David Benoit Trio - Believe (Feat. Jane Monheit)

Size: 100,5 MB
Time: 36:41
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals, Xmas
Art: Front

01. Santa Claus Is Coming To Town (Live) (3:33)
02. Believe (Live) (4:52)
03. Christmas Waltz (Live) (3:55)
04. Christmas Time Is Here (Live) (3:07)
05. Guaraldi Medley (Live) (8:25)
06. My Favorite Things (Live) (3:47)
07. Just Like Me (Live) (3:56)
08. My Little Drum (Live) (2:33)
09. The Christmas Song (Live) (2:30)

GRAMMY®-nominated pianist/composer/arranger David Benoit and GRAMMY®-nominated vocalist Jane Monheit continue their synergy from 2 In Love to create Believe, a Christmas album full of holiday favorites that will inspire and warm the heart throughout the holiday season. Renowned jazz flautist, Tim Weisberg and The All-American Boys Chorus are featured on the album as well. The All-American Boys Chorus, America s quintessential professional boys chorus, has delighted audiences worldwide for over forty years. Based in Costa Mesa, California, the Chorus is comprised of over 100 boys ages 8-15 drawn from throughout Southern California. Under the leadership of Artistic Director Wesley Martin, a veteran of Hungary s renowned Kodaly Institute, the Chorus provides boys with comprehensive musical training and unsurpassed performance and touring opportunities.

Believe

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Steve Smith, Tony Monaco, Vinny Valentino - Groove: Blue

Size: 113,8 MB
Time: 49:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Hammond Organ
Art: Front

01. The Brush Off (6:20)
02. On Green Dolphin Street (4:37)
03. Cherokee (5:42)
04. It's Only A Paper Moon (6:00)
05. I Remember Jimmy (4:35)
06. Indonesian Nights (5:31)
07. Bugalulu (5:09)
08. Slingshot Blues (5:29)
09. That's All (5:35)

Personnel:
Tony Monaco: Organ
Vinny Valentino: Guitar
Steve Smith: Drums

We owe the existence of this precious jewel to a chance encounter in Indonesia's capitalJakarta in March, 2011. Drummer Steve Smith and guitarist Vinny Valentino decided to go for a nightcap after playing the Java Jazz Festival with their band Vital Information. As they approached the lounge bar, they heard the sound of a wild swinging electric organ. Wondering “who the hell was swinging that hard on the B3,” they walked in and saw Tony Monaco, an “unsung hero” of the instrument. Few people knew Monaco, though he had been promoted by organ legend Jimmy Smith and had spent two years touring with jazz guitarist Pat Martino. Smith and Valentino made their way through the crowd and asked if they could join in. They proceeded to spend the rest of the night jamming together, later joined by festival greats George Benson and Roy Hargrove. Five months later, fate once again intervened. Smith and Valentino had been booked for Drum Fantasy Camp, an annual drum camp in Cleveland Ohio. Tony Monaco lived close by in Columbus, a modest 230 km drive away. A spontaneous phone call resulted in a car journey and resulted in the three of them playing in Monaco’s small home studio. Steve borrowed a small jazz drum kit from a friend of Tony as his own didn’t fit in the car. Valentino plugged his guitar into the only available amplifier and they were off. They worked so well together that they decided to record an album. One and a half days later, the recording was in the can! To get a sense of the style of this album, think of the classic Blue Note organ trios of the '60s. These true musos effortlessly inject a 50-year-old sound into their own compositions, adding a few specially arranged jazz standards along the way. Those standards include the legendary 1958 Miles Davis version of "On Green Dolphin Street," where Smith’s zestful drumming gives a distinct Latin feeling. The group also covers Ray Nobles' "Cherokee," gently modernised with a funky groove. Nat King Cole’s immortal "It's Only A Paper Moon," from the Broadway musical "The Great Magoo," retains a timeless swing but with a walking pedal bass from the Hammond organ. The album winds down with a gentle version of "That's All,"an unforgettable ballad from the Great American Songbook. Although Smith, Monaco and Valentino had virtually no time for rehearsals, they harmonise on "Groove: Blue" as if they’d known each other all their lives.

