Saturday, January 23, 2016

Lou Levy Trio - A Most Musical Fella

Bitrate: MP3@320K/s
Time: 42:10
Size: 96.5 MB
Styles: Piano jazz
Year: 1957/1983/2007
Art: Front

[4:12] 1. Night And Day
[4:04] 2. Angel Eyes
[3:44] 3. Lou's Blues
[6:16] 4. Yesterdays
[3:24] 5. Apartment 17
[3:33] 6. How About You
[4:13] 7. Baubles, Bangles And Beads
[2:58] 8. Woody'n Lou
[4:29] 9. We'll Be Together Again
[5:11] 10. I'll Remember April

Lou Levy (p), Max Bennett (b), Stan Levey (d). Recorded in Los Angeles, January 2 & 26, 1957.

This early effort by pianist Lou Levy (28 at the time) finds him playing superior bop interpretations of seven standards and three straight-ahead originals. Levy is teamed on the Los Angeles dates with bassist Max Bennett and drummer Stan Levey. Last available as a French RCA LP in 1983, the music is an excellent example of the modern mainstream of the period and still sounds quite stimulating and swinging. ~Scott Yanow

A Most Musical Fella

Barbara Lea - A Woman In Love

Bitrate: MP3@320K/s
Time: 44:02
Size: 100.8 MB
Styles: Vocal jazz
Year: 1957/1991
Art: Front

[4:57] 1. I'm Old Fashioned
[4:23] 2. Too Late Now
[4:00] 3. Come Rain Or Come Shine
[2:25] 4. As Long As I Live
[4:07] 5. Love Is Here To Stay
[2:38] 6. Thinking Of You
[4:19] 7. I See Your Face Before Me
[3:15] 8. I Didn't Know About You
[2:25] 9. Love Me
[3:36] 10. What Is There To Say
[2:46] 11. The Best Thing For You
[5:07] 12. A Woman Alone With The Blues

Singer Barbara Lea often recalls her idol and friend Lee Wiley on this set of love songs. The backup is uniformly tasteful but changes from song to song with such impressive stylists as trumpeter Johnny Windhurst, baritonist Ernie Caceres, Garvin Bushell (on oboe and bassoon), Dick Cary (the arranger on piano and alto horn), guitarist Jimmy Raney and (on a beautiful version of "True Love") harpist Adele Girard making memorable appearances. Lea's straightforward and heartfelt delivery is heard at its best on such songs as "You'd Be So Nice to Come Home To," "Mountain Greenery," "More than You Know" and "Autumn Leaves" (which is partly taken in French). These interpretations are often touching. ~Scott Yanow

A Woman In Love

Charlie Shaffer - Serenata

Bitrate: MP3@320K/s
Time: 53:24
Size: 122.3 MB
Styles: Easy Listening
Year: 2001
Art: Front

[2:40] 1. Serenata
[3:36] 2. What Difference A Day Makes
[3:18] 3. Here's That Rainy Day
[3:51] 4. Gentle Rain
[3:03] 5. La Paloma (The Dove)
[2:59] 6. Morning Of The Carnival (Manha De Carnival)
[3:18] 7. You Are Always In My Heart
[2:43] 8. I Go To Rio
[3:06] 9. Bewitched, Bothered And Bewildered
[3:12] 10. A Man And A Woman
[3:32] 11. Once I Loved
[3:10] 12. Without You (Tres Palabras)
[2:38] 13. The Coffee Song
[3:07] 14. Invitation
[3:10] 15. Be True To Me (Sabor A Mi)
[2:50] 16. Samba De Orfeu
[3:01] 17. Some One To Light Up My Life

Charlie was born and raised in Houston, Texas. His family was a music loving one, although no one in it (at that time) was a trained musician. His mother, father, and sister all had a natural ability to find the right harmonies to sing when they engaged in impromptu barbershop style sing-a-longs. His parents social group came to the house frequently and the usual activity was to put on the records and dance. This was a perfect environment in which to develop a great love of music, and to observe the positive effect it could have on people. His younger sister Carol (Koock) was also affected and she became an award winning pianist who is currently active in the music and theater scene in Austin, Texas. At a young age, Charlie had memorized many songs. He studied classical and popular music privately from the age of five, and upon reaching high school age, added French horn and cornet to his arsenal of instruments. It had been assumed that he would follow his dad into the oil business, but by the time Charlie entered the University of Houston on a trumpet scholarship, music had become his first love, and the direction his life would take was becoming obvious.

