Tuesday, February 10, 2015

Frode Kjekstad - New York Time

Bitrate: MP3@320K/s
Time: 50:59
Size: 116.7 MB
Styles: Guitar jazz
Year: 2004
Art: Front

[5:42] 1. The Way You Look Tonight
[5:58] 2. Sugar
[5:19] 3. Autumn In New York
[5:36] 4. Prospect Park S. W
[6:11] 5. Secret Love
[4:24] 6. Brooklyn Bound
[7:51] 7. Laura
[5:00] 8. Road Song
[4:53] 9. Over Easy

Guitarist Frode Kjekstad is a Norwegian who makes himself at home in the Big Apple on this splendid album with New York companions Dr. Lonnie Smith, Byron Landham, and special guest Eric Alexander. To me, there are few musical alliances more pleasing than a guitar/organ/drums trio that sounds terrific and swings like a metronome, as this one does. If there's anything that could enrich the partnership, that would certainly include inviting an eloquent and powerful tenor saxophonist such as Alexander to sit in, which Kjekstad does on four numbers—Stanley Turrentine's bluesy "Sugar and three of his svelte original compositions, "Prospect Park S.W., "Brooklyn Bound and "Over Easy.

Kjekstad has impressive chops and a warm, resonant sound, which Smith's Hammond B-3 complements superbly, while Landham keeps perceptive and tasteful time. Alexander fits in snugly on his cameos, broadening the trio's horizons while adding spice to the basic recipe. As for role models, Kjekstad drops a broad hint with the inclusion of Wes Montgomery's ambling "Road Song, on which he pays homage to Wes's groundbreaking style. Rounding out the admirable program are the standards "The Way You Look Tonight, "Secret Love, "Laura and of course, "Autumn in New York. I was especially charmed by the swaying, Jobim-like treatment of "Secret Love, which embodies typically persuasive solos by Kjekstad and Smith.

There's nothing Scandinavian about this refreshing studio date save for the leader's name. You may not be able to pronounce it, but if you appreciate special talent that's all you need consider. Leave the rest to Kjekstad and Company, whose music speaks emphatically for itself. ~Jack Bowers

Frode Kjekstad, guitar; Dr. Lonnie Smith, Hammond B-3 organ; Eric Alexander (2,4,6,9), tenor sax; Byron Landham, drums.

New York Time

Hank Crawford - 2 albums: Roadhouse Symphony / After Hours

Album: Roadhouse Symphony
Bitrate: MP3@320K/s
Time: 37:47
Size: 86.5 MB
Styles: Soul jazz, Saxophone jazz
Year: 1985/2001
Art: Front

[5:46] 1. Roadhouse Symphony
[4:37] 2. Tragick Magick
[4:59] 3. Jubilee
[4:47] 4. Say It Isn't So
[6:10] 5. Time Is On Our Side
[5:14] 6. Precious Lord, Take My Hand
[6:11] 7. Sugar Ditch

All of Hank Crawford's many recordings for Milestone in the 1980s and '90s are worth picking up by his fans although this reasonably enjoyable outing is not one of the more essential ones. The soulful altoist is joined by Dr. John on piano and organ, guitarist Melvin Sparks, bassist Wilbur Bascomb, Jr., drummer Bernard Purdie and a five-piece horn section (Houston Person and David "Fathead" Newman get a tenor solo apiece) for a set mostly comprised of group originals plus the old ballad "Say It Isn't So" and Thomas A. Dorsey's spiritual standard "Precious Lord"; Dr. John takes a vocal on his "Tragick Magick." ~Scott Yanow

Roadhouse Symphony

Album: After Hours
Bitrate: MP3@320K/s
Time: 32:43
Size: 74.9 MB
Styles: Hard bop, Saxophone jazz
Year: 1966/2004
Art: Front

[5:27] 1. After Hours
[3:53] 2. Junction
[4:38] 3. Who Can I Turn To (When Nobody Needs Me)
[2:50] 4. Next Time You See Me
[2:46] 5. Soul Shoutin'
[4:26] 6. Makin' Whoopee
[4:19] 7. When Did You Leave Heaven
[4:20] 8. The Back Slider

The most unusual aspect to this straight CD reissue of a Hank Crawford Atlantic LP is that the altoist plays some very effective piano on two numbers including a lengthy feature on "After Hours."

