Saturday, November 13, 2021

Ann Richards, Stan Kenton - Two Much!

Bitrate: MP3@320K/s
Time: 40:04
Size: 91.7 MB
Styles: Jazz vocals
Year: 1961/2017
Art: Front

[3:53] 1. It's A Wonderful World
[3:59] 2. The Morning After (The Night Before)
[3:52] 3. I Was The Last One To Know
[4:34] 4. My Kinda Love
[4:07] 5. I Got Rhythm
[4:34] 6. No Moon At All
[3:46] 7. Don't Be That Way
[4:07] 8. Suddenly I'm Sad
[3:13] 9. Nobody Like My Baby
[3:53] 10. All Or Nothing At All

Ann Richards never received the same acclamation as her more famous vocal predecessors with the Stan Kenton Orchestra, Anita O'Day, June Christy, and Chris Connor. While these three went on to carve out successful careers as singles, Richards, after her divorce from Kenton, slowly sank into obscurity. With a style closer in style to O'Day's, Richards could swing out a tune with the best of them and could scat with vim and verve. She demonstrates these talents on "It's a Wonderful World" and "All or Nothing at All." She could also credibly deliver on blues tunes as on "The Morning After (The Night Before)." Richards could move to a lower range and get torchy, which she does on "My Kinda Love." Then she slow-drags "I Got Rhythm," riding atop the doleful tones of the trombone section and a muted trumpet. While he didn't have the big names that peppered earlier bands, this Kenton group could swing and play as a cohesive group. Like all Kenton bands, it featured the high note blaring trumpet. Here it's Bud Brisbois that supplied the upper atmospheric notes on the horn. There are a couple of selections where Richards is backed by just a small group, as on "No Moon at All," where she doesn't have to compete with the larger aggregation, showing off her voice to its full advantage. With a slim discography, this album is an important contribution to the legacy of a good singer whose career was far too short. ~Dave Nathan

Two Much!

Gregoire Maret, Romain Collin & Bill Frisell - Americana

Styles: Harmonica, Piano And Guitar Jazz
Year: 2020
File: MP3@320K/s
Time: 54:31
Size: 125,4 MB
Art: Front

(3:08) 1. Brothers in Arms
(3:57) 2. Small Town
(6:16) 3. Rain Rain
(4:02) 4. San Luis Obispo
(5:15) 5. Back Home
(5:27) 6. Wichita Lineman
(7:07) 7. The Sail
(8:14) 8. Re: Stacks
(6:11) 9. Still

Harmonica player and composer Gregoire Maret is not a familiar name in the U.S. but he should be. The New York-based artist has recorded with Jimmy Scott, Jacky Terrasson, Steve Coleman and Five Elements, Charlie Hunter, Terri Lyne Carrington, Pat Metheny and many others. The very bankable musician has appeared on over seventy-five releases as a sideman and has recorded as a leader on three albums. Americana unites Maret with pianist, composer and label-mate Romain Collin, along with legendary guitarist Bill Frisell, and drummer Clarence Penn on one track.

The music on Americana comes from the perspective of two immigrants to the U.S.; the Swiss-native Maret, and Frenchman Collin. On many tracks Frisell adds the authenticity he brought to his own Nonesuch Records projects such as Nashville (1997), Good Dog, Happy Man (1999) and Disfarmer (2009). Maret and Collin often perform as a duo and open the album with the unexpected; Scottish-born Mark Knopfler's Dire Straits song "Brothers in Arms" feels like a natural here. Frisell then joins in on two of his own compositions, "Small Town" and "Rain, Rain" given a fresh feel with Maret's contributions.

