Time: 42:38
Size: 97.6 MB
Styles: Jazz vocals
Year: 2008
Art: Front
[4:31] 1. Come Rain Or Come Shine
[3:09] 2. Lullaby Of Birdland
[4:30] 3. East Of The Sun
[4:54] 4. You Don't Know Me
[3:44] 5. You'd Be So Nice To Come Home To
[2:23] 6. One Note Samba
[3:08] 7. Unchain My Heart
[2:53] 8. Time After Time
[3:08] 9. They Can't Take That Away From Me
[2:17] 10. Twisted
[2:29] 11. At Last
[5:26] 12. The Nearness Of You
Ours is an age that reduces amateur vocalists to fanatical reality-television contestants. So it’s comforting to discover that there are still singers like Hillary Capps in the studio, honing their talents the time-honored way. A Perfect Dozen is the twentysomething jazz songstress and Underhill native’s solid debut release, a sturdy collection of 12 classic jazz vocal standards.
Despite her youth, Capps is already a veteran, and her savvy is obvious to the listener straight away, a capacity fashioned by an interesting combination of talent and pedigree. Since the age of 16, she has been performing with her father, a noted Vermont jazz artist, educator and studio engineer. He ably backs her on the record with the ensemble that bears his name, The Joe Capps Group.
Even veterans of the jazz stage will have to respect the younger Capps’ fearless song selections. Tom Jobin’s “One Note Samba” and Etta James’ “At Last” aren’t exactly campfire tunes. And they are certainly not for hobbyists, given their technical and emotional requirements. But Hillary Capps manages this challenge with impressive command of these and other classic selections. Her remarkably clean voice prevails delightfully over the skillful backing musicianship found throughout A Perfect Dozen. ~John Pritchard
Despite her youth, Capps is already a veteran, and her savvy is obvious to the listener straight away, a capacity fashioned by an interesting combination of talent and pedigree. Since the age of 16, she has been performing with her father, a noted Vermont jazz artist, educator and studio engineer. He ably backs her on the record with the ensemble that bears his name, The Joe Capps Group.
Even veterans of the jazz stage will have to respect the younger Capps’ fearless song selections. Tom Jobin’s “One Note Samba” and Etta James’ “At Last” aren’t exactly campfire tunes. And they are certainly not for hobbyists, given their technical and emotional requirements. But Hillary Capps manages this challenge with impressive command of these and other classic selections. Her remarkably clean voice prevails delightfully over the skillful backing musicianship found throughout A Perfect Dozen. ~John Pritchard
A Perfect Dozen