Showing posts with label Carol Kidd. Show all posts
Showing posts with label Carol Kidd. Show all posts

Sunday, August 22, 2021

Carol Kidd - Crazy for Gershwin

Styles: Vocal
Year: 2000
File: MP3@320K/s
Time: 55:41
Size: 127,9 MB
Art: Front

(3:31) 1. I Got Plenty O' Nuttin'
(3:53) 2. I've got a crush on you
(3:28) 3. Ain't necessarily so
(5:39) 4. Someone to watch over me
(4:05) 5. Little jazz bird
(4:29) 6. Do it again
(3:58) 7. Stormy weather
(3:53) 8. Summertime
(2:19) 9. Sometimes (not often)
(3:32) 10. Is you is or is you ain't my baby
(4:42) 11. Smile
(5:16) 12. Porgy
(3:46) 13. Drifting
(3:02) 14. Rock-a-bye your baby with a dixie melody

For over a decade, jazz singer Carol Kidd has managed to consistently pull in accolades, "Best Awards," and honors from an arena consisting of all-time greats such as Peggy Lee, Ella Fitzgerald, and Sarah Vaughan. Born in Glasgow, Scotland, Kidd has known since she was five years old that she was a singer. While raising three children and running a hotel, she sang part-time all over Britain, performing on-stage and on television. Her full-time professional career began in 1990 when Frank Sinatra issued her an invitation to appear live with him at Ibrox Stadium, Glasgow, in front of a capacity crowd. British jazz lovers gave rave reviews and Kidd was invited to sing at London's internationally acclaimed Ronnie Scott's Club, where she was heard by Tony Bennett. The momentum of her success picked up and she was voted the Best Performer at the Edinburgh International Jazz. In 1990 she also signed with Linn Record, and the label released her debut album, The Night We Called It a Day. The album was voted Best Jazz Recording at the U.K. Musical Retailer's Awards. After being named Best Vocalist at the Cannes International Jazz Awards, Kidd began to receive invitations to appear all over Europe, the Far East, and the United States.

Kidd's respect for the integrity of lyrics often set her apart from other jazz singers, but it was her combination of big band songs and jazz, always sung in perfect pitch, that captured fans. Linn released her sophomore album, I'm Glad We Met in 1991, and Kidd continued performing worldwide throughout the '90s. In 1998, Linn released one album for her, and the Honest label released two more, including the extra popular All My Tomorrows. Honest also came out with a compilation, The Best of Carol Kidd, Vol. 1, in 1998. In April 1998, Kidd had the honor of presenting the prizes at The Duke of Edinburgh's Awards, held at Holyrood Palace in Edinburgh. That same year she met with the Queen and Prince Philip in Windsor Castle at a Reception for the Arts, and she was also listed on The Queen's Birthday Honours List. This was followed in October 1998 by Prince Charles presenting her with the MBE (Services to Jazz) award in Buckingham Palace, and his also requesting that Kidd send him some of her CDs.

Some of the other awards bestowed on Kidd during the '90s were: Best Vocalist from Cannes International Jazz Awards; Best Performer, from Edinburgh Jazz Festival; Best Vocalist, from U.K. Jazz Awards; and Best Jazz Recording, from U.K. Music Retailers Awards. In 2000, Linn released both the compilation Linn Box Two and the album Crazy for Gershwin, which reflected the world's love both for the endearing Gershwin songs and for Kidd. By 2001 three of her tracks had become theme songs for TV soaps in Asia where she had become a major star. In Korea, her rendition of "When I Dream" became the background music for the Korean film Shiri, and she held the number one spot week after week on the Asian Music Box charts over names like Britney Spears, Celine Dion, and Mariah Carey. Linn released A Place in My Heart, with Kidd singing with the legendary Robert Farnon Orchestra, in May 2001. Farnon (born in 1917, Toronto, Canada) lives in Europe and has decades of big band experience composing, arranging, and conducting popular and light music. Recording together, Kidd and Farnon pulled rave reviews with 12 favorite tracks such as "Pennies From Heaven," "The Sunny Side of the Street," "I Get Along Without You Very Well," and "Bewitched, Bothered, and Bewildered." Kidd filled the rest of 2001 with three major concerts in Singapore and one in Cambodia, plus returning once again to her homeland to do a major concert at the Glasgow Royal Concert Hall.~ Eleanor Ditzel https://www.allmusic.com/artist/carol-kidd-mn0000795936/biography

