Saturday, December 10, 2016

Cedar Walton, Jimmy Heath - The Very Best Of Cedar Walton And Jimmy Heath

Bitrate: MP3@320K/s
Time: 38:16
Size: 87.6 MB
Styles: Bop, Piano jazz
Year: 2013
Art: Front

[5:06] 1. The Quota
[5:09] 2. Thinking Of You
[4:51] 3. Bells And Horns
[5:44] 4. Down Shift
[4:35] 5. Lowland Lullaby
[6:26] 6. When Sunny Gets Blue
[6:21] 7. Funny Time

One of the most valued of all hard bop accompanists, Cedar Walton was a versatile pianist whose funky touch and cogent melodic sense graced the recordings of many of jazz's greatest players. He was also one of the music's more underrated composers; although he was always a first-rate interpreter of standards, Walton wrote a number of excellent tunes ("Mosaic," "Ugetsu," and "Bolivia," to name a few) that found their way into Art Blakey's book during the pianist's early-'60s stint with the Jazz Messengers. In addition to his many quantifiable accomplishments, Walton is less well known as the first pianist to record, in April 1959 with John Coltrane, the tenorist's daunting "Giant Steps" -- unlike the unfortunate Tommy Flanagan a month later, Walton wasn't required to solo, though he does comp magnificently. Walton was first taught piano by his mother. After attending the University of Denver, he moved to New York in 1955, ostensibly to play music. Instead, he was drafted into the Army. Stationed in Germany, Walton played with American musicians Leo Wright, Don Ellis, and Eddie Harris. After his discharge, Walton moved back to New York, where he began his career in earnest. From 1958-1961, Walton played with Kenny Dorham, J.J. Johnson, and Art Farmer's Jazztet, among others. Walton joined Blakey in 1961, with whom he remained until 1964. This was perhaps Blakey's most influential group, with Freddie Hubbard and Wayne Shorter. Walton served time as Abbey Lincoln's accompanist from 1965-1966 and made records with Lee Morgan from 1966-1968; from 1967-1969, Walton served as a sideman on many Prestige albums as well. Walton played in a band with Hank Mobley in the early '70s and returned to Blakey for a 1973 tour of Japan. Walton's own band of the period was called Eastern Rebellion, and was comprised of a rotating cast that included saxophonists Clifford Jordan, George Coleman, and Bob Berg; bassist Sam Jones; and drummer Billy Higgins. From the '80s onward, Walton continued to lead his own fine bands, releasing numerous albums including The Maestro in 1980, Cedar Walton Plays in 1986, and Composer in 1996, followed a year later by Roots, featuring trumpeter Terence Blanchard and saxophonist Joshua Redman. In 2001 Walton released The Promise Land, his debut for Highnote, which was followed by Latin Tinge in 2002, Underground Memoirs in 2005, and Seasoned Wood with trumpeter Jeremy Pelt in 2008. Walton was joined by saxophonist Vincent Herring on Voices Deep Within in 2009. Herring was also featured along with trombonist Steve Turre on The Bouncer in 2011. Cedar Walton died at his home in Brooklyn on August 19, 2013; he was 79 years old. ~ Chris Kelsey

The Very Best Of Cedar Walton And Jimmy Heath

Hot Club Roma - Django Mon Amour

Bitrate: MP3@320K/s
Time: 39:23
Size: 90.2 MB
Styles: Gypsy jazz
Year: 2011
Art: Front

[3:17] 1. Souvenir De Villingen
[2:51] 2. Django's Tiger
[3:56] 3. Minor Blues
[2:25] 4. Marcia Alla Turca
[3:23] 5. Douce Ambiance
[3:17] 6. Bossa Dorado
[4:16] 7. In A Sentimental Mood
[2:07] 8. Minor Swing
[3:12] 9. Place De Brauch
[3:32] 10. Limehouse Blues
[5:41] 11. Tears
[1:18] 12. Moreno Solo

Moreno Viglione - guitar; Gianfranco Malorgio - rhythm guitar; Emanuele Rastelli - accordeon; Tim Kliphuis - violin; Marco Loddo - bass.

