Tuesday, February 3, 2015

Abbie Gardner - My Craziest Dream

Bitrate: MP3@320K/s
Time: 49:09
Size: 112.5 MB
Styles: Vocal
Year: 2004
Art: Front

[2:33] 1. Happy Feet
[3:07] 2. It's Only A Paper Moon
[2:27] 3. You'd Be So Nice To Come Home To
[3:57] 4. Under A Blanket Of Blue
[3:44] 5. Them There Eyes
[4:15] 6. Cheek To Cheek
[3:12] 7. I Had The Craziest Dream
[2:40] 8. Your Mother's Son-In-Law
[3:03] 9. I Can't Give You Anything But Love
[3:24] 10. Please Don't Talk About Me When I'm Gone
[3:39] 11. Mean To Me
[3:04] 12. Tuxedo Junction
[3:40] 13. Ain't Misbehavin
[2:43] 14. Staten Island
[3:35] 15. Gunshots And Sirens

A young singer, Abbie Gardner has a pleasing voice and swings while sticking close to the vintage lyrics and melodies that she interprets. Clearly, her most important inspiration is her father, veteran swing pianist Herb Gardner, who also contributes background vocals on a few numbers. They perform 13 tunes that are mostly from the late 1920s and early '30s, assisted greatly by the fluent and creative playing of Dan Levinson on clarinet (where his sound is just a little reminiscent of Tony Parenti) and tenor. Some of the numbers are warhorses but a few others "("Happy Feet," "Under a Blanket of Blue" and "Your Mother's Son-in-Law" in particular) are not performed all that often. Clearly, father and daughter had a fun time performing this music. The final two numbers -- a tribute to Herb's home ("Staten Island") and the humorous "Gunshots and Sirens" -- feature Herb on a pair of good-time vocals. This CD is easy to enjoy and shows that Abbie Gardner is a singer with strong future potential. ~Scott Yanow

My Craziest Dream

Ira B. Liss Big Band Jazz Machine - It's About Time

Bitrate: MP3@320K/s
Time: 73:48
Size: 169.0 MB
Styles: Big band
Year: 2013
Art: Front

[6:21] 1. Perdido
[5:58] 2. American Gothic (Feat. Steve Steinberg)
[4:47] 3. Some Other Time (Feat. Janet Hammer)
[9:13] 4. The Salt Shaker (Feat. Dean Brown & Bernie Dresel)
[5:01] 5. Go 'way Moon (Feat. Bill Cantos, Janet Hammer & Nathan Fry)
[7:48] 6. Four On Six (Feat. Dean Brown)
[6:38] 7. Sally O (Feat. Eric Marienthal)
[4:52] 8. That Old Black Magic (Feat. Nathan Fry)
[3:44] 9. The Epitome Of The Ballad
[7:24] 10. Softly As In A Morning Sunrise (Feat. Gilbert Castellanos)
[5:05] 11. When The Sun Comes Out (Feat. Janet Hammer)
[6:52] 12. Glory, Glory (Feat. Wayne Bergeron)

So are there any first-rate big bands worth hearing in California outside of the Los Angeles area? So happy you asked. As a matter of fact, San Diego is solidly entrenched in that position thanks to the superb Ira B. Liss Big Band Jazz Machine which, coincidentally, has recorded a spectacular new album, It's About Time. Even though the Jazz Machine is now thirty-five years old, its various working parts remain untarnished, ensuring that no mishaps or glitches arise to impair a consistently bright and exhilarating studio session.

To further underwrite its success, Liss persuaded a number of prominent friends and colleagues to lend a hand. And lend a hand they do, from guitarist Dean Brown ("The Salt Shaker," "Four on Six") to pianist Bill Cantos (his own "Go 'Way Moon"), alto saxophonist Eric Marienthal ("Sally 'O'"), percussionist Bernie Dresel ("The Salt Shaker") and trumpeters Gilbert Castellanos ("Softly as in a Morning Sunrise") and Wayne Bergeron ("Glory, Glory"). Impressive as they are, however, the Jazz Machine readily keeps pace, unleashing some powerful weapons of its own. Tenor David Castel De Oro and trombonist David Murray are exemplary on Juan Tizol's venerable "Perdido," as are tenor Steve Steinberg (the late Bob Berg's "American Gothic"), pianist Steve Sibley ("Some Other Time"), flugel Ella Steinberg ("Go 'Way Moon," Ray Brown's "The Epitome of the Ballad"), alto Dick McGuane ("Glory, Glory") and drummer Charlie McGhee ("The Salt Shaker," "Four on Six").

