Sunday, August 3, 2014

Steve Kuhn Trio - Life's Magic

Bitrate: 320K/s
Time: 65:08
Size: 149.1 MB
Styles: Post bop, Piano jazz
Year: 2012
Art: Front

[ 4:10] 1. Little Old Lady
[ 7:47] 2. Two By Two
[10:06] 3. Jitterbug Waltz
[11:59] 4. Ulla Trance
[ 6:06] 5. Yesterday's Gardenias
[ 6:30] 6. Mr. Calypso Kuhn
[ 4:48] 7. Never Let Me Go
[13:39] 8. Softly, As In A Morning Sunrise

Steve Kuhn leads an all-star trio with bassist Ron Carter and drummer Al Foster in this compilation of 1986 performances recorded over several nights at the Village Vanguard. First issued on Black Hawk and subsequently re-released in 2012 with a new cover, this is one of the many highlights of the pianist's vast discography. Opening with a spry, playful take of "Little Old Lady," Kuhn follows with his loping, bluesy "Two by Two" and Fats Waller's lyrical "Jitterbug Waltz," the latter showcasing Carter's intricate bass and Foster's light touch with brushes. His brisk setting of "Yesterday's Gardenias" (a song recorded by Glenn Miller in the 1940s) takes it far from its roots, turning this ballad into an engaging post-bop vehicle. The pianist's "Mr. Calypso Kuhn" puts the spotlight on Foster, opening with an intense solo, followed by the addition of Carter and, finally, the leader. Kuhn's luxurious, spacious take of "Never Let Me Go" conveys the song's message even without its lyrics. The disc closes with an extended workout of "Softly, as in a Morning Sunrise" that leaves the entranced audience wanting more. ~Ken Dryden

Life's Magic

Graciela López - Jazz Project

Bitrate: 320K/s
Time: 29:58
Size: 68.6 MB
Styles: Jazz vocals
Year: 2010
Art: Front

[5:22] 1. Summertime
[3:11] 2. Just Friends
[4:03] 3. Body And Soul
[2:43] 4. Love For Sale
[2:43] 5. My Funny Valentine
[4:41] 6. Mood Indigo
[4:28] 7. Straight No Chaser
[2:44] 8. What A Difference A Day Made

Graciela López.., cantante y guitarrista (Buenos Aires, Argentina) comienza desde temprana edad sus estudios musicales. En su adolescencia estudia a las grandes cantantes de jazz, Ella Fitzgerald, Sarah Vaughan, Billie Holiday, Anita O'Day, Nina Simone, entre otras. Se dedica al estudio de este género durante más de 10 años, comenzando en Argentina y perfeccionándose en París.

En la capital francesa se presenta en el circuito de jazz parisino Café Charbon, El Blue Note, el Franc Pinot, etc. Paralelamente, crea el Ensemble d'improvisation en Temps Réel, fuertemente interesada en la experimentación vocal y la improvisación libre, elementos que incluye en sus actividades de docencia.....

Instalada en Madrid desde el año 2002, se dedica a la creación de talleres de técnica vocal, al jazz contemporáneo y a la improvisación libre. Cordel 05 .. en dúo con la compositora e improvisadora ..Abril Padilla..). También forma parte de la orquesta ....FOCO...., orquesta de improvisación libre, que cada año tiene su cita en el festival Hurta Cordel de la mano de directores internacionalmente reconocidos (Buth Morris, Walter Thompson, Olivier Benoit, Michael Fischer, etc..)

Graciela López (voz, guitarras); Nacho Reig (guitarra); Alberto Almonacid (bajo); Lorenzo Palomares (batería); Marcos Monge (saxofón tenor).

