Thursday, January 18, 2018

Bill Doggett - Jazz Cafe Presents Bill Doggett

Bitrate: MP3@320K/s
Time: 38:19
Size: 87.7 MB
Styles: R&B, Soul jazz
Year: 2001
Art: Front

[3:59] 1. Bill's Honky Tonk
[5:17] 2. Pots A Cookin'
[4:17] 3. I Wish You Love
[5:25] 4. Dig The Thing
[4:41] 5. Dug's Pad
[2:49] 6. Midnight Sun
[7:52] 7. Flying Home
[3:56] 8. Charley's Alley

With his instrumental hit "Honky Tonk" in February 1956, Bill Doggett (born William Ballard Doggett) created one of rock's greatest instrumental tracks. Although it generated scores of offers to perform in rock & roll clubs throughout the United States, Doggett remained tied to the jazz and organ-based R&B that he had performed since the 1930s. Continuing to record for the Cincinnati-based King label until 1960, he went on to record for Warner Brothers, Columbia, ABC-Paramount and Sue. His last session came as a member and producer of an all-star jazz/R&B group, Bluesiana Hurricane in 1995.

Born on the north side of Philadelphia, Doggett struggled with poverty as a youngster. Although he initially dreamed of playing the trumpet, his family was unable to afford lessons. Persuaded by his mother (a church pianist), to try keyboards instead, he quickly mastered the instrument. Hailed as a child prodigy by his 13th birthday, he formed his first band, the Five Majors, at the age of 15. Performing with the Jimmy Gorman Band, the pit orchestra at the Nixon Grand Theater, while still in high school, Doggett assumed leadership of the group in 1938. The experience was brief, however, as Doggett sold the orchestra to Lucky Millinder, with whom he continued to work off and on for the next four years. He made his recording debut on Millinder's tracks, "Little Old Lady From Baltimore" and "All Aboard" in 1939. Although he formed a short-lived orchestra with Benny Goodman's arranger, Jimmy Mundy, in late 1939, Doggett continued to work primarily as a sideman. Playing piano and arranging for the Ink Spots from 1942 until 1944, he went on to arrange tunes for Count Basie's band and tour and/or record with Coleman Hawkins, Johnny Otis, Wynonie Harris, Ella Fitzgerald and Lionel Hampton. Replacing Wild Bill Davis in Louis Jordan's band, in 1947, he appeared on the influential tunes, "Saturday Night Fish Fry" and "Blue Light Boogie." He made his debut as an organist during June 1951 recording sessions with Ella Fitzgerald.

Debuting his own organ-led combo at New York nightclub, the Baby Grand, in June 1952, Doggett recorded more than a dozen singles before striking gold with "Honky Tonk" four years later. A longtime resident of Long Island, New York, Doggett died on November 13, 1996, three days after suffering a heart attack. ~ Craig Harris

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Kyle Eastwood - Candid Kyle

Bitrate: MP3@320K/s
Time: 69:38
Size: 159.4 MB
Styles: Contemporary jazz
Year: 2016
Art: Front

[3:36] 1. Big Noise From Winnetka
[5:48] 2. Marrakech Remix
[6:24] 3. Solferino
[3:52] 4. I Can't Remember
[5:29] 5. Song For Ruth
[6:32] 6. Metropolitain
[7:21] 7. Samba De Paris
[3:22] 8. Song For You
[6:18] 9. Andalucia
[5:46] 10. Tonic
[5:17] 11. Café Calypso
[9:47] 12. Big Noise From Winnetka-Live In Tokyo

n the 17 years since the release of From There To Here, Kyle Eastwood’s first album as a leader, the multi-talented double bassist, composer and producer has forged a dynamic musical path. His artistry is eclectic, yet refined and transcends the boundaries of jazz by exploring an ever-widening range of musical influences. While continuing to develop his parallel career as a composer and arranger on his legendary father Clint’s Oscar nominated films “Mystic River,” “Million Dollar Baby” and “Letters from Iwo Jima,” Eastwood has reaffirmed traditions while creating truly contemporary, lyrical and melodic jazz. He has flirted with electro-jazz cool on Paris Blue (2004); delved into 70s-tinged “smooth jazz” accents and grooves on Now (2006); and gone “arty” urban chic on the subtly mixed Metropolitan (2009).