Groove: Blues

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Ira Hill - Tomorrow

Size: 106,9 MB
Time: 46:01
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Blues/Pop/Latin Vocals
Art: Front

01. Afro Blue (Feat. Alex Acuna) (3:36)
02. I'll Remember April (Feat. Doug Webb) (4:40)
03. Minuano (6:39)
04. Estate (6:22)
05. Cloudburst (2:37)
06. Tomorrow's Another Day (4:28)
07. My Funny Valentine (Feat. John Proulx) (6:16)
08. Billie's Bounce (4:02)
09. Moody's Mood For Love (Feat. Cheryl Bentyne) (3:43)
10. You've Proven Your Point (3:33)

Young, ambitious and talented, Ira Hill launches his debut recording Tomorrow with a selection of swinging numbers that combine scat, jazz, blues, adult pop, and Latin rhythms. Produced by Cheryl Bentyne from Manhattan Transfer, Hill makes these songs his own as he embraces the multiple levels of the jazz spectrum, channeling Ella Fitzgerald's stylized scat, the heavenly bossa nova sweetness of Antônio Carlos Jobim, and the swinging cabaret blues of Frank Sinatra. Hill becomes the vessel by which the music of his predecessors relives and thrives in contemporary times.

Tracks like "My Funny Valentine" and "Minuano" have an adult pop finesse, shrouding Hill's vocal glides in silky atmospherics. His intonation caresses the melodic progressions as he personalizes each piece with expressive inflections that call to the listener's attention. His songs aren't background music but draw listeners into the melodies, holding his audience captive. "Estate" is another attractive track with a bossa nova vibe in the rhythm section as Hill sings the lyrics in Spanish.

His scatting vocals might remind listeners of the genre's architects Ella Fitzgerald and Cab Calloway but Hill takes the music form and makes it his own. The spontaneous strut of his vocals in numbers like "Billie's Bounce" and "Cloudburst" has a mesmerizing swag, identifying Hill as the architect behind the rhythmic bounce of his vocal notes. Bluesy tracks like "Moody's Mood for Love" and "Tomorrow's Another Day" move comfortably as though these songs were made for Hill, tailored to his register and natural inclination to gracefully slide his vocals. The up-swinging vamps of "I'll Remember April" and "You've Proven Your Point" elevate the recording to an animated splashing that will remind audiences of the jovial Sammy Davis, Jr. as Hill follows an innate impulse to know when to add thrust into his delivery.

Hill puts his trust in the intuitive impulses which direct his vocals so the songs fit well in his register, taking his cue from the bastion of jazz vocalists who came before him, guided by their own inner voice. He went into the recording intent to make it his own, looking to his vocal engine which has a customized finish to distinguish him from the flock. Ira Hill aced his debut recording, leaving an audience wanting more. ~By Susan Frances

Musicians: Ira Hill - vocals, John Proulx - piano, Kevin Axt - bass, Dave Tull - drums, Craig Fundyga - vibes, Doug Webb - saxophone, Alex Acuña - percussion, Ramon Stagnaro - guitar, Cheryl Bentyne - vocals

Tomorrow

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Rob Van Bavel - The Christmas Three

Size: 118,1 MB
Time: 50:40
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Piano Jazz, Xmas
Art: Front

01. I'm Dreaming Of A White Christmas (5:25)
02. Silent Night (5:08)
03. Jingle Bells (4:41)
04. Winter Wonderland (4:15)
05. Santa Claus Is Coming To Town (5:08)
06. Driving Home For Christmas (5:09)
07. Boxing Day Blues (6:31)
08. God Rest Ye Merry Gentlemen (4:53)
09. The Christmas Song (5:03)
10. We Wish You A Merry Christmas (4:23)

Personnel:
Rob van Bavel: Piano
Stefan Lievestro: Bass
Hans Van Oosterhout: Drums

Rob van Bavel (16-1-65, Holland) Pianist, educator, composer/arranger.Jazz (bebop – modern), fusion, classical

Graduated in 1987 at the Rotterdam Conservatory with the highest possible mark (A with distinction). He won several awards, a.o. The second prize at the first “Thelonious Monk Jazzpiano Competition” (Washington D.C.) , soloist awards in Germany/Belgium, the Wessel Ilcken award (Holland) and the dutch grammy (Edison) for the cd “Rob van Bavel trio”. Released more than 100 cd’s as a sideman and as leader: The Ghost, the King and I, Rob van Bavel Octet and Rob van Bavel Trio. Toured all over Europe, Canada, USA, Japan, Vietnam, Indonesia, South Korea and Siberia; played regularly with Woody Shaw, Randy Brecker, Johnny Griffin, Gary Willis a.o. Several masterclasses in South Korea, Liechtenstein, Spain and Holland.