Serenata

Herb Jeffries - Easy To Remember

Bitrate: MP3@320K/s
Time: 40:24
Size: 92.5 MB
Styles: Jazz-country vocals
Year: 2002
Art: Front

[3:55] 1. It's Easy To Remember
[4:01] 2. Sweet Lorraine
[3:14] 3. Where The Blue Of The Night (Meets The Gold Of The Day)
[3:32] 4. I Apologize
[4:14] 5. Smile
[3:49] 6. Nature Boy
[4:06] 7. I Surrender, Dear
[3:20] 8. Unforgettable
[2:17] 9. Pennies From Heaven
[4:17] 10. Pretend
[3:34] 11. My Melancholy Baby

Although not really a jazz singer, Herb Jeffries was the last surviving member of the 1940 Duke Ellington Orchestra and a fine interpreter of swing songs and ballads. He performed with Erskine Tate in the early '30s, Earl Hines (1931-1934), and Blanche Calloway, before becoming the first black cowboy actor in a series of '30s Westerns. He gained his greatest fame while with Ellington (1940-1942), having a big hit in "Flamingo." Jeffries, who recorded with Sidney Bechet in 1940, worked as a single artist after leaving Ellington in 1942, recording on an occasional basis and remaining active into the mid-'90s. He died, reportedly of heart failure, on May 25, 2014 in West Hills, California. ~bio by Scott Yanow

Easy To Remember

Xavier Cugat - The Best Collection

Bitrate: MP3@320K/s
Time: 45:33
Size: 104.3 MB
Styles: Latin rhythms
Year: 2014
Art: Front

[3:06] 1. Yours (Quiereme Mucho)
[3:16] 2. Jalousie (Jealousy)
[3:09] 3. Begin The Beguine
[3:22] 4. Calientito
[2:42] 5. La Comparsa (Carnival Procession)
[2:59] 6. Isle Of Capri
[3:14] 7. I Want My Mama
[2:53] 8. Adios Muchachos
[2:26] 9. La Negra Leonor
[2:53] 10. Babalu
[3:09] 11. Siboney
[3:05] 12. Bim Bam Bum
[3:17] 13. Habanera
[3:08] 14. Green Eyes
[2:47] 15. Cachita

Remembered for his highly commercial approach to pop music, Xavier Cugat (born Francisco de Asis Javier Cugat Mingall de Cru y Deulofeo) made an even greater mark as one of the pioneers of Latin American dance music. During his eight-decade-long career, Cugat helped to popularize the tango, the cha-cha, the mambo, and the rhumba. His hits included "El Manicero" in the 1930s, "Perfidia" in 1940, and the original recording of "Babalu" in 1944. Members of Cugat's band included Desi Arnaz, Miguelito Valdés, Tito Rodriguez, Luis del Campo, Yma Sumac, and his third wife (of four), Abbe Lane. Cugat used the success of his musical career as a springboard for a movie career that included appearances in such films as Gay Madrid (1930), You Were Never Lovelier (1942), Bathing Beauty (1945), Weekend at the Waldorf (1945), Holiday in Mexico (1946), On an Island With You (1948), A Date With Judy (1948), Chicago Syndicate (1955), and Desire Diabolique (1959).

A native of Girona, Spain, Cugat emigrated with his family to Cuba in 1905. Trained as a classical violinist, he played with the Orchestra of the Teatro Nacional in Havana at the age of 12. Emigrating to the United States, sometime between 1915 and 1918, he quickly found work accompanying an opera singer. At the height of the tango craze, in 1918, Cugat joined a popular dance band, the Gigolos. His involvement with the group, however, was brief. As the popularity of the tango faded, he took a job as a cartoonist for The Los Angeles Times. Cugat returned to music in 1920, forming his own group, the Latin American Band. Although they played regularly at the Coconut Grove in Los Angeles and supplied the soundtracks for several musical shorts, the group had its greatest success after moving to New York and became the house band for the Waldorf Astoria Hotel. Despite being criticized for their middle-of-the-road approach, Cugat remained committed to his commercial-minded sound. He later explained, "I would rather play 'Chiquita Banana' and have my swimming pool than play Bach and starve." Cugat and his orchestra remained at the hotel for 16 years. Beautiful women were consistently featured in Cugat's band. After helping Rita Hayworth launch her career, he appeared in her film You Were Never Lovelier. Cugat's recordings of the 1950s featured the singing of his third wife, Abbe Lane. In the mid-'60s, he featured his fourth wife, Charo, who he billed as a "folksinger." Upon his retirement in 1970, Cugat returned to Spain. He died in Barcelona on October 27, 1990. His band, which was led by Tito Puente following his retirement, continued to perform under the direction of dancer, musician, and vocalist Ada Cavallo. ~bio by Craig Harris