Django Mon Amour

Barbara Dickson - The Collection

Bitrate: MP3@320K/s
Time: 66:18
Size: 151.8 MB
Styles: Easy Listening
Year: 1987/2007
Art: Front

[3:28] 1. Come Back With The Same Look In Your Eyes
[4:10] 2. We Were Never Really Out Of Love
[2:31] 3. Now I Don't Know
[3:33] 4. It's Really You
[3:46] 5. January February
[4:13] 6. Hold On
[4:08] 7. Only Seventeen
[3:39] 8. Surrender To The Sun
[3:23] 9. Take Good Care
[3:25] 10. The Long And Winding Road
[3:48] 11. Will You Love Me Tomorrow
[3:10] 12. Run Like The Wind
[4:10] 13. Here We Go
[3:42] 14. Tell Me It's Not True
[3:13] 15. The Crying Game
[3:23] 16. A World Without Your Love
[4:43] 17. As Time Goes By
[3:45] 18. One False Move

As a multi-million selling recording artist with an equally impressive Olivier Award winning acting career, Barbara Dickson OBE has firmly established herself as one of the most enduring and popular artistes in Britain today. Born in Dunfermline, Scotland, Barbara’s love of music was evident from an early age – she began studying piano at the age of five and by twelve had also taken up the guitar. She developed an interest in folk music whilst at school which led to floor spots singing at her local folk club. After relocating to Edinburgh, she went on to combine a day job in the Civil Service whilst steadily pursuing her first love, music, in local pubs and clubs. The watershed moment came in 1968 when, after being refused leave from her job for an overseas singing engagement, Barbara resigned, determined to pursue a career for herself in the burgeoning folk scene of the late ‘60’s.

The next few years saw her gradually ‘paying her dues’ on the Scottish and English folk circuit, steadily building a reputation and working with the likes of Billy Connolly, Gerry Rafferty, Rab Noakes and Archie Fisher. Early folk albums, which she recorded for Trailer and Decca Records, were well received. Barbara readily admits that she would have been happy to continue her life as a travelling folk musician, but a meeting with an old friend, musician and playwright Willy Russell, in Liverpool in the early 70s was to change the course of her career completely.

Willy offered Barbara the role of the musician/ singer in his 1974 Beatles’ musical ‘John, Paul, George, Ringo… and Bert’, staged at Liverpool’s Everyman Theatre. She was on stage throughout the entire performance singing the songs of The Beatles alongside a cast which included Antony Sher, Bernard Hill and Trevor Eve. The show was a huge success and after a sell-out Liverpool season it transferred to London’s West End. After seeing Barbara’s performance in the show, impresario Robert Stigwood, the head of RSO Records, signed her to his label.

The Collection

The Turtles - Save The Turtles: The Turtles Greatest Hits

Bitrate: MP3@320K/s
Time: 50:25
Size: 115.5 MB
Styles: AM Pop, Sunshine pop
Year: 2009
Art: Front

[2:53] 1. Happy Together
[2:13] 2. It Ain't Me Babe
[2:18] 3. She'd Rather Be With Me
[2:16] 4. You Baby
[2:31] 5. Elenore
[2:21] 6. Let Me Be
[2:33] 7. She's My Girl
[2:07] 8. Outside Chance
[3:11] 9. You Showed Me
[2:38] 10. Can I Get To Know You Better
[2:46] 11. Story Of Rock And Roll
[3:40] 12. Love In The City
[2:30] 13. Me About You
[2:45] 14. You Don't Have To Walk In The Rain
[2:02] 15. You Know What I Mean
[2:47] 16. Sound Asleep
[2:39] 17. Makin' My Mind Up
[2:21] 18. Grim Reaper Of Love
[2:42] 19. Guide For The Married Man
[1:03] 20. Chevrolet Camaro Commercial

The Turtles, led by the intertwined vocals of Howard Kaylan and Mark Volman, sounded initially like a second-tier version of the Byrds when their version of Bob Dylan’s “It Ain’t Me Babe” hit the radio in 1965, but by the time the band called it quits a couple of years later, they had developed into a smooth-sounding, good-natured pop group. This 20-track survey of the band’s history, selected by Kaylan and Volman, hits all the key tracks, including “It Ain’t Me Babe,” a fine version of P.F. Sloan’s “Let Me Be,” the Ray Davies-produced “Love in the City,” and the big pop hits “Happy Together” and “Elenore.” A special treat is a previously unissued Chevrolet Camaro radio commercial that finds the Turtles gleefully hawking cars, complete with a voice cameo from Warren Zevon. ~Steve Leggett

Save The Turtles: The Turtles Greatest Hits

The New Morty Show - Mortyfied!

