Gail Marten - In Love Again

Styles: Vocal Jazz
Year: 2009
File: MP3@320K/s
Time: 73:57
Size: 170,0 MB
Art: Front

(6:03)  1. Never Let Me Go
(4:25)  2. I Fall In Love Too Easily
(3:27)  3. Reinventing Me
(8:47)  4. If He Walked Into My Life
(3:12)  5. Alice In Wonderland
(5:53)  6. Alfie
(7:02)  7. You Must Believe In Spring
(4:08)  8. I'm Old Fashioned
(5:02)  9. Skylark
(6:29) 10. Like A Lover
(5:49) 11. Cry Me A River
(2:48) 12. An Occasional Man
(6:52) 13. Where Do You Start
(3:54) 14. Hello Young Lovers

Not every singer can easily achieve intimacy; Gail Marten has thoroughly mastered the art. Ms Marten is still endeavoring to attain a similar level of perfection with intonation, yet her latest album is a joy to behold. That is mainly due to her knowing approach to ballads. I don't mean that corny old line about being able to tell a story. Gail's strength lies in her deep understanding of the emotions that well-crafted lyrics convey, and above all, her impeccable taste. Her choice of material agreed to by her accompanist, pianist/arranger Larry Willis reveals her knowledge of, and appreciation for, the Great American Songbook. Prime examples are her interpretations of "Skylark," "Alfie," "Never Let Me Go" and "Cry Me A River." What they all have in common is they tend to separate the women from the girls, the professionals from the ingénues, the cabaret hip from the jazz pretenders. Each of those tracks is given a heart-wrenching reading. 

When Willis alone backs her, Ms Marten is able to plumb the depths and soul of the lyrics in the ideal dramatic atmosphere: rubato, as they do in "If He Walked Into My Life" to this pair of ears, the high point of the CD. That in no way infers that Willis' rhythm mates bassist Herman Burney and drummer Eric Kennedy fail to carry their weight. Au contraire, Burney's pedal points on the fifth add just the right touch to "Alice In Wonderland," a 3/4 bouyancy that Kennedy's subtle brush work enchances. Both "Where Do You Start?" and "You Must Believe in Spring" reveal Gail's ability to stretch her high range as well as cope with sudden modulations They also show her preference for the literate eloquence of the Bergmans, whether it be lavished over the changes of Johnny Mandel or Michel Legrand. "Hello Young Lovers" (one of Willis' cleverest charts) a juxtapostion of bright bossa and uplifting jazz pulse in the release proves that Gail can swing, when she wishes to. 

Another talent she can call on whenever the Muse allows, is her lyric writing. Her witty "Reinventing Me," a collaboration with Clem Ehoff, includes her plan to "reconstruct my derriere," among many other revisions. Her self-improvement project breaks me up every time I hear it. The album is dedicated to Shirley Horn, who put Marten hip to Larry Willis around six years ago. ~ Harvey Siders   http://jazztimes.com/articles/25867-in-love-again-gail-marten

Personnel: Eric Kennedy (drums); Gail Marten (vocals); Larry Willis (piano).

In Love Again

---

Robin Stine - Daydream

Styles: Vocal Jazz
Year: 2005
File: MP3@320K/s
Time: 44:57
Size: 104,3 MB
Art: Front

(3:12)  1. Don't I Know
(4:22)  2. Nature Boy
(4:11)  3. Half My Heart
(3:06)  4. Sweet Blossom
(3:37)  5. Never Say Goodbye
(3:40)  6. Daydream
(3:32)  7. I've Got a Secret
(2:21)  8. Shy Boy
(5:01)  9. I Could Have Loved You
(2:36) 10. Made for Two
(2:01) 11. For Me
(3:40) 12. Get Over Her
(3:31) 13. Singing to Me

Seduction comes in many forms. Those who can seduce with style make it seem effortless, unintentional, irresistible. Robin Stine's music seduces with a whiff of subtle perfume and a casual graze of her hand as she walks past, leaving the listener powerless to do anything but follow. As a singer, her voice floats on the stylish edge of contemporary cool-light, but never lightweight. As a songwriter, her enchanting originals set her in the upper echelon of today's songwriters.

