Showing posts with label Isabelle Antena. Show all posts
Showing posts with label Isabelle Antena. Show all posts

Thursday, May 26, 2016

Isabelle Antena - Tous Mes Caprices

Styles: Vocal
Year: 1988
File: MP3@320K/s
Time: 41:24
Size: 97,4 MB
Art: Front

(3:32)  1. Tous Mes Caprices
(3:36)  2. 7 A.M.
(3:17)  3. Romancia Del Amor
(3:07)  4. Ecrat De Nuit
(2:40)  5. Une Journee Banale A New York City
(3:33)  6. Je Respire
(4:22)  7. From Day To Day
(4:02)  8. Memories
(4:45)  9. Young Captive
(4:59) 10. Village Of The Sun
(3:26) 11. Time To Work

Isabelle Antena (born May 28, 1960) is a French singer and songwriter, notable both as a founder of electro-samba pioneers Antena and also as a prolific and successful solo artist. Isabelle Antena is a pioneer of bossa nova and samba-inflected nu jazz and electropop. She was a founding member of 1980s French-Belgian synthpop trio Antena, and in the 1990s led another group, the Powaga Sisters, for three albums between 1993-2004. Alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. As a solo artist Isabelle Antena has found particular success in Japan and the Far East. Originally Antena were a trio, discovering a sound all of their own on Camino del Sol, combining minimal electro, pop and samba styles. Thanks to producer Martin Hayles, in the summer of 1984 Antena signed a deal with Phonogram, who took a shot at the UK singles chart with "Be Pop". At the same time Isabelle moved to London. The second single, "Life Is Too Short", appeared in November, but did not bring mainstream success and so Isabelle returned to Les Disques du Crepuscule and a solo career. A new single, "Seaside Week End", appeared at the beginning of 1986, closely followed by the album En Cavale. Released early the following year, Hoping for Love saw Isabelle step left of the dance-floor, and expand her Latin, funk and samba palette to include jazz and acoustic stylings.

Hoping For Love took Isabelle to Japan for the first time, where in 1987 she was voted best international female singer at the prestigious Tokyo Music Festival. Her subsequent performance at the Tokyo Dome between spots by Earth, Wind & Fire and Kool & the Gang remains a career highlight. Isabelle quickly consolidated this success with her third solo album On a Warm Summer Night. In Europe this was released as Tous Mes Caprices, and promoted with a Belgian tour supporting Vaya Con Dios, whose bass player Dirk Schoufs would go on to collaborate with Isabelle as a writer and musician, and become her second husband. Always a prolific writer, Isabelle went on to write and record De l'Amour et des Hommes (1988) and Jouez le Cinq (1989)  the latter being re-issued only months later as Intemporelle (1990) - performing live across Europe as well as North America and Japan. Dirk Schoufs left Vaya Con Dios to join Isabelle, bringing with him Vaya drummer Marco De Meersman and Fritz Sundermann, jazz guitarist and son of Freddy Sunder. This quartet formed the new creative core for the next album, Les Derniers Guerriers Romantique, a conceptual work released in April 1991. However tragedy struck on 24 May when Dirk Schoufs died, leaving Isabelle devastated. Following a year of reflection, she returned to the studio in 1992 to record one of the best albums of her career, Carpe Diem, released in Japan and France in November. Recorded by Gilles Martin with colleagues including De Meersman and Sundermann in the comfort of Studio Caraibes in Brussels, Isabelle produced the album herself.

Since Carpe Diem, Isabelle has released a further ten albums, spanning jazz, funk, Latin and house styles, as well as writing for and producing for other artists. These have included Fragile on the Rocks, The Powaga Sisters and the jazz project Pause Cafe. Although as a solo artist Isabelle Antena has often found greater commercial success in Japan and the Far East than in Europe, she remains critically acclaimed in Europe and the United States. In 1996 the track "Antena" opened the first ESL compilation by Thievery Corporation, and since then Isabelle has worked with many current DJs and producers including Buscemi, Nicola Conte, Ursula 1000 and Yukihiro Fukutomi. Along with Thievery Corporation, all contributed to her popular 2005 bossa mix double album, Easy Does It / Issy Does It (Remixes), and Thievery guested again on the 2006 Antena project Toujours du Soleil. Completing the Antena trilogy, Bossa Super Nova was issued in April 2010. Isabelle remains an artist of genuine integrity, proudly independent, and faithful to the philosophy she espoused to the New Musical Express in 1984: « The fact that we have had to struggle quite a lot to get to even where we are now is not important. I think there is always a value in people whose music is not mainstream. What is hard to listen to today might be easier to listen to tomorrow. The good thing about music is that anything is possible ».https://en.wikipedia.org/wiki/Isabelle_Antena

Tous Mes Caprices

Wednesday, May 18, 2016

Isabelle Antena - Mediterranean Songs

Bitrate: MP3@320K/s
Time: 39:18
Size: 90.0 MB
Styles: Latin rhythms
Year: 1997
Art: Front

[3:29] 1. The Best Is Yet To Come
[3:36] 2. Mediterranean Song
[2:36] 3. Under Your Closed Eyelids (From Boondocks S02)
[4:08] 4. Sleeping Prince
[4:39] 5. Too Young
[3:28] 6. I Forget You
[2:42] 7. Step By Step
[4:05] 8. Oliver's Hopscotch
[3:52] 9. Scenario
[3:01] 10. God Only Knows
[3:37] 11. The One You're Waiting For

From Camino del Sol to Bossa Super Nova, electro-samba pioneer turned jazz-pop polymath Isabelle Antena continues to delight fans around the world with an accomplished blend of cool latin, bossa, jazz and funk vibes, while at the same time remaining a staple of hip DJ record boxes from Ibiza to Goa to New York City.

Isabelle remains an artist of great integrity - proudly independent, and faithful to the bold philosophy she espoused to NME back in 1984. "The fact that we have had to struggle quite a lot to get to even where we are now is not important. I think there is always a value in people whose music is not mainstream. I know that in another time people were blaming Debussy and Ravel because they were playing different things to the mainstream. What is hard to listen to today might be easier to listen to tomorrow. The good thing about music is that anything is possible."

Mediterranean Songs