9:44] 1. Squire's Parlor
[ 9:11] 2. Petite Chanson
[ 8:59] 3. My Man Benny
[ 7:52] 4. Summer Serenade
[ 7:21] 5. Johnny Hodges
[10:24] 6. Body And Soul
[ 6:02] 7. Ah Se Eu Pudesse
[ 6:18] 8. Fotografia

Phil Woods, Lee Konitz, saxophones; Andrea Pozza, piano; Massimo Moriconi, bass; Massimo Manzi, drums; Barbara Casini, vocal.

Phil Woods and Lee Konitz had a great time sharing the stage with a number of Italian musicians over a several-day stretch at the 2003 Umbria Jazz Festival. With the Philology label on-hand to tape the concerts, four volumes were put together, with this edition concentrating on Woods' considerable skill as a composer. The contrast between the two alto saxophonists makes for interesting interplay, meshing Woods' robust melodic approach with Konitz's dryer, more dissonant style, while consistently producing great music. The snappy "Squire's Parlor" is a terrific opener to introduce the band, which includes pianist Andrea Pozza, Massimo Moriconi, and drummer Massimo Manzi. The lush waltz "Petite Chanson" has a bittersweet air, followed by Woods' memorable tribute to the late Benny Carter (another master of great melodies and the alto sax), "My Man Benny." It was only natural to follow it with one of Carter's greatest works, the lush ballad "Summer Serenade," which is beautifully interpreted. This may very well mark the first occasion that Woods has recorded "Johnny Hodges" (another tribute to a legendary alto saxophonist) without also singing the lyrics. "Body and Soul" has been recorded so often, one would think it was in danger of becoming hackneyed, but that is impossible with two masters as experienced as Konitz (who kicks it off into fresh territory with his challenging reworking of the melody) and Woods. Barbara Casini joins them on the final track, in a lovely rendition of Antonio Carlos Jobim's "Fotografia." Like all Phil Woods or Lee Konitz CDs released by the small but prolific Philology label, this one is a very worthwhile investment. ~Ken Dryden

Play Woods

Jackie Messina - Necessary Arrangements

Bitrate: MP3@320K/s
Time: 54:25
Size: 124.6 MB
Styles: Jazz vocals
Year: 2011
Art: Front

[3:38] 1. Inchworm
[4:12] 2. I Feel Pretty
[3:38] 3. Easy Street
[4:47] 4. Wild Is The Wind
[4:34] 5. Quiet Now
[4:19] 6. Little B's Poem
[3:46] 7. Surrey Wtih A Fringe On Top
[4:27] 8. I Believe In You
[4:17] 9. I'm A Fool To Want You
[4:25] 10. Baltimore Oriole
[4:46] 11. Alfie
[4:02] 12. Slow, Hot Wind
[3:27] 13. Show Me

Original arrangements breathe new life into an unusual choice of jazz standards sung with charm, wit, and authenticity. Vibrant solos by Bruce Barth, piano, Will Galison, harmonica, Paul Beaudry and Ed Howard, bass.

Jackie Messina breezes her way through thirteen songbook gems with sexy panache and a wink in her eye. Her tasteful re-imaginings of the melodies we know and love are both logical and magical. Backed by a stellar ensemble, Jackie swings lightly inside smart arrangements that perfectly highlight each story as well as her lovely voice. ~ Amy London

Necessary Arrangements mc
Necessary Arrangements zippy

Peter Erskine, Bob Sheppard, Dave Carpenter - Lava Jazz

Bitrate: MP3@320K/s
Time: 56:44
Size: 129.9 MB
Styles: Bop
Year: 1997
Art: Front

[4:21] 1. Pesos
[5:50] 2. It Already Happened
[3:53] 3. Cats + Kittens
[3:24] 4. Jung At Heart
[5:13] 5. I Hear A Rap Cd
[4:29] 6. Pettwelve
[4:49] 7. You Stepped In
[3:03] 8. Journey To The Center Of Blues
[5:38] 9. Pretty Toes
[4:10] 10. Jazz Marines
[7:46] 11. Five Z's
[4:04] 12. Drizzle