Fortunately his alto playing is not neglected and he really shows off his appealing tone on "Who Can I Turn To," "Makin' Whoopee" and "When Did You Leave Heaven." A fine soulful crossover set that is quite accessible and melodic. ~Scott Yanow

After Hours 

Xavi Torres Trio - Skyline

Bitrate: MP3@320K/s
Time: 57:41
Size: 132.0 MB
Styles: Piano jazz
Year: 2015
Art: Front

[5:14] 1. Tarragona Line
[5:35] 2. Athos
[6:31] 3. Lepant
[4:51] 4. Seguim
[2:00] 5. Interludi
[5:16] 6. Breakpoint
[4:42] 7. Vibilbo
[7:36] 8. Portal Del Roser
[6:42] 9. Dóna'm Temps
[9:09] 10. How Deep Is The Ocean

Pianist Xavi Torres together with his trio: Vic Moliner, bass; and Joan Terol, on drums.

Xavi Torres inicia los estudios de piano clásico en el Conservatorio de Tortosa y los continúa en el Conservatorio de Tarragona, donde obtiene el premio de honor en el grado profesional de piano clásico y también el título de percusión. Mientras tanto, recibe clases particulares de jazz con Francisco Suárez hasta que en el año 2009 obtiene la primera plaza de piano jazz en la Escuela Superior de Música de Cataluña. En esta escuela, ha obtenido matrículas de honor en el Proyecto Final, piano, combo e historia del jazz, estudiando con profesores como Lluís Vidal, Albert Bover, Joan Díaz, David Xirgu, Agustín Fernández o Jean François Dichamp. Actualmente combina el màster de piano jazz con 3ro de Bachelor (Superior) de Piano Clásico en el Conservatorium van Amsterdam, donde estudia con David Kuyken, Harmen Fraanje, Yaniv Nachum…

En junio del 2012 obtiene la beca Anna Riera a la excelencia, creada para facilitar la dedicación exclusiva en el último año de estudios en la ESMuC. En octubre de 2010 toca como solista en la sala 2 del Auditori de Barcelona con la Cobla Sant Jordi, estrenando una composición de Jordi Feliu. En junio de 2011 toca como solista en la sala 1 del Auditori con la orquesta de la ESMuC; tocando un arreglo de la Suite Iberia de Albéniz, arreglado y dirigido por Lluís Vidal. Ha grabado unos 10 CD con diferents proyectos como Verd i Blau, Lluc Casares “Red”, Vuma Ian Levin, BvR Flamenco Big Band, así como un CD de música clásica como co ganador de la primera muestra de pianistas de Tarragona (2008 ). Recientemente también ha enregistrado su primer disco como líder “Skyline, con su propio trio.

En estos años ha tocado en países como España, Holanda, Alemania, Itàlia, Marruecos, EUA o Andorra con diferentes proyectos como Els Tres Tenors, Xavi Torres Trio, Lluc Casares “Red”, Vuma Ian Levin, Mohamed Ahaddaf 4tet, Life on Mars, Verd i Blau… Ha tenido el placer de tocar con muchos grandes músicos como Jordi Rossy , David Xirgu , Horacio Fumero , Raynald Colom, Tineke Postma, Matthew Simon , Mario Rossy , y ha recibido masterclasses de músicos de la talla de Fred Hersch, Ambrose Akinmusire, Avishai Cohen, Jerry Bergonzi, Chris Cheek, Tim Garland, Michel Camilo, Maria Schneider…

Skyline

Whitney James - The Nature Of Love

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 50:51
Size: 116,7 MB
Art: Front

(4:50)  1. Tenderly
(5:57)  2. Whisper Not
(6:42)  3. A Timeless Place (The Peacocks)
(3:41)  4. Long Ago and Far Away
(6:04)  5. My Love Is You
(5:18)  6. The Very Thought of You
(7:42)  7. How Deep Is the Ocean
(5:13)  8. Be Anything
(5:19)  9. In April

The Nature Of Love is singer Whitney James' debut, although the maturity and sophistication of her performance makes this hard to believe. Across an intriguing set of songs James demonstrates an impressive vocal range and a command of phrasing and intonation that usually come only with years of experience. James' voice is expressive and sensual, and apart from its range it also has real strength and power. At times, when James is singing in her upper register, this power translates to a slight harshness in the voice for example, during "In April." 

But such moments are relatively rare; James' version of Abbey Lincoln's "My Love is You" is masterful, and her upper register vocals are genuinely affecting. There are familiar standards here. Ray Noble's "The Very Thought of You" is particularly fine, with a seductive vocal from James and some lovely piano from Joshua Wolff. But to the singer's credit, she also interprets lesser known songs, the most striking being Jimmy Rowles and Norma Winstone's "A Timeless Place (The Peacocks)." James' version sticks close to the arrangement and tempo of Winstone's original, a challenge for any vocalist. 