Jazz Project

Rod Stewart - Soulbook

Bitrate: 320K/s
Time: 46:49
Size: 107.2 MB
Styles: Soul, Adult contemporary
Year: 2009
Art: Front

[4:12] 1. It's The Same Old Song
[3:07] 2. My Cherie Amour
[4:33] 3. You Make Me Feel Brand New
[3:18] 4. (Your Love Keeps Lifting Me) Higher And Higher
[3:34] 5. Tracks Of My Tears
[3:15] 6. Let It Be Me
[4:11] 7. Rainy Night In Georgia
[3:17] 8. What Becomes Of The Broken Hearted
[3:01] 9. Love Train
[3:15] 10. You've Really Got A Hold On Me
[3:31] 11. Wonderful World
[3:57] 12. If You Don't Know Me By Now
[3:31] 13. Just My Imagination

2009 album from the Grammy Award winning Rock 'n' Roll Hall of Famer. SoulBook is a collection of classic '60s and '70s era Soul favorites sung by one of the most interpretive voices in music. Stewart is personally passionate about this project, which is a return to his beginnings when he fronted The Jeff Beck Band and the critically-revered band The Faces, iconic in the history books for fusing American roots music - Rock, Soul and Blues. Soulbook reunites Stewart with his longtime collaborators, producers Steve Tyrell and Steve Jordan, of Rolling Stones/Xpensive Winos fame, who also brought in top musicians Ray Parker Jr., Waddy Watchel, Darrell Jones, Dean Parks and David Paich to join Rod in the studio for the album.

Soulbook

Maggie Green - First Song

Styles: Vocal Jazz, Bossa Nova
Year: 2008
File: MP3@320K/s
Time: 47:52
Size: 110,6 MB
Art: Front

(4:12)  1. Chega De Saudade
(3:20)  2. No Moon At All
(5:54)  3. First Song
(2:48)  4. So Danco Samba
(4:10)  5. Up Jumped Spring
(3:48)  6. A Felicidade
(2:59)  7. I'm Old Fashioned
(6:17)  8. My One And Only Love
(5:40)  9. All Blues
(4:46) 10. But Not For Me
(3:52) 11. Agua De Beber

Vocalist Maggie Green’s self-titled album of Brazilian music conveys a longing for the endless beaches and samba rhythms of Rio de Janeiro. With her soft yet rhythmic interpretations of bossa nova and samba, sung in masterful Portuguese, the brilliant waters seem but a heartbeat away. This may sound like a stretch for a girl who grew up in Michigan’s Upper Peninsula, but for Maggie, it was just a natural progression. During her early years, Maggie sat at the piano and studied the complex harmonies and melodies of Bach, Mozart and Beethoven. However, while pursuing a degree in classical piano at Michigan State University, her ear began to wander toward jazz music, especially the haunting vocals of Billie Holiday and Chet Baker. This proved to be a significant point, for she not only moved from classical music to jazz, but she also strayed from the piano and focused on her voice. Maggie enrolled at the Berklee College of Music in Boston, MA. While at Berklee, Maggie honed her jazz skills and began to delve into Brazilian music. 

Studying with vocalist Mili Bermejo, she became fascinated with the syncopated rhythms of Brazil. After graduating from Berklee in 2000, Maggie moved to Columbus, Ohio and began establishing herself as a vocal artist. Following a string of performances in the region including the Columbus Arts Festival, the Columbus Jazz and Rib Fest, the Columbus Latino Festival as well as many night club dates, Maggie began to make appearances outside of Ohio, performing at festivals and clubs from Massachusetts to California. Continually inspired by Brazilian rhythms, Maggie made her first trip to Rio de Janeiro during the summer of 2005. She immediately struck up a musical friendship with pianist Marcos Ariel. The two collaborated on a show, “Rio - New York Connection” featuring NYC saxophonist Joel Frahm, Brazilian drummer Jurim Moreira and bassist Andre Neiva. They played two sold-out shows in front of enthusiastic Rio crowds a highlight of Maggie’s career. 

Two years later, she returned to Rio and recorded an album of Brazilian music featuring renowned artists Luiz Avellar, Kiko Freitas, Marcos Ariel, Jurim Moreira and others. This recording stands as a testament to her immersion in bossa nova and samba music. During the fall of 2007, Maggie teamed up with Brazilian guitarist Nelson Faria, drummer Kiko Freitas and American bassist Scott Gold for a series of concerts in the US. The group received rave reviews and standing ovations for their performances in spots like Cleveland’s Nighttown and the Jazz Factory in Louisville, KY. The group gave clinics and concerts at several Ohio universities, exposing the students to South American music. 