The Best Collection

Gloria Estefan - 90 Millas

Styles: Vocal, Latin Jazz
Year: 2007
File: MP3@320K/s
Time: 60:26
Size: 167,4 MB
Art: Front

(3:17)  1. Me Odio
(4:12)  2. No Llores
(4:14)  3. Lo Nuestro
(3:33)  4. Píntame De Colores
(3:21)  5. Caridad
(3:42)  6. Yo No Cambiaría
(3:53)  7. Bésame
(2:59)  8. Refranes
(3:43)  9. A Bailar
(3:51) 10. Esta Fiesta No Va' Acabar
(3:47) 11. Volveré
(4:41) 12. Esperando
(4:13) 13. Morentia
(3:15) 14. 90 Milas
(3:38) 15. Vueltas De La Vida
(4:01) 16. No Llores

Ever since Gloria Estefan split from Miami Sound Machine in 1989 to go solo, her best efforts tended to be her Spanish-language ones, and her fourth such album, 90 Millas, is no exception. In fact, it might be her best overall effort  regardless of language since Mi Tierra (1993), which was her first to be sung entirely in Spanish and an instant, best-selling classic. In a couple ways, 90 Millas is a follow-up to Mi Tierra. Both are heartfelt albums inspired by Cuba and Cuban music whereas Abriendo Puertas (1995) and Alma Caribeña (2000), Estefan's other two prior Spanish-language efforts, were more broadly Hispanic and Caribbean, respectively, in their influences and intent and both 90 Millas and Mi Tierra are graced by some of Latin music's most gifted instrumentalists, many of them legends. In this case, the featured guests include Papo Lucca, Johnny Pacheco, Candido Camero, Paquito d'Rivera, Nelson González, Andy García, Sheila E, Carlos Santana, Orestes Vilato, Israel "Cachao" López, Generoso Jiménez, Giovanni Hidalgo, India, José Feliciano, Arturo Sandoval, Sal Cuevas, and Luis Enrique. It's an impressive lineup of musicians; for instance, the album's lead single, "No Llores," alone boasts Carlos Santana on electric guitar, José Feliciano on acoustic guitar, Sal Cuevas on bass, Sheila E. on timbales, and Luis Enrique on congos and bongos.

That's not all, though. 90 Millas also boasts an ace production and songwriting team: husband/impresario Emilio Estefan (of course) and the Gaitán Bros. (Ricardo and Alberto). Then there's Gloria herself, who is the vehicle for this superstar project. She's in good voice here as well-mannered and graceful as usual and co-writes many of the songs. Yet it's the musicianship and the songs themselves, surprisingly few of them ballads, that shine brightest here on this love letter to Cuba, that oft-romanticized, and fiercely politicized, island 90 miles off the coast of Florida. Though born there, Gloria left as a child. In her heart, however, she never left her homeland behind, as this album and its predecessor, Mi Tierra, make clear, for both albums are among the best and certainly most poetic and impassioned efforts of her long, illustrious career. Practically every song here is a gem, and they're a rarity in 2007, a year in which traditional Cuban music like this couldn't have been further away from the mainstream of Latin music in America, where regional Mexican and urban dominated the marketplace. ~ Jason Birchmeier  http://www.allmusic.com/album/90-millas-mw0000482833

