Junior Mance Trio +1 - Yesterdays

Bitrate: MP3@320K/s
Time: 64:48
Size: 148.4 MB
Styles: Soul jazz, Mainstream jazz
Year: 2001
Art: Front

[ 7:16] 1. Willow Weep For Me
[ 8:06] 2. Yesterdays
[ 7:48] 3. Georgia On My Mind
[ 4:52] 4. C Jam Blues
[10:12] 5. Summertime
[ 4:12] 6. Something
[ 8:04] 7. Cry Me A River
[ 9:02] 8. Blue Monk
[ 5:13] 9. What Are You Doing The Rest Of Your Life

Junior Mance (piano); Chip Jackson (bass); Jackie Williams (drums); Eric Alexander (tenor sax). Recorded on December 10, 2000 at The Studio, NYC, by Katherine Miller.

Jazz legend Junior Mance remains very popular among Japanese jazz fans, and has been making quite a few important albums for Japanese labels. Yesterdays, recorded in 2000 for M&I, is one of them. It's special appeal, in addition to the great, bluesy pianism by the leader and the wonderful performance by bassist Chip Jackson and drummer Jackie Willaims, is the appearance of the young tenor titan Eric Alexander on five tunes.

Both firmly rooted in the tradition of jazz, and with the "heavy" sound that relies on the midrange of their respective instruments, Mance and Alexander show great rapport with one another. Recorded in New York by Katherine Miller, the sound of this CD is also very good! Strongly recommended!

Yesterdays

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Barbara Cook & Michael Feinstein - Cheek To Cheek

Bitrate: MP3@320K/s
Time: 57:17
Size: 131.1 MB
Styles: Vocal, Standards, Show tunes
Year: 2014
Art: Front

[3:04] 1. I’ve Got The World On A String
[3:23] 2. Cheek To Cheek
[3:43] 3. I’ve Got You Under My Skin
[3:21] 4. The World Keeps Changing/There’ll Be Some Changes Made
[6:05] 5. The Very Thought Of You Tea For Two
[3:36] 6. Ac-Cent-Tchuate The Positive
[3:35] 7. Ever After
[3:26] 8. Where Do You Start
[3:25] 9. You Could Drive A Person Crazy
[4:49] 10. Without A Song
[4:59] 11. Here's To Life
[5:03] 12. You're Gonna Hear From Me
[3:14] 13. Give Me The Simple Life
[5:27] 14. Shine On Harvest Moon

Bass – David Finck; Drums – Warren Odze; Piano – John Oddo, Lee Musiker, Michael Feinstein, Zina Goldrich; Reeds – Aaron Heick; Trumpet – George Rabbai. Recorded live September 30 to October 2, 2010 at Feinstein's at Loews Regency.

Michael Feinstein hosts Barbara Cook, the reigning queen of New York cabaret, at his own club, Feinstein's at Loews Regency, in this album recorded during their joint appearance in the fall of 2010. Feinstein may count himself a nightclub veteran of a quarter-century's standing by now, but of course he has nothing on the octogenarian Cook, who remains in excellent voice and was vigorous enough to have made her return to Broadway earlier in the year in the musical revue Sondheim on Sondheim. From that show, she borrows the duet arrangement of "You Could Drive a Person Crazy" to give her and Feinstein something to joust about here. Most of the time, however, they are of like minds and in warm harmony when they sing together. The set has no particular theme, simply consisting of a batch of quality songs and standards. If there is any overall message, it seems to be a celebratory and upbeat one, with songs such as "Ac-Cent-Tchu-Ate the Positive" and "Here's to Life" (Cook solos) and "Without a Song" and "You're Gonna Hear from Me" (Feinstein solos), as well as joint efforts like "Give Me the Simple Life." Different accompanists (including Feinstein himself) slide onto the piano stool at different times, and sometimes a reed (Aaron Heick) and a horn (George Rabbai) join a rhythm section (David Finck, bass, and Warren Odze, drums) for a Dixieland flavor. Cook and Feinstein turn out to be complementary performers, both capable of belting or burning a torch by turn, and displaying considerable rapport that makes the age difference between them disappear. ~William Ruhlmann

Cheek To Cheek

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The Band - The Band (Remastered)

