Friday, January 29, 2016

Duško Goykovich - Soul Connection

Bitrate: MP3@320K/s
Time: 70:22
Size: 161.1 MB
Styles: Hard bop, Trumpet jazz
Year: 1993
Art: Front

[9:49] 1. Soul Connection
[7:07] 2. Ballad For Miles
[8:49] 3. Inga
[7:48] 4. I'll Close My Eyes
[9:51] 5. Blues Time
[7:27] 6. Adriatica
[6:03] 7. Nyc
[4:19] 8. Blues Valse
[9:06] 9. Teamwork Song

Bass – Eddie Gomez;Drums – Mickey Roker; Piano – Tommy Flanagan; Tenor Saxophone – Jimmy Heath (tracks: 1, 3, 5, 6, 9); Trumpet, Flugelhorn – Duško Goykovich.

Trumpeter Dusko Goykovich, a fixture in Germany for decades, has had few of his recordings available in the United States. This Enja CD is an exception, an excellent quartet/quintet date with pianist Tommy Flanagan, bassist Eddie Gomez, and drummer Mickey Roker; tenor saxophonist Jimmy Heath is on five of the nine selections. Goykovich, whose hero was Miles Davis (one of his eight originals on this session is called "Ballad for Miles"), has a mellow tone and a likable swinging style. This relaxed CD is an excellent example of his talents. ~Scott Yanow

Soul Connection

The Jazz Makers, The Jazz Five - The Jazzmakers & The Jazz Five

Bitrate: MP3@320K/s
Time: 79:16
Size: 181.5 MB
Styles: Contemporary jazz
Year: 2014
Art: Front

[3:53] 1. The Country Squire
[3:35] 2. Pitiful Pearl
[4:00] 3. The Moonbather
[6:30] 4. The Real Funky Blues
[5:15] 5. It's A Big Wide Wonderful World
[4:51] 6. Blues For The Five Of Us
[3:41] 7. I Won't Fret If I Don't Get The Blues Anymore
[4:21] 8. How Long Has This Been Going On
[7:00] 9. There It Is
[7:10] 10. The Five Of Us
[7:45] 11. 'pon My Soul
[6:15] 12. The Hooter
[9:30] 13. Autumn Leaves
[5:23] 14. Still Life

Ronnie Ross (bs), Art Ellefson (ts), Stan Jones (p), Stan Wasser (b), Allan Ganley (d) / Vic Ash (ts), Harry Klein (bs), Brian Dee (p), Malcom Cecil (b), Bill Eyden, Tony Mann (d).

Twofer: Tracks #1-8, from the 12" album "Ronnie Ross & Allan Ganley - The Jazz Makers". Tracks #9-14, from the 12" album "The Jazz Five - The Hooter!’”.

This CD presents two of the best English modern jazz combos of the late 50s and early 60s, both sharing the same instrumentation. Two outstanding British talents, baritone saxophonist Ronnie Ross and drummer Allan Ganley, launched The Jazz Makers in 1958, recruiting the delightful tenor of Art Ellefson for an impressively balanced and imaginative front line, with pianist Stan Jones and bassist Stan Wasser completing a formidable rhythm section. Ross, always a strong, coherent and inventive soloist, blended intuitively with Ellefson’s warm, flowing style and the results were filled with tremendous snap, vigour and musicality. It was a superb ensemble which produced compelling results and much music to remember.

The Jazz Five was formed in 1960 by baritone Harry Klein and tenor Vic Ash, two consistent, capable and accomplished soloists. Klein a confident, self-assured performer, was an assertive and swinging player, while Vic Ash possessed an outgoing, fluent approach, making him an ideal front-line partner. On a well written set of five originals and one standard, their ensemble had a bruising impact, with the rhythm section rounding out the group effectively, thanks in no small measure to the stimulating style of pianist Brian Dee, one of the highlights of this reunion.

The Jazzmakers & The Jazz Five

Pat Morrissey - Standing Pat: Pat Morrissey Swings Songs Of Love

Bitrate: MP3@320K/s
Time: 29:43
Size: 68.1 MB
Styles: Easy Listening
Year: 2013
Art: Front

[2:03] 1. It's You Or No One
[2:42] 2. He Needs Me
[2:24] 3. Trapped In The Web Of Love
[2:11] 4. Mean To Me
[2:35] 5. The More I See You
[2:20] 6. Day In Day Out
[1:50] 7. I Can't Believe That You're In Love With Me
[1:58] 8. I Hadn't Anyone Till You
[3:32] 9. I'm A Fool About Someone
[3:11] 10. Easy Living
[3:15] 11. Weak For The Man
[1:37] 12. Everybody Loves My Baby

Standing Pat: Pat Morrissey Swings Songs Of Love

Hot Club Of Derbytown - The Thomas Family Winery Live!