Personnel: Gloria Estefan (background vocals); Gloria Estefan; India (vocals); José Feliciano (guitar, acoustic guitar); Carlos Santana (guitar, electric guitar); Marco Linares (guitar, cuatro); Juanito Márquez (guitar); Lionel Delao (electric guitar); Nelson Gonzalez (tres); Johnny Pacheco (flute); Paquito d'Rivera & The United Nation Orchestra, Paquito d'Rivera (saxophone); Chocolate Armenteros, Arturo Sandoval (trumpet); Generoso "El Tojo" Jiménez (trombone); Papo Lucca (piano); Israel "Cachao" Lopez, Sal Cuevas (bass guitar); Daniel Berroa (congas, bongos, guiro, maracas, percussion); Orestes Vilató (congas, bongos, timbales); Luis Enrique (congas, bongos); Candido Camero (congas); Andy García (bongos, bells, bell); Sheila E. (timbales); Jesus Cruz (unknown instrument); Gaitán Bros., Cheito Quinonez (background vocals); Giovanni Hidalgo (quinto, congas, bells); Pedro Alfonso (violin); Ed Calle (clarinet, saxophone, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone); Herman "Teddy" Mulet (trumpet, trombone); Braily Ramos (trombone, horns); Javier Concepcion, Paquito Hechavarria (piano); Edwin Bonilla (congas, bongos, bata, guiro, shekere, timbales, percussion).

90 Millas

Club des Belugas - Zoo Zizaro

Styles: Soul, Nu Jazz
Year: 2009
File: MP3@320K/s
Time: 70:42
Size: 162,9 MB
Art: Front

(4:29)  1. Passing On The Screen
(4:35)  2. Wild Is My Love
(5:42)  3. Radio Utopia feat. Bajka - Human Loss And Gain (Club Des Belugas Remix)
(4:03)  4. Clyde Beluga
(3:52)  5. Wigwag
(3:47)  6. Floating On Air
(4:57)  7. Un Grao De Areia
(4:46)  8. Back To My Room
(4:32)  9. My Hunger Hurts
(4:41) 10. Ella Fitzgerald - Air Mail Special (Club Des Belugas Remix)
(3:49) 11. Something Big And Endless
(3:59) 12. Habana Twist
(4:24) 13. Zoo Zizaro
(4:26) 14. Too Late
(3:50) 15. Les Baxter - Jungle Flower (Club Des Belugas Remix)
(4:41) 16. Pain Is Temporary

Club des Belugas is one of the leading Nujazz projects in Europe, perhaps in the world. They combine contemporary European Lounge & Nujazz Styles with Brazilian Beats, Swing and American Black Soul of the fifties, sixties and seventies using their unique creativity and intensity. This beautifully produced CD comes packed with 16 stunning electro flavoured jazzy tracks. As the 4 albums before, Zoo Zizaro is a writers and producers collaboration of Club des Belugas' founders and all time members Kitty the Bill and Maxim Illion .... The most important thing is: they have never been better. Zoo Zizaro is the coronation of their work. If ChinChin Records decided to release a Best of Club des Belugas album, 85% of the tracks would come from Zoo Zizaro. The following guest musicians appear on this album:

-Newcastle/UK singer Ferank Manseed. His voice has a range of about 4 octaves. In the high regions he sounds rather woman-like, which gives him the alias Nina Someone . In the lower regions of his voice you will think that he is the reincarnation of Frank Sinatra. Ferank appears on 3 tracks of Zoo Zizaro. He is also a well-known tattoo artist, famous for his tattoos by hand.

-Swedish vocalist Anna-Luca. Who has already had 5 tracks on the 4th album SWOP , appears again on 5 tracks, starting with Passing on the Screen , one of the most impressive Club des Belugas tracks ever. Anna-Luca is also working on her solo album, which will be released by SonyBMG in summer 2010.

-Multi award winning Californian jazz impresario Brenda Boykin. Who has also appeared on the 3rd Club des Belugas album Apricoo Soul and the 4th album SWOP . In 2008 she had huge success with her solo album Chocolate & Chili , which has also been released by ChinChin Records.

-All members of the Club des Belugas Orchestra. Who appear on many of the tracks on this album and who have also performed around 200 live concerts in China, Russia and all over Europe in the last 2 years. With special thanks to the brass players, who perform brilliantly as solo artists and as a section.