When one thinks of lounge music, it is of atmospheric background sounds from the early '60s that are considered so worthless by late-'90s listeners that LPs of the style can often be located for 39 cents at used record stores. The Lounge Art Ensemble, a co-op trio consisting of tenor saxophonist Bob Sheppard, bassist Dave Carpenter, and drummer Peter Erskine, thinks of lounge music as jazz played in small clubs, but the "lounge" title does not really do their music justice. In reality, this "lounge art" is a quiet but fairly adventurous version of cool-toned bop. Erskine is heard playing a very small drum set; Carpenter often shares the melody and much of the solo space with Sheppard, and the dozen "originals" are all based on common chord changes (à la Lennie Tristano), mostly of bop standards. The versatile bassist is really the key to the trio, for he functions as both a second melody instrument and a second rhythm instrument, even sounding a bit like a rhythm guitar on the humorously titled "I Hear a Rap CD" (based on "I Hear a Rhapsody"). Throughout the date, the three musicians work together quite well (Bob Sheppard is an underrated great), and they create exciting music that makes one wish the group were more accurately titled "the Anti-Lounge Art Ensemble". ~Scott Yanow

Lava Jazz mc
Lava Jazz zippy

Janet Seidel - The Way You Wear Your Hat

Bitrate: MP3@320K/s
Time: 95:08
Size: 217.8 MB
Styles: Cabaret, Jazz vocals
Year: 1998
Art: Front

[4:02] 1. Lazy River
[2:57] 2. Pick Yourself Up
[6:51] 3. My One And Only Love
[4:55] 4. Poor Butterfly
[5:53] 5. Corcovado (Quiet Nights)
[4:43] 6. My Foolish Heart
[3:35] 7. Tenderly
[5:59] 8. Manha De Carnival
[5:20] 9. Someone To Watch Over Me
[5:16] 10. They Can't Take That Away From Me
[5:14] 11. The Way You Look Tonight
[5:34] 12. Hymee A L'amour
[3:59] 13. Le Chateau De Ma Mere
[5:49] 14. I Love Paris
[8:35] 15. Secret Love
[6:06] 16. Them There Eyes
[4:56] 17. Comes Love
[5:13] 18. I Love Being Here With You

Born in Australia's bush country, Janet Seidel emerged as one of that country's leading cabaret and jazz vocalists. She appeared frequently at Australia's top jazz and hotel venues beginning in the early '80s, often working with bassist brother David Seidel. Janet Seidel also performed at jazz festivals in the U.S., working with such jazz notables as Harry Allen, Dan Barrett, Dave McKenna, and Michael Moore. Her first venture into cabaret came in 2000 when she put together and starred in Doris and Me, a tribute to Doris Day's singing career. Often working with saxophone player Tom Baker and with her brother, she has made numerous albums for the LaBrava label. Her double album The Way You Wear Your Hat was named vocal album of the year by Australia's national newspaper and was a finalist for the prestigious ARIA award. Her The Art of Lounge, Vol. 2 was similarly a finalist for that award for the AIRA Jazz Album of the Year.

The Way You Wear Your Heart                

Emili Baleriola - Jazz-Rock Trio

Bitrate: MP3@320K/s
Time: 54:43
Size: 125.3 MB
Styles: Jazz/rock guitar
Year: 2011
Art: Front

[ 6:07] 1. No Problemo
[ 4:08] 2. Cold Duck Time
[ 4:03] 3. Song For My Father
[ 4:33] 4. All Blues
[ 5:31] 5. Sombra Y Luz
[ 4:52] 6. Blue Bossa
[ 1:37] 7. Erika
[ 3:30] 8. Dulces Sueños
[ 3:20] 9. Donna Lee
[ 2:56] 10. Infraganti
[14:01] 11. Zeleste

Emili Baleriola, guitar. Vicenç Mas, bass. Raimon Iniesta, drums.

I was born in Barcelona on April 4, 1952 and I went on stage with my guitar for the first time at age 13. Since then, music is my greatest passion. I consider myself a self-taught musician, because even though I had good teachers, I have always been guided by my ear and my intuition to learn, but I am honored to mention Manolo Bolao, Gabriel Rosales, John Scofield and Jack Wilkins.

Over time, many bands have passed through my life which has allowed me to experiment with blues, jazz, rock, pop, funk, latin, making my style a fusion of all these influences. With this power trio, my jazz proposal is expressed in a rock context. Besides my own compositions, I play my versions from some jazz classics as All blues, Song for my father and Donna Lee, among others.

