Showing posts with label Hurricane Smith. Show all posts
Showing posts with label Hurricane Smith. Show all posts

Monday, August 27, 2018

Hurricane Smith - The Best Of Hurricane Smith

Styles: Vocal, Pop/Rock 
Year: 1998
File: MP3@320K/s
Time: 39:00
Size: 90,1 MB
Art: Front

(2:37)  1. Don't Let It Die
(2:39)  2. Writer Sings The Song
(3:25)  3. Oh Babe What Would You Say
(3:04)  4. Who Was It
(4:29)  5. My Mother Was Her Name
(3:58)  6. Beautiful Day Beautiful Night
(2:59)  7. Back In The Country
(2:57)  8. Getting To Know You
(3:48)  9. Many Happy Returns
(3:24) 10. Wonderful Lily
(2:46) 11. Auntie Vi's
(2:50) 12. Take Suki Home

Norman "Hurricane" Smith was a man who enjoyed two very different careers in music, first as a top recording engineer and later as a pop singer who scored Top Ten hits in the United States and the United Kingdom. Born in North London, England on February 22, 1923, Smith served in the Royal Air Force during World War II as a glider pilot. After the war, he began pursuing his interest in music, playing drums and piano with several trad jazz combos. Smith's career as a jazz musician never really took off, and in 1959, he took a position as an apprentice recording engineer at EMI's Abbey Road recording studio in London. (At that time, EMI didn't hire apprentice engineers over 28, so the 35-year-old Smith fudged his age on the application.) He started as a tape operator and was advanced to balance engineer, working under EMI staff producer George Martin. Smith was at the controls when a scruffy young beat combo from Liverpool came to Abbey Road to record an audition for Martin; it was in part due to Smith's enthusiasm for the song "Love Me Do" that Martin chose to sign the Beatles to a recording contract. 

From 1962 to 1965, Smith was George Martin's right-hand man in the studio, engineering all the Beatles' recording sessions and earning the nickname "Norman Normal" from John Lennon. In 1966, EMI made Smith an A&R man and producer, and he signed Pink Floyd to the label, producing their first two albums, as well as producing the Pretty Things' pioneering concept album S.F. Sorrow and several LPs for Barclay James Harvest. In 1972, Smith decided to take some time off from the recording studio to become a performer; clearly influenced by classic pop and jazz sounds as well as the era of the British musical hall, he adopted the stage name Hurricane Smith (taken from the title of a film he liked), and recorded a handful of sentimental, old-fashioned tunes he'd written, which he performed with his warm, slightly rough voice. One of those songs, "Oh Babe, What Would You Say?" became a surprise hit in the U.S. and the U.K., and suddenly the middle-aged recording engineer became a pop star. Smith would score a few more hits in England but was destined to be a one-hit wonder in the United States, and by the mid-'70s, he'd returned to producing and engineering. In the '80s, Smith retired from the music business and took up horse breeding, but in 2003, he cut a new album as Hurricane Smith, From Me to You, in which he re-recorded several of his old hits and shared stories of his life in music. Smith also wrote a privately published book, John Lennon Called Me Normal, about his years working with the Beatles. Published in 2007, he promoted the book with readings at Beatles fan conventions; they were his last public appearances, and he died on March 3, 2008.~ Mark Deming 
https://www.allmusic.com/artist/hurricane-smith-mn0001007298/biography

The Best Of Hurricane Smith

Saturday, August 25, 2018

Hurricane Smith - Don't Let It Die, The Very Best Of Hurricane Smith

Styles: Vocal, Pop/Rock 
Year: 1972
File: MP3@320K/s
Time: 52:04
Size: 122,2 MB
Art: Front

(2:46)  1. Auntie Vi's
(3:25)  2. Wonderful Lily
(2:47)  3. Cherry
(4:28)  4. My Mother Was Her Name
(3:48)  5. Many Happy Returns
(2:24)  6. Theme From An Unmade Silent Movie
(4:10)  7. That Girl
(2:59)  8. Back In The Country
(4:13)  9. Grannie's Dixie Duo
(3:20) 10. Journey Thru' Dawn
(2:35) 11. Don't Let It Die
(3:29) 12. Oh, Babe, What Would You Say?
(2:56) 13. Getting To Know You
(3:04) 14. Who Was It?
(2:52) 15. Take Suki Home
(2:41) 16. The Writer Sings His Songs

One of the more unlikely hit-makers in pop history, Hurricane Smith was a middle-aged engineer with a reedy, nasal voice who had made his only previous claim to fame by odd-jobbing around Abbey Road long enough to earn a spot engineering for the Beatles prior to Revolver, then building on his résumé by producing Pink Floyd's first two albums as well as the Pretty Things' landmark S.F. Sorrow. True to his lack of form, his recordings of 1972-1973 revealed an artist more in love with pop crooners than British beat groups, although his songs were well-illustrated tableaux of English life with contemporary art rock productions (needless to say, they were also engineered very well). An eccentric, Smith's songs didn't sound commercial enough to really hit, nor were his songs or performances striking enough to make him a cult favorite. He endures as a pop footnote; think of John Howard or Brian Protheroe with an affinity for the early age of falsetto crooners (Rudy Vallée and Al Bowlly). ~ John Bush https://www.allmusic.com/album/dont-let-it-die-the-very-best-of-hurricane-smith-mw0000805050

Thank You Dave!