As an educator, Maggie is currently on the jazz faculty at Otterbein College in Westerville, Ohio. She has also served on the jazz faculty at Capital University. She has also presented vocal workshops at various schools and universities throughout the United States, including the Antonio Adolfo School of Music in Hollywood, Florida. Maggie holds a degree in Professional Music from Berklee College of Music. http://musicians.allaboutjazz.com/maggiegreen

Various Artists - The Vocal Jazz Collective Redefinition

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 71:47
Size: 164,5 MB
Art: Front

(5:16)  1. My Man's Gone Now  (feat. Camille Avery)
(5:24)  2. You Don't Know What Love Is (feat. LeAnne Robinson)
(7:27)  3. Moon River (feat. Georgia Sedlack)
(5:38)  4. Time After Time (feat. Cari Stevens)
(4:34)  5. Nothing Compares (feat. Fara Sumbureru)
(7:47)  6. Much Farther to Go (feat. Karmen Wolf)
(4:59)  7. My Funny Valentine (feat. Georgia Sedlack)
(6:12)  8. Too Late Now (feat. LeAnne Robinson)
(5:43)  9. City Called Heaven (feat. Harris Long)
(4:43) 10. Dienda (feat. Cari Stevens)
(5:21) 11. Both Sides Now (feat. Karmen Wolf)
(8:38) 12. Sparks (feat. Mary Thompson)

Jeff Baker, one of the best male jazz vocalists around today, is also the vocal director at ArtsWest School for Performing Arts in Eagle, Idaho. Working with high school age performers must be a gas, because Baker has produced a very engaging vocal jazz outing, featuring his students backed by an Origin Records all-star band, with pianist Justin Nielsen sitting in the piano/arranger's chair. Redefinition takes a batch of familiar jazz tunes by the likes of George Gershwin, Henry Mancini, and Rodgers and Hart, and mixes in some popular songs from Prince, Joni Mitchell and Coldplay, with one traditional spiritual thrown in for good measure, and redefines them; bending their shapes a bit and giving them fresh spins. Under the guidance of polished professionals Baker and Nielsen, and backed by a roster of versatile top level musicians, the set holds up so well that the ages of the singers becomes simply a matter of interest. 

There is not a half-baked or tentative performance on the set; these young people sing with an uncluttered purity of feeling and remarkable confidence. The Gershwins' "My Man's Gone Now" opens the set. Nielsen's piano sparkles, while Brent Jensen blows a sinewy soprano sax accompaniment to Camille Avery's heartfelt vocal, as the singer tells her story with feeling and a genuine sense of loss, giving way to John McLean's searing guitar. The songs are old familiar tales, leaning on the love or love lost theme. LeAnne Robinson gets deep into a beautiful, weary blues feeling on "You Don't Know What Love Is," while Georgia Sedlack soars in a buoyant take of Mancini's "Moon River." Cyndi Lauper's "Time After Time" (a Miles Davis favorite) is slowed down to a dirge, with a spare arrangement complimenting Cari Stevens' very direct and seemingly world-weary singing. The band brings in a funk feel on Prince's "Nothing Compares," with Fara Sumbureru bouncing into a light groove. "Much Farther to Go," a Rosie Thomas tune, features a Karmen Wolf's pure-toned, horn-like delivery. Harris Long the lone male solo vocalist on the disc possesses a rich baritone similar to Kurt Elling, and gives a fitting reverence to the traditional "City Called Heaven." Coldplay's "Sparks" closes the disc on a modern-leaning note. 

Mary Thompson's vocal exudes a melancholy, drifting-into-the-twilight mood. As the tune winds down she is joined by the choir the other soloists plus Michael Wood, Sekayi Sumbureru and Andrew Koba for a classy, collaborative ending to Redefinition, a fine set of jazz vocal tunes that introduce a bunch of amazing young talent. ~ Dan Mcclenaghan  http://www.allaboutjazz.com/redefinition-oa2-records-review-by-dan-mcclenaghan.php#.U92DaGNryKJ
 