Bitrate: MP3@320K/s
Time: 58:22
Size: 133.6 MB
Styles: Gypsy jazz
Year: 2007
Art: Front

[4:04] 1. Shine
[4:18] 2. Minnie The Moocher
[3:52] 3. Deep River Blues
[4:27] 4. Tchavalo Swing
[3:47] 5. Smike Smoke Smoke (That Cigarette)
[4:53] 6. Brain Cloudy Blues
[4:03] 7. After You've Gone
[4:02] 8. Kentucky Means Paradise
[3:47] 9. Hal C. Blake
[4:43] 10. Nuages
[3:46] 11. Talking Head Blues
[4:34] 12. Have A Little Dream On Me
[3:12] 13. Knock Knock
[4:48] 14. Sweet Georgia Brown

The Hot Club of Derbytown re-creates the hot sounds of vintage jazz produced in Paris in the 1930s and 40s produced by the Quintet of the Hot Club Of France featuring legendary jazz guitarist Django Reinhardt and the virtuoso swinging violinist Stephane Grappelli. We threw in a gypsy swing number, some Western Swing and swingy blues to round it out. Veteran performers Tom Cunningham (fiddle and vocals), 'Django' Jim Webb (guitar and vocals), and Blue 'Bleu' Murphy (bass and vocals) bring this sophisticated and energetic music to life once again, along with red-hot gypsy melodies and old-time blues and ragtime music. Throw in some Western Swing and you’ve got a swinging good party!

Jim Webb grew up in Washington, DC, and has played music professionally almost 40 years. He is a farmer, educator, ethnomusicologist who played with the Juggernaut Jug Band for several years. Jim was a KY Arts Council Artist in the Schools for 10 years, developing and implementing folk arts programs for the classroom. He played in the Falls City Ramblers and many other local bluegrass bands in Louisville. He has done research on British traditional music in Edinburgh, Scotland and played at the Philadelphia Folk Fest, Winfield, Silver Dollar City, Branson, MI, Sacramento Jazz Festival, National Press Club, Las Vegas Jazz Festival, KET Specials, Kent State Folk Festival, Kentucky FolkLife Fest., Somerset Master Musician Festival, Augusta Heritage Center Concert, Dollywood, Nashville Now. He has opened for Livingston Taylor, Norman Blake, Jonathan Edwards, Jimmy Martin, Frank Wakefield, Lester Flatt, John McEuen.

Tom Cunningham grew up in Pittsburgh, PA, but moved to Louisville 5 years ago. Tom is a multi-instrumentalist, singer-songwriter, performer and teacher, and creator of FiddleTales. He has been instrumental in founding, playing and arranging for many of Pittsburgh's best-known acoustic/bluegrass bands, including bluegrass bands The Flying Cunninghams, The Rank Strangers, swing band The Swing Shifters, and the contra dance band Band du jour. In Louisville, Tom has played with several top acoustic bands, including Flat Possum; The Hot Club of Derbytown; Blue Murphy and the Doghouse Serenaders; and The Next Exit. In addition, he has played (and acted) in many theatre productions, including: Woody Guthrie’s American Song, Grapes of Wrath, Christmas at Plum Creek, Quilters and Desire Under the Elms, at Pittsburgh’s City Theatre, Starlight Productions, Prime Stage Theatre and the University of Pittsburgh Theatre Department. The City Theatre production of Woody Guthrie’s American Song toured 4 states in 1995-96.

Blue Murphy started playing music in hippie drum circles when he was 19. He says, “Near that time, a friend had a bamboo flute he couldn't play, so he gave it to me. It was a Japanese flute called a shakuhachi. It was end-blown without the usual hole near the top. No one could get a sound out of it, so I spent a day and a half making myself dizzy until it finally sounded. It became an extension of my arm after that. My friend John Paul and I started a duo called OneSong. We did drums and flute and poetry. Somehow or another I lost the flute and didn't play anything for a couple of years. I found I couldn't live without playing music, so I picked up the bass. I've been playing ever since. I've been in a folk rock band, an Irish/Old-time band (Ten Penny Bit), a few Bluegrass bands, and most recently in a gypsy swing band.”