Born and raised in Kansas City, Robin began her musical journey as a child singing in school groups and church choirs. When she left for college she had no idea that music would take her around the world. For three of her collegiate years she performed with gospel groups, traveling across the U.S. as well as in Canada, Brazil, Argentina, Chile, Hong Kong and China. She then moved to Miami in 1996 to begin her graduate studies. During this time she performed with “Mike Suman’s Swing City” and her own band “Simply Stellar” at festivals, hotels and clubs throughout South Florida. In 2003 she moved to Pensacola to focus on the next phase of her musical career-writing and recording her original music.

Her debut album Daydream is a sleek collection of a dozen original jazzy, bluesy numbers that immediately sound like comfortable standards. The melancholy title track “Daydream”, the only co-write on the album, was written with Chris Whiteman at the University of Miami. The album's other originals were written over a six-month period while Robin rebuilt her home in the wake of Hurricane Ivan. “These songs are very personal. They were gifts from ‘the muses’ of genuine emotion, faith and hope-and they’re my gift to the world.”

Her opening track “Don't I Know” is a playful tune about finding happiness within, which according to Robin is “Something that most people struggle with in life, but the only way to enjoy it.” The album also features the bittersweet tune “Half My Heart”, a song she wrote about being separated from the one you love, while the flirty “Sweet Blossom” is about love’s anticipation. “Never Say Goodbye” is a sultry tune where Robin conveys by her own admission, “Life can be more fun if you let yourself be naughty sometimes.” As one of Robin’s favorite jazz songs and the only cover on the album, she includes the haunting “Nature Boy”, by Eden Ahbez.

Under the guidance of producer Mark Bingham, who's worked with everyone from Dr. John to the Blind Boys of Alabama to the Black Eyed Peas, she's assembled an enviably experienced crew including pianist Warren Bernhardt (Steps Ahead, Jack DeJohnette, Gerry Mulligan), drummer Gary Burke (Joe Jackson, Bob Dylan), trumpeter Steven Bernstein (Roswell Rudd, Medeski Martin & Wood, Don Byron), and her fellow Kansas City native, guitarist Steve Cardenas (Norah Jones, Madeleine Peyroux, Paul Motian, Mark Isham).

A lifelong love of performing inspired by family and further fueled by the completion of her album, have culminated in a desire to return to the touring stage after a rebuilding period in the post-Hurricane Ivan year. Now based in Pensacola, Florida, Robin is ready to follow the upcoming release of Daydream with a festival and club scene tour in a way that will also leave the world powerless to do anything but follow. (http://www.cdbaby.com/cd/robinstine)

Daydream

---

Bobbi Humphrey - Freestyle

Styles: Jazz Funk
Year: 1978
File: MP3@320K/s
Time: 37:31
Size: 86,7 MB
Art: Front

(5:01)  1. Home-Made Jam
(4:37)  2. My Destiny
(5:00)  3. I Could Love You More
(4:16)  4. Sunset Burgundy
(4:42)  5. Freestyle
(4:28)  6. If You Want It
(4:30)  7. If You Let Me
(4:53)  8. Good Times

The second release In the new series of classic jazz/funk reissues from SoulMusic.com Records is an expanded edition of the original 1978 Epic album Freestyle by famed flautist and musician Bobbi Humphrey.
Texas-born Bobbi was initially encouraged by jazz great Dizzy Gillespie to pursue a musical career: after winning the famous Apollo Theater Amateur Talent contest in New York, she became a popular performer in the city. In 1971, Bobbi signed with Blue Note Records and made six albums for the label. In 1977, Bobbi signed with Epic Records who released her label debut “Tailor Made” the same year.