Nowadays working as a teacher at the Rotterdam Conservatory (Codarts) and the Amsterdam Conservatory.

The Christmas Three

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Dazie Mae - Froth On A Daydream

Size: 121,4 MB
Time: 50:17
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Blues/Pop Vocals
Label: Can't Be Serious Records
Art: Front

01. Avant-Propos En Fa Majeur (1:53)
02. Froth On A Daydream (3:26)
03. King Nicolas (4:39)
04. Musk-Antler Bangers (2:38)
05. Froth On A Drinking Day (2:30)
06. Swinging Life And More (3:11)
07. Do The Squint (2:51)
08. You Know John Pulse Heartre (2:29)
09. Just Like That (0:59)
10. March In June (2:40)
11. Interlude (0:45)
12. Single Flower In Her Chest (3:58)
13. Work Is Not For Me (2:11)
14. Changing Shapes All Around Us (2:34)
15. The House Is Shrinking (1:37)
16. Into The Darkest Night (1:50)
17. Fall Asleep Forever (2:51)
18. The Zero Hour (2:34)
19. Waltz For Chloe (3:13)
20. The End A Mouse's Lament (1:19)

Personnel:
Vocals: Miss Jane
Piano, keyboards & harmonica: "Hairy Mat" Daval
Guitars & banjo: Tom La Meche
Bass: Serge Dejazz
Drums: Olivier Boeuf

Dazie Mae is a French band created in Paris in the mid 00s. The band started with a cover project of US and UK songs from the late sixties and early seventies, under the name "D15H".

In 2009, their first album "Velvet Dress & Stockings" is released under the independent label Can't Be Serious Records. The single "Sofa" is used by luxury brand Dior for in-door advertising, by American stylist Andrew Christian, as well as by Swedish movie director Erika Lust for her movie "Cabaret Desire", and by Arte/RTBF-produced documentary "The Kangaroo Complex".

In 2012 and 2013, the song "Sad, Depressed & Lonely" from the album "Songs Matured in Oak" is one of French national radio FIP's selections. "Time with my lover", from the same album, appears in director Malik Barnhardt's movie "C'est la vie" (2014).

Their 4th LP, "Froth on a daydream" (2015), is freely inspired by Boris Vian's cult novel "L'Ecume des jours".

Froth On A Daydream

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The Solomon Douglas Swingtet - Ain't No School Like Old School

Bitrate: MP3@320K/s
Time: 57:06
Size: 130.7 MB
Styles: Big band
Year: 2011
Art: Front

[2:58] 1. King Porter Stomp
[2:06] 2. Clap Hands! Here Comes Charley!
[2:36] 3. Long Tall Mama
[3:41] 4. Bizet Has His Day
[3:32] 5. New Orleans Bump
[5:43] 6. Blues In The Air
[4:26] 7. Egyptian Fantasy
[2:55] 8. Queer Notions
[4:05] 9. The Mooche
[3:12] 10. Tuxedo Junction
[3:07] 11. Rose Room
[3:51] 12. Avalon
[2:59] 13. Cotton Tail (Fast)
[2:46] 14. Cotton Tail (Faster)
[3:45] 15. That's How Rhythm Was Born
[2:59] 16. Casa Loma Stomp
[2:16] 17. White Heat

The Solomon Douglas Swingtet is a ten-piece dance band whose repertoire is rooted in that of the Basie band and that of the Ellington band, with other big-band standards and classic jazz tunes thrown in as well. The band makes frequent appearances at the Century Ballroom (Seattle, WA) and at the Glen Echo Spanish Ballroom (Washington, DC), and plays at Lindy Hop, Blues, and Balboa dance events all over North America. The Solomon Douglas Swingtet released its first CD, "Swingmatism," in 2006; its second CD, "Live at the Legion," in 2009; and its third CD, "Ain't No School Like the Old School" in April of 2011.

