Susannah McCorkle - Dream

Size: 101,1 MB
Time: 39:18
File: MP3 @ 320K/s
Released: 1987
Styles: Jazz Vocals
Art: Front

01. At Long Last Love (3:37)
02. Just For A Thrill (5:08)
03. Train In The Distance (4:07)
04. Bewitched (4:33)
05. All Of Me (3:20)
06. Dream (5:09)
07. I Get A Kick Out Of You (3:04)
08. Sleepy (3:24)
09. Triste (2:59)
10. Longings For A Simpler Time (3:52)

Susannah McCorkle, one of the finest jazz-influenced vocalists to emerge during the 1970's and 80's, sings a wide variety of music on her Pausa disc. In addition to some prebop material (including Cole Porter's "At Long Last Love," a vocalese version of "All Of Me," "I Get A Kick Out Of You" and Johnny Mercer's title cut), she also tackles tunes by Paul Simon, Oscar Brown Jr, Antonio Carlos Jobim and Leiber & Stoller. No matter what the style (she is essentially a swing singer), Susannah McCorkle uplifts each song. She is assisted by the Ben Aronov trio, and occasionally guitarist Gene Bertoncini and tenor-saxophonist Frank Wess. ~by Scott Yanow

Dream

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Peter O'Mara - Tele Time

Size: 174,1 MB
Time: 75:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Blues
Art: Front

01. Teletime (5:38)
02. Swamp Romp (8:45)
03. Big Red (5:29)
04. Underground (6:43)
05. Green Slime (7:22)
06. Scufflin (7:30)
07. Big 57 (7:34)
08. We Got Changes (5:45)
09. Passing Time (7:10)
10. Long Way To Fargo (5:26)
11. To Be Continued (7:35)

Australian guitarist Peter O´Mara has long established himself as one of the world´s best jazz/fusion/blues guitarists with over 20 cd´s to his name. His latest release is Tele Time.

Playing his 1963 Fender Telecaster guitar exclusively, Peter´s music is a strong mix of fusion, blues, soul & groove. Joining him on this recording are renowned US American vibraphonist Tim Collins as well as German keyboarder André Schwager & drummer Sebastian Wolfgruber.

Together this band make music that is completely convincing, from the varied moods of the original compositions, to the breathtaking solo improvisations and dynamic communication within the group. Simply fantastic!

Tele Time

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Ingrid Mapson - Rhythms Of Your Heart

Size: 106,4 MB
Time: 45:37
File: MP3 @ 320K/s
Released: 2015
Art: Front

01. On My Own (From Les Miserables) (3:54)
02. Angel (5:42)
03. Gold (Feat. Rosemary Siemens) (4:40)
04. Can't Help Lovin' Dat Man (From Showboat) (Feat. Eli Bennett) (3:11)
05. Regresa A Mi (Feat. Dave Martone) (4:09)
06. Song Bird (3:15)
07. La Vie En Rose (3:50)
08. Come What May (From Moulin Rouge ) (Feat. Roy Tan) (4:05)
09. Besame Mucho (Feat. Eli Bennett) (3:48)
10. Summertime (Feat. Vince Mai & Eli Bennett) (5:01)
11. Moon Love (3:58)

Her Voice: “Ingrid has an instrument with a rich, round, warm, honeyed color, and is very much at home in a variety of styles”, says renowned American-Canadian musical director and conductor Clyde Mitchell, who has worked with artists such as Michael Buble, Mel Torme and David Foster and every major Canadian orchestra. Ingrid is widely admired for her soulful and soothing interpretations of popular adult contemporary favorites as well as her dynamic and playful renditions of show tunes and light jazz classics. Her sound has the warmth of Diana Krall, the purity of Eva Cassidy and tenderness of Sarah McLachlan.

Her Appearances: Ingrid has most recently enchanted audiences in Symphony Pops engagements with Lions Gate Sinfonia (North Vancouver, 2013, 2014) the Thompson Valley Orchestra (British Columbia, 2015), and has appeared as soloist with Canadian Choral icon Larry Nickel, the 2010 Olympics Cariboo Stage, pianist JD Daniels (Paul Anka, Donnie Osmond, Beyonce), Michael Creber (k.d. Lange, Raffi), as well as with various choirs, jazz combos, orchestras and big bands throughout British Columbia.