Bitrate: MP3@320K/s
Time: 71:03
Size: 162.7 MB
Styles: Country rock
Year: 1969/2000
Art: Front

[2:52] 1. Across The Great Divide
[3:00] 2. Rag Mama Rag
[3:30] 3. The Night They Drove Old Dixie Down
[3:10] 4. When You Awake
[4:28] 5. Up On Cripple Creek
[3:55] 6. Whispering Pines
[3:29] 7. Jemima Surrender
[3:40] 8. Rockin' Chair
[3:07] 9. Look Out Cleveland
[4:18] 10. Jawbone
[4:14] 11. Unfaithful Servant
[3:35] 12. King Harvest (Has Surely Come)
[2:15] 13. Get Up Jake
[3:02] 14. Rag Mama Rag
[4:13] 15. The Night They Drove Old Dixie Down
[4:51] 16. Up On Cripple Creek
[5:03] 17. Whispering Pines
[3:45] 18. Jemima Surrender
[4:28] 19. King Harvest (Has Surely Come)

Robertson and his mates had the songs and the sound to make an all-time classic with their second LP. This hit #9 in '69; this reissue has two versions each of The Night They Drove Old Dixie Down; Rag Mama Rag , and Up on Cripple Creek plus more bonus tracks!

Popularly known as the "Brown Album," this is the collection people first think of when this august outfit's name is mentioned. The four-parts Canadian, one-part Arkansan quintet's sophomore effort boasts more soon-to-be-staples than any other Band studio recording, what with the likes of the Joan Baez hit "The Night They Drove Old Dixie Down," "Across the Great Divide," and "Up on Cripple Creek" standing out among the dozen uniformly memorable tracks. Lesser-known group originals such as the achingly lovely "Whispering Pines" and the cryptic "Unfaithful Servant," however, play crucial roles in giving this 1969 classic its unique flavor. Given the high standard established by The Band and its better-still 1968 predecessor, Music from Big Pink, it's not surprising the Band peaked early as a recording group. As with all the 2000 Band reissues, this remastered reissue boasts a number of bonus tracks, though all but "Get Up Jake" are alternate takes of album selections. --Steven Stolder

The Band (Remastered)

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Earl Hines - The Mighty Fatha

Bitrate: MP3@320K/s
Time: 68:40
Size: 157.2 MB
Styles: Piano jazz
Year: 1973/2016
Art: Front

[3:46] 1. Save It Pretty Mama
[2:55] 2. Bye Bye Baby
[4:20] 3. Smoke Rings
[8:00] 4. Shoe Shine Boy
[3:42] 5. Stanley Steamer
[4:15] 6. Bernie's Tune
[4:15] 7. Dream Of You
[4:05] 8. Undecided
[5:13] 9. Fatha's Blues
[4:19] 10. A Sunday Kind Of Love
[3:25] 11. I've Found A New Baby
[4:22] 12. Squeeze Me
[3:22] 13. Tosca's Dance
[3:36] 14. Jim
[5:21] 15. Black Coffee
[3:35] 16. You Always Hurt The One You Love

Bass – Richard Davis; Drums – Elvin Jones; Piano – Earl Hines.

Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and even to an extent on Art Tatum. He was also an underrated composer responsible for "Rosetta," "My Monday Date," and "You Can Depend on Me," among others. ~Scott Yanow

The Mighty Fatha

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Various - Capitol Records From The Vaults: Capitol Goes To The Movies

Bitrate: MP3@320K/s
Time: 73:07
Size: 167.4 MB
Styles: Vocal, Stage & Screen, Standards
Year: 2000
Art: Front

