Natalie Jacob - Sooner or Later

Styles: Vocal Jazz
Year: 2024
Time: 45:09
File: MP3 @ 320K/s
Size: 104,2 MB
Art: Front

(3:43) 1. Exactly Like You
(4:57) 2. Wave
(4:47) 3. I Could Write A Book
(4:11) 4. Smile
(4:12) 5. East of the Sun (And West of the Moon)
(3:25) 6. What A Little Moonlight Can Do
(5:42) 7. Corcovado (Quiet Nights of Quiet Stars)
(5:14) 8. I've Got You Under My Skin
(4:01) 9. Sooner or Later
(4:53) 10. No More Blues (Chega De Saudade)

Sooner Or Later is jazz vocalist Natalie Jacob's debut release. It is a refreshing addition to the jazz landscape, blending classic Great American Songbook tunes and bossa nova standards. Produced by Grammy Award winner Scotty Barnhart, the album benefits from the contributions of an outstanding ensemble, including Barnhart on trumpet, pianist Tamir Hendelman, guitarist Anthony Wilson, bassist Carlitos del Puerto, drummer Clayton Cameron and percussionist Kevin Winard. This all-star lineup created a rich backdrop for Jacob's compelling vocal interpretations.

Using songs from her live performances gave Jacob an easy familiarity with the material, and it shows from the opening number, "Exactly Like You." With an arrangement by the swinging and sensitive pianist Hendelman, Jacob delivers the lyrics in an attentive hand-in-glove fashion. Both Barnhart and Hendelman offer clear and definitive solos. The first of the Antonio Carlos Jobim numbers is "Wave," on which the percussionist Winard lays down the soothing boss nova rhythm on which Jacob covers the lyrics with a sunny and gently sailing delivery.

Brooks Bowman's classic "East Of The Sun (And West Of The Moon) has an ingenious charm driven by the Del Puerto opening bass line that leads into the rhythm section's groove. Jacob uses her voice as an instrument of empathy and intimacy, delivering the lyrics with composure. Jacob, who has French-Canadian heritage and has spent time in Montreal, Canada, brings her bilingual skills to bear on Jobim's "Corcovado," singing in English and French with her nuanced phrasing shining through. The collaboration with percussionist Kevin Winard and guitarist Anthony Wilson is particularly noteworthy as their expressive playing complements Jacob's vocals perfectly.

The irrepressible Cole Porter wrote the swinging gem "I've Got You Under My Skin." The rhythm section of Hendelman, Del Puerto and Cameron lays a harmonic foundation and flexible groove which supports Jacob's vibrant vocal lines.

The title track, "Sooner Or Later," is a Stephen Sondheim creation done in a bluesy style. With Barnhart's muted trumpet in the background, Jacob shows she has an emotional connection to the lyrics, infusing them with a contemporary freshness. Jobim's "No More Blues" (Chega De Saudade) closes the session joyfully. Backed by the full ensemble's stellar contribution, Jacob's vocals have an unerring sense of swing and bustling with vital energy. By Pierre Giroux
https://www.allaboutjazz.com/sooner-or-later-natalie-jacob-self-produced

Personnel: Natalie Jacob on vocal, Scotty Barnhart on Trumpet, pianist Tamir Hendelman, guitarist Anthony Wilson, bassist Carlitos Del Puerto, drummer Clayton Cameron, and percussionist Kevin Winard.

Sooner or Later

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Scotty Barnhart - Say It Plain

Styles: Straight-Ahead Jazz
Year: 2009
File: MP3@320K/s
Time: 70:56
Size: 162,9 MB
Art: Front

(5:47)  1. Giant Steps
(6:04)  2. Say It Plain
(7:20)  3. The Burning Sands
(5:14)  4. Haley's Passage
(2:23)  5. Dedicated To You
(7:29)  6. Put On A Happy Face
(8:58)  7. Con Alma (Featuring Wynton Marsalis)
(5:25)  8. Jnana
(5:25)  9. Young At Heart
(6:02) 10. I've Never Been In Love Before
(7:13) 11. I'm Glad There Is You
(3:30) 12. Pay Me My Money (Featuring Clark Terry)

Jazz tradition is a tricky thing. Play too far within it, and there's the risk of being called limited or unimaginative. Venture too far away, and critics worry more about finding a label than hearing the sound. It leads to headaches and debates, which trumpet player Scotty Barnhart avoids completely with a debut album that is unquestionably listenable, superbly technical, and, without a doubt, jazz. Anything that turns Coltrane's "Giant Steps" into a bobbing New Orleans second line march, complete with street whistles, deserves props. When combined with "Say It Plain," a tune full of growling, testifying trumpet and allusions to the rich canon of jazz gospel, it's raw fun. "The Burning Sands" then delves into more progressive territory, with a mix of easy swing, rapid tempo shifts, and dark undertones that evoke classic Blue Note.  If the music seems almost like a mini jazz history, that's because Barnhart is a scholar of the music. A professor at Florida State University, as well as the author of a book on jazz trumpet, he's also a 17-year veteran of the Count BasieOrchestra. His work here is steeped in the blues, soaked full of soul, and simmering with chops. He also brings out great guests like Marcus Roberts, Clark Terry, and Wynton Marsalis. 

But despite the many quality cameos, Barnhart has himself to thank for the infectiously joyful quality of Say It Plain. His potent mix of vocal effects, finger pyrotechnics, and sultry balladry, matched with his gorgeous, soaring tone, provide the fuel for a thoroughly enjoyable album.  It sounds like the cool brass fire of Freddie Hubbardreally influences the sound here. But there's also a lot of Wynton in Barnhart's playing, which makes their encounter on Dizzy Gillespie's "Con Alma" something of a trumpet extravaganza. Amidst Latin percussion and Bruce Barth's fine piano work, the tune develops a call-and-response between the horns. And while both guys show off their 24-karat tones and flawless technique, the improvisation never spirals away from the warm lyricism that's the backbone of the album.

As a whole, there's a great sense of balance on display. The ballad "Haley's Passage" has just the right warmth, and never turns too smooth. "Put On a Happy Face" fits some upper register squeals and groovy runs into the classic upbeat swing. And the up-tempo "Jnana" moves from a simple, bluesy horn figure into a wailing, talkative solo from Barnhart. He gives way to an exultant, foot stamping statement from Roberts, and the track closes with high octane stuff from tenor player Todd Williams. "Pay Me My Money," with Terry, serves as a great coda. It's full of late night road house blues, from Terry's growling vocals and talkative muted trumpet, to the euphoric shouts of Barnhart's squawking horn. It's the sound of tradition parading downtown, fresh and lively as ever. ~ Warren Allen  http://www.allaboutjazz.com/php/article.php?id=32930#.UqJF-uJc_vs

Personnel: Scotty Barnhart: trumpet, flumpet (4); Clark Terry: trumpet and vocal (12); Wynton Marsalis: trumpet (7); Todd Williams: tenor and soprano saxophone (1, 3, 4, 8); Ellis Marsalis: piano (5, 11); Marcus Roberts: piano (1, 3, 8); Lindsey Sarjeant: piano (4); Bill Peterson (2, 6, 9, 10, 12); Bruce Barth (7); Rodney Jordan: bass (all except 7); Greg Williams: bass (7); Leon Anderson, Jr.: drums, whistle (1); Herlin Riley: tambourine (2); Etienne Charles: percussion (7); Marion Felder: percussion (7); Rock Lollar: guitar (2, 4, 12); Jamie Davis: vocal (9).

Say It Plain

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