Her Concerts: Ingrid's passion lies in masterfully connecting with her audiences through her vibrant stage shows. Performing with either a small combo or a full orchestra, her show is carefully planned so it's seamless in presentation whether she is singing timeless favorites like Danny Boy, Besame Mucho (Spanish), Can't Help Lovin' Dat Man (Showboat), and Summertime or heartfelt ballads like On My Own (Les Misérables), La Vie en Rose (French), and Songbird. Ingrid has built her show based on Nashville's renowned Live Music producer, Tom Jackson (Taylor Swift). His method is an industry proven technique for engaging audiences naturally night after night. Ingrid is a master at connecting with her listeners.

Her Accolades: Ingrid Mapson brings crowds to their feet with her “amazingly versatile voice that seems to effortlessly span genres” and her “rare ability to sincerely connect to her audience” (Miles Black, Juno Award winning producer/ multi instrumentalist/ composer.)

Her Album: Ingrid's Rhythms of Your Heart (2015) album is produced by Grammy-nominated producer Daryl Bennett and features the outstanding talents of Vancouver musicians: Daryl Bennett (cello, drums, percussion, orchestral programming, engineer, mixer), Roy Tan (piano, vocals, arrangements, orchestral programming ), Eli Bennett (saxophone), Vince Mai (trumpet), Dave Martone (guitar), Adam Thomas (bass) and the glamorous Rosemary Siemens (violin). Combined, this team of musicians have won several accolades and have performed and recorded with artists such as Sarah McLachlan, Michael Buble, Natalie Cole, Nickelback, and The Temptations.

Rhythms Of Your Heart

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Rob Tardik - Moments

Size: 115,9 MB
Time: 50:01
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Smooth Jazz, Guitar Jazz
Art: Front

01. Sip & Salsa Sip And Salsa (3:41)
02. Rite Of Passage (Feat. Will Donato) (4:05)
03. Moments (5:01)
04. Eros (Feat. Walle Larsson) (4:57)
05. Hang Time (3:56)
06. Serendipity (Feat. Will Donato) (4:20)
07. Stop Stop! (3:27)
08. Reflections (4:27)
09. A New Life (3:48)
10. Voyageur (3:45)
11. Moments (Instrumental) (4:30)
12. Rite Of Passage (Feat. Will Donato) (Radio Version) (3:58)

Canadian guitarist Rob Tardik can always be relied upon to deliver all original contemporary jazz that, invariably, is wrapped in a deliciously mellifluous package and this is exactly what he done with his latest project, ‘Moments’. It follows ‘Limitless’ that garnered no less than four hit singles and now, with a veritable bevy of guest artists on board, ‘Moments’ looks set to do exactly the same.

Take for example the intensely Latin ‘Sip and Salsa’ (that Tardik writes with Nate Harasim) or ‘A New Life’ which has a similar ‘south of the border’ feel to it. Both afford the album a modicum of urgency and much the same can be said of the upbeat ‘Stop!’ where fellow Canadian Walle Larsson comes up big on sax.

Sax-man Will Donato steps up to lend a hand on the free flowing, easy on the ear, ‘Rite Of Passage’ (which here is also offered as a radio edit) and he sticks around for the mellow ‘Serendipity’ that, when you break it right down, is exactly what contemporary jazz circa 2015 should all be about.

Producer and guitarist Steve Oliver is a presence throughout and none more so than with the easy grooving ‘Eros’ while elsewhere another Tardik – Oliver master-class comes in the form of the decidedly atmospheric ‘Reflections’.

The slightly ‘boppy’ style that Tardik occasionally employs is front back and centre of the groove drenched ‘Hang Time’. It features a stunning bass line from the always excellent Roberto Vally and is in complete contrast to the wonderfully deconstructed ‘Voyageur’ that, quite simply, is beauty personified.

In terms of personal favourites, a real hidden gem is the distinctly soulful ‘Moments In Time’. Although also provided as an instrumental, it is the vocal take on the tune that checks every smooth jazz box imaginable. Not withstanding snippets of trumpet from the hugely underrated Gabriel Mark Hasselbach, the cool singing voice of Aiden Castillo coupled with equally good backing of Dee and Brittani Cole take this one to a whole new level.