[3:02] 1. Johnny Mercer - On The Atchison, Topeka & The Sante Fe
[3:10] 2. Jo Stafford - It Could Happen To You
[2:54] 3. Johnny Mercer - San Fernando Valle
[2:57] 4. Margaret Whiting - In Love In Vain
[2:38] 5. Paul Weston And His Orchestra - Ole Buttermilk Sky
[2:51] 6. Johnny Mercer - Baby, It's Cold Outside
[2:55] 7. The Dinning Sisters - Buttons And Bows
[3:15] 8. Jo Stafford - Blues In The Night
[2:58] 9. The Pied Pipers - The Trolley Song
[3:03] 10. Johnny Mercer - If I Had A Talking Picture Of You
[2:59] 11. Gordon Macrae - It's Magic
[2:55] 12. Mel Blanc - I Taut I Taw A Puddy Tat
[3:08] 13. Mel Tormé - Again
[2:48] 14. Bob Hope - Home Cookin'
[2:30] 15. Sammy Davis Jr. - Laura
[3:03] 16. Peggy Lee - Where Are You
[3:17] 17. Nat King Cole - Mona Lisa
[2:52] 18. Les Baxter - Ruby
[2:43] 19. Tex Ritter - High Noon (Do Not Forsake Me)
[2:59] 20. Jane Froman - I'll Walk Alone
[2:39] 21. Bob Hope - Wing-Ding Tonight
[2:51] 22. Hoagy Carmichael - When Love Goes Wrong
[2:31] 23. Tennessee Ernie Ford - River Of No Return
[3:14] 24. June Hutton - Never In A Million Years
[2:43] 25. Les Baxter - The High And The Mighty

It's a no-brainer that the Capitol From the Vaults series would dedicate a volume to their affluent association with the cinematic side of Hollywood. This is especially true since label co-founder Buddy de Sylva was previously the head of production for Paramount Pictures. As pop music artist and scholar Billy Vera points out in his liner notes essay, the label's first hit -- "Cow Cow Boogie" by Ella Mae Morse -- was featured in the all-star propaganda film Reveille With Beverly (1943). The tradition served Capitol well throughout their first decade and there are over two dozen examples -- which Vera also notes as being nowhere near complete -- on this single CD compilation. Many of these sides not only scored big at the box office, but held their own on the national pop and country & western charts as well. Included are a bevy of Top Ten hits such as "The High and the Mighty" (Les Baxter), "It Could Happen to You" (Jo Stafford), "Buttons and Bows" (Dinning Sisters), and even the animated antics of "I Taut I Taw a Puddy Tat" (Mel Blanc). This collection also features a couple of chart-toppers -- "On the Atchison, Topeka & the Santa Fe" (Johnny Mercer) as well as "Mona Lisa," the latter of which was also given an Oscar as "Best Song" in 1950 for its use in Captain Carey U.S.A. As an obvious labor of love, the audio in the Capitol From the Vaults series is unsurpassed -- rising to the occasion of such memorable pop music. ~Lindsay Planer

Capitol Records From The Vaults: Capitol Goes To The Movies

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Grant Stewart - More Urban Tones

Styles: Saxophone Jazz
Year: 2000
File: MP3@320K/s
Time: 59:17
Size: 142,8 MB
Art: Front

(6:40)  1. Nica's Tempo
(8:42)  2. I Should Care
(7:21)  3. You Go To My Head
(7:26)  4. Rabbitron
(6:45)  5. All Through The Night
(8:04)  6. You Sweet And Fancy Lady
(7:06)  7. Manhattan Bridge
(7:12)  8. Pie-Eye Blues

Born in Toronto, Canada on June 4, 1971, Grant Stewart was exposed to the music of Charlie Parker, Wardell Gray and Coleman Hawkins by his father, a high-school English teacher and semiprofessional guitarist. Father and son often played together for hours on end. It was through these early experiences and his father's encouragement that Stewart first developed a strong ear for melody, style, and improvisation. He began with the alto saxophone at age 10, and when he was 14 his first teacher, noted Toronto bandleader Pete Schofield, invited him to play professionally in Schofield's Big Band. At 17 he switched to the tenor saxophone and was soon playing with such master saxophonists as Pat Labarbara and Bob Mover. Stewart considers Mover to be one of his greatest teachers and among his strongest influences along with Sonny Rollins, John Coltrane, Don Byas, and Lester Young.