Bitrate: MP3@320K/s
Time: 44:16
Size: 101.3 MB
Styles: West Coast jazz, Retro Swing
Year: 1998
Art: Front

[4:11] 1. Baby What's Up
[3:28] 2. White Wedding/Rebel Yell Medley
[3:29] 3. Out Of Control
[3:51] 4. 15 Months In Jail
[3:43] 5. Buddah's Bounce
[6:50] 6. Blue Martini
[3:15] 7. In The Groove
[3:48] 8. Shoppin' Mall Mama
[2:50] 9. Knockin' At Your Door
[2:48] 10. Enter Sandman
[5:58] 11. Caldonia

While it seems a paradox to say covers of rock anthems are reinvention, it is when The New Morty Show does it. People say the current swing trend is short lived, but a fresh take on good music, like Mortyfied, is always in style. The band's songs tend to have some unexpected hook, lyrically or musically, that keep you coming back. The New Morty Show seems to dare to ask the question with their covers of "White Wedding" and "Enter Sandman," is it so wrong just to have fun with the music? Some of the album may be a little rough around the edges, but it only seems to enhance the gritty, by-the-seat-of-your-pants attitude the band exudes. The New Morty Show strikes the perfect balance between the over the top Cherry Poppin' Daddies and the sedate Big Bad Voodoo Daddy. This group has an amazing live energy, which I don't think any recording could capture, but this offering comes close. Mortyfied will be a favorite in an collection! ~Amazon

Mortyfied!

Wycliffe Gordon & Ron Westray - Bone Structure

Styles: Trombone Jazz 
Year: 1996
File: MP3@320K/s
Time: 62:58
Size: 144,7 MB
Art: Front

(7:08)  1. Coming is Going...
(4:47)  2. What?!
(4:43)  3. Modern Nostalgia
(4:36)  4. It's Time
(5:18)  5. Rhythm Cone
(5:42)  6. Blooz
(7:36)  7. New Beginnings
(7:38)  8. Esoteric Advent
(4:17)  9. Everyday...
(5:33) 10. Way Back When
(5:36) 11. Mayfest Junction

For this set, the two young trombonists Wycliffe Gordon and Ron Westray provide plenty of fireworks both in their individual solos (which are consistently colorful) and in the ensembles. Teamed up with pianist Marcus Roberts, bassist Reginald Veal and drummer Herlin Riley, Gordon and Westray perform 11 originals that they wrote or co-wrote.

The music sometimes looks toward the swing tradition but also has some post bop and fairly free selections. The extroverted personalities (and occasional humor) of the co-leaders make this often-rambunctious set of strong interest.~ Scott Yanow http://www.allmusic.com/album/bone-structure-mw0000185683

Personnel: Wycliffe "Pine Cone" Gordon (trombone, tuba); Ron Westray (trombone); Marcus Roberts (piano); Reginald Veal (bass); Herlin Riley (drums).

Bone Structure

Miriam Aida - My Kind Of World

Styles: Jazz, Vocal
Year: 2008
File: MP3@320K/s
Time: 48:14
Size: 110,9 MB
Art: Front

(4:52)  1. Big City
(4:24)  2. I Was Doing All Right
(1:20)  3. Intro: If I Had You
(6:05)  4. If I Had You
(3:02)  5. No More
(3:32)  6. What A Difference A Day Made
(3:17)  7. To Say Goodbye
(3:24)  8. My Kind Of World
(3:25)  9. Thou Swell
(2:39) 10. With You I'm Born Again
(4:49) 11. Yesterdays
(4:02) 12. Remember
(3:17) 13. What A Little Moonlight Can Do

Miriam Aïda, born 24 September 1974, is a Swedish jazz singer. Aïda is one of Sweden's most popular jazz singers. She has toured internationally, performing at the Blue Note in Tokyo, in London, Paris, Istanbul, Moscow, Helsinki, Oslo, Palermo, Berlin and across Sweden. She has appeared on Swedish national television. Aïda's music is influenced by many musical traditions, including Latin American, and she attained success with a Brazilian music-inspired album Meu Brasil. She performs with her partner, saxophonist Fredrik Kronkvist, and has since her 2002 debut released five albums with Kronkvist and the Jan Lundgren Trio. She lives in Malmö, where she manages a jazz club named Monk. https://en.wikipedia.org/wiki/Miriam_A%C3%AFda