-The horn section of Greg Adams' Big Brass Band, who supports the Beluga brass section on the tracks Clyde Beluga and Habana Twist

-Not forgetting the 3 fantastic remixes: Ella Fitzgerald - Air Mail Special, which has been originally recorded at the Newport Jazz Festival in 1957. Les Baxter - Jungle Flower, which appeared originally on the album The Ritual of the Savage in 1952. Then the contemporary track Radio Utopia - Human Loss and Gain with the incredible voice of Bajka, who has had releases with Bonobo, Beanfield, Radio City and Una Mas Trio.

Club Des Belugas have been compiled on 630 compilations with a total of 4,5 million CDs so far (September 09). Their tracks have been licensed by Hollywood movies, TV films, TV shows and TV adverts all over the world. Their album Apricoo Soul was chosen for Best CD of the year 2006 and their album SWOP was chosen for Best CD of the year 2008 Shirokko.de. ~ Editorial Reviews  http://www.amazon.com/Zoo-Zizaro-Club-Des-Belugas/dp/B002S4DNZA

Personnel: Anna.Luca, Brenda Boykin (vocals); Detlef Hoeller (guitar); Karlos Boes (saxophone); Lars Kuklinski (trumpet); Philipp Schug (trombone); Maxim Illion, Roman Babik (keyboards); Mickey Neher (drums); Kay Vester (percussion).

Zoo Zizaro

 

Roberto Gatto Quartet - Sixth Sense

Styles: Contemporary Jazz
Year: 2015
File: MP3@320K/s
Time: 61:16
Size: 140,6 MB
Art: Front

(5:07)  1. One for Avi
(7:25)  2. Sixth Sense
(4:43)  3. Hat on the Bobcat
(5:41)  4. Togo
(7:50)  5. Bonanza
(4:54)  6. Dee's Dilemma
(5:05)  7. Unknown Shape
(7:01)  8. Black and Tan Fantasy
(5:36)  9. Remember Rockefeller at Attica
(7:50) 10. Peace

"Sixth Sense" is the first CD of a new, spectacular training pianoless. The quartet assembled by Roberto Gatto is the most unique and interesting you could find in issue. The melody part is performed by two horns, trumpet young and acclaimed Avishai Cohen and the tenor sax and clarinet Francesco Bearzatti.  "Sixth Sense" to be released March 30, 2015 for the label Music Park Records, it is the first CD of a new, spectacular training pianoless. The quartet assembled by Roberto Gatto is the most unique and interesting you could find in issue. The melody part is performed by two horns, trumpet young and acclaimed Avishai Cohen (Rising Star 2012 according to the Downbeat Critics Pool already internationally established) and the tenor sax and clarinet in a great representative of Italian music in the world Francesco Bearzatti (named best European musician in 2011 by the Académie du Jazz). To support him and accompany him in the rhythm part, a prominent representative of the new generation of jazz bass, the New York Doug Weiss.

Four personalities who have put at the service of music, their cultural and musical with great transport and energy, but above all with originality. He imposed on the national jazz scene in the mid-70s, Roberto Gatto - born in 1958, with a path that knows no setbacks from about forty years - has never exhausted the thirst of research and testing. The latter feature that, combined with extraordinary skill, led the drummer to write the history of Italian jazz. Removed the clothes of prestigious sideman alongside national players (Enrico Rava, Enrico Pieranunzi) and international (Johnny Griffin, John Abercrombie, Chet Baker, Steve Lacy, Pat Metheny, Bob Berg, Curtis Fuller, George Coleman, Joe Zawinul etc.) Cat, undertook more vigorously the activities of leaders creating its formations harbingers of original projects, never predictable. To mention in this regard the acclaimed Perfect Trio completed by Alfonso Santimone and Pierpaolo Ranieri, the recent New York Quartet, index increasingly frequent stays in the Big Apple, which sees drummer converse with the brass of the Chilean young saxophonist Melissa Aldana, next Nir Felder and Joe Lepore, and the newest play with Zappa Quintorigo, especially live work dedicated to one of his best-loved artists defined the best and most convincing jazzy tribute to the music of Frank Zappa. Translate by google  http://www.traccedijazz.it/index.php/nuove-uscite/24-nuove-uscite-italiane/1063-roberto-gatto-sixth-sense

Personnel:  Roberto Gatto – Drums;  Avishai Cohen – Trumpet;  Francesco Bearzatti - Tenor Saxophone, Clarinet;  Doug Weiss - Double Bass

Sixth Sense