Wednesday, March 2, 2022

ZZ Quartet - Midnight in Europe

Styles: Jazz, Post Bop
Year: 2021
File: MP3@320K/s
Time: 69:57
Size: 160,4 MB
Art: Front

( 5:31) 1. Pippo
( 8:06) 2. Twilight Time Again
( 5:02) 3. Voglio Una Donna
(14:00) 4. Frida Is Vanished
( 7:40) 5. Baracoa
( 4:22) 6. Morgagni Est
(10:29) 7. River Spirit
( 9:47) 8. Café Finale
( 4:56) 9. The Easy Whistler

Their 1st Live Album, Collector's Edition artist signed & limited to 999 copies! ''Limited Audiophile Signature Edition'' 180 Gram Virgin Vinyl This third outing by the ZZ Quartet, co-led by guitarist Ratko Zjaca and accordionist Simone Zanchini, finds the intrepid improvisers and virtuosos on their respective instruments stretching and exploring in separate live settings last year.

Recorded in pre-pandemic times at the Milestone Jazz Club in Piacenza and at the Cantina Bentivoglio during the 2019 Bologna Jazz Festival, ''Midnight in Europe'' finds Zjaca and Zanchini taking liberties with some of their own tunes they had previously recorded on two previous studio recordings 2010's ''The Way We Talk'' and 2013's ''Beyond the Lines.'' The two also played together on Zanchini's 2015 album ''Don't Try This Anywhere'', the accordionist's tribute to the late tenor sax great Michael Brecker.

Accompanied by bassist Martin Gjakonovski, a native of Macedonia now living in Bergisch Gladbach near Cologne, and Zjaca's longtime collaborator, American drummer Adam Nussbaum, whose wealth of credits include touring and recording with saxophonist Brecker, guitarists John Scofield and John Abercrombie, and legendary bandleader Gil Evans. Zjaca and Zanchini present an eclectic set of music that organically blends aspects of jazz, classical, folkloric, world music and rock, with just a touch of humor along the way from the fertile imaginations of these stellar improvisors.

''We call this musical theater,'' said Zjaca of the ZZ Quartet's eclectic approach. ''We want to be open for any ideas, any sound. We like rock music, we like jazz, avantgarde music, swing, everything. We don't want to be in a cage just playing one particular groove or style or sound. You can hear that there are a lot of different directions that we are going in. We're not afraid to play a simple swing tune and then we will go to the really open territories. That's what we like to do. We like going out of our comfort zones.''~Editorial Reviews https://www.amazon.com/Midnight-Europe-ZZ-Quartet/dp/B094LC6KRS

Midnight in Europe

Jaki Byard - Hi-Fly

Styles: Piano Jazz
Year: 1962
File: MP3@320K/s
Time: 39:48
Size: 92,3 MB
Art: Front

(3:58) 1. Hi-Fly
(5:13) 2. Tillie Butterball
(4:36) 3. Excerpts from 'Yamecraw'
(5:27) 4. There Are Many Worlds
(7:44) 5. Here to Hear
(3:22) 6. Lullaby of Birdland
(4:56) 7. 'Round Midnight
(4:28) 8. Blues in the Closet

Following the success of Here's Jaki, the eclectic pianist continued his explorations in a trio format, with Pete La Roca replacing Roy Haynes on the drums. The set mixes standards with some forgotten gems, plus three originals. The "Excerpts from Yamecraw" is an updated version of the nearly forgotten James P. Johnson orchestral suite, which is complimented here by the Byard original "There Are Many Worlds," which was also written for an orchestra. "Tillie Butterball" is a fun blues romp based on a puppy and a bowling alley. Byard's distinctive approach is evident on Randy Weston's title track "Hi-Fly" and George Shearing's "Lullaby of Birdland," while his debt to Thelonious Monk, sprinkled throughout this session, is obvious on "'Round Midnight." What makes this session special, however, is his original "Here to Hear." His multi-influenced compositional style matched by his versatile technique is explored at length. There are certain pieces that can never be interpreted by anyone else but the composer, and that is the case here, for it would be virtually impossible, and futile, to try and duplicate the individual genius of Jaki Byard. This stands as one of his best.~Robert Taylorhttps://www.allmusic.com/album/hi-fly-mw0000615755

Personnel: Jaki Byard, piano; Ron Carter, bass; Pete La Roca, drums

Hi-Fly

Maria Postell - At This Moment

Styles: Vocal
Year: 2000
File: MP3@320K/s
Time: 55:45
Size: 128,5 MB
Art: Front

(2:16) 1. I'm Beginning To See The Light
(5:37) 2. The Nearness Of You
(4:27) 3. Nice Work If You Can Get It
(3:36) 4. Somewhere Over The Rainbow
(4:12) 5. At Last
(3:39) 6. I Thought About You
(5:08) 7. My Foolish Heart
(2:19) 8. Embraceable you
(3:50) 9. Like Someone In Love
(3:37) 10. Exactly Like You
(5:20) 11. My Funny Valentine
(3:59) 12. The Best Is Yet To Come
(7:39) 13. (I'm Afraid) The Masquerade Is Over

Maria Postell's new release from Wonderlust Records, 'At This Moment', is a rare and electrifying collection of 13 timeless standards that instantly transports the listener to a different time and place swearing this extraordinary recording was cut in an intimate supper club during the early 50's and you had the table in front of this divine chanteuse. Her marvelously mellifluous voice buoyed by her own unique interpretation of songs that never grow old like 'My Foolish Heart' and 'At Last', Ms. Postell manages to reinvent Gershwin classics like 'Embraceable You' and 'Nice Work If You Can Get It' in a way that sounds as fresh as though they were written this year. https://www.ebay.com/itm/402794716019

At This Moment

Julian & Roman Wasserfuhr Quartet - Remember Chet

Bitrate: MP3@320K/s
Time: 64:11
Size: 146.9 MB
Styles: Contemporary jazz
Year: 2007
Art: Front

[2:57] 1. There Will Never Be Another You
[5:36] 2. If I Should Loose You
[6:16] 3. Love For Sale
[5:03] 4. You Are A Friend Of Mine
[4:50] 5. Bill's Religion
[5:15] 6. One More Blues For Chet
[9:08] 7. Remember Chet
[6:08] 8. Beautiful Black Eyes
[7:15] 9. You Don't Know What Love Is
[5:37] 10. You Can't Go Home Again
[6:02] 11. My Funny Valentine

Bass – Sava Medan; Drums – Andi Haberl; Piano – Roman Wasserfuhr; Trumpet, Flugelhorn – Julian Wasserfuhr; Vocals, Guitar – Torsten Goods. Recorded and mixed at Realistic Sound Studios, Munich, Germany, on October 31 & November 1, 2005.

"Young German Jazz" enters the next round, and once again it draws attention to the many highly talented and promising young German musicians, that make up a scene that needs to fear no international comparison. The ACT-series "Young German Jazz" not only documents this, it also wishes to support these musicians and help them gain recognition in- and outside the country. The reaction so far has been overwhelming, and rave reviews from abroad prove that young German jazz is perfectly capable of successfully crossing borders. The best example may be the trio [em] grouped around the young shooting star Michael Wollny. The "Süddeutsche Zeitung", among other publications, claims that Wollny is already in the top league of German, maybe even of European Jazz-musicians.

Remember Chet