The Thomas Family Winery Live!

Connie Francis - Do The Twist

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 74:50
Size: 172,5 MB
Art: Front

(2:10)  1. Mr. Twister
(2:27)  2. Teach Me How To Twist
(2:15)  3. Johnny Darlin'
(2:39)  4. Telephone Lover
(2:36)  5. Ain't That Better Baby
(2:42)  6. Mommy Your Daughter's Falling In Love
(2:50)  7. Drop It Joe
(1:58)  8. Kiss 'n' Twist
(2:29)  9. I Won't Be Home To You
(2:27) 10. My Real Happiness
(2:37) 11. Hey Ring-A-Ding
(2:49) 12. Does Ol' Broadway Ever Sleep
(2:59) 13. Gonna Git That Man
(2:32) 14. It Happened Last Night
(2:28) 15. Send For My Baby
(2:44) 16. Someone Else's Boy
(2:14) 17. I Walk The Line
(2:26) 18. I'm Gonna Be Warm This Winter
(1:58) 19. Hearts Of Stone
(2:28) 20. Baby Roo
(2:18) 21. Oh Lonesome Me
(2:56) 22. Don't Cry On My Shoulder
(2:13) 23. Playin' Games
(2:21) 24. Pretty Little Baby
(2:01) 25. Ein Boy Für Mich: Kiss 'n' Twist
(2:26) 26. Too Many Rules
(2:16) 27. I'm Movin' On
(2:40) 28. Valentino
(2:51) 29. It's Gonna Take Me Some Time
(2:45) 30. You're Gonna Miss Me

Born on December 12, 1938, in Newark, New Jersey, Connie Francis won television's Startime Talent Scouts at age 12 and signed with MGM Records. She performed "Who's Sorry Now" on American Bandstand, and it became an immediate hit. In 1974, Francis was the victim of a brutal rape in her hotel room. Her lawsuit led to improved security measures throughout the hotel industry. For years after she was assaulted, Francis didn't perform. She returned to the stage in the early 1990s and released an autobiography Who's Sorry Now, in 1984. Singer and actress Connie Francis was born Concetta Franconero, on December 12, 1938, in Newark, New Jersey. The daughter of George Franconero, a roofing contractor, Connie won first prize on Arthur Godfrey's Startime Talent Scouts television show at age 12, and performed on the show for four years. Godfrey convinced her to change her real last name to Francis after he had difficulty pronouncing it.

Francis signed with MGM Records in 1955 after she was rejected by nearly every major recording label. MGM released her first recording, "Freddy" because the president of MGM had a son named by the same name. During the next two years, she recorded a number of mediocre songs. Francis was all set to quit music and study pre-med at NYU on scholarship when her father convinced her to record a decades-old tune, "Who's Sorry Now." Dick Clark introduced the song on his Bandstand TV show in 1958, and it became an immediate hit, selling a million copies less than six months after release. She started working with songwriters Neil Sedaka and Howie Greenfield, and recorded a string of hits, including "Stupid Cupid," "Lipstick on Your Collar," "Everybody's Somebody's Fool," "My Heart Has a Mind of Its Own" and "Don't Break the Heart That Loves You." Francis is primarily known for her singing career, but she played the lead in a number of films created for teenagers in the early 1960s. She starred in four motion pictures, Where the Boys Are (1960), Follow The Boys (1963), Looking For Love (1964) and When The Boys Meet The Girls (1965).  http://www.biography.com/people/connie-francis-9542086#film-career

Do The Twist

Benny Carter All Stars - Benny Carter All Stars

Styles: Saxophone Jazz
Year: 2004
File: MP3@320K/s
Time: 59:22
Size: 136,5 MB
Art: Front

(10:32)  1. Easy Money
( 5:27)  2. Memories Of You
( 4:39)  3. Here's That Rainy Day
( 8:47)  4. Blues For Lucky Lovers
( 5:34)  5. Work Song
( 6:33)  6. When Lights Are Low
( 6:24)  7. Just Friends
( 4:30)  8. Lover Man (Oh Where Can You Be)
( 6:51)  9. What Is This Thing Called Love

To say that Benny Carter had a remarkable and productive career would be an extreme understatement. As an altoist, arranger, composer, bandleader, and occasional trumpeter, Carter was at the top of his field since at least 1928, and in the late '90s, Carter was as strong an altoist at the age of 90 as he was in 1936 (when he was merely 28). His gradually evolving style did not change much through the decades, but neither did it become at all stale or predictable except in its excellence. Benny Carter was a major figure in every decade of the 20th century since the 1920s, and his consistency and longevity were unprecedented.