Personnel: Camille Avery: vocals (1, 12) ; LeAnne Robinson: vocals (2, 8, 12); Georgia Sedlack: vocals (3, 7, 12),; Cari Steven: vocals (4, 10, 12); Fara Sumbureru: vocals (5, 12); Karmen Wolf: vocals (6, 11, 12); Harris Long: vocals (9, 12); Mary Thompson: vocals (soloist on 12); Michael Wood: vocal (12); Sekeyi Sumbureru: vocal (12); Andrew Koba: vocal (12); Justin Nielsen: piano; Jeff Johnson: bass; John Bishop: drums; John McLean: guitar; Thomas Marriott: trumpet, flugelhorn; Brent Jensen: saxophone

Frank Rosolino & Carl Fontana - Trombone Heaven, Vancouver, 1978

Styles: Trombone Jazz
Year: 2008
File: MP3@320K/s
Time: 79:10
Size: 181,2 MB
Art: Front

(11:07)  1. Medley: Here's That Rainy Day/
(16:31)  2. Well, You Needn't
(15:33)  3. All Blues
(13:10)  4. Just Friends
( 9:33)  5. Laura/Embraceable You
(13:13)  6. Ow

Truly an unearthed gem, Trombone Heaven is a previously unreleased concert recording from 1978 at the Bayshore Inn in Vancouver, Canada, featuring the late slide legends Frank Rosolino and Carl Fontana. The spirited set is anchored by the swinging rhythm section of pianist Elmer Gill, bassist Torban Oxbol and drummer George Ursan. Given the loose, jam-session nature of the set, the tunes are lengthy, allowing ample room for both Rosolino and Fontana to stretch out and display their unmatchable technique. Disc highlights include the impromptu trombone conversations on Thelonious Monk's "Well You Needn't," Miles Davis' "All Blues" and Dizzy Gillespie's "Ow." The telepathic give-and-take between the co-leaders, especially on the up-tempo numbers is utterly mesmerizing. On the opening ballad medley of "Here's That Rainy Day" and "Stardust," the dynamic duo relies as much on sense of humor and unpredictability of note choice as on virtuosity. The two prod each other on in an uncompetitive way, enjoying each others company and having a swinging good time. By the time of this concert, both Rosolino and Fontana had established their reputations as two of the most innovative trombonists jazz had ever known. This session, chock-full of fiery bop lines, sensual lyricism and eye-popping trombone gymnastics, documents the unbridled passion of two titans of a bygone era. ~ John Barron  http://www.allaboutjazz.com/trombone-heaven-frank-rosolino-uptown-records-review-by-john-barron.php#.U9wls7FryKI
 
Personnel: Frank Rosolino: trombone; Carl Fontana: trombone; Elmer Gill: piano; Torban Oxbol: bass; George Ursan: drums.

Lee Ritenour - Stolen Moments

Styles: Guitar Jazz
Year: 1990
File: MP3@320K/s
Time: 46:39
Size: 106,9 MB
Art: Front

(6:47)  1. Uptown
(6:40)  2. Stolen Moments
(5:26)  3. 24th Street Blues
(4:55)  4. Haunted Heart
(6:25)  5. Waltz for Carmen
(4:09)  6. St. Bart's
(8:04)  7. Blue in Green
(4:10)  8. Sometime Ago

After 15 years of guitarist Lee Ritenour primarily playing crossover music, this set of mostly straight-ahead jazz was a surprise. Ritenour always loved Wes Montgomery's playing and on many of these cuts, that influence dominates his sound and style. Assisted by tenor saxophonist Ernie Watts (who usually takes solo honors), pianist Alan Broadbent, bassist John Patitucci (sticking to acoustic) and drummer Harvey Mason, Ritenour performs such numbers as "Stolen Moments," "Haunted Heart," "Blue In Green" and "Sometime Ago," in addition to four originals (including "Waltz for Carmen"). Although not essential music, this is one of the rare Lee Ritenour rare sets that should interest straight-ahead jazz collectors. ~ Scott Yanow  http://www.allmusic.com/album/stolen-moments-mw0000204562

Personnel: Lee Ritenour (guitar, electric guitar); Mitch Holder (acoustic guitar); Ernie Watts (tenor saxophone); Alan Broadbent (piano); John Patitucci (Fender Rhodes piano, acoustic bass); Harvey Mason, Sr. (drums).