Even with such outstanding personnel, there are times when a lack of engaging charts can sink an enterprise. Happily, that is not the case here, as every arrangement—including five by maestro-in-residence Chris Braymen—is sharp and seductive. The Army Blues' Alan Baylock scored Wes Montgomery's "Four on Six" (on which a guitar / sax section soli recreates Montgomery's original solo) and "Morning Sunrise," trombonist Tom Garling "When the Sun Comes Out," and Mike Crotty, former chief arranger for the USAF Airmen of Note, "American Gothic." Ray Brown wrote and arranged "Epitome of the Ballad" (whose handsome solos are by Steve Steinberg, Ella Steinberg and trumpeter Randy Aviles), the late Peter Herbolzheimer "Sally 'O.'" Rob Vuono Jr. arranged "That Old Black Magic," one of the album's four vocals (by Nathan Fry). Fry duets with Janet Hammer on "Go 'Way Moon," while Hammer has center stage to herself on "Some Other Time" and Harold Arlen / Ted Koehler's "When the Sun Comes Out." "Glory, Glory," co-written by Braymen and one of the album's four dedicatees, Maynard Ferguson, requires an especially strong lead trumpet. Enter Bergeron, one of the world's foremost section supervisors, who makes sure nothing lands short of exceptional.

San Diego, it's said, is a wonderful place to visit, an opinion that can only be enhanced by the presence there of a world-class ensemble such as the Big Band Jazz Machine. If the local Chamber of Commerce hasn't bought into that, It's About Time it did. ~Jack Bowers

Ira B. Liss: leader; Chris Braymen: composer, arranger; Randy Aviles: trumpet; Mark Nicholson: trumpet; Les Kepics: trumpet (1-4, 8, 9, 11); John Reynolds: trumpet (5-7, 10, 12); Ella Steinberg: trumpet, flugelhorn; Dick McGuane: alto, soprano sax, flute, piccolo (1, 2, 4-6, 10, 12); Glenn Richardson: alto sax, flute (3, 8, 9, 11); Tyler Richardson: alto sax, flute, clarinet; Steve Steinberg: tenor sax, clarinet, flute; Dave Castel De Oro: tenor sax, clarinet, flute; Ross Rizzo Jr.: baritone sax, bass clarinet; Gary Bucher: trombone; David Murray: trombone; David Barnard: trombone (5-7, 10, 12); Todd Jobin: trombone (3, 8, 9, 11); Jordan Morita: trombone (1, 2, 4); Tim Hall: bass trombone; Steve Sibley: piano; Lance Jeppesen: bass; Charlie “Stix” Mcghee: drums; Janet Hammer: vocals; Nathan Fry: vocals. Special Guest Artists – Wayne Bergeron: trumpet (12); Dean Brown: guitar (4, 6); Bill Cantos: piano (5); Gilbert Castellanos: trumpet (10); Bernie Dresel: percussion; Eric Marienthal: alto sax (7).

It's About Time

Charles McPherson - Come Play With Me

Bitrate: MP3@320K/s
Time: 60:41
Size: 138.9 MB
Styles: Hard bop, Saxophone jazz
Year: 1995/2008
Art: Front

[4:41] 1. Get Happy
[9:15] 2. Lonely Little Chimes
[6:50] 3. Marionette
[7:16] 4. Pretty Girl Blues
[6:34] 5. Darn That Dream
[5:53] 6. Bloomdido
[7:12] 7. Jumping Jacks
[5:42] 8. Fun House
[7:13] 9. Blues for Camile

Charles McPherson, who will always be best known for his roots in Charlie Parker's style and his period with Charles Mingus, proves on this CD to still be in his musical prime decades later. Although he had rarely played with any of the sidemen heard on his Arabesque release before, the quartet presents a unified sound, as if they were a regularly working group. McPherson performs three veteran standards and six originals, with most of the latter being closely related to the blues; "Pretty Girl Blues" sounds like a mixture of a couple of Bird lines and "Fun House" is based on "Limehouse Blues," while the best of the new compositions is the hard bop boogaloo "Marionette." But no matter what the vehicle, McPherson is in top form throughout this fine date and he sounds clearly inspired by the presence of pianist Mulgrew Miller, bassist Santi Debriano, and drummer Lewis Nash. ~Scott Yanow

Come Play With Me

Jessica Elbert - Anlage

Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 42:09
Size: 111,6 MB
Art: Front

(6:40)  1. Dindi
(3:41)  2. A Little Tear
(3:14)  3. I Like You, You're Nice
(3:40)  4. I Thought About You
(3:56)  5. And the Angles Sing
(7:22)  6. Midnight Sun
(4:35)  7. Four
(3:37)  8. I Remember You
(5:19)  9. You are My Sunshine

An exciting new Vocal Jazz artist out of New York City, with beautiful phrasing paired with unbelievable vocal quality that breathes new life into old jazz favorites. Singing since the age of five, Jessica Elbert was raised in a family of singers, getting her start in church and school choirs. Jessica was fourteen when she began formal classical vocal training with Joan Kaplon in Gaithersburg, Maryland, and has since studied with a variety of notable vocal teachers, including Lisa Campbell Albert in St. Louis, Missouri, Judy Niemack in Naperville, Illinois, and Ellen Shade and Phil Hall in New York City. 