Her vocal performance sounds less relaxed than Winstone's, but it's still a fine interpretation of this beautiful, sad song. James receives strong and sympathetic backing from all of the musicians. Ingrid Jensen guests on trumpet and flugelhorn, adding color to the arrangements with her measured and sympathetic playing. James shows a real jazz sensibility in her vocal style, a prime example being the introduction to Benny Golson and Leonard Feather's "Whisper Not," where she weaves her voice around the freeform playing of bassist Matt Clohesy and drummer Jon Wikan.  The Nature Of Love is a great example of an ensemble vocal album, with all the performers singer and players responding to each other to create a real gem. A fine singer and interpreter of songs, James is unafraid of taking risks with challenging material risks which pay off on this impressive debut. ~ Bruce Lindsay  http://www.allaboutjazz.com/the-nature-of-love-whitney-james-damselfly-productions-stir-stick-music-review-by-bruce-lindsay.php
 
Personnel: Whitney James: vocals; Ingrid Jensen: trumpet and flugelhorn (1-3, 6, 7); Joshua Wolff: piano; Matt Clohesy: bass; Jon Wikan: drums.

Eddie 'Lockjaw' Davis Quartet - Swingin' Till The Girls Come Home

Styles: Hard Bop, Saxophone Jazz
Year: 1976
File: MP3@320K/s
Time: 53:07
Size: 122,3 MB
Art: Front

(4:32)  1. Swingin' Till The Girls Come Home
(5:00)  2. Love For Sale
(5:59)  3. Out Of Nowhere
(4:44)  4. Ghost Of A Change
(6:43)  5. Locks
(6:23)  6. Wave
(3:09)  7. Indiana
(3:41)  8. Bye Bye Blackbird
(4:46)  9. Ghost Of A Change (take 1)
(4:37) 10. Swingin' Till The Girls Come Home (take 1)
(3:30) 11. Bye Bye Blackbird (take 1)

Tenor saxophonist Eddie "Lockjaw" Davis is in top form during this European quartet set (put out domestically at one time by Inner City) with pianist Thomas Clausen, bassist Bo Stief and drummer Alex Riel. 

Lockjaw romps through such numbers as "Swingin' Till the Girls Come Home," a rapid rendition of "Love for Sale," his original "Locks" and "Indiana." Fun, accessible and mostly hard-swinging straightahead music. ~ Scott Yanow 
http://www.allmusic.com/album/swingin-till-the-girls-come-home-mw0000141636

Personnel:  Tenor Saxophone – Eddie "Lockjaw" Davis;  Bass – Bo Stief ;  Drums – Alex Riel ;  Piano – Thomas Clausen.

Lee Morgan - The Sidewinder

Styles: Hard Bop, Trumpet Jazz
Year: 1963
File: MP3@320K/s
Time: 50:53
Size: 117,2 MB
Art: Front

(10:27)  1. The Sidewinder
(10:16)  2. Totem Pole
( 6:07)  3. Gary's Notebook
( 7:34)  4. Boy, What A Night
( 6:26)  5. Hocus-Pocus
(10:00)  6. Totem Pole

Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military. Henderson makes a major contribution to the album, especially on "Totem Pole," where his solos showed off his singular style, threatening to upstage Morgan, who is also fairly impressive here.

Barry Harris, Bob Cranshaw, and Billy Higgins are all in good form throughout the album as well, and the group works together seamlessly to create an album that crackles with energy while maintaining a stylish flow. ~ Stacia Proefrock  http://www.allmusic.com/album/the-sidewinder-mw0000241127

Personnel: Lee Morgan (trumpet); Joe Henderson (tenor saxophone); Barry Harris (piano); Bob Cranshaw (bass); Billy Higgins (drums).

Houston Person - Goodness!

Styles: Hard Bop, Saxophone Jazz
Year: 1969
File: MP3@256K/s
Time: 37:55
Size: 69,9 MB
Art: Front

(5:28)  1. Hey Driver!
(9:28)  2. Goodness
(4:36)  3. Brother H.
(6:16)  4. Hard Times
(5:33)  5. Jamilah
(6:31)  6. Close Your Eyes

Tenor saxophonist Houston Person was still a relatively new name at the time he recorded this set, his sixth session for Prestige. The funky music (which includes the hit title song) emphasizes boogaloos, danceable rhythms and repetitious vamps set down by the rhythm section (organist Sonny Phillips, guitarist Billy Butler, electric bassist Bob Bushnell, drummer Frankie Jones and Buddy Caldwell on congas), but it is primarily Person's passionate tenor solos that will come the closest to holding on to the attention of jazz listeners. 

The music is generally quite commercial and is certainly not recommended to bebop purists, although it has some strong moments. But overall these performances succeed more as background music than as creative jazz. ~ Scott Yanow  
http://www.allmusic.com/album/goodness!-mw0000263747

Personnel: Houston Person (tenor saxophone); Billy Butler (guitar); Sonny Phillips (organ); Bob Bushnell (electric bass, drums); Frankie Jones (drums); Buddy Caldwell (congas).