Monday, June 24, 2019

Charles Gayle - Kingdom Come

Styles: Saxophone Jazz
Year: 1994
File: MP3@320K/s
Time: 74:14
Size: 171,2 MB
Art: Front

( 4:09)  1. Seven Days
(21:17)  2. Lord Lord
( 9:03)  3. Beset Souls
(13:00)  4. His Crowning Grace
( 5:17)  5. Redeemed
(11:24)  6. Anthem To Eternity
(10:02)  7. Yokes

This is possibly Charles Gayle's weakest recording. Drummer Sunny Murray seems out of place here; the powerful blowing by Gayle on "His Crowning Grace" is offset by Murray's soft drumming and his attempts to play free and in time simultaneously. Kingdom Come marks the recorded debut of Gayle as a pianist (on "Seven Days," "Beset Souls" and "Redeemed"). His piano playing resembles the style of Cecil Taylor, but it is not nearly as dynamic. ~ Brian Flota https://www.allmusic.com/album/kingdom-come-mw0000122863

Personnel: Tenor Saxophone – Charles Gayle;  Double Bass [Uncredited] – William Parker;  Drums  – Sunny Murray

Kingdom Come

Clementine - Couleur Cafe

Styles: Vocal
Year: 1999
File: MP3@320K/s
Time: 48:20
Size: 111,0 MB
Art: Front

(3:57)  1. Sabor A Mi
(4:35)  2. In The Stars (En Las Estrellas)
(4:00)  3. Couleur Cafe
(4:31)  4. Sina
(3:40)  5. J retourne Chez Moi
(4:27)  6. Caminhos Cruzados
(3:28)  7. Sandalia Dela
(3:42)  8. El Manicero
(3:57)  9. Fiel E Insistente
(4:31) 10. Retrato Em Branco E Preto
(2:18) 11. Eu Sei Que Vou Te Amar
(5:08) 12. Bienvenido

Clémentine is a French singer and songwriter based in Japan. She debuted in France in 1988 with the single, "Absolument Jazz". In addition to many releases as a singer, she has appeared regularly on the entertainment segment for NHK Educational TV "French TV". Collaborates frequently with other artists, mostly in Japan. Recently she has often collaborated with her daughter, Solita, who is also a singer. Born in Paris but traveled widely as a child. With her father transferring first to Mexico and later around the world, she grew in touch with Bossa Nova and other local flavors of music. Returned to France and started Piano lessons at age 10 and Jazz school at age 12. Started her professional career in 1987 by sending a demo tape to Jazz greats Johnny Griffin and Ben Sidran, and was subsequently given an opportunity to record several songs with them. In 1988 released her first single, "Absolument Jazz" with CBS France. Signed a contract with Sony Music Entertainment Japan in 1990, and released many singles and albums. From 2003 to 2005 switched to the Epic Records Japan label, and from 2005 to 2008 to Toshiba EMI. Returned to Sony Music Entertainment in 2008. https://en.wikipedia.org/wiki/Cl%C3%A9mentine_(musician)

Personnel: Clementine (vocals); Jean Louis Matiniel (accordion); Kenny Holmen (soprano & tenor saxophones); Mike Nelson (trombone); Bobby Peterson (clarinet, piano); Joan Griffin (guitar, cavaquinho, mandolin); Leo Sidran (piano, organ, acoustic & electric guitars); Jimmy B, Marcio Faraco (guitar); Anthony Coz (acoustic & electric basses); Mark Anderson (drums, percussion); Gordy Knutson (drums).

Couleur Cafe

Bill Allred - Swing That Music

Styles: Trombone Jazz
Year: 1990
File: MP3@320K/s
Time: 51:57
Size: 121,0 MB
Art: Front

(3:01)  1. It Don't Mean A Thing
(5:20)  2. The Mooche
(4:59)  3. Struttin' With Some Barbeque
(3:36)  4. Basin Street Blues
(5:15)  5. Swing That Music
(3:35)  6. Limehouse Blues
(4:17)  7. Royal Garden Blues
(2:39)  8. Wabash Blues
(2:47)  9. King Porter Stomp
(7:27) 10. Beale Street Blues
(4:02) 11. Ole Miss
(4:52) 12. Running Wild

Lend an ear to Bill Allred’s Goodtime Jazz Band from Orlando, Florida. They might just be as one recent review claimed“the greatest Dixieland band in the world!” Try to isolate what makes Bill Allred’s Goodtime Jazz Band so well good, and I would come up with three key words: organisation, energy and adventure. Combining the first two is often difficult. Lesser bands who first lay out, then play within a cultivated Dixieland-scape often sound guarded or even hemmed in, as if anxious not to ruffle the grass. Not, of course, how Nick la Rocca, the first jazz punk, saw and heard the music in 1919 or how Eddie Condon did 20 years later. Seventy years on, it takes musicians as gifted as Allred’s, first to create the written landscape with sensitivity and then play through it like American footballers thundering down the grid. For great examples of this listen to It Don’t Mean A Thing or Limehouse Blues right here. 