In an era where the genre is dominated by stand-alone singles and covers ‘Moments’ is a brilliant find and well worth checking out.

Moments

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Traci Cooper - Stepping Stone

Size: 118,6 MB
Time: 51:04
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals
Art: Front

01. The Best Is Yet To Come (4:08)
02. After The Lovin' (3:30)
03. Too Darn Hot (2:51)
04. Lilac Wine (4:40)
05. Love Will Follow (5:13)
06. So Nice/So Danço Samba (Jazz 'n' Samba) (3:53)
07. Getting Some Fun Out Of Life (4:09)
08. The Very Thought Of You - My One And Only Love (5:08)
09. Stepping Stone (4:09)
10. Close Your Eyes (3:27)
11. No Soap, No Hope Blues (4:03)
12. You Go To My Head (5:47)

Stepping Stone, the debut album from vocalist Traci Cooper accompanied by some of Houston's finest jazz musicians, features your favorite jazz standards along with a few pop tunes. It's guaranteed to delight you.

I've always loved music. I can remember lying on my mom's bed as a child listening to her portable radio until I started my own collection of records and could listen to whomever I chose.

I would sing along with Barbara Streisand, Carole King, Dionne Warwick and many others, imagining I was on stage with them, imagining having an album of my own.
In junior high, I joined choir and continued with it in high school and then in college at Stephen F. Austin State University in Nacogdoches where I was truly inspired by fellow musicians and awesome teachers. I've been a teacher, myself, for the last 28 years, teaching choir for the first six years and English as a Second Language (ESL) ever since.

So why did I make this album? For the last few years, I have been singing at various venues around the Houston, Friendswood, and Clear Lake area- a lot of Jazz, a lot of Easy Listening - and during set breaks, I kept being asked, "When are you going to put out a CD?" I guess they liked what they were hearing!
So...here I am. Stepping Stone will be the beginning of a new season in the life of Traci Stone Cooper, a stepping stone to new adventures. I hope you will enjoy it as much as I have enjoyed making it.

I chose songs for this album that reflect my own experiences, that I've enjoyed singing live, and that Jane Vandiver, my awesome producer, coach, and friend has recommended. Without her, Stepping Stone would have never happened. I don't believe in coincidences. She stepped into my life at just the right time. "For I know the plans I have for you," declares the Lord. I truly believe she is a part of those plans.

I do want to mention one song that has a special place in my heart. My father was a traveling salesman when I was growing up and sometimes during the summer months, I would get to travel with him. I would close my eyes on those long road trips and listen to one 8-track tape after another. But one song in particular was very special to me- Engelbert Humperdinck's After the Lovin'. I've put this song on my album as a special tribute to my dad. ~Traci

Stepping Stone

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Harry Allen - Something About Jobim

Size: 130,7 MB
Time: 56:25
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz, Brazilian Rhythms
Art: Front

01. Dindi (7:28)
02. Chovendo Na Roseira (3:31)
03. Captain Bacardi (4:12)
04. Sue Ann (3:20)
05. Theme For Jobim (6:09)
06. Mojave (6:55)
07. Falando De Amor (4:45)
08. Antigua (4:18)
09. Angela (7:01)
10. Voce Vai Ver (3:38)
11. Tema Jazz (5:02)

Fathers serious about seeing their sons one day becoming famous athletes begin developing their offspring's skills at a very young age. In the case of Harry Allen's father, who was a big-band drummer, he played jazz records each day for Harry before he went off to kindergarten. Starting off with accordion lessons, there was a fortuitous switch to saxophone later. Attending Rutgers University, Allen studied saxophone with Sahib Shihab, Bob Mintzer, and John Purcell. In 1989, he graduated from Rutgers with a degree in jazz tenor saxophone. While at Rutgers, Allen got his first gig with the help of master bass player Major Holley, where he replaced Zoot Sims at a studio recording with John Bunch, George Masso, Bucky Pizzarelli, and Ruby Braff. During the session, Dizzy Gillespie dropped by. Quite heady company for a young tenor player doing his first recording. Wholley also led Allen to Oliver Jackson, who Allen subsequently accompanied on several tours to Europe. A 1986 session with Kenny Barron was Allen's first recording date. After that, Allen had 19 recordings to his name for such labels as Progressive, Audiophile, and Nagel-Heyer. Later, his recordings were with major label RCA-Victor. Three of his discs have been awarded a Gold Disc by Swing Journal Magazine and his CD Tenors Anyone won both the Gold Disc and New Star awards. He has recorded as a sideman with Bucky Pizzarelli (with whom he performs quite frequently), Warren Vache, and Jeff Hamilton. Allen's musical inspiration and interpretive approach come from the giants and innovators of mainstream saxophone, including Coleman Hawkins, Ben Webster, Stan Getz, Illinois Jacquet, and Lester Young. Unlike many of his contemporaries, Allen has pretty much eschewed the modern, avant-garde, and impressionist schools of jazz of John Coltrane, Archie Shepp, and Ornette Coleman. Allen continues to record extensively and makes frequent appearances at jazz festivals and concerts.