Collin's "San Luis Obispo" appeared on the pianist's Press Enter (ACT Music, 2015); a beautiful Appalachian-tinged lullaby, sparse and haunting in its original piano form, Frisell and Maret give it a down-to-earth reading. Maret's "Back Home" is the only appearance of Penn who adds some light brushwork. The trio takes on the Jimmy Webb classic "Wichita Lineman" and the Justin Vernon composition "Re: Stacks" from the Dirty Bourbon River Show debut For Emma, Forever Ago (Self-produced, 2007). In Collin, Maret and Frisell we have artists of three origins, entangled together in the early influences of U.S. music; they urge the listener to hear common threads. Americana is a journey guided by distant lights, and the musicians lead each other in an alliance that is both conversant and spiritual. Highly recommended.~KARL ACKERMANN https://www.allaboutjazz.com/americana-gregoire-maret-romain-collin-bill-frisell-act-music

Personnel: Gregoire Maret: harmonica; Romain Collin: piano; Bill Frisell: guitar, electric; Clarence Penn: drums.

Additional Instrumentation: Romain Collin: piano, Moog Taurus, pump organ, effects; Bill Frisell: electric guitar, acoustic guitar, banjo; Clarence Penn: drums.

Americana

Lee Morgan - Here's Lee Morgan (Disc 1) And (Disc 2)

Styles: Trumpet Jazz
Year: 1960
File: MP3@320K/s
Time: 37:17 (Disc 1)
Size: 86,1 MB (Disc 1)
Time: 65:35 (Disc 2)
Size: 151,4 MB (Disc 2)
Art: Front

Disc 1

(5:17)  1. Terrible ''T''
(7:42)  2. Mogie
(5:36)  3. I'm A Fool To Want You
(6:03)  4. Running Brook
(6:13)  5. Off Spring
(6:23)  6. Bess

This CD reissue has its original six songs expanded to 11 with the inclusion of five alternate takes. The music is good solid hard bop that finds Lee Morgan (already a veteran at age 21) coming out of the Clifford Brown tradition to display his own rapidly developing style. Matched with Clifford Jordan on tenor, pianist Wynton Kelly, bassist Paul Chambers and drummer Art Blakey, Morgan's album could pass for a Jazz Messengers set. ~ Scott Yanow  http://www.allmusic.com/album/heres-lee-morgan-mw0000188579

Personnel: Lee Morgan (trumpet, flugelhorn); Clifford Jordan (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Art Blakey (drums).

Disc 2

(5:42)  1. Terrible ''T'' (take 7)
(6:53)  2. Terrible ''T'' (take 6)
(7:25)  3. Mogie (take 2)
(7:31)  4. Mogie (take 1 mono)
(5:54)  5. I'm A Fool To Want You (take 1)
(5:43)  6. I'm A Fool To Want You (take 2)
(6:16)  7. Running Brook (take 9)
(6:50)  8. Running Brook (take 4)
(6:39)  9. Off Spring (take 7)
(6:38) 10. Bess (take 3)

John Patitucci & Andy James - An Evening with John Patitucci & Andy James

Styles: Jazz, Post Bop
File: MP3@256K/s
Time: 82:48
Size: 152,2 MB
Art: Front

(4:23) 1. Autumn In New York
(7:08) 2. Besame Mucho
(3:08) 3. I Love You And Dont You Forget It
(5:07) 4. To Dream As One
(4:41) 5. Moonlight In Vermont
(5:09) 6. Day Dream
(5:46) 7. Blackbird
(3:19) 8. When I'm With You
(6:05) 9. Will You Still Love Me Tomorrow
(4:12) 10. Unchain My Heart
(6:22) 11. Fire Rain
(4:19) 12. Burn For Love
(5:30) 13. Some Other Time
(4:26) 14. Laura
(4:00) 15. More Than You Know
(5:02) 16. My Heart Belongs To Daddy
(4:03) 17. Angel Eyes

On An Evening with John Patitucci & Andy James, two gifted performers join forces to conjure an intimate evening of captivating music. At a time when jazz aficionados around the world have been starved for musical experiences, the album recreates the sultry atmosphere of a candlelight nightclub as some of the most revered musicians in modern jazz perform classic standards. Due out November 5 via Le Coq Records, An Evening with John Patitucci & Andy James features nearly 90 minutes of scintillating music featuring an incomparable ensemble. In addition to James’ mesmerizing vocals and Patitucci’s bass mastery, the album boasts arrangements by piano great Bill Cunliffe for an ensemble that includes saxophonists Chris Potter and Rick Margitza, trumpeter Terell Stafford, guitarists Chico Pinheiro and Jake Langley, keyboardists John Beasley and Jon Cowherd, percussionist Alex Acuña, drummers Vinnie Colaiuta, Marcus Gilmore and Marvin “Smitty” Smith, along with powerful horn and string sections.