Crazy for Gershwin

Thursday, June 13, 2019

Carol Kidd - That's Me

Styles: Vocal
Year: 1999
File: MP3@320K/s
Time: 57:50
Size: 134,0 MB
Art: Front

(3:44)  1. That's Me
(4:10)  2. When the World Was Young
(2:33)  3. Little White Lies
(3:52)  4. This Bitter Earth
(3:24)  5. You Don't Bring Me Flowers
(3:46)  6. Night and Day
(5:27)  7. This Love of Mine
(3:50)  8. I'm Putting All My Eggs in One Basket
(6:09)  9. I Can't Get Started (With You)
(3:11) 10. Round Midnight
(8:05) 11. Judy Garland Medley: I'm Always Chasing Rainbows/Over the Rainbow/The Trolley Song
(2:40) 12. Let Me Sing and I'm Happy
(3:34) 13. Send In the Clowns
(3:16) 14. Down and Out Blues

For over a decade, jazz singer Carol Kidd has managed to consistently pull in accolades, "Best Awards," and honors from an arena consisting of all-time greats such as Peggy Lee, Ella Fitzgerald, and Sarah Vaughan. Born in Glasgow, Scotland, Kidd has known since she was five years old that she was a singer. While raising three children and running a hotel, she sang part-time all over Britain, performing on-stage and on television. Her full-time professional career began in 1990 when Frank Sinatra issued her an invitation to appear live with him at Ibrox Stadium, Glasgow, in front of a capacity crowd. British jazz lovers gave rave reviews and Kidd was invited to sing at London's internationally acclaimed Ronnie Scott's Club, where she was heard by Tony Bennett. The momentum of her success picked up and she was voted the Best Performer at the Edinburgh International Jazz. In 1990 she also signed with Linn Record, and the label released her debut album, The Night We Called It a Day. The album was voted Best Jazz Recording at the U.K. Musical Retailer's Awards. After being named Best Vocalist at the Cannes International Jazz Awards, Kidd began to receive invitations to appear all over Europe, the Far East, and the United States.

Kidd's respect for the integrity of lyrics often set her apart from other jazz singers, but it was her combination of big band songs and jazz, always sung in perfect pitch, that captured fans. Linn released her sophomore album, I'm Glad We Met in 1991, and Kidd continued performing worldwide throughout the '90s. In 1998, Linn released one album for her, and the Honest label released two more, including the extra popular All My Tomorrows. Honest also came out with a compilation, The Best of Carol Kidd, Vol. 1, in 1998. In April 1998, Kidd had the honor of presenting the prizes at The Duke of Edinburgh's Awards, held at Holyrood Palace in Edinburgh. That same year she met with the Queen and Prince Philip in Windsor Castle at a Reception for the Arts, and she was also listed on The Queen's Birthday Honours List. This was followed in October 1998 by Prince Charles presenting her with the MBE (Services to Jazz) award in Buckingham Palace, and his also requesting that Kidd send him some of her CDs. Some of the other awards bestowed on Kidd during the '90s were: Best Vocalist from Cannes International Jazz Awards; Best Performer, from Edinburgh Jazz Festival; Best Vocalist, from U.K. Jazz Awards; and Best Jazz Recording, from U.K. Music Retailers Awards. In 2000, Linn released both the compilation Linn Box Two and the album Crazy for Gershwin, which reflected the world's love both for the endearing Gershwin songs and for Kidd. By 2001 three of her tracks had become theme songs for TV soaps in Asia where she had become a major star. In Korea, her rendition of "When I Dream" became the background music for the Korean film Shiri, and she held the number one spot week after week on the Asian Music Box charts over names like Britney Spears, Celine Dion, and Mariah Carey. Linn released A Place in My Heart, with Kidd singing with the legendary Robert Farnon Orchestra, in May 2001. Farnon (born in 1917, Toronto, Canada) lives in Europe and has decades of big band experience composing, arranging, and conducting popular and light music. Recording together, Kidd and Farnon pulled rave reviews with 12 favorite tracks such as "Pennies From Heaven," "The Sunny Side of the Street," "I Get Along Without You Very Well," and "Bewitched, Bothered, and Bewildered." Kidd filled the rest of 2001 with three major concerts in Singapore and one in Cambodia, plus returning once again to her homeland to do a major concert at the Glasgow Royal Concert Hall. ~ Eleanor Ditzel https://www.allmusic.com/artist/carol-kidd-mn0000795936/biography

