Showing posts with label Jake Langley. Show all posts
Showing posts with label Jake Langley. Show all posts

Saturday, January 9, 2016

Jake Langley - Movin' And Groovin'

Bitrate: MP3@320K/s
Time: 52:40
Size: 120.6 MB
Styles: Guitar jazz
Year: 2006
Art: Front

[6:08] 1. Dis Here
[6:56] 2. Jeanine
[7:28] 3. Who Can I Turn To
[4:42] 4. Uptown
[7:57] 5. Canadian Sunset
[5:23] 6. Jingles
[4:32] 7. Take It Easy
[5:11] 8. Minor League
[4:17] 9. Crazy She Calls Me

Jake Langley: guitar; Joey DeFrancesco: Hammond B3; Byron Landham: drums.

It would be wholly inappropriate to say that guitarist Jake Langley "as arrived." In fact, he arrived a long time ago and makes up one third of one of two working bands that Hammond B3 master, Joey DeFrancesco takes on the road. On Movin' & Groovin' DeFrancesco and drummer, Byron Landham return the favor. It is a truly joyful spirit union for the three musicians. Langley believes that during the recording, the spirit of Hammond B3 master, Jimmy Smith moved and grooved with the three musicians, almost like a muse. This is a legend that is easy to subscribe to. After all, Smith bequeathed his beloved instrument to DeFrancesco and to this day the disciple has never disappointed the master.

But here the spotlight is assuredly on Jake Langley. There was a time when he, like many Canadian musicians of his age, was little known outside Canada. Now he tours some 200 days a year, many of these with DeFrancesco and is less known—certainly less heard—in Canada. Fortunately, producer Peter Cardinali has ensured that many an artist has a voice here in Canada. This is his second production for Langley, the first to be available through a distribution arrangement with Ryko in the US. And it is just as well...

Jake Langley is in fine form right from the first curved notes of Bobby Timmons' "Dis Here." There is something about Langley that few guitarists today are able to serve up, and that is, the ability to make their instruments sing like human voices. His, however, is distinct, throaty and soaring, whether he is playing single note lines, octaves or chords. The result is like having a fourth member in the band: a vocalist. This lesser-known Timmons' classic is delivered in inimitable style: racy, bluesy with robust machismo.

Joey DeFrancesco, a class act, is on top of his game, as always. It appears that his instrument—the Hammond B3—is an umbilical extension of him, and that his fingers have minds of their own. He is especially exquisite on Duke Pearson's "Jeanine," with its classic, 'weeping' melodic line. No harm then if the trio favors Pearson with another chart of "Minor League," with its racy, chopped, near-Cubist melody, which textures both Langley and DeFrancesco paint with wonderful colors. Langley also brought two blues charts to the gig. "Take it Easy" is the heavier, more moving track of the two, Langley and DeFrancesco sounding noirish throughout.

Byron Landham and Langley have a rollicking time on "Minor League" as they exchange fours and it is one of the few times that one notices that Landham is, in fact, there at all. So wonderful a listener and steady a cohort is he throughout the gig. Not generally known for flash, Landham is a melodic percussionist who holds his line with classic grace and sophistication and leaves his rhythmic imprint on this fine set, together with Joey DeFrancesco and of course, the leader, Jake Langley. ~RAUL D'GAMA ROSE

Movin' And Groovin'

Sunday, November 22, 2015

Jake Langley - Diggin' In

Bitrate: MP3@320K/s
Time: 77:23
Size: 177.2 MB
Styles: Guitar jazz
Year: 2014
Art: Front

[6:36] 1. Ogd
[8:10] 2. God Bless The Child
[8:16] 3. Cheese Cake
[5:30] 4. The Garage
[6:39] 5. Sugar
[8:13] 6. Blues For Jim San
[9:40] 7. Gibraltar
[6:24] 8. Maya
[5:55] 9. Continental Blues
[4:58] 10. Bolivia
[6:58] 11. Desert Sun

Jake Langley, guitar; Joey DeFrancesco, B3 organ; Terry Clarke, drums.

Sometimes it's nice to get exactly what you expect after reading the cover, no more or less. Guitarist Jake Langley's Diggin' In features organist Joey DeFrancesco and drummer Terry Clarke playing mostly standards in a Wes Montgomery vein. Learning that much by reading the CD cover suggests a contemporary Lee Ritenour-style treatment with enough twists from DeFrancesco's presence for an intelligent recreational listen. The sort of album, in other words, for unwinding after a long day when one isn't ready to completely submit to the mental enema of typical contemporary.

Langley, 30, a Toronto resident selected as Canada's guitarist of the year in the National Jazz Awards, possesses stylings that carries over from studies with Pat Martino and Jim Hall, plus plenty of influence from the Montgomery school. Diggin' In, his third solo album, returns to the lower-key trio playing of his debut Doug's Garage after showcasing a collection of funk/acid/Latin originals with a larger cast on Non Fiction. Consistency is a good summary for this set, never venturing into uncomfortably exploration or hollow mailed-in territory. Langley keeps the melodies recognizable and his soloing elaborates rather than reinterprets. His plucking runs the range of leisurely to lively, easily absorbed without being completely predictable. Montgomery's "O.G.D." has a laid back feel, for instance, but Langley spices it up with a rapid series of post bop runs. He also displays a fine command for upbeat blues on "The Garage," the lone original composition on this album. His blues-ballad rendition of Billie Holiday's "God Bless The Child" is a smooth change of pace, although it fails to leave any lasting impressions. The same might be said for the album as a whole—while it's pleasant, it may not linger beyond the moment the listener hits the "off" switch.

DeFrancesco has more acclaimed outings on his resume, but he isn't being called upon to go all out and delivers well for the setting. His tone and a bit of extra kick compared to Langley's treatments, plus offering some extra depth as an accompanist, are what will spur listeners to pick this over similar trio discs when the mood arises. Clarke gets little time on his own, but generally his loose-style playing feels like a living organism propelling things ahead.

Diggin' In doesn't cover any new territory, but does a good job within the one it does occupy as long as listeners are seeking comfort rather than a life-changing experience. It's also comforting knowing Langley is capable of mixing styles album to album, making his past and future efforts worth keeping an eye on if this one satisfies.

Diggin' In