Tuesday, June 14, 2022

Frank Sinatra & Antonio Jobim - Francis Albert Sinatra & Antonio Carlos Jobim

Styles: Vocal, Piano and Guitar
Year: 1967
File: MP3@320K/s
Time: 28:34
Size: 79,1 MB
Art: Front

(3:16)  1. The Girl From Ipanema (Garota De Ipanema)
(3:30)  2. Dindi
(2:43)  3. Change Partners
(2:46)  4. Quiet Nights of Quiet Stars (Corcovado)
(2:56)  5. Meditation (Meditacao)
(2:12)  6. If You Never Come To Me
(3:18)  7. How Insensitive (Insensatez)
(2:40)  8. I Concentrate on You
(2:35)  9. Baubles, Bangles and Beads
(2:36) 10. Once I Loved (O Amor En Paz)

"I haven't sung so softly since I had laryngitis." That January 30, 1967, he did it. For the first time in his career, The Voice had to put its foot on the brake. And also for the first (and only) time in 52 years of life, Frank Sinatra signed his Christian name on a phonographic record. Francis Albert Sinatra was in the studio with the Brazilian Antonio Carlos Jobim. The meeting of the greatest American singer with the father of bossa nova - the title of the album brings together the full names of the two authors - has now won a new edition, commemorating 50 years.

Short album (does not reach 30 minutes) with ten songs, brings together seven of Jobim himself ( The girl from Ipanema , Dindi , Meditation , How insensitive , among others) and three North American standards ( Change partners , I concentrate on you and Baubles , bangles and beads ). The reissue brings two bonus tracks: the medley Quiet night of quiet stars / Change partners / I concentrate on you / The girl from Ipanema taken from the TV show A man and his music + Ella Jobim (also from 1967) and an unprecedented recording of The girl from Ipanema , made during the registration of Francis Albert Sinatra & Antonio Carlos Jobim. The sound is bossa nova with a more sophisticated outfit, since the arrangements were under the responsibility of the German Claus Ogerman. The album was a public and critical success, remaining 28 weeks on the Billboard charts.

Grammy-nominated, he justly lost the gold gramophone album of the year to Sgt. Pepper's Lonely Hearts Club Band, by the Beatles. Sinatra was a little late in the hump. It was five years ago, since the historic concert at Carnegie Hall, that the Brazilian beat had become a fever in the United States. Although a little late, the album can be considered fundamental.

The main reason is for bringing Sinatra at a special time. His interpretation is very subtle, of a vocal technique that until then seemed unprecedented in his long trajectory. In complete harmony with Jobim and his soft guitar, the drummer Dom Um Romão stands out. "A Brazilian who seemed, at the same time, to be alert and drugged," wrote Stan Cornyn in the album insert. Warner executive, he worked several times on Sinatra albums. Sinatra and Jobim (“Tone”, as The Voice called the conductor) recorded another work together. In 1969, they got together for a new album. The irregular result came out in the compilation Sinatra and company, which went public only in 1971. Three other tracks from this same studio encounter remained unpublished until 2010, when the double album Sinatra / Jobim: The complete Reprise recordings was released, which brought together the recordings made in 1967 and 1969. In this way, it is the work of 50 years ago that must remain the meeting of the two giants of music. Francis Albert Sinatra & Antonio Carlos Jobim is a very silent album, to be tasted little by little. Without haste, and for many, many times. https://www.diariodepernambuco.com.br/noticia/viver/2017/08/album-historico-de-frank-sinatra-e-tom-jobim-ganha-edicao-comemorativa.html

Personnel: Frank Sinatra – vocal; Antônio Carlos Jobim – piano, acoustic guitar, backing vocals; Claus Ogerman – arranger, conductor; Dom Um Romão – drums; Colin Bailey - drums I Concentrate On You, Baubles Bangles And Beads, Change Partners, Dindi;  Al Viola – electric guitar;  Jose Marino – doublebass

Francis Albert Sinatra & Antonio Carlos Jobim

Dick Hyman - Autumn In New York

Styles: Piano Jazz
Year: 2016
File: MP3@320K/s
Time: 32:14
Size: 75,0 MB
Art: Front

(2:48)  1. Cabin In The Sky
(2:32)  2. What Is There To Say
(2:09)  3. Now
(2:33)  4. April In Paris
(3:32)  5. London In July
(1:47)  6. Autumn In New York
(1:53)  7. Suddenly
(1:22)  8. I Am Only Human After All
(2:27)  9. Rio Cristal
(2:09) 10. Taking A Chance On Love
(2:07) 11. When You Live On An Island
(2:35) 12. I Can't Get Started
(2:14) 13. The Love I Long For
(2:00) 14. I'm Gonna Ring The Bell Tonight

Dick Hyman, famous pianist, organist, arranger, and general jazz notable, is here presented in one of his earliest recordings. Hyman went on to play with Benny Goodman, Ruby Braff, Ralph Sutton, Marian McPartland, Doc Severinsen, Roy Eldridge, and many others. This album provides a very personal, warm look at Hyman's playing, showcasing the artist and the wonderful music of Vernon Duke. Listen to the creative and intelligent approach he takes to these songs, and enjoy a wonderful album from jazz giant's early days. https://store.cdbaby.com/cd/dickhyman2