Jazz-Rock Trio mc
Jazz-Rock Trio zippy

Johnny Hartman - Songs From The Heart (Remastered)

Bitrate: MP3@320K/s
Time: 35:56
Size: 82.3 MB
Styles: Vocal jazz
Year: 2014
Art: Front

[2:49] 1. What Is There To Say
[2:48] 2. Ain't Misbehavin
[2:24] 3. I Fall In Love Too Easily
[3:00] 4. We'll Be Together Again
[2:57] 5. Down In The Depths
[2:34] 6. They Didn't Believe Me
[2:31] 7. I'm Glad There Is You
[3:09] 8. When Your Lover Has Gone
[3:09] 9. I'll Remember April
[3:32] 10. I See Your Face Before Me
[3:51] 11. September Song
[3:06] 12. Moonlight In Vermont

"This is Hartman's first album as a leader and it's a puzzle why he did not receive wider acclaim. If you listen to the sound samples on the MP3 version's page at Songs From The Heart you will hear not only his rich voice, but soulful ability to convey the meanings of each song. That's a rare gift and the sound samples clearly show he had it.

Not all tracks fit a coherent romantic theme (Ain't Misbehavin' is an example of one that does not), but all come across as romantic. Perhaps it's the sensual quality of Hartman's voice. For me Howard McGhee's trumpet added the perfect backing for Hartman's voice, and the rhythm section comprised of Ralph Sharon on piano, Jay Cave on bass and Christy Febbo on drums support Hartman (and McGhee) with sensitivity.

This album was recorded for Bethlehem at the Beltone Studios in NYC during October 1955. The original release in 1956 contained twelve tracks, so this CD version is definitely a gem for fans and collectors who want to hear the complete sessions, including the previously unissued alternate takes." ~Mike Tarrani/Amazon

Songs From The Heart (Remastered) mc
Songs From The Heart (Remastered) zippy

Maria João & Mário Laginha - Chocolate

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 54:37
Size: 125,4 MB
Art: Front

( 5:49)  1. I Have a Heart Just Like Yours
( 4:28)  2. Goodbye Pork Pie Hat
( 5:00)  3. I've Grown Accustomed To Her Face
(11:47)  4. Sweet Suite
( 7:54)  5. This Time
( 3:39)  6. Modern Mode / I'm Old Fashioned
( 6:42)  7. If You Could See Me Now
( 6:37)  8. Mati Mati
( 2:37)  9. When You Wish Upon A Star

Maria João (born Maria João Monteiro Grancha June 27, 1956, Lisbon, Portugal) is a Portuguese jazz singer. She is known for her vocal flexibility and improvisational skills. Although considered a jazz singer, she incorporates folk music, avant-garde, and electronica. Her main musical partner is Portuguese pianist Mário Laginha. She has also worked with Aki Takase, Bobby McFerrin, David Linx, Dino Saluzzi, Gilberto Gil, Joe Zawinul, Kai Eckhardt, Lenine, Manu Katche, Ralph Towner, Trilok Gurtu, Wolfgang Muthspiel, and OGRE. https://en.wikipedia.org/wiki/Maria_Jo%C3%A3o

Chocolate

Gigi Gryce - The Hap'nin's

Styles: Saxophone Jazz
Year: 1960
File: MP3@320K/s
Time: 39:51
Size: 91,6 MB
Art: Front

(7:37)  1. Frankie And Johnny
(5:40)  2. Lover Man
(6:36)  3. Minority
(8:06)  4. Summertime
(4:07)  5. Nica's Tempo
(7:43)  6. Don't Worry 'Bout Me

Altoist Gigi Gryce, who would retire from playing altogether within a couple of years, leads his promising 1960 quintet on this CD reissue. Trumpeter Richard Williams and pianist Richard Wyands take fine solos on the six jazz standards (two of which, "Minority" and "Nica's Tempo," were Gryce's best-known tunes) while bassist Julian Euell and drummer Mickey Roker are fine in support. The hard bop set has its strong moments even this group was largely forgotten after Gryce's retirement. Worth investigating.
~ Scott Yanow https://www.allmusic.com/album/the-hapnins-mw0000177199

Personnel:  Gigi Gryce (alto saxophone); Richard Williams (trumpet); Richard Wyands (piano); Julian Euell (bass); Mickey Roker (drums).