Ain't No School Like Old School

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Ernie Henry, Kenny Dorham - Ernie Henry Meets Kenny Dorham

Bitrate: MP3@320K/s
Time: 76:32
Size: 175.2 MB
Styles: Bop, Saxophone jazz
Year: 2012
Art: Front

[3:23] 1. Gone With The Wind
[5:08] 2. Orient
[5:48] 3. Free Flight
[5:53] 4. Checkmate
[8:22] 5. Cleo's Chant
[5:07] 6. I Should Care
[5:01] 7. Active Ingredients
[5:22] 8. Lotus Blossom
[2:56] 9. Soon
[4:24] 10. The End Of A Love Affair
[4:22] 11. I'll Be Seeing You
[6:34] 12. Noose Bloos
[6:13] 13. 'sposin'
[4:41] 14. Is It True What They Say About Dixie
[3:11] 15. Jazz-Classic

Kenny Dorham (tp), Ernie Henry (as), Kenny Drew (p), Wilbur Ware, Eddie Mathias (b), Art Taylor, Granville T. Hogan (d). Tracks #1-7 from the 12" Riverside LP "Presenting Ernie Henry" (RLP 12-222). Later reissued as Jazzland JP-982. Tracks #8-15 from the Kenny Dorham 12" Riverside album "2 Horns/2 Rhythm" (RLP 12-255).

By 1956 the trumpet of Kenny Dorham was recognized as one of the most exciting and swinging; he had become one of the key voices in modern jazz. He had gone through the years from his first prominence in the Hampton, Eckstine, and Gillespie bands, to the Charlie Parker and Art Blakey groups always respected and admired, but never winning any polls and never going out after individual fame as a leader.

In these recordings he introduced his friend Ernie Henry, a gifted alto player and jazz writer, with a firm command of his instrument, a fresh sound, and more than his share of legitimately new ideas. He had been a part of the bop scene of the late 1940s, and had appeared on records with Tadd Dameron, Fats Navarro, and Howard McGhee. His moment had arrived: he was fully ready to be heard and enjoyed by as many as would give themselves that privilege.

That Kenny and Ernie were close transpires in the sound they achieve together. It involves the kind of rapport that not even the best musicians can hope to establish quickly and easily: the fact is that Kenny and Ernie had known each other for a long time and had worked out extensively in the Henry basement, although this was their first opportunity to demonstrate in a recording studio their cohesive playing and thinking.

Ernie Henry Meets Kenny Dorham

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Kay Starr - Losers, Weepers

Bitrate: MP3@320K/s
Time: 31:42
Size: 72.6 MB
Styles: Jazz vocals
Year: 1960/2011
Art: Front

[2:49] 1. You Always Hurt The One You Love
[2:20] 2. I Should Care
[2:40] 3. I'm A Fool To Care
[2:26] 4. Don't Take Your Love From Me
[2:05] 5. When I Lost You
[2:43] 6. Only Forever
[3:16] 7. Gonna Get A Guy
[2:52] 8. Please Don't Talk About Me When I'm Gone
[2:29] 9. I Miss You So
[2:49] 10. A Faded Summer Love
[3:15] 11. When A Woman Loves A Man
[1:52] 12. Into Each Life Some Rain Must Fall

Kay Starr has always considered herself a “saloon singer” who told a story with each song, and is critically recognized for the power and emotion of her singing style. Long respected by the jazz community, and considered a favorite and influence by many of yesterday and today’s greats, Kay is truly a gifted and unique performer who has made a success of every musical genre she has tackled. Whether jazz, pop, country or R&B, Kay has done it all and marvelously. With recent compact disc re-issues of her classic albums and singles Kay’s work has seen a resurgence and begun to delight new audiences who are just discovering, or rediscovering, her great talents and style. As for the woman herself, Kay continues to dazzle audiences and critics in her concert appearances, and we look forward to having her do so for many more years to come. ~Matthew C. Foley

Losers, Weepers

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Kenny Burrell - The Best Of Kenny Burrell

Bitrate: MP3@320K/s
Time: 60:38
Size: 138.8 MB
Styles: Guitar jazz
Year: 2004
Art: Front