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Jo Ann Daugherty - Range Of Motion

Bitrate: MP3@320K/s
Time: 51:38
Size: 118.2 MB
Styles: Piano jazz
Year: 2005
Art: Front

[4:00] 1. Out Of Round
[5:48] 2. Oak Creek
[7:37] 3. Harold's Tune
[4:49] 4. Myrrh
[7:12] 5. Wmd
[5:02] 6. Pearl
[6:06] 7. Part 4, Part 2
[5:36] 8. Still
[5:24] 9. Heading Out

Jo Ann Daugherty is an excellent modern mainstream pianist. Based in Chicago and influenced a little bit by Bill Evans (although she has her own sound in general), Daugherty is also a talented composer, as witness her nine originals on this well-rounded release. The witty and circular "Out of Round" and the New Orleans parade feel of "Harold's Tune" are among the highlights. In addition to the pianist's core trio, the most impressive sideman is Mitch Paliga, particularly on soprano. Overall, this is an impressive debut and a strong step forward for Jo Ann Daugherty. ~Scott Yanow

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Gerald Lewis - Jazz Clarinet For Quiet Moments

Bitrate: MP3@320K/s
Time: 47:16
Size: 108.2 MB
Styles: Clarinet jazz, Easy Listening
Year: 2014
Art: Front

[4:06] 1. Deep Purple
[4:13] 2. Portrait Of Jennie
[5:50] 3. Until The Real Thing Comes Along
[6:25] 4. You Are Too Beautiful
[2:37] 5. Time After Time
[4:47] 6. Tis Autumn
[4:21] 7. Lucky To Be Me
[4:15] 8. Don't Take Your Love From Me
[3:20] 9. I Can't Give You Anything But Love
[3:32] 10. On The Sunny Side Of The Street
[3:45] 11. Lazy River

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Blue Note All Stars - Our Point Of View

Bitrate: MP3@320K/s
Time: 90:28
Size: 207.1 MB
Styles: Post bop, Jazz-funk, Electric jazz
Year: 2017
Art: Front

[ 1:31] 1. Bruce’s Vibe
[ 8:39] 2. Cycling Through Reality
[ 9:01] 3. Meanings
[ 4:22] 4. Henya
[17:41] 5. Witch Hunt
[ 5:39] 6. Second Light
[ 9:23] 7. Masquelero
[13:40] 8. Bayyinah
[ 7:05] 9. Message Of Hope
[10:57] 10. Freedom Dance
[ 2:23] 11. Bruce, The Last Dinosaur

The creative young voices of Jazz have been the lifeblood of Blue Note Records throughout its storied history, from Thelonious Monk and Herbie Hancock to Freddie Hubbard and Joe Henderson, all of whom made their debut albums for the legendary label. The Blue Note All-Stars continue that legacy with the release of Our Point of View, the debut recording from a supergroup of young visionaries that formed in 2014 for a series of live performances in honor of Blue Note’s 75th anniversary. Featuring trumpeter Ambrose Akinmusire, keyboardist Robert Glasper, bassist Derrick Hodge, guitarist Lionel Loueke, drummer Kendrick Scott, and tenor saxophonist Marcus Strickland, the album also boasts a special guest appearance by Blue Note legends Wayne Shorter and Herbie Hancock, and is dedicated to the memory of beloved longtime Blue Note President Bruce Lundvall, who passed away in 2015.

The song list includes originals by each of the band members, including two elegies for Lundvall which open and close the album, as well as two renderings of Shorter compositions: an expansive version of “Witch Hunt,” from Shorter’s 1965 Blue Note classic Speak No Evil, and a stunning performance of “Masquelero” on which the sextet is augmented by Shorter and Hancock.

“This is a band of open-minded, versatile musicians who are getting together for the love of the music. That can only equal great things,” says Glasper who co-produced the album with current Blue Note President Don Was. “The music itself should reflect the time period you’re in. We all love the history of the music. We’re infatuated with the history of jazz, but none of us are held back by the history of jazz. I feel like we’re all making our own history now.”

“It’s pushing the threshold in trying to do the next thing and not looking back,” Was adds. “That to me epitomizes what Blue Note is all about.”

