Thursday, August 19, 2021

Della Reese - Diamonds Are Girl's Best Friend

Styles: Vocal
Year: 2011
File: MP3@320K/s
Time: 41:34
Size: 96,7 MB
Art: Front

(2:27) 1. Let's Get Away from It All
(3:09) 2. Baby Won't You Please Come Home
(2:25) 3. I'm Beginning to See the Light
(2:37) 4. I'll Get By
(4:23) 5. How Did He Look
(5:16) 6. Someday (You'll Want Me to Want You)
(2:35) 7. Don't You Know
(2:38) 8. Not One Minute More
(2:51) 9. Come On-a-My House
(2:48) 10. Why Don't You Do Right
(2:55) 11. Diamonds Are a Girl's Best Friend
(2:30) 12. You're Driving Me Crazy
(2:40) 13. It's So Nice to Have a Man Around the House
(2:12) 14. Tea for Two

Renowned as both a television star and a top-flight interpreter of jazz, blues, R&B, gospel, and straight-ahead pop music, Della Reese's many talents ensured a long, varied, and legendary show biz career. In addition to being nominated for both an Emmy and a Grammy and receiving a star on the Hollywood Walk of Fame, Reese was also an ordained minister in the Universal Foundation for Better Living, an association of churches she helped found in the early '80s.

Born Deloreese Patricia Early on July 6, 1931, the young Reese began singing in the Baptist church choir in her hometown of Detroit at age six. In 1945, having developed quite rapidly, she caught the ear of legendary gospel queen Mahalia Jackson, who invited Reese to join her touring choir; Reese did so for the next five summers. Upon entering Wayne State University to study psychology, Reese formed a women's gospel group, the Meditation Singers, but her college career was cut short by the death of her mother and her father's serious illness. Reese worked odd jobs to help support the rest of her family; she also continued to perform with the Meditation Singers and various other gospel groups. Encouraged by her pastor, Reese began singing in nightclubs in hopes of getting a singing career off the ground; recently married to a factory worker named Vermont Adolphus Bon Taliaferro, her name was too long to fit on marquees, and she eventually arrived at her performing alias by splitting up her first name. After impressing a New York agent, who promptly signed her, Reese moved to New York and joined the Erskine Hawkins Orchestra in 1953. A year later, she had a recording contract with Jubilee, for whom she scored hits like "And That Reminds Me," a 1957 million-seller.

Switching to RCA Victor, Reese landed her biggest hit in 1959 with "Don't You Know?," a song adapted from Puccini's La Bohème; this cemented her career, leading not only to plentiful appearances on variety shows, but successful nightclub tours of the country and eventually nine years of performances in Las Vegas, as well as recording contracts with a variety of labels over the next few decades.

Building on her previous variety show experience, Reese made a small bit of television history in 1969 when she became the first woman to guest-host The Tonight Show with Johnny Carson. Later that year, she became the first Black woman to host her own variety show, the syndicated Della, which ran until 1970. Following its cancellation, Reese returned to her nightclub tours, often putting in guest appearances on television shows like The Mod Squad, Sanford and Son, and Chico and the Man; after three prior failed marriages, Reese also found a lasting relationship with producer Franklin Lett, whom she married in 1978.

On October 3, 1980, while taping a song for The Tonight Show, Reese suffered a brain aneurysm that nearly proved fatal; however, thanks to a successful operation, she was able to make a full recovery. She kept up her singing career and appeared on television shows like Designing Women, L.A. Law, and Picket Fences, as well as the Eddie Murphy films Harlem Nights and The Distinguished Gentleman. Reese also starred in the Redd Foxx sitcom The Royal Family from 1991-1992, and garnered what was undoubtedly her highest level of recognition in the inspirational drama series Touched by an Angel, a quite popular program that ran for nine years, between 1994 and 2003, on the CBS network. After Touched by an Angel finished its run, Reese continued to act intermittently on television through to 2014. She died at her home in Encino, California in November 2017 at the age of 86.~Steve Huey https://www.allmusic.com/artist/della-reese-mn0000196544/biography

Diamonds Are Girl's Best Friend

Maynard Ferguson - Primal Scream

Styles: Trumpet Jazz
Year: 1976
File: MP3@320K/s
Time: 36:12
Size: 83,8 MB
Art: Front

( 7:09) 1. Primal Scream
(10:09) 2. The Cheshire Cat Walk
( 5:33) 3. Invitation
( 5:55) 4. Pagliacci
( 7:24) 5. Swamp

An all-star cast assists Maynard Ferguson in this disco-tinged big-band outing. Ferguson's trademark trumpet playing is featured in all its screaming glory, and Mark Colby contributes a couple of high-energy sax solos. "Primal Scream" and "Invitation" sound as though they were lifted right off the mid-'70s disco dancefloor, complete with T.S.O.P.-type strings and pulsing rhythms. "Pagliacci," too, has the disco beat pounding underneath a Jay Chattaway adaptation of an operatic melody, with Bobby Militello featured on an energetic, overblown flute solo. Chick Corea's "The Cheshire Cat Walk" sounds like latter-day Return to Forever, as Corea's synth trades licks with Ferguson's horn over a familiar RTF rhythmic/chordal bassline sequence. The final cut, Eric Gale's "Swamp," stands out because of its reggae beat. This album was an obvious attempt to jump on the disco-funk bandwagon, and serves as a well-played, though dated, document of that era.~ Jim Newsom https://www.allmusic.com/album/primal-scream-mw0000311404