[ 4:46] 1. Close Your Eyes
[ 4:42] 2. Montono Blues
[ 6:16] 3. All Of You
[ 5:22] 4. It's A Wonderful World
[ 7:03] 5. I Never Knew
[ 6:44] 6. Boo-Lu
[ 7:22] 7. Minor Mishap
[18:18] 8. All Day Long

Out of the many recordings Kenny Burrell issued for the Prestige label, it would be impossible to pick eight tracks and state they are his best. This collection makes a good go of it in selecting different sized groups Burrell participated in, and displays the variety of straight-ahead jazz contexts he worked in from 1956 to 1962. The classics include the ultimate 18-plus-minute blues-jazz jam "All Day Long" with fellow Detroiters Donald Byrd, Frank Foster, Tommy Flanagan, and Doug Watkins. From the top rank album The Cats comes "Minor Mishap" with Flanagan, John Coltrane, and Idrees Sulieman, as definitive a hard bop piece as there is. "Boo-Lu" is another memorable track, an angular Latin flavored composition reminiscent of Yusef Lateef, featuring Jerome Richardson on lead flute, and tenor saxophonist Hank Mobley in later. The idea of stating a melody and having the second horn voice also crops up on the boogaloo shuffle "Montuno Blues," where the cool Coleman Hawkins enters as an afterthought post-Major Holley's scat sung and bowed bass, or Coltrane's cameo solo on "I Never Knew." The soul-jazz side of Burrell is here, playing rhythm chords with Jack McDuff's organ during the simple groove biscuit "It's a Wonderful World," there's the effortless swing and clean single lines the guitarist patented on "I'll Close My Eyes," and the as ultimate balladeer "All of You" displays Burrell's individuality with his Detroit trio of Flanagan, Watkins, and a reserved drummer Elvin Jones, who all lay out as much as they play. Four of these tracks are from that great year in music, 1957, a time when the guitarist was a rising star. Fact is, his stature has never diminished since, and this compilation of a young Kenny Burrell is a good reminder of not only his talent and his roots, but a short and sweet example of how professional jazz should be played. ~Michael G. Nastos

The Best Of Kenny Burrell

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Freddie Hubbard - Topsy ~ Standard Book

Styles: Trumpet Jazz
Year: 1999
File: MP3@320K/s
Time: 63:20
Size: 145,2 MB
Art: Front

( 5:19)  1. Topsy
(10:48)  2. Caravan
( 6:18)  3. As Time Goes By
( 5:43)  4. Cherokee
( 6:26)  5. Black Orpheus
( 7:52)  6. Love Me Or Leave Me
( 6:09)  7. All Of You
( 6:46)  8. Golden Earrings
( 7:54)  9. Lamento

It was the producer's idea that Freddie Hubbard play all of the nine standards on this CD with a mute in his trumpet. Hubbard was not happy with the restriction, but does his best on the quartet/quintet session with pianist Benny Green, bassist Rufus Reid, drummer Carl Allen and, on three numbers, altoist Kenny Garrett. While it is interesting to hear Freddie Hubbard tackle such material as "Topsy," "As Time Goes By," "Cherokee" and "Love Me or Leave Me," the music is often more mellow than one might hope, even when uptempo. It's a pleasing but not essential release from the Japanese label Alfa/Compose. ~ Scott Yanow  http://www.allmusic.com/album/topsy-mw0000279439

Personnel: Freddie Hubbard (trumpet); Kenny Garrett (alto saxophone); Benny Green (piano); Carl Allen (drums).

Topsy

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Alison Moyet - Voice

Styles: Jazz, Vocal
Year: 2004
File: MP3@320K/s
Time: 44:38
Size: 102,6 MB
Art: Front

(3:51)  1. Windmills Of Your Mind
(3:49)  2. The Man I Love
(3:53)  3. Almost Blue
(3:30)  4. Je Crois Entendre Encore
(3:15)  5. What Are You Doing The Rest Of Your Life?
(5:37)  6. God Give Me Strength
(3:30)  7. The Wraggle Taggle Gypsies-O!
(3:20)  8. Dido's Lament: When I Am Laid In Earth
(5:08)  9. La Chanson Des Vieux Amants
(5:39) 10. Cry Me A River
(3:01) 11. Bye Bye Blackbird

One of the U.K.'s most popular and best-selling vocalists of the past two decades, Alison Moyet's husk-and-honey voice has made her equally successful as a blues wailer and a dancefloor diva. Equal focus has always been paid to her sharp songwriting, but her new path keeps listeners firmly focused on the intimacy of those vocals, which sound better than ever on this mature and soul-stirring, lushly produced and arranged (by British film composer Anne Dudley) collection of standards some old (Legrand, Gershwin), some new (Elvis Costello), a few in French, and all surprising. 