Since moving to New York City at the age of 19, Stewart has studied with such masters as Donald Byrd, Barry Harris, and Joe Lovano, and performed with Curtis Fuller, John Hendricks, Clark Terry, Etta Jones, Bill Charlap, Frank Gant, Dan Barrett, Bob Mover, Brad Mehldau, Russell Malone, Larry Goldings, Peter Bernstein, Jimmy Cobb, Harry Connick , Harold Mabern, Mickey Roker, Arthur Harper, Jimmy Lovelace, Cecil Payne, Dick Hyman, Herb Geller and was a member of the last Al Grey Sextet. Stewart can be found playing at such clubs in NY as, Birdland, Smoke, The Ketano, The Jazz Standard, Fat Cat and can be heard every Tuesday night at Smalls Jazz Club. Stewart has performed all over North America and Europe as well as Japan, Brazil, Taiwan and was one of the first jazz artists to be invited to play at the historical Hermitage Museum in St.Petersberg Russia. Grant was also a featured artist at the Guggenheim Museums' Jazz series with his trio-featuring Jimmy Cobb. Stewart has two releases as a leader out on Criss Cross, Downtown Sounds and More Urban Tones, as well as a third on the Fresh Sounds label entitled Buen Rollo. Downtown Sounds, heralded by critics in the U.S., Canada and Europe, was recorded in 1992 and includes Brad Mehldau, piano, Kenny Washington, drums, Peter Washington, bass and Joe Magnarelli, trumpet. Geoff Chapman, of the Toronto Star selected Downtown Sounds as one of the Top Five Jazz Albums of 1994. More Urban Tones features Peter Bernstein, guitar, Peter Washington, bass, and Billy Drummond, drums. You can also hear Grant on Ryan Kisors' recent Quintet release The Awakening on Criss Cross Jazz. One of his latest projects is a two-tenor group co-led with Eric Alexander. The C.D.is called Wailin' and is available on Criss Cross. Grant's latest quintet release Estate featuring Bill Charlap and Joe Cohn is available on Criss Cross as well. https://musicians.allaboutjazz.com/grantstewart

Personnel:  Grant Stewart (Ts);  Peter Bernstein (G);  Peter Washington (B);  Billy Drummond (D);  Chris Byars (Ts);  Jay Collins (Ts).

More Urban Tones

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Alexia Gardner - Jammin': Live in Shanghai

Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 65:17
Size: 149,8 MB
Art: Front

(1:30)  1. The Moon Shines On My Heart
(3:45)  2. Cheek To Cheek
(4:57)  3. Let There Be Love
(5:14)  4. The Man I Love
(5:46)  5. Even As We Speak
(3:36)  6. I Hear Music
(4:15)  7. Change The World
(4:44)  8. Girl Talk
(4:18)  9. Jammin'
(4:21) 10. Mean To Me
(5:32) 11. Help Me Make It Through The Night
(7:10) 12. Fool On A Hill
(4:17) 13. To Be Free
(5:46) 14. Refrain. The Moon Shines On My Heart

Alexia's second Album - 'Jammin' Alexia Gardner, Live in Shanghai' - is a wonderful follow-up to her debut album -'The Rest Of Your Life'. Once again it was recorded in a "Live" setting which captures Alexia's unique command of a "Live" audience. She interacts easily with her listeners and has the abilty to keep them 'spellbound'! This cd has a strong audience participation and a fun, in-the-moment, feel to it! It is the culmination of a 6 month residency at JC Mandarin - a luxury five star hotel - in the middle of down-town Shanghai! There is a warmth and ease of playing between the band members. A together-ness that came from their Thursday - Saturday feature at the Hotel. The Room - The Wine Bar and Grill - was a warm, dark, intimate setting, hues of red decour making it a fitting, late night jazz concert! Dr Dwight Dickerson is on piano. He is from Los Angeles, California. A master on the piano. A Professor of music as well as a truely outstanding musician. You will hear his strong, distinct style throughout the cd. Alexia feels she is very fortunate to have him play on her second album.

The electric bass, in this ensemble, brings a strong, fat, bass sound throughout. It provides a superb contrast to the accoustic bass of the first album. Nicholas McBride an Australian is a master on the drums. He adds his gentle brushes for the soft ballads and mid-tempo feels and a funky or reggae or swing rhythm when needed. All three musicians furnish Alexia's light, warm jazz side as well as her swinging, up-tempo, fun songs. Alexia Gardner is a British girl of Jamaican parents, currently based in the art city of Basel, Switzerland. Her tours and concerts have brought her to this fascinating recording. This Global exposure is particularly reflected in Alexia's second album. She chose to open and close her cd with a glimpse of a traditional Chinese Song -'The Moon Shines On My Heart'. A beautiful ballad which then slides effortlessly into the traditional jazz feel of the next track - 'Cheek to Cheek'.  This is a really groovy cd! An enjoyable cd! A "must have" in your collection of Live recordings. http://www.cdbaby.com/cd/alexiagardner2