That's Me

Monday, March 16, 2015

Carol Kidd & Brian Kellock - True Love: A Tribute To Cole Porter (Live)

Size: 136,4 MB
Time: 59:08
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. I Love Paris (Live) (4:49)
02. You Do Something To Me (Live) (4:36)
03. I Concentrate On You (Live) (6:03)
04. Get Out Of Town (Live) (4:54)
05. So In Love (Live) (6:06)
06. You'd Be So Nice To Come Home To (Live) (3:14)
07. Don't Fence Me In (Live) (6:58)
08. Why Can't You Behave (Live) (5:41)
09. True Love (Live) (5:27)
10. (You'd Be So) Easy To Love [Live] (5:18)
11. Count Your Blessings (Live) (5:56)

Kidd, who, since 2007 has resided in the sunnier climes of Majorca, makes occasional trips back to Scotland and this time it’s for three reasons. Firstly, for a series of concerts; celebrating her 70th birthday (19 October); and, demonstrating another string to her creative bow, the unveiling of a pop-up art exhibition in Glasgow display her portraits and landscapes.

With a triumphant career in jazz spanning half a century, Carol Kidd is widely recognised as ‘Britain’s finest ballads singer’ (Jazz Review). She has been named ‘Best Vocalist’ at the British Jazz Awards on four occasions and was appointed MBE for Services to Jazz. Kidd is renowned for her impeccable phrasing and delivery along with an unforgettable ability to breathe fresh life into any jazz standard.

Over the last couple of years, she has been performing intimate duo concerts with the renowned Scots pianist, Brian Kellock, and this led to Kidd’s first live recording. Entitled, Carol Kidd Live With Brian Kellock Present Cole Porter it features their interpretations of classic songs including True Love, I Concentrate On You, I Love Paris, So In Love and You Do Something to Me.

True Love

Carol Kidd & Nigel Clark - Tell Me Once Again

Styles: Vocal Jazz
Year: 2011
File: MP3@320K/s
Time: 46:20
Size: 106,7 MB
Art: Front

(3:48)  1. Stormy Weather
(3:30)  2. Moon Blue
(3:08)  3. Alfie
(4:20)  4. Once in a While
(2:46)  5. Tell Me Once Again
(3:12)  6. He Won't Send Roses
(3:59)  7. Moon River
(3:36)  8. I Got Lost in His Arms
(3:25)  9. You Don't Know Me
(4:31) 10. I Loves You Porgy
(4:49) 11. The Shadow of Your Smile
(5:11) 12. The End of a Love Affair

Since launching her career in the mid-’80s, Scottish vocalist Carol Kidd has earned plaudits from Peggy Lee, Ella Fitzgerald, Sarah Vaughan and Tony Bennett. In 1990, Sinatra invited her to open for him in Glasgow and subsequently declared her “the best-kept secret in British jazz.” The Brits, and about two-thirds of the globe particularly Asia, where she is a major star, on par with Michael Bublé and Diana Krall have embraced her. Yet, after nearly a dozen albums, her secret status persists on this side of the pond.

What American listeners are missing out on is an exceptional talent whose phrasing mirrors the clarity and precision of Streisand and whose interpretive skills are perhaps unrivaled. There is an enticing vulnerability about Kidd, an emotional openness that is particularly effective across these dozen tracks, all focused on wistful romantic musings. Kidd’s longtime guitarist Nigel Clark, providing solo accompaniment, gorgeously enhances the pensive mood.