Essentially self-taught, Benny Carter started on the trumpet and, after a period on C-melody sax, switched to alto. In 1927, he made his recording debut with Charlie Johnson's Paradise Ten. The following year, he had his first big band (working at New York's Arcadia Ballroom) and was contributing arrangements to Fletcher Henderson and even Duke Ellington. Carter was with Henderson during 1930-1931, briefly took over McKinney's Cotton Pickers, and then went back to leading his own big band (1932-1934). Already at this stage he was considered one of the two top altoists in jazz (along with Johnny Hodges), a skilled arranger and composer ("Blues in My Heart" was an early hit and would be followed by "When Lights Are Low"), and his trumpet playing was excellent; Carter would also record on tenor, clarinet (an instrument he should have played more), and piano, although his rare vocals show that even he was human.

In 1935, Benny Carter moved to Europe, where in London he was a staff arranger for the BBC dance orchestra (1936-1938); he also recorded in several European countries. Carter's "Waltzing the Blues" was one of the very first jazz waltzes. He returned to the U.S. in 1938, led a classy but commercially unsuccessful big band (1939-1941), and then headed a sextet. In 1943, he relocated permanently to Los Angeles, appearing in the film Stormy Weather (as a trumpeter with Fats Waller) and getting lucrative work writing for the movie studios. He would lead a big band off and on during the next three years (among his sidemen were J.J. Johnson, Miles Davis, and Max Roach) before giving up on that effort. 

Carter wrote for the studios for over 50 years, but he continued recording as an altoist (and all-too-rare trumpeter) during the 1940s and '50s, making a few tours with Jazz at the Philharmonic and participating on some of Norman Granz's jam-session albums. By the mid-'60s, his writing chores led him to hardly playing alto at all, but he made a full "comeback" by the mid-'70s, and maintained a very busy playing and writing schedule even at his advanced age. Even after the rise of such stylists as Charlie Parker, Cannonball Adderley, Eric Dolphy, Ornette Coleman, and David Sanborn (in addition to their many followers), Benny Carter still ranks near the top of alto players. His concert and recording schedule remained active through the '90s, slowing only at the end of the millenium. After eight amazing decades of writing and playing, Benny Carter passed away quietly on July 13, 2003 at a Los Angeles hospital. He was 95. https://itunes.apple.com/gb/artist/benny-carter/id2984502#fullText

Personnel: Benny Carter (alto saxophone); Nat Adderley (vocals, trumpet); Horace Parlan (piano); Red Norvo (vibraphone); Ronnie Gardiner (drums).

Benny Carter All Stars

Cab Calloway - The Hi-De-Ho Man

Styles: Big band, Swing
Year: 1994
File: MP3@320K/s
Time: 48:18
Size: 110,9 MB
Art: Front

(2:55)  1. St Louis Blues
(3:12)  2. Minnie The Moocher
(3:05)  3. St James Infirmary
(3:19)  4. Nobody's Sweetheart
(3:23)  5. Six Or Seven Times
(3:15)  6. You Rascal, You
(3:10)  7. Kickin'The Gong Around
(3:02)  8. Between The Devil And The Deep Blues Sea
(3:13)  9. Minnie The Moocher's Wedding Day
(3:08) 10. The Seat Song
(2:30) 11. Bugle Call Rag
(2:56) 12. Blues In My Heart
(2:36) 13. Sweet Georgia Brown
(2:27) 14. Mood Indigo
(3:10) 15. Dinah
(2:48) 16. Aw You Dawg

Cabell "Cab" Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was strongly associated with the Cotton Club in Harlem, New York City, where he was a regular performer. Calloway was a master of energetic scat singing and led one of the United States' most popular big bands from the start of the 1930s to the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86. More..https://en.wikipedia.org/wiki/Cab_Calloway

The Hi-De-Ho Man