Personnel: Trumpet [All Solos] – Maynard Ferguson; Alto Saxophone – Dave Sanborn; Bass – Gary King; Bass Trombone – David Taylor, Paul Faulise; Cello – Alan Shulman, Charles McCracken; Drums – Steve Gadd; Flute, Baritone Saxophone – Bobby Militello; French Horn – Brooks Tillotson, Earl Chapin; Guitar – Eric Gale, Jeff Mirenov, Jerry Friedman; Piano, Synthesizer [Arp], Clavinet – Bob James; Tenor Saxophone – Joe Farrell; Tenor Saxophone, Soprano Saxophone – Mark Colby; Trombone – Tony Studd; Trumpet – Marvin Stamm; Trumpet, Flugelhorn – Bernie Glow, Jon Faddis, Stan Mark; Viola – Emanuel Vardi, Theodore Israel; Violin – Charles Libove, David Nadien, Emanuel Green, Frederick Buldivini, Harry Cykman, Joseph Malin, Max Ellen, Paul Gershman; Vocals – Hilda Harris, Lani Groves, Patti Austin

Primal Scream

Clifford Lamb - Blues & Hues New Orleans

Styles: Piano Jazz
File: MP3@320K/s
Time: 34:29
Size: 80,7 MB
Art: Front

(5:15) 1. Curtain Time
(7:17) 2. Clench
(4:01) 3. Voodoo With Hoodoo
(2:50) 4. Mardi Gras
(4:46) 5. Unrequited Love
(7:00) 6. Blues & Hues New Orleans
(3:17) 7. Final Curtain

There are quite a few cities in the world that have an important musical legacy, and in many cases, the city's musical history might be one of the first things people associate with it. Take New Orleans. Commonly known as the birthplace of jazz, it's hard to imagine New Orleans without conjuring up brass bands, jazz clubs and juke joints. San Francisco-based pianist Clifford Lamb explores New Orleans' musical and cultural aspects with Blues & Hues New Orleans by offering musical mashups exploring the Crescent City's legacy.

A mashup is certainly nothing new in music. This is, of course, where an artist takes elements from existing works and synthesizes them into a unique original composition. Musicians have done this to a greater or lesser degree for years in genres such as hip hop and experimental music. However, mashups have also been a growing part of jazz as well. Artists such as Robert Glasper and Us3 have utilized mashups successfully in their music.

Lamb, who has been a musician since his childhood, began working with mashups on his 2019 recording Blues & Hues (Weber Works). Although he originally studied classical music, he developed an interest in jazz as a teenager and continued his studies at Boston's Berklee College of Music. During his professional career, he's played with some of the top names in jazz, including Kevin Eubanks, John Patitucci, and Tommy Campbell. By working with mashups, he uses his experience and compositional skills to explore new possibilities in jazz.

With Blues & Hues New Orleans, he takes the mashup concept to a new level. As Lamb describes it, he wants to use the mashups "to embrace the elements of an individual city," and it's not just limited to the uplifting parts of the city's history. He wants listeners to experience each city in its entirety. New Orleans is the first stop on his musical road trip, which seems appropriate. Lamb is joined here by Herlin Riley on drums, Gregg Bissonette on drums, Roland Guerin on bass, Rhonda Smith on bass, Nicholas Payton on trumpet, Donald Harrison on alto saxophone, and Justin Klunk on alto saxophone. The album was recorded in New Orleans, and the musicians definitely capture the city's spirit. Whether it's thoughtful melodic pieces like "Unrequited Love" or more funky grooves such as "Mardi Gras," there's an unmistakable New Orleans vibe throughout.

The album, however, wouldn't have the same feel without the mashups. Lamb takes his own songs and fuses them with music by composers such as Charles Mingus, McCoy Tyner, Terrence Blanchard, and Max Steiner. The result is something other than a collection of Lamb originals with a few references thrown in. This is true integration of musical compositions, a musical gumbo celebrating New Orleans from its earliest days to the present. Blues & Hues New Orleans offers more than just an album of good jazz music. It celebrates the power of community and also gives the audience something to think about. Listening to the album will, Lamb hopes, "give people a chance to reflect on their own lives and by doing so it will give them the chance to not only appreciate the music, but also experience what the music truly has to offer.~ Kyle Simpler https://www.allaboutjazz.com/blues-and-hues-new-orleans-clifford-lamb-webberworks-entertainment-group

Personnel: Clifford Lamb: piano; Herlin Riley: drums; Nicholas Payton: trumpet; Donald Harrison: saxophone, alto; Roland Guerin: bass; Gregg Bissonette: drums; Rhonda Smith: bass; Justin Klunk: saxophone, alto.

Blues & Hues New Orleans