Year: 2023
File: MP3@320K/s
Time: 77:02
Size: 177,3 MB
Art: Front
(9:11) 1. Medley 1
(8:22) 2. Just Do It
(7:40) 3. Farewell Song
(4:22) 4. Forever Frank
(6:28) 5. Children's Song
(4:43) 6. Misty Dawn
(3:33) 7. Medley 2
(8:01) 8. Are You Coming with Me?
(5:21) 9. Free At Last
(6:09) 10. Rough Edges
(7:03) 11. Yesterday's Future (Maria's Song)
(6:03) 12. Yesterday's Future (Studio Version)
This album was recorded live at the Louisiana Museum of Modern Art in Denmark, on the first day of Spring 2022 and shortly after the end of the final COVID-19 lockdown. Needless to say there was a great need for hope and new beginnings for everyone at that time.
Doing a Spring concert on the actual first day of Spring, at one of Denmark’s most beautiful and most beloved venues seemed like the perfect thing to do for Niels Lan Doky, who also chose to do the concert in the afternoon, in order for the splendor of the museum’s gardens, the spectacular seaview and the coast of Sweden across the Øresund straight to be visible from the concert hall’s panoramic windows, in addition to the large painting entitled “Portugalia” by Per Kirkeby, one of Denmark’s most iconic painters, which serves as the concert hall’s stage backdrop.
Subsequently to the decision to record and release this concert as a full length double LP, the Per Kirkeby Estate generously gave their permission for Portugalia to be used as artwork for the album cover.
The 2 years of pandemic, with all of its repeated lockdowns, social distancing and disruptions of activity, gave Niels Lan Doky an occasion to reflect deeper on the state of the world, on the past present and future, and on the meaning of our existence.
All of those reflections became encapsulated in the program that Niels Lan Doky prepared for this concert which he gave the abstract poetic title “Yesterday’s Future”, which also became the title of his latest new composition that concludes the concert.
https://www.nielslandoky.com/yesterdays-future
Doing a Spring concert on the actual first day of Spring, at one of Denmark’s most beautiful and most beloved venues seemed like the perfect thing to do for Niels Lan Doky, who also chose to do the concert in the afternoon, in order for the splendor of the museum’s gardens, the spectacular seaview and the coast of Sweden across the Øresund straight to be visible from the concert hall’s panoramic windows, in addition to the large painting entitled “Portugalia” by Per Kirkeby, one of Denmark’s most iconic painters, which serves as the concert hall’s stage backdrop.
Subsequently to the decision to record and release this concert as a full length double LP, the Per Kirkeby Estate generously gave their permission for Portugalia to be used as artwork for the album cover.
The 2 years of pandemic, with all of its repeated lockdowns, social distancing and disruptions of activity, gave Niels Lan Doky an occasion to reflect deeper on the state of the world, on the past present and future, and on the meaning of our existence.
All of those reflections became encapsulated in the program that Niels Lan Doky prepared for this concert which he gave the abstract poetic title “Yesterday’s Future”, which also became the title of his latest new composition that concludes the concert.
https://www.nielslandoky.com/yesterdays-future
Yesterday's Future