Something About Jobim

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Woody Herman - Songs For Hip Lovers

Styles: Vocal Jazz
Year: 1999
File: MP3@320K/s
Time: 38:13
Size: 89,2 MB
Art: Front

(3:25)  1. Makin' Whoopee
(2:38)  2. Won't Dance
(2:51)  3. I Guess I'll Have to Change My Plans
(3:36)  4. Willow Weep for Me
(2:32)  5. Moon Song
(3:23)  6. Can't We Be Friends?
(3:26)  7. Comes Love
(3:01)  8. Ev'rything I've Got
(3:06)  9. Alone Together
(3:26) 10. Bidin' My Time
(3:20) 11. Isn't This a Lovely Day?
(3:22) 12. Louise

Woody Herman left his clarinet and alto sax behind for this all vocal release. Herman is a swinging, friendly singer heard doing such time-tested standards as the humorous "Makin' Whoopee," a more upbeat than typical "Willow Weep For Me," and "I Won't Dance." The musicians from each of the two sessions provide strong accompaniment: "Sweets" Edison, Charlie Shavers, and Ben Webster are outstanding and Marty Paich's arrangements fit Herman's style rather well. Although not an essential CD for everyone, this is a fun session that shouldn't be dismissed out of hand. ~ Ken Dryden  http://www.allmusic.com/album/songs-for-hip-lovers-mw0000239436
 

Featuring: Woody Herman (vcl), Harry Edison (tp), Bill Harris (tb), Ben Webster (ts), Ted Nash (as, fl), Jimmy Rowles (p), Barney Kessel (g), Joe Mondragon (b) Larry Bunker, Alvin Stoller (d), Frank DeVol (cond.)

Songs For Hip Lovers

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Steve Lawrence & Eydie Gorme - It's Us Again

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 26:37
Size: 61,5 MB
Art: Front

(2:20)  1. It's Us Again
(2:49)  2. Sunday, Monday and Always
(2:21)  3. I Thought About You
(3:04)  4. Like Someone In Love
(2:37)  5. Ain't Love
(2:07)  6. Aren't You Glad You're You
(3:03)  7. But Beautiful
(2:48)  8. All About Love
(3:12)  9. Tell Her I Said Hello
(2:10) 10. I Wish You Were Mine

One of the rarer items in the Steve & Eydie discography, It's Us Again is an LP recorded as a promotional item for Silvirkin shampoo. On the ten songs, Steve Lawrence and Eydie Gorme duet on four tracks, the title tune, "Ain't Love Grand," "Aren't You Glad You're You," and the closer, "I Wish You Were Mine." Gorme takes solos on "Sunday, Monday or Always," "Like Someone in Love," and "All About Love," and Lawrence also has three solos: "I Thought About You," "But Beautiful," and "Tell Her I Said Hello." The performances are typical of the couple, separately and together, with the kind of post-swing big-band and string arrangements they generally use. Fans who come across copies will be glad they did, but only completists would want to spend serious money to obtain the disc. [Lawrence and Gorme issued the album on CD through their label, GL Music, with six bonus tracks, but that disc went out of print. The album has also been reissued by other firms.] https://itunes.apple.com/us/album/its-us-again/id327676166

It's Us Again

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The Ray Charles Singers - Love And Marriage