Autumn In New York

Jim Snidero - Close Up

Styles: Saxophone Jazz
Year: 2004
File: MP3@320K/s
Time: 54:33
Size: 125,1 MB
Art: Front

(6:13)  1. Close Up
(6:42)  2. I Should Care
(8:41)  3. Nippon Blue
(5:30)  4. Windswept
(6:02)  5. Blues for the Moment
(7:34)  6. Reality
(7:22)  7. Prisoner of Love
(6:26)  8. Smash

Prose laureate Whitney Balliett coined the phrase "the sound of surprise" as an encomium for jazz. Like most of his peers, saxophonist Jim Snidero shoots regularly for this ideal. His new Milestone effort flirts with the target but doesn't quite hit the bull's-eye. An accessible program of original tunes shored up by two standards, each cogently arranged to accentuate his talents and those of his rhythm section, makes for a winsome template. The guest tenor of former label mate Eric Alexander further stacks the deck in Snidero's favor. Despite these valuable trappings, the session still registers simply as a praiseworthy post bop outing rather than one for the ages. The album's title track establishes a promising opening mood, building from a theme that's funky in the old school Horace Silverish sense of the word. Both horns solo, with Alexander's robust Trane-styled inflections garnering the slight edge. Hazeltine's jaunty ivories round out the pecking order, ending with a rhapsodic flourish atop a syncopated support of Drummond's tight traps play. Snidero handles both balladic standards without Alexander's aid, starting with a frisky up-tempo reading of "I Should Care" that highlights his lustrous tone and mercurial phrasing. "Prisoner of Love" rolls out with a similar attention to nuance and mood, bolstered by the sensitive touch of Drummond's gossamer brushes. Alexander earns first crack at "Nippon Soul" after a slippery unison head, spooling out another note-packed Coltrane-indebted solo that also carries rich tonal pigments of Shorter. Snidero answers with an equally piquant urgency, sketching sweeping pirouettes above the ripe bass throb of Gill, who then turns in a striking solo of his own.  

A trifecta of Snidero originals comes next, with the crisp Latin-flavored bounce of "Windswept" leading the pack. "Blues for the Moment" trades on the immediacy reflected in its title with another tightly scripted theme that leads into ebullient extemporizations for each of the horns. The succinctly-titled "Smash" closes the date on an appropriately energetic note as the five men pay homage to the questing hard bop sound of the Sixties. In less symbolic terms it's also a reminder of a painful injury Snidero sustained while remodeling his home. A briskly twisting tandem head bleeds directly into another string of galloping solo statements. Hazeltine and the rest of the rhythm section tail the horns closely the entire way and sustain a streamline momentum. Snidero makes mention in the notes of a desire to explore more abstract musical directions in the future. Considering the level of acumen he brings to so-called mainstream fare, it's a potential course that would certainly suit him. ~ Derek Taylor https://www.allaboutjazz.com/close-up-jim-snidero-review-by-derek-taylor.php

Personnel:  Jim Snidero- alto saxophone;  David Hazeltine- piano;  Paul Gill- bass;Billy Drummond- drums;  Eric Alexander- tenor saxophone.

Close Up

Buddy DeFranco - Garden of Dreams

Styles: Clarinet Jazz
Year: 1988
File: MP3@320K/s
Time: 55:08
Size: 126,8 MB
Art: Front

(6:34)  1. 73 Berkley Street
(5:19)  2. Sunshine State
(5:23)  3. I Remember Clifford
(4:42)  4. Mysteria
(5:15)  5. Blues for Breakfast
(5:28)  6. Holiday for Two
(6:13)  7. Garden of Dreams
(5:36)  8. Brazilian Dorian Dreams
(4:53)  9. Jena
(5:41) 10. Given Time

Buddy DeFranco is one of the great clarinetists of all time and, until the rise of Eddie Daniels, he was indisputably the top clarinetist to emerge since 1940. It was DeFranco's misfortune to be the best on an instrument that after the swing era dropped drastically in popularity and, unlike Benny Goodman and Artie Shaw, he has never been a household name for the general public. When he was 14, DeFranco won an amateur swing contest sponsored by Tommy Dorsey. After working with the big bands of Gene Krupa (1941-1942) and Charlie Barnet (1943-1944), he was with TD on and off during 1944-1948. DeFranco, other than spending part of 1950 with Count Basie's septet, was mostly a bandleader from then on. Among the few clarinetists to transfer the language of Charlie Parker onto his instrument, DeFranco has won a countless number of polls and appeared with the Metronome All-Stars in the late '40s. He recorded frequently in the '50s (among his sidemen were Art Blakey, Kenny Drew, and Sonny Clark) and participated in some of Norman Granz's Verve jam session. During 1960-1963 DeFranco led a quartet that also featured the accordion of Tommy Gumina and he recorded an album with Art Blakey's Jazz Messengers on which he played bass clarinet. Work, however, was difficult to find in the '60s, leading DeFranco to accept the assignment of leading the Glenn Miller ghost band (1966-1974). He has found more artistic success co-leading a quintet with Terry Gibbs off and on since the early'80s and has recorded throughout the decades for many labels.~Scott Yanow https://www.allmusic.com/artist/buddy-defranco-mn0000638918/biography

Personnel:  Clarinet – Buddy DeFranco;  Bass – Alec Dankworth;  Drums – Clark Tracy;  Guitar – Martin Taylor;  Piano, Synthesizer – David Newton

Garden of Dreams