During her college years, Jessica was the recipient of numerous vocal awards, including “Best Soloist” by the International Championship of Collegiate A Cappella (ICCA) in 2001 and other nods from Contemporary A Cappella Recording Awards (CARA) as a runner up for the “Best Mixed Collegiate Song” for one of her solo works, and was also included on the Best of Collegiate A Cappella (BOCA) in 2002 for another of her solo works. Since graduating from Washington University in St. Louis in 2002, Jessica has lived in New York City, pursuing her singing career. After exploring a number of musical genres during her early years in New York, a chance series of events led her to study with Peter Eldridge, a noted Jazz Musician and teacher. Jessica put away the arias, show tunes and pop, and has focused on the study of Jazz ever since.

Jessica is thrilled to release her debut album "Anlage", an exciting collection of songs with accompaniment by such notables as tenor saxophonist Joel Frahm. Anlage is a blend of popular standards (I Remember You, Midnight Sun) and Brazilian classics (Dindi, A Little Tear), all that showcase Jessica's remarkable talent and stunning ability so early into her career. http://www.cdbaby.com/cd/jessicaelbert

Anlage

Dave Brubeck - Jazz Impressions of Eurasia

Styles: Saxophone And Piano Jazz
Year: 1958
File: MP3@320K/s
Time: 39:51
Size: 91,8 MB
Art: Front

(7:23)  1. Nomad
(6:55)  2. Brandenburg Gate
(5:02)  3. The Golden Horn
(3:35)  4. Thank You (Dziekuje)
(6:59)  5. Marble Arch
(9:54)  6. Calcutta Blues

In 1958, the Dave Brubeck Quartet, one of the most popular jazz groups in the world, played 80 concerts in 14 countries during a three-month period. To salute the marathon road trip, the pianist/leader composed six songs for a new recording (which is now out on this CD). "Nomad" and "Brandenburg Gate" are the best-known originals but all of the other selections are equally enjoyable, featuring fine solos from Brubeck and altoist Paul Desmond. ~ Scott Yanow  http://www.allmusic.com/album/jazz-impressions-of-eurasia-mw0000073287

Personnel:  Dave Brubeck – piano; Paul Desmond - alto saxophone.

Jazz Impressions of Eurasia

David Benoit - Earthglow

Styles: Piano Jazz
Year: 2010
File: MP3@320K/s
Time: 48:21
Size: 113,2 MB
Art: Front

(3:55)  1. Botswana Bossa Nova
(4:33)  2. Will's Chill
(4:08)  3. Unbelievable
(4:40)  4. Easy Day
(4:14)  5. Straightaway
(3:25)  6. New Creation
(4:25)  7. Earthglow
(4:06)  8. Sneaky As A Cat
(4:13)  9. Downtime
(4:35) 10. Brownie's Gone
(6:02) 11. Freedom At Midnight (The Schroeder Variations)

Having emerged at a time when many smooth jazz artists seemed to be in competition to sound alike, David Benoit has always been able to distinguish himself. The pianist has earned five Grammy nominations, and has successfully moved from orchestral to jazz to pop, sometimes mixing all three with other sounds. Those other sounds include Latin and Brazilian, which are woven into the tapestry of Earthglow. Accompanying Benoit is a varied supporting cast that includes trumpeter Rick Braun, saxophonist Jeff Kashiwa and flutist Tim Weisberg. "Unbelievable" begins with Brad Dutz's unaccompanied percussive sounds, joined by Braun's muted trumpet and Benoit's piano. David Hughes' electric bass sets the groove during the song's main theme. After a quiet passage, with piano complemented by some ethereal keyboards sounds, the funk comes out, with Hughes and drummer Jamey Tate paving the way. During another quiet passage, Braun breaks out the flugelhorn, accompanied only by piano. The song shifts back and forth between the groove and the placid. One of the strongest songs in the set is also the shortest, "New Creation."

With the percussion giving it a Latin vibe, Benoit enjoys a spirited jaunt, first on piano and then on Rhodes. He packs lot into a limited window. "Sneaky as a Cat" features Braun on muted trumpet and Weisberg. The melody has a prowling, inner-city vibe, while the background injects some bossa nova, which is an underlying rhythm on a few other tracks. Weisberg's middle solo is accompanied at first only by piano and tablas, but bass and drums join in later. Tate employs some varied textures on the cymbals. Earthglow is named for the album art, a photo of Earth supplied by NASA. It's Benoit's first recording of original music in four years. The album's one cover tune hardly deserves to be called that. It's a new arrangement of a Benoit classic, melded with Beethoven's "Moonlight Sonata," as if played by the character Schroeder from the Peanuts animated television series, of which Benoit has enjoyed a long association. The title of this anthem: "Freedom at Midnight (The Schroeder Variations)."~ Woodrow Wilkins  http://www.allaboutjazz.com/earthglow-david-benoit-heads-up-international-review-by-woodrow-wilkins.php
 
Personnel: David Benoit: piano, Rhodes, synthesizers, sequencer programming; David Hughes: acoustic and electric bass; Jamey Tate: drums; Brad Dutz: percussion; Rick Braun: trumpet and flugelhorn; Jeff Kashiwa: alto and tenor sax; Pat Kelly: electric and acoustic guitar; Tim Weisberg: flute, alto flute and bass flute; James Saez: electric guitar (3).