Styles: Vocal, Soul

Year: 2010

File: MP3@320K/s

Time: 34:46

Size: 80,8 MB

Art: Front

(2:44)  1. Love And Marriage

(3:07)  2. Love Is The Sweetest Thing

(2:34)  3. I Wanna Get Married

(2:51)  4. The Girl That I Marry

(2:54)  5. Love Is A Simple Thing

(3:00)  6. Let's Fall In Love

(3:04)  7. Waltz Down The Aisle

(3:07)  8. Love Is A Many Splendored Thing

(2:57)  9. Love Is The Reason

(3:09) 10. Love Is Here To Stay

(2:52) 11. I Married An Angel

(2:20) 12. To Have And To Hold

Love And Marriage

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Richard Elliot - Rock Steady

Styles: Saxophone Jazz
Year: 2009
File: MP3@320K/s
Time: 53:07
Size: 122,3 MB
Art: Front

(4:34)  1. Move On Up
(5:06)  2. Straight Up
(4:36)  3. Yaquala
(4:22)  4. Restless
(4:18)  5. Retro Boy
(4:34)  6. License To Chill
(4:23)  7. Candice Dance
(5:07)  8. Rock Steady
(4:51)  9. The Preacher
(4:49) 10. Spindrift
(6:21) 11. Keep On Truckin'

Richard Elliot has a history of picking the right tune and wrapping his signature sax sound around it witness People Make The World Go Round from Metro Blue, which topped the radio charts for 11 weeks. Now it's time to Rock Steady featuring the famed Aretha anthem, as well as first radio single Curtis Mayfield's Move On Up. Rock Steady also boasts appearances by: Gerald Albright, Rick Braun and Jeff Lorber among others. ~ Editorial Reviews  http://www.amazon.com/Rock-Steady-Richard-Elliot/dp/B001VIRKRG

Personnel: Richard Elliot (saxophone, tenor saxophone); Lynne Fiddmont (vocals); Dwight Sills (guitar); Rick Braun (strings, trumpet, programming); Gerald Albright (alto saxophone, tenor saxophone, bass guitar); Nick Lane (trombone); Tim Gant (keyboards, bass synthesizer, programming); Jeff Lorber, Philippe Saisse (keyboards, programming); Ron Reinhardt (keyboards); Ricky Lawson (drums); Luis Conte (percussion).

Rock Steady

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Cordova Reunion - Argentina Jazz

Styles: Latin Jazz
Year: 2006
File: MP3@320K/s
Time: 54:00
Size: 124,0 MB
Art: Front

(1:47)  1. Pajas Blancas
(5:21)  2. Danza de las Madres
(4:19)  3. La Oncena
(6:08)  4. Ya Está
(4:23)  5. Una vez más
(5:52)  6. Chacaraca
(3:40)  7. Sueño'e Zamba
(3:59)  8. Río Xanaes
(5:35)  9. Marcari
(7:22) 10. La del Cuarteto
(5:30) 11. Zamba del Tiempo'e Naupa

Córdoba Reunión is made of the meeting of four high profile jazz musicans from the European scene who share a common origin - the town of Cordoba in Argentina and the same passion for Argentina jazz, to which they simply intend to turn the world into!!! To succeed in this friendly evangelization task, Córdoba Reunión has got an ultimate weapon: a unique talent to bring the house down! By crossing over improvised music with Argentina rythms (tango, zamba, chacarera, milonga, chaya) with a creativity, a musical quality and freedom of expression truely effervescent, those musicans have the power to immediately captivate any type of audience, far beyond the traditionnal community of jazz amateurs. If jazz connaisseurs are literally thrown by their virtuosity, no one can really stay unmoved by the vitality and spectrum of emotions this 'cuarteto' is capable to put across with such an outright talent and spontaneity. Welcome to the cheerful and magnificient Argentina jazzland!