Jammin':  Live in Shanghai

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Ron McClure - Dream Team

Styles: Jazz, Straight-ahead/Mainstream
Year: 1998
File: MP3@320K/s
Time: 72:25
Size: 165,9 MB
Art: Front

( 7:02)  1. Denial's Goat
(10:59)  2. Dream Team
( 9:35)  3. One Of Us
(12:41)  4. Darius Dance
( 7:20)  5. A Song Of Love
( 7:28)  6. Tango
( 7:39)  7. Gaijin
( 9:36)  8. Aftermath

It would be hard to argue with bassist and leader Ron McClure when he assesses the musicians assembled here as being a “dream team”. Drummer Billy Hart alone guarantees the success of just about any record date he is a part of, while pianist Marc Copland has recently been turning heads with his own acclaimed series of Savoy dates. The ringer here is likely to be tenor saxophonist Rich Perry, at long last getting his due thanks to a viable gig with bandleader Maria Schneider and his own superlative SteepleChase discs. What we have here are eight modern originals penned by McClure (albeit one cut written by Copland) that have been tailor-made for the ensemble on deck. Perry’s virile and ingenious solo work is of great interest throughout, as are Copland’s expansive forays. McClure judiciously spreads his solo time throughout the set, while Hart colors each composition with a style that is marked by his innovative use of cymbal colors and textures. No need here to go into boundless track-by-track detail, except to say that fans of McClure’s mainstream fare will no doubt revel in this latest set to see an American release.~ C.Andrew Hovan https://www.allaboutjazz.com/dream-team-ron-mcclure-steeplechase-records-review-by-c-andrew-hovan.php

Personnel: Ron McClure- bass, Rich Perry- tenor saxophone, Marc Copland- piano, Billy Hart- drums

Dream Team

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Chihiro Yamanaka - The Spheres : Live In Osaka!!

Styles: Piano Jazz
Year: 2015
File: MP3@320K/s
Time: 61:14
Size: 140,7 MB
Art: Front

( 7:05)  1. Rain, Rain And Rain
( 6:59)  2. Living Time: Event V
(10:34)  3. Yagibushi
( 6:23)  4. Bemsha Swing
( 3:52)  5. Himawari Musume
( 6:28)  6. Taxi
( 8:20)  7. The Entertainer
( 5:38)  8. Evidence
( 5:51)  9. Insight Foresight

Everyone in the world knows who Hiromi is - Japanese pianist Hiromi Uehara was played with Chick Corea in Tokyo when she was 17 and after graduation in Berklee College in Boston (under Ahmad Jamal) she took the world by storm playing high energy technical fusion influenced by Return To Forever legacy. Hiromi is most probably most popular internationally Japanese jazz artist of today. Much less people outside of her homeland Japan know who is Chihiro Yamanaka, and it's a shame. She is Beklee graduated pianist who leads her own bands (usually trios as Hiromi does) from early 00's. Chihiro released her first album in 2001, two years prior to Hiromi, and in 2015 came with her first ever live release (and her 18th album at all). Being celebrity of sort in home country, she is relatively unknown in Western world. During last decade some her albums have been reissued in US and Europe though. The main difference between two is Hiromi is a piano power trio leader,playing technical high energy fusion, oriented first of all on neo jazz-rock fans. She started with playing tuneful contemporary chamber jazz, but it was fusion that made her a true star. Each success has its price trying to continue once reached success Hiromi for some years changes nothing in her music,which with every her new album becomes moreand more repetitive and predictable.

