Showing posts with label Jimmy Woods. Show all posts
Showing posts with label Jimmy Woods. Show all posts

Monday, June 10, 2019

Teddy Edwards - Back to Avalon

Styles: Saxophone Jazz
Year: 2013
File: MP3@320K/s
Time: 43:21
Size: 100,6 MB
Art: Front

(2:53)  1. Avalon
(5:36)  2. The Cellar Dweller
(4:29)  3. You Don't Know What Love Is
(7:23)  4. Steppin' Lightly
(3:50)  5. Sweet Georgia Brown
(4:44)  6. Our Last Goodbye
(6:36)  7. Good Gravy
(5:19)  8. (Under) A Southern Moon and Sky
(2:28)  9. Avalon (Version 2)

The liner notes written by Kirk Silsbee tell a tale easily as intriguing as the fine music on this CD. Producer Lester Koenig asked Teddy Edwards to assemble a large ensemble of lesser known jazz musicians from Los Angeles to record originals and new arrangements of standards. Those players had difficulty with the somewhat tricky charts, and because they were not up to the highest standards, the project was mutually agreed upon to be scrapped. Nearly 35 years later, Ed Michel came upon the tapes, assessed that the feeling and spirit in them was good enough, and had them cleaned up by editing in alternate takes spliced by audio computer to enhance the originally imperfect sessions. After some fact checking, the alleged or disputed lineup was confirmed, and the result is solidly swinging,enjoyable music. It showcases the magic touch Edwards displayed in composition and arranging, his distinctive tenor sax, and the ability of these players, many who would later prove their own mettle removed from the obscurity of that time. And now, the rest of the story...this is a really good album! Edwards is well known for his classic, ahead of its time, original soul-jazz tune "Good Gravy," and it appears here for its first recording, the horns grooving together and strutting their stuff. While "The Cellar Dweller" is usually in reference to a perennial last place sports team, this one is for the listeners of The Jazz Cellar nightclub in San Francisco, naturally bluesy and easy swinging with Edwards as the front runner, and the horns following in varying levels of dynamics. "(Under) A Southern Moon & Sky" takes Edwards back to his Mississippi roots and love for Duke Ellington in an attractively exotic and sensual, riki-tiki calypso beat courtesy of Larance Marable cracking his sticks on drum rims. 

The swing standard "Avalon" bookends the session, one at medium tempo, the other faster, both with wonderful interplay and rich balance. A supercharged take of "Sweet Georgia Brown" has Edwards out of the gate flying, extending the second chorus with a witty extrapolation and during the jamming bridge, while the contrasting sad and bittersweet "You Don't Know What Love Is," with the plaintive second lead of trumpeter Nathaniel Meeks, and the especially downhearted "Our Last Goodbye" wrenches every ounce of emotion from a somber place where no one really wants to be. Trombonist Lester Robertson and alto saxophonist Jimmy Woods became major players in L.A. from this point onward, and deserve a close listen here, while baritone saxophonist Modesto Brisenio is heard to good effect, especially on the intro of the quick waltz "Steppin' Lightly," which also sports some compelling rhythm changes slowed to half time, sped up, and funkified. There are recordings that rank as underrated or under appreciated, but Back to Avalon should not merely be tagged as such. Thankfully through hindsight this recording was released in fully flowered form so all can realize what a marvelous all-around musician Teddy Edwards was. ~ Michael G.Nastos https://www.allmusic.com/album/back-to-avalon-mw0000645746

Personnel: Tenor Saxophone – Teddy Edwards; Alto Saxophone – Jimmy Woods; Baritone Saxophone – Modesto Brisenio; Bass – Roger Alderson; Drums – Larance Marable; Piano – Danny Horton ; Trombone – Lester Robertson; Trumpet – Nathaniel Meeks

Back to Avalon

Wednesday, May 1, 2019

Jimmy Woods - Awakening!

Styles: Saxophone Jazz
Year: 1995
File: MP3@320K/s
Time: 41:37
Size: 96,4 MB
Art: Front

(4:05)  1. Awakening!
(4:22)  2. Circus
(7:54)  3. Not Yet
(3:37)  4. A New Twist
(6:38)  5. Love For Sale
(5:11)  6. Roma
(5:45)  7. Little Jim
(4:01)  8. Anticipation

Fantastic work by this obscure LA legend! Jimmy Woods was one of the unsung geniuses of the west coast scene at the start of the 60s and the few recordings he ever made stand as some of the best examples of how the avant garde was feeding into the hard bop scene out there and with fantastic results! Jimmy's alto is hard and biting throughout and although it veers in the direction of Ornette Coleman at times, the overall conception is very much Woods' own with a starkly clear voice that should have made him one of the key figures in 60s modern jazz. The rest of the group includes the great (and also underrecorded) Joe Gordon on trumpet, plus Amos Trice on piano, Milt Turner on drums, and either Gary Peacock or the highly rhythmic Jimmy Bond on bass. Titles include "Awakening", "Roma", "Not Yet", "New Twist", "Little Jim", and "Anticipation".  © 1996-2019, Dusty Groove, Inc. https://www.dustygroove.com/item/7830/Jimmy-Woods:Awakening

Personnel: Jimmy Woods - alto saxophone;  Milton Turner - drums

Awakening!

Monday, April 29, 2019

Jimmy Woods Sextet, Elvin Jones - Conflict

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 56:54
Size: 131,2 MB
Art: Front

(5:47)  1. Conflict
(6:01)  2. Coming Home
(7:57)  3. Aim
(6:44)  4. Apart Together
(5:50)  5. Look to Your Heart
(6:32)  6. Pazmuerte
(4:54)  7. Conflict (Alt. Take)
(7:12)  8. Aim (Alt. Take)
(5:53)  9. Look to Your Heart (Alt. Take)

Jimmy Woods was a talented musician who made few recorded appearances before vanishing into obscurity. Conflict is the second of two '60s solo records on Contemporary, the first already reissued in a previous batch of limited edition releases. It’s tempting to judge Woods solely on the company he keeps certainly the likes of Andrew Hill, Elvin Jones, and Harold Land don’t have to be bothered with middling talent. However, Woods proves he can more than handle the responsibilities on a program consisting entirely of forward-thinking, advanced hard bop originals, which also utilize inventive call-and-response riffs. “Conflict” is a lopsided blues with an edgy vamp from Hill which allows the front line to indulge in some grand exploratory work. On the other hand, “Apart Together” features a complicated head and the type of restless chord progressions that serious musicians love to dig in to. Woods demonstrates his ability to handle the changes and aptly deserves the company he keeps. Elvin Jones fits in his usual thunderous moments, and the rest of the sidemen, Hill and Carmell Jones in particular, are models of creative expression. Contemporary signed Woods after Ornette Coleman’s departure to Atlantic. While not quite an equal replacement, Woods proved that he was a talented musician whose time in the spotlight, for whatever reason, was brief. ~ David Rickert https://www.allaboutjazz.com/conflict-jimmy-woods-fantasy-jazz-review-by-david-rickert.php

Personnel: Jimmy Woods-alto sax; Carmell Jones-trumpet; Andrew Hill-piano; George Tucker-bass; Elvin Jones-drums.

Conflict