In 1978, the young Cordobeses Di Giusto, Girotto, Buschini and Garaÿ were celebrating the goals of another child of the country Mario Kempes  who were making Argentina the winner of the World Cup. A break in the middle of the worst time of political repression. Then, a few years later, those children of Cordoba got to move abroad. Destination: USA or Europe, France for the percussionist Minino Garaÿ, Italy for the sax player Javier Girotto. The latter has built a rich career made of multiple collaborations with musicians as prestigious as Enrico Rava or Roberto Gatto. He has now become in Italy the most widely acclaimed Argentinian musician as the leader of his own jazzband « Aires Tangos ». The meeting with the pianist Gerardo Di Giusto and the bass player Carlos Buschini makes an interesting demonstration of a composition work that holds a dialogue between jazz harmonies and the traditional music from the Cordoba Region (ie: Chacareras among others). In this context, especially impressive are the improvisations of outright lyricism of Javier Girotto, in genuine successor of the best Gato Barbieri and the refined and held-back mastering of Di Guisto. A Unique repertoire, shared among Buschini, Di Giusto and Girotto, performed with the highest intensity and emotion, with some references to melodies as mythical as the Carnavalito and, above all, an expressive sense of thematic construction. A very nice record, featuring Mercedes Sosa (on one title) and paying a compassionate tribute to the Mothers of the Plaza de Mayo, the 'Danza de las Madres'. Francisco Cruz [from French] ~ Jazzman

The four Argentinian musicians of Córdoba Reunión, rich of the most various musical experiences and coming from the same region of Córdoba, have set up this jazz quartet in 1999. From the magic of this unique meeting and the help of the Swiss Italian Radio « Rete Due » is born their first album « Argentina Jazz ». Here comes a definitely up-to-date sharp cutting jazz where sheer moments of grace and restrained delicacy alternates with the feverish expression of passions deeply imprinted of melancoly. Here comes an atmosphere typically Argentinian although is doesn't particularly relate to Tango. From time to time, the alto sax player Javier Girotto drops some desperately declamatory and gasping phrasing that are not without reminding us of Gato Barbieri, the unmatched master. The highly subtle recalling the pianist Gerardo Di Giusto makes of « Carnavalito » in the « Ya Esta » title appears like an explicit tribute to the tenor of the Fenix period. Futhermore, the ample pianismo of Gerardo Di Giusto is somehow reminiscent of Mc Coy Tyner torrid exotism of the title « Sahara » from the « Atlantis » album. Hence, the interpretation comes out even more restrained and intimate in the compositions of Carlos Buschini and in the title « Marcari » written by Javier Girotto. In the third title - La Oncena -comes Mercedes Sosa's voice, guttural and direct, whose intonations go up in crescendo, and which is especially well supported here by the altogether original and thin color of Brizuela's guitar. [from Italian] ~ Muscia Jazz

Distance tends to change the way we look at things. The essential stands out more as and when details fades out. This is exactly what is happening with Córdoba Reunión who, in their first album, are paying a new visit to rythms and themes that are specific to the Argentine music. Argentina Jazz, the album title, only keeps of Argentine music what is essential, to then better raise it to a dimension that can relate to the Universal. If in their album one can trace back expressions of the traditional Argentine music, it is only go further beyond its natural horizon and explore from there new territories. Hence, the Zambas, Milongas, Huaynos and Chacareras rythms are making up a new jazzitic vocabulary that makes all the room necessary for improvisation. Crossing over styles is nevertheless a risky business that sometimes produces the best music - when the magic works sometimes the worst, when it fails to escape from a pale imitation of worn out models.

The excellence of interpretation, the quality of improvisation and solid arrangements allow Córdoba Reunión to easily avoid such a pitfall. Hence, the most mature album title is « La Oncena », the master piece of Edouardo Lagos. We have an interpretation here that stands out with some VIPs: Mercedes Sosa and her delightful guitarist Colacho Brizuela. A title that altogether demonstrates the superb work of the soprano sax player Javier Girotto. Their evocative power therefore probably comes out as the most distinctive character of this quartet. It is the case for instance with the first title -« Pajas Blancas » - reminiscent of « La Telesita », or of « Ya Esta », the « huayno » Javier Girotto is wonderfully helping himself out in taking inspiration from themes such as « Fuego en Animania » and « El humahuaqueno ». With this first album, what we are witnessing is a constant succession of new beginnings in which Argentine music reaches no less than its climax. This time, thanks to the work of four exceptional musicians. An exercice that indeed is not totally new in itself, but that nevertheless remains delightful when it reaches such a level of excellence. [from Spanish] ~ La Voz  Editorial Reviews http://www.amazon.com/Argentina-Jazz-Cordoba-Reunion/dp/B000SZ82LG

Argentina Jazz

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