The third quality adventure finds its way, appropriately in triplicate, into Allred’s compliment of soloists, arrangements and repertoire. This last may include anything from King Oliver-style replays (via Lu Watters) to elegant Goodman-esque swing tributes and beyond. This repertoire wherever appropriate (and only then) is irresistibly decked out in arrangements offering a capella passages, key changes, dynamic ups and downs shifts in texture and style and fine touches that turn each selection into a kaleidoscope of jazz colourtones. And from this luxurious background Allred’s soloists regularly spring to devour solos as if, in Irving Townsend’s marvellous phrase, “they hadn’t had one in weeks!” That’s Bill Allred’s Goodtime Band. Dixieland at its very best. As Bob Haggart himself might ask in smiling approval: “What is there not to like”? ~ Digby Fairweather http://www.bigbearmusic.com/product/swing-that-music/

Personnel:  Bill Allred – Trombone/Vocal; Don Lord – Cornet; JJ Argenziano – Trumpet; Terry Myers – Tenor Saxophone/Clarinet; Jim Maihack – Piano/Trombone; Boyd Bergeson – Guitar/Banjo; Sam Noto – Bass/Tuba; Warren Sauer – Drums.

Swing That Music

Charnett Moffett - Treasure

Styles: Jazz, Post Bop
Year: 2010
File: MP3@320K/s
Time: 53:26
Size: 123,3 MB
Art: Front

(5:38)  1. Swing Street
(7:59)  2. The Celebration
(7:15)  3. The Things of Swing
(6:33)  4. Say La
(3:44)  5. Beam Me Up
(3:21)  6. Praise
(3:19)  7. Country Blues
(2:45)  8. Down Up Blues
(3:59)  9. Say La La
(3:23) 10. Treasure
(2:56) 11. Sound Healing I
(2:28) 12. Sound Healing II

Treasure is the eleventh solo release for veteran bassist Charnett Moffett. Much like his previous efforts, the focus here is on the New York native's jaw-dropping technique on both upright and electric fretless bass. Mixed in with the traditional jazz instrumentation of bass, piano, guitar and drums, Moffett utilizes the more unconventional sounds of tablas, tamboura and sitar to enhance this all-original set of eclectic, swinging music. Although Moffett's performance throughout the disc will undoubtedly make bass players do a double-take, the music reveals much more than mere bass indulgence. Even on the solo bass tracks ("Country Blues," "Sound Healing I," "Sound Healing II"), Moffett's composing emphasizes groove and melody. The opening "Swing Street" maintains an accessible appeal with a funky momentum, in spite of blazing, effects-driven bass licks. The monster-chops showcase "Beam Me Up" reveals a fondness for the late Jaco Pastorius, with Moffett in commanding form on fretless bass. Adding to the tune's intensity is bass clarinetist Oran Etkin and drummer Denardo Coleman, a long-time Moffett musical collaborator. Another frequent associate of Moffett, guitarist Stanley Jordan, makes a guest appearance on two tracks, "The Celebration" and "The Things of Swing," the latter featuring some of the session's most inspired playing. Another bright moment comes with "Say La La," a lengthy, drone-based groove, where Moffett shares melodic duty with Kugo harpist Tomoko Sugawara, aided by sitarist Anjana Roy and Angela Moffett on tambura. Treasure is a welcome addition to Moffett's recorded output. Once again, he continues to find fresh, innovative ways to bring the bass front-and-center.~ John Barron https://www.allaboutjazz.com/treasure-charnett-moffett-motema-music-review-by-john-barron.php

Personnel: Charnett Moffett: upright bass, fretless electric bass, piccolo electric bass; Casimir Liberski: piano (4); Denardo Coleman: drums (1, 5); Rodney Holms: drums (2, 3, 4, 6); Moa Moffett: drums (8), tablas (2, 11, 12); Stanley Jordan (2, 3); Angela Moffett: Tamboura (1-4, 8, 9, 12), vocals (4); Oran Etkin: bass clarinet (1, 3, 5); RJ Avallone: trumpet (2); Irwin Hall: tenor saxophone (2); Anjana Roy: sitar (4, 9); Amareia Moffett: vocals (4); Tomoko Sugawara: Kugo Harp (9); Jana Herzen: didgeridoo (8).

Treasure