Time: 42:27
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocald
Art: Front
01. My Man (4:11)
02. Nature Boy (4:04)
03. Midnight Flowers (5:00)
04. Tenderly (3:27)
05. Travelin' Light (3:23)
06. Why Don't You Do Right (4:49)
07. Summertime (5:14)
08. My Favorite Things (3:32)
09. Earth Of The Snow (5:15)
10. La Vie En Rose (3:27)
Ari Ann Wire (Ariadna Salvador, Barcelona, 1983). Multidisciplinary artist: singer, writer, cultural manager, voice teacher, creative writing teacher. She has trained since 1999 in Barcelona and Rennes (France) in: fine arts, contemporary and classic dance, theatre, dance-theatre fusion, voice and expression, butoh and yoga. In her vocal training, she specialised in Estill Voice Craft (Tom Burke, Luciana Carlevaro) and jazz, swing, blues and bossa-nova. She has performed on the Barcelona music scene since 2009, in a vast range of projects mixing music, poetry, theatre, dance, audio-visual and performance. Venues performed in include: Harlem Jazz Club, Tinta Roja, Mutuo Centro de Arte, Elèctric Bar, CCCB, Teatreneu, Sala Fènix, La Casa de la Paraula, Margarita Blue, Borneo, Tarannà, Inusual Project, Freedonia, Bar Terra, CC Casa Sagnier, CC Can Deu, CC Navas, CC La Sedeta, CC Sagrada Familia, etc.
In 2014 she published her first musical work titled Lady Lee, with the pianist Matías Muñoz: “Ari Ann Wire breaks into the jazz scene with a fresh work of great personality”, August ’14, Diariofolk. Described as “a storyteller on the wire”, she is “one of the new voices of our jazz scene. She is an expressive and multifaceted storyteller whose sound is influenced by singers such as Billie Holiday, Anita O’Day, Peggy Lee, Nina Simone, Edith Piaf, Elis Regina, Björk and Beth Gibbons, but also by writers as Julio Cortázar or the members of the Beat Generation. Lady Lee is based on the alter-ego that found wings and voice via the phenomenon known as the Poetry Brothel.”
Her second musical production in 2015 is composed and recorded with the musicians Matías Muñoz, Joao Vieira, Jorge Da Rocha and Pol Padrós and produced by Dave Bianchi. “Midnight Songs” traces a personal pilgramage between jazz, pop, rock and experimental influences. As well as her distinctive interpretation of jazz classics, she re-discovers two songs that were composed previously for her projects Wireglass and Spirituals To Swing. “There are moments where her voice resembles Betty Boop, and others it acquires the potency of Billie Holiday “. Le Cool, 2013.
In 2014 she published her first musical work titled Lady Lee, with the pianist Matías Muñoz: “Ari Ann Wire breaks into the jazz scene with a fresh work of great personality”, August ’14, Diariofolk. Described as “a storyteller on the wire”, she is “one of the new voices of our jazz scene. She is an expressive and multifaceted storyteller whose sound is influenced by singers such as Billie Holiday, Anita O’Day, Peggy Lee, Nina Simone, Edith Piaf, Elis Regina, Björk and Beth Gibbons, but also by writers as Julio Cortázar or the members of the Beat Generation. Lady Lee is based on the alter-ego that found wings and voice via the phenomenon known as the Poetry Brothel.”
Her second musical production in 2015 is composed and recorded with the musicians Matías Muñoz, Joao Vieira, Jorge Da Rocha and Pol Padrós and produced by Dave Bianchi. “Midnight Songs” traces a personal pilgramage between jazz, pop, rock and experimental influences. As well as her distinctive interpretation of jazz classics, she re-discovers two songs that were composed previously for her projects Wireglass and Spirituals To Swing. “There are moments where her voice resembles Betty Boop, and others it acquires the potency of Billie Holiday “. Le Cool, 2013.
Midnight Songs