The exquisite tenderness of their kinship extends from the gentle ache of “Once in a While” and “The Shadow of Your Smile” to the muted acquiescence of Jerry Herman’s “He Won’t Send Roses” (originally written from a male perspective as “I Won’t Send Roses” and, possibly for the first time, retold from the woman’s viewpoint). And Kidd also makes her debut as a lyricist, crafting with Clark the sweetly reflective title track. Written after the sudden loss of her partner, John, it explores the warm afterglow of their long relationship. ~ Christopher Loudon  http://jazztimes.com/articles/29392-tell-me-once-again-carol-kidd-nigel-clark

Personnel: Nigel Clark (Guitar), Carol Kidd (Vocal).

Sunday, February 16, 2014

Carol Kidd - The Very Best of Carol Kidd (CD1) And (CD2)

Styles: Vocal Jazz
Year: 2009
File: MP3@320K/s
Time: 65:40 (CD 1)
Size: 151,1 MB (CD 1)
Time: 60:10 (CD 2)
Size: 138,5 MB (CD 2)
Art: Front + Back

CD 1

(3:33)  1. I got plenty of nuthin
(4:48)  2. Geogia on my mind
(2:55)  3. Sing for your supper
(3:52)  4. Then I'll be tired of you
(2:28)  5. I wish I'd met you
(3:28)  6. I'm shadowing you
(2:13)  7. Haven't we met
(5:22)  8. The night we called it a day
(4:37)  9. Autumn in new york/My funny valentine
(2:29) 10. You're cheating yourself
(4:16) 11. Where or when
(3:46) 12. How little we know
(2:15) 13. We'll be together again
(3:57) 14. Don't worry about me
(2:41) 15. Never let me go
(2:18) 16. I'll take romance
(3:40) 17. Lean baby
(4:38) 18. Don't take your love from me
(2:17) 19. Nice work if you can get it


CD 2

(2:08)  1. New York on Sunday
(4:34)  2. When I dream
(2:26)  3. Sometimes (not often)
(2:20)  4. I'm all smiles
(3:01)  5. Bad, Bad Leroy Brown
(3:28)  6. Ain't necessarily so
(2:20)  7. I could have told you so
(4:02)  8. I'm a fool to want you
(1:49)  9. Starting tomorrow
(3:29) 10. I'll guess I'll have to change my plan
(3:06) 11. I fall in love too easily
(3:01) 12. Round Midnight
(2:35) 13. It isn't so bad
(3:51) 14. Don't go to strangers
(4:21) 15. Where are you
(3:21) 16. The more I see you / I've grown accustomed to your face
(3:33) 17. Trouble is a man
(1:38) 18. Bidin' my time
(2:57) 19. Dat dere
(2:01) 20. Please don't talk about me when I'm gone

This album is a composite of tracks from Carol Kidd’s previous albums Crazy for Gershwin, I’m Glad we Met, Nice Work, Debut, All My Tomorrows and The Night We Called it a Day. The backings vary from solo guitar, solo piano, jazz trio, medium sized jazz combo to orchestra with strings.

Carol Kidd is one of the finest female vocalists I have ever heard, of those who are still living, she may well be the best. She has perfect relative pitch, perfect diction and the ability to tell a story with every song she sings. She also has a natural ability to swing and to sound good in any setting. It is amazing that such a fine singer is so undervalued in the UK, when did you last see her on television or hear her records on BBC radio. This compilation by LINN records from their earlier releases is a delight, from the lists above it is easy to see that this is a first class selection of songs. Her artistry is exemplified by the fact that I enjoyed the songs that were unknown to me as much as the familiar ones at a first hearing. It normally takes a couple of hearings for me to get into a new song, but not when the singer is Carol Kidd. 

This album is pure quality all the way, since I received it, it has been constantly on my CD player. It is most unusual to find an album where every track is superb, it rarely happens to me anyway, but this one is the exception. Not only are all the vocals of equal quality, but the various backings are equally good through out. Having heard Carol live on a few occasions, I can tell you that like Ella & Sarah before her, her performance before a live audience is even better.~ Ron Mather   http://www.musicweb-international.com/jazz/2005/Carol_Kidd_very_best.htm