Edging sweetly into pop-classical territory, Moyet reels us into the "Windmills of Your Mind" before ruminating on "The Man I Love" and exploring the concept of feeling "Almost Blue" (the Costello chestnut). Another highlight is her soaring, ethereal turn on the Costello/Burt Bacharach tune "God Give Me Strength," rendered here like a passionate prayer. She also tackles classical pieces by Bizet and Purcell. Although the tempo and tone of the arrangements are fairly similar, as per the album title, Dudley's restraint allows Moyet's voice to take center stage, where it always belongs. The key to creating a successful standards album is finding unique ways to render familiar material, and peppering the set with obscure pieces that will inspire a deeper study of musical history. Moyet achieves all this and more on this winsome future classic. ~ Jonathan Widran  http://www.allmusic.com/album/voice-mw0000743994

Personnel: Alison Moyet (vocals); John Parricelli (guitar); Julian Jackson (harmonica); Nicholas Bucknail (clarinet); Jamie Talbot (saxophone); Derek Watkins (trumpet); Anne Dudley (piano, keyboards); Chris Laurence (bass instrument); Ralph Salmins (drums).

Voice

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Terence Blanchard - Wandering Moon

Styles: Trumpet Jazz

Year: 2000

File: MP3@320K/s

Time: 75:13

Size: 172,7 MB

Art: Front

( 7:50)  1. Luna Viajera

( 9:19)  2. If I Could, I Would

( 1:10)  3. Bass Solo

( 6:54)  4. My Only Thought of You

( 8:25)  5. Simplemente Simon

( 7:24)  6. Sweet's Dream

( 6:44)  7. Sidney

( 7:26)  8. The Process

(10:57)  9. Joe & O

( 9:00) 10. I Thought About You

It’s been five years or so since trumpeter Terence Blanchard released a record of straight-ahead, small-group jazz, and it was well worth the wait. Blanchard has spent a good deal of his time scoring Spike Lee’s "joints" and other films. As a result, his orchestrational chops exceed those of the average jazzman, and it shows throughout this fine album. The three-horn writing is impeccable. The flow of the music is also quite cinematic. And as far as the blowing is concerned, Blanchard has lost nothing. His bright, expressive trumpet tone is the disc’s guiding light.

Blanchard wrote most of the material for Wandering Moon, except for pianist Edward Simon’s minor-key waltz "The Process" and a Miles-faithful ballad reading of "I Thought About You." Blanchard’s tunes often bear a resemblance to some of Wynton Marsalis’s early work colorful, contemporary changes hung around propulsive swing, latin, and waltz tempos. There are also nods to the free vocabulary being explored lately by Branford Marsalis and Jeff "Tain" Watts: "If" and "Joe & O," both of which feature Branford as a guest soloist. The record begins, however, in slow and stately fashion with the translated title track, "Luna Viajera."

Dave Holland contributes one of his trademark unaccompanied bass soliloquies to introduce the pretty waltz "My Only Thought of You," which includes strong solos by Simon, Blanchard, and Branford, as well as impressive time-feel manipulation by drummer Eric Harland. "Simplemente Simon," a hip latin groove in seven, is also a showcase for the hot rhythm team of Holland and Harland. Tenorist Brice Winston gets in some good licks as well. Blanchard’s elegy for Harry "Sweets" Edison, titled "Sweet’s Dream," sounds the strongest echoes of Wynton’s early writing, as does "Sidney," an excellent mid-tempo burner. ~ David Adler  http://www.allaboutjazz.com/wandering-moon-terence-blanchard-sony-legacy-music-review-by-david-adler.php

Personnel:  Terence Blanchard, trumpet;  Branford Marsalis, tenor saxophone (2, 4, 9);  Brice Winston, tenor saxophone;  Aaron Fletcher, alto saxophone;  Edward Simon, piano;  Dave Holland, bass;  Eric Harland, drums.

Wandering Moon

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