Chihiro Yamanaka played contemporary jazz for years - not polished anemic European chamber jazz,but groovy American one, closer to good pop-jazz.Her roots are all in bop, and there are no album where this influence isn't obvious. During last some years Chihiro turns more and more towards modern post bop, adding all her pop and rock legacy to it as well. The Sphere is are electro-acoustic trio with electric bassist Dana Roth and drummer Karen Teperberg. Chihiro herself plays piano and some analog keyboards, their music varies from pop-ballads to chamber tuneful songs to groovy post bop and fusion with analog keyboards passages. Played live in club in Osaka, all music is playful, shining, tuneful and full of joy.There are no really new things here, but the way how it is played will make you smiling. Nothing is repetitive or boring and that feeling recalls times when jazz was not a demonstration of techniques or ambitions,but the source of fan. http://www.jazzmusicarchives.com/review/the-spheres-live-in-osaka(live)/251925

Personnel:  Chihiro Yamanaka - Piano, Keyboards; Dana Roth - Electric Bass; Karen Teperberg - Drums.

The Spheres : Live In Osaka!!

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Bonfa & Burrows - Brazil

Styles: Guitar And Saxophone Jazz, Brazilian Jazz
Year: 1978
File: MP3@224K/s
Time: 50:45
Size: 85,4 MB
Art: Front

(3:51)  1. The Shade Of The Mango Tree
(3:22)  2. Sofisticada
(6:06)  3. Enchanted Sea
(2:33)  4. Batucada
(5:28)  5. Menina Flor
(2:36)  6. Giselle
(3:09)  7. Prelude
(2:04)  8. Passeio No Rio
(4:21)  9. Morning Of The Carnival
(2:50) 10. Amoroso
(2:06) 11. Indian Dance
(3:08) 12. Himalaia
(9:05) 13. The Gentle Rain

Although overshadowed by the towering figure of Antonio Carlos Jobim and to a lesser extent by João Gilberto, Luiz Bonfá was right there at the birth of bossa nova as well. In fact, at least two of his songs, the haunting "Manha de Carnaval" and equally evocative "Samba de Orpheus" swept the world at least three years before Jobim's songs began to make a global impact, paving the way for the first Brazilian wave. In addition, Bonfá cultivated a delicate, precise classical guitar style, though more attuned to the traditional samba rhythm than the Gilberto/Jobim bossa nova lilt. Born near the bay of Guanabara in Rio his father was an Italian immigrant Bonfá took up the guitar at eleven and studied classical guitar with the Uruguayan master Isaias Savio. He began to work Rio's clubs as a singer with the Quitandinha Serenaders, and by 1946, he was appearing on Brazil's Radio Nacional. By 1957, Bonfa was beginning to split his time between New York City and Rio, touring the U.S. with singer Mary Martin, as well as writing and recording Brazilian film scores. The turning point in his career came in 1959 when film director Marcel Camus asked Bonfá to contribute some songs to his film version of the play Orfeo do Carnaval (to be renamed Black Orpheus on the screen). The director originally rejected "Manha de Carnaval" as the film's main theme, but after coming up with what he felt was an inferior second effort, Bonfá fought for his first tune and got his way, and "Manha de Carnaval" became a global pop/jazz/folk standard. In the late '50s and '60s, Bonfá began recording several albums for the American market on EMI Odeon (Capitol), Dot, Atlantic, Cook, Philips, Epic, and Verve, and he and his songs appeared prominently on the Jazz Samba Encore album with Jobim and Stan Getz. His songwriting skills were in demand in the most unpredictable places; for example, he wrote the schmaltzy "Almost in Love" for Elvis Presley (included in the forgettable 1968 film Live a Little, Love a Little). 

Bonfá's profile in America virtually disappeared after the '60s, although he continued to tour and write, eventually cutting over 50 albums. But he resurfaced in U.S. CD shops after a 15-year gap in 1989 with Non-Stop to Brazil for Chesky, followed by the ravishing The Bonfá Magic in 1991 (released domestically on Milestone) and 1993's Moods on GSP. Also, the original soundtrack for Black Orpheus is available on a Verve CD, a firsthand snapshot of Bonfá and Jobim lighting the fuse for the world-wide Brazilian music explosion. On January 12, 2001, Luiz Bonfá died of cancer in Rio de Janeiro. ~ Richard S. Ginell https://itunes.apple.com/us/artist/luiz-bonfa/id281115#fullText

Personnel:  Acoustic Guitar, Ovation Guitar – Luiz Bonfá;  Bass – George André;  Drums – Josè Boto;  Flute, Alto Saxophone – Don Burrows

Brazil

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