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Shirley Horn Trio - A Lazy Afternoon

Bitrate: MP3@320K/s
Time: 42:02
Size: 96.2 MB
Styles: Vocal jazz, Standards
Year: 1978/1986/2014
Art: Front

[2:41] 1. I'm Old Fashioned
[6:13] 2. There's No You
[2:48] 3. New York's My Home
[6:11] 4. Why Did I Choose You
[2:57] 5. Take A Little Time To Smile
[4:51] 6. A Lazy Afternoon
[9:54] 7. Gentle Rain
[3:08] 8. Gra'ma's Hands
[3:15] 9. I'll Go My Way By Myself

One of a series of recordings that helped Shirley Horn relaunch her career after taking time off to raise her daughter, A Lazy Afternoon is a fine studio set with bassist Buster Williams and drummer Billy Hart. An always effective vocalist who provided her own top-notch accompaniment on piano, Horn's almost conversational style of singing works very well whether she is swinging an oldie like "I'm Old Fashioned" or delivering a lush, infectious interpretation of a ballad like "A Lazy Afternoon." In addition to well-known material, she uncovers lost gems like Gordon Jenkins' "New York's My Home" (delivered in a narrative-like style that has a funky flavor) and Peggy Lee's neglected swinging song "Take a Little Time to Smile." The one instrumental is an extended workout of Antonio Carlos Jobim's "Gentle Rain." If there's a weak track on the date, it is Bill Withers' "Gra'ma's Hands," as even her best effort at casting it in a slow blues-gospel arrangement doesn't overcome the repetitious nature of the composition, a frequent problem with adapting Withers' work into a jazz setting. ~Ken Dryden

A Lazy Afternoon     

Denny Christianson, Jan Jarczyk - Goin' Places

Bitrate: MP3@320K/s
Time: 67:13
Size: 153.9 MB
Styles: Trumpet jazz, Piano jazz
Year: 2000
Art: Front

[7:01] 1. Sugar Toes
[7:59] 2. There Is Always Time
[7:32] 3. Goin' Places
[7:47] 4. Isn't She
[2:24] 5. His Piano Piece
[2:59] 6. Her Piano Piece
[8:06] 7. Spatial Effects
[6:26] 8. Music For
[7:17] 9. Arlequin
[9:37] 10. To And Fro

About Denny Christianson: Trumpet, flugelhorn, bandleader. Canadian trumpeter and bandleader, part of their current crop of hard bop, swing and big band players gaining some attention in America. His big band made two recordings featuring guest star Pepper Adams in late '80s. ~ Ron Wynn

About Jan Jarczyk: Pianist and composer Jan Jarczyk was born in Cracow, Poland in 1947. Naturalized American and Canadian, while retaining his Polish nationality. Jan Jarczyk was recognized as an eminent pedagogue to generations of jazzmen in North America. Jan Jarczyk first received classical training at the Music Academy in Cracow. Performing concerti as a soloist, he also obtained a master in composition . Pioneer of the jazz scene, he became a prominent figure and performed in festivals such as Jazz nad Odrą, Jazz Jamboree in Warsaw and Summer Jazz Festival in Krakow. He relocated to North America in 1977, first moving to Boston, where he was invited to join the faculty at the Berklee College of Music, becoming the first non-american to teach harmony and composition. After meeting his wife from Montreal, he settled in 1985 and became associate professor in the jazz area of the Schulich School of Music of McGill University up until the end of his life (august 3rd 2014).

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Jackie McLean - Hat Trick

Bitrate: MP3@320K/s
Time: 53:54
Size: 123.4 MB
Styles: Bop, Saxophone jazz
Year: 1996
Art: Front

[6:52] 1. Little Melonae
[7:41] 2. A Cottage For Sale
[7:47] 3. Solar
[4:32] 4. Bag's Groove
[5:25] 5. Will You Still Be Mine
[5:47] 6. Left Alone
[4:59] 7. Jackie's Hat
[6:02] 8. Sentimental Journey
[4:47] 9. Bluesnik

Veteran altoist Jackie McLean was not familiar with pianist Junko Onishi's playing until shortly before recording this quartet CD (which also includes bassist Nat Reeves and drummer Lewis Nash), but he was apparently pleased with how she sounded. Onishi's bop-oriented style (which sometimes uses more complex chord voicings) fits in well with McLean, and the results are generally memorable. Jackie McLean, one of the few hard bop stylists to embrace aspects of the avant-garde, sounds quite advanced on the straight-ahead program. His distinctive tone is unchanged from the 1960s, and he still displays all of the fire and enthusiasm he had in his early days. McLean really digs into his two durable originals ("Little Melonae" and "Bluesnik"), five standards, Mal Waldron's "Left Alone" and Onishi's "Jackie's Hat" (based on "Sweet Georgia Brown"), making this outing into something quite special. Recommended. ~Scott Yanow

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