“I wanted people to just sit back and enjoy a listening experience of serene pleasure,” declares James. “John and I tried to create something easy to listen to that would leave people feeling good afterwards. I recorded the album in anticipation that people wouldn’t something too complicated at this time we all find ourselves in.” Jazz singing and Flamenco dance have been parallel passions throughout Andy James’ life. Flamenco took prominence during what she now refers to as “act one” of her artistic life. She became renowned as a world-class Flamenco dancer, enjoying a successful career dancing with husband and partner Piero Pata in Madrid. For “act two,” James relocated to the U.S. and focused on her singing career, renewing collaborations with the great jazz musicians who had crossed her path while they traveled through Europe. She and Pata launched Le Coq Records, releasing a series of albums ranging in style from the elegance of the female jazz swing tradition to vintage R&B to the post-bop urgency of the classic Blue Note era.

An estimable professional family has quickly found a home at the label, with Patitucci, Acuña and Cunliffe playing key roles on a number of releases and several musicians making recurring appearances from one recording to the next. On An Evening With…, Patitucci proves an ideal partner for James, bringing his revered tone and musical vision to the project and convening the ideal musicians for each piece.“When choosing personnel for any project,” Patitucci explains, “I try to find the greatest musicians that I have longstanding relationships with, in order to have the opportunity to get more deeply into the music at hand.” Over the course of a career lasting four decades, Patitucci has forged essential collaborations with some of the most acclaimed artists in jazz and beyond, most notably long-lasting partnerships with iconic saxophonist Wayne Shorter and the late Chick Corea.

Speaking of James, Patitucci says, “Andy is a very generous and flexible collaborator. She has a great love for the Great American Songbook. When she sings, her phrasing is reminiscent of so many of the great singers that I grew up listening to. The style that she sings in provides the opportunity to write arrangements for larger orchestrations.”James returns the compliment. “John is very important to my whole performance. Without John’s playing I would have been restricted in the way I could sing and approach every song in the album. John Patitucci brings a deep sound that allows me the freedom to sing with a lot of mood or feeling in my voice. He gives me a lot of space to create a meaningful performance.”

From the intoxicatingly lush opener “Autumn in New York,” with Patitucci’s robust bass matched by a fervent tenor solo by Potter, to the last-call balladry of “Angel Eyes” that closes the set, An Evening with John Patitucci & Andy James features countless classic songs along with a few surprises, including the smoldering James and Pata-penned love song “Burn for Love.”As she did on her previous release, Tu Amor, James reaches into her Latin influences on “Besame Mucho.” In addition to a number of well-known jazz standards James stretches the American Songbook to encompass great pop and rock classics like The Beatles’ “Blackbird” and James Taylor’s “Fire and Rain.”

The choices certainly inspire passionate playing from James and Patitucci’s guests, with standouts including Rick Margitza’s soaring solo on “Fire and Rain,” Terell Stafford’s heart-wrenching take on “Moonlight in Vermont,” and the soulful playing of Potter and John Beasley on the Gerry Goffin/Carole King favorite “Will You Still Love Me Tomorrow.” “The songs came naturally,” James explains. “I just wanted to sing some beautiful songs. The mood I had in mind when choosing these songs was one of love I just wanted people to find love with each other again after the era of Covid!” https://bassmagazine.com/artists/john-patitucci-announces-new-album-an-evening-with-john-patitucci-andy-james

An Evening with Andy James & John Patitucci