The Hap'nin's

Ivo Perelman - Brazilian Watercolour

Styles: Saxophone Jazz
Year: 1999
File: MP3@320K/s
Time: 59:30
Size: 151,7 MB
Art: Front

(9:01)  1. Brazilian Watercolour
(5:27)  2. Ascendent
(7:03)  3. Desafinado
(2:52)  4. Traces
(8:50)  5. Summer Samba
(2:19)  6. Recitativo
(0:41)  7. Rimbotim
(5:55)  8. Explicativo
(6:35)  9. Pal Piteira
(1:11) 10. Flauting
(7:57) 11. The Boat
(1:34) 12. Pandeiros

Brazilian saxophonist Ivo Perelman cannot be accused of being lethargic or laid back. His energy level may rival that of American saxophonist David S. Ware; however, Perelman’s uniqueness lies within his South American roots and later day Trane or Albert Ayler modernistic approach. On “Brazilian Watercolour”, Perelman utilizes ex-Coltrane drummer Rashied Ali and long time David S. Ware associate, pianist (and solo artist) Matthew Shipp along with gifted percussionist’s Cyro Baptiste and Guilherme Franco. The title track “Brazilian Watercolour” is a well-known standard written by Ary Barroso yet Perelman’s interpretation goes way beyond standard samba or Brazilian national music. Along with Ali, Franco and Baptiste, Perelman whips this tune into submission with quick tempered, furious phrasing on top of the colorful rhythmic movements. This CD comprises a series of duets with pianist Matthew Shipp while the other cuts feature Perelman along with the aforementioned rhythm section. On “Ascendant”, Perelman’s phrasing is very animated as he takes extra measures to design or emphasize extended note patterns while Shipp hovers within the lower registers of his piano and mainly comps behind Perelman’s gutsy tenor sax work. Marco & Paulo Sergio Valle’s “Summer Samba” features the rhythm section as this traditional Brazilian samba is deconstructed and reassembled through Perelman’s relentless plethora of ideas and themes. Here, Perelman is like a child who strategically takes apart his brand new Christmas toy in order to see what makes it work. Perelman’s composition “Pal Piteira” is another duet with pianist Matthew Shipp. On this piece, Shipp once again supports Perelman in the lower register by skillfully utilizing giant block chords and a pulsating left hand for rhythmic purposes. Perelman blows rapid -fire notes while frequently hitting the high register as if he were crying for help or trying to plead his case. Ivo Perelman is a bona fide modern jazz stylist and in “Brazilian Watercolour”, he proves his case combining ethnic diversity with enterprising concepts which forms a near perfect union of dissimilar genres. ~ Glenn Astarita https://www.allaboutjazz.com/brazilian-watercolour-ivo-perelman-leo-records-review-by-glenn-astarita.php

Personnel: Ivo Perelman; Tenor Sax, Recorder, Piano: Matthew Shipp; Piano: Rashied Ali; Drums: Guilherme Franco; Percussion, Wooden Flute: Cyro Baptiste; Percussion, Wooden Flute

Brazilian Watercolour

Michel Bisceglia & Carlo Nardozza - Eleven

Styles: Piano And Trumpet Jazz
Year: 2013
File: MP3@320K/s
Time: 51:26
Size: 118,0 MB
Art: Front

(6:41)  1. Bosonic
(7:55)  2. Scriabin
(8:00)  3. Prova 42
(6:40)  4. Eleven
(3:48)  5. Loop It Or Leave It
(9:43)  6. Unknown
(8:36)  7. Tunisia

Two Italian-born Limburg, Belgian-Italian Belgian pianist Michel Bisceglia and trumpet blower Carlo Nardozza presented a piano / trumpet duet collaboration on an album titled Eleven. Worked closely, this release contains seven compositions that display the two instrument dialogues in detail. Beginning "Bosonic" through the prefix of a resitative piano which then plays the trumpet, the ballad number goes smoothly and the next is Vince Mendoza 's "Scriabin" of a similar nuance. On the title track "Eleven," Carlo becomes a spokesperson through an attractive blow, while Michel provides a coherent harmony structure. Playing duet formations without sexy rhythm is not an easy thing, it takes a high musical sensitivity to get rid of the risky boring spaces. But both seem to overcome, see "Unknown" which is full of spontaneity as well as the looping technique layer in "Loop It or Leave It," singly played by Carlo melting elements of Mediterranean sound, Balkans to New Orleans. The introduction of the virtuosic trumpet breaks the silence over the last numbered "Tunisian" dish even though its rhythm is quite energetic than any other track, by Michel's finger dance. Not to forget the album also lists a composition for a single piano, entitled "Prova 42" is silent, flowing smooth and poetic. http://www.wartajazz.com/review/2014/06/07/michel-bisceglia-carlo-nardozza-eleven

Personnel:  Michel Bisceglia : piano;  Carlo Nardozza : trumpet

Eleven