Bobbi’s sophomore Epic album Freestyle was the most successful of her LPs for the label. Produced by renowned percussionist Ralph MacDonald, Freestyle’s stellar cast of musicians includes Steve Gadd, Eric Gale, Anthony Jackson, David Spinozza and Marcus Miller with background vocals from Gwen Guthrie among others. No less a luminary than Stevie Wonder provides a solo on the funky track, “Home-Made Jam.”~ David Nathan   

http://www.soulmusic.com/index.asp?S=1&T=38&ART=280

Freestyle

---

Ken Peplowski - In Search of...

Styles: Clarinet, Saxophone Jazz
Year: 2011
File: MP3@320K/s
Time: 68:54
Size: 158,5 MB
Art: Front

(5:14)  1. The Thespian
(8:02)  2. Love's Disguise
(5:18)  3. When Joanna Loved me
(7:05)  4. Falsa Baiana
(5:55)  5. A Ship Without a Sail
(4:57)  6. With Every Breath i Take
(5:34)  7. In Flower
(5:31)  8. Peps
(4:40)  9. This Nearly was Mine
(6:22) 10. No Regrets
(4:51) 11. Within you and Without you
(5:20) 12. Rum and Coca Cola

Ken Peplowski is a clarinet virtuoso, with a tone of such warmth and beauty that it takes only a few bars to create a feel-good atmosphere, either in performance or, as he ably demonstrates on In Search Of ..., in the studio. Although Peplowski has over 20 albums to his name as leader, he's still experimenting, still trying out new ideas still, presumably, in search of something. The first nine tunes are recordings from a February 2010 quartet session. Peplowski makes some terrific choices for this set, from Robert Wells and Jack Segal's beautiful ballad "When Joanna Loved Me" to pianist Shelly Berg's lovely "In Flower" and his infectiously swinging tribute to the clarinetist, "Peps." Peplowski is a veteran of the Tommy Dorsey band and Benny Goodman's post-retirement ensemble. He's also been influenced strongly by bop saxophonist Sonny Stitt. 

With such diverse influences Peplowski can move effortlessly between styles. He's an especially effective ballad player, something he does with aplomb on Rodgers and Hart's "A Ship Without A Sail" and Cy Coleman's "With Every Breath I Take." The final three numbers find Peplowski in a slightly more adventurous mood, at a 2007 session originally intended to record material for a self-produced album. On "No Regrets" Peplowski duets on tenor sax with bassist Greg Cohen: both musicians swing and glide through the tune, Cohen's fluid bass playing creating a rock steady rhythm that allows Peplowski freedom to weave some snaking lead lines. "Within You And Without You" is a reworking, and slight re-titling, of George Harrison's "Within You, Without You" from The Beatles' Sgt Pepper's Lonely Hearts Club Band (Parlophone, 1967). 

Peplowski and Cohen are joined by percussionist Joe Ascione and vibraphonist Chuck Redd, for a fascinating treatment of this pop classic. Percussion, vibes and bass create a floating wash of sound over which Peplowski's clarinet swoops in seductive, almost free-form, patterns. Lionel Belasco and Lord Invader's calypso, "Rum and Coca Cola," is another duet, this time with Ascione joining Peplowski. The clarinetist is, again, in terrific form, but he's matched by Ascione's amazingly vibrant drumming on a tune that is a delight from the first beat. Peplowski's sleeve notes give some insight into the making of this album, but no clue as to what he might be In Search Of .... Bill Griffith's lovely artwork just adds to the enigma. But little mysteries make life that bit more enjoyable. So, too, does this music. ~ Bruce Lindsay   

http://www.allaboutjazz.com/php/article.php?id=39186#.UxYaB4VZhhk
 

Personnel: Ken Peplowski: clarinet, tenor saxophone; Shelly Berg: piano (1-9); Tom Kennedy: bass (1-9); Jeff Hamilton: drums (1-9); Greg Cohen: bass (10, 11); Chuck Redd: vibraphone (11); Joe Ascione: percussion (11), drums (12).

In Search of...

---