The first solo album by the versatile artist Miriam Aïda, one of Swede’s leading jazz singers. Miriam expresses her powerful voice in a swinging soul jazz session. The album includes tunes like the classic “What a Difference a Day makes”, the soulful “Big City”, beautiful ballads and a passionate Bossa Nova. Miriam Aïda shares her deep soul in this wonderful debut that shows us a singer with great timing, jazz feel and a true sensitivity to tell a story with music. https://miriamaida.wordpress.com/music-2/

Personnel:  Vocal -Miriam Aida;  Acoustic Guitar – Mats Andersson;  Bass – Martin Sjöstedt;  Drums – Lars Källfelt;  Flute – Fredrik Kronkvist;  Guitar – Elias Källvik;  Percussion – Måns Block;  Piano – Daniel Tilling;  Saxophone – Fredrik Kronkvist;  Trumpet – Mårten Lundgren

My Kind Of World

Kim Bock - Flow

Styles: Saxophone Jazz
Year: 2010
File: MP3@256K/s
Time: 53:43
Size: 98,6 MB
Art: Front

(8:44)  1. To Part
(5:09)  2. Tip Of The Hat
(5:33)  3. Ellis Island
(6:12)  4. Graceful Motions
(6:43)  5. Yin Yang
(7:34)  6. Different Bag Of Tricks
(8:14)  7. Dial's Waltz
(5:29)  8. True Blues

Kim Bock formed a tenor/organ/drums trio a couple of years prior to this 2010 record date with Soren Moller and Peter Retzlaf, though this is hardly a typical soul-oriented jazz session like many such trios. Instead, Bock and Moller contributed original compositions that fall more into post-bop and modal jazz. Moller's "To Part" proves to be an infectious opener, with Bock's hard-edged tenor and the organist's soft mambo bassline. The organist's engaging "Ellis Island" has a Latin flavor and an air of celebration. Bock's lush ballad "Graceful Motions" is a richly textured work, with Retzlaff's soft brushwork and Moller's understated solo. 

The saxophonist's turbulent "Different Bag of Tricks" is modal jazz as its best, with several surprising twists on the journey, while his "Yin Yang" is an upbeat cooker that seems to glide along in a carefree manner. Throughout the date the musicians seem very much of one mind as they explore each number, making it sound effortless in the process.~ Ken Dryden http://www.allmusic.com/album/flow-mw0002106071

Personnel: Kim Bock (tenor saxophone); Soren Moller (Hammond b-3 organ); Peter Retzlaff (drums).

Flow

Jazz Crusaders - Lookin' Ahead

Styles: Jazz, Big Band
Year: 1962
File: MP3@320K/s
Time: 35:39
Size: 83,1 MB
Art: Front

(4:04)  1. Song Of India
(5:00)  2. Big Hunk Of Funk
(2:54)  3. Tonight
(3:58)  4. 507 Neyland
(3:35)  5. Till All Ends
(4:26)  6. Tortoise And The Hare
(3:24)  7. In A Dream
(4:40)  8. Sinnin' Sam
(3:37)  9. The Young Rabbits

The Jazz Crusaders' second recording is most notable for the introduction of Wayne Henderson's "The Young Rabbits," the best-known of the seven group originals which are performed on this LP along with "Song of India" and Leonard Bernstein's "Tonight." The tenor-trombone frontline created by Wilton Felder and Henderson, along with the funky yet swinging playing of pianist Joe Sample, drummer Stix Hooper and bassist Jimmy Bond on this hard-to-find set made the group instantly recognizable and surprisingly popular from the start.~ Scott Yanow http://www.allmusic.com/album/lookin-ahead-mw0000891016

Personnel: Jimmy Bond (Bass); Sticks Hooper (Drums); Joe Sample (Piano); Wilton Felder (Tenor Saxophone); Wayne Henderson (Trombone).

Lookin'Ahead

The Modern Jazz Quartet - The Last Concert

Styles: Cool Jazz, Bop
Year: 2011
File: MP3@320K/s
Time: 91:19
Size: 210,5 MB
Art: Front

(6:29)  1. Softly, As in a Morning Sunrise
(5:31)  2. The Cylinder
(7:53)  3. Summertime
(5:42)  4. Trav'lin'
(7:50)  5. Blues in A Minor
(7:29)  6. One Never Knows
(6:45)  7. Bag's Groove
(4:56)  8. Confirmation
(7:38)  9. 'Round Midnight
(5:24) 10. A Night in Tunisia
(5:30) 11. The Golden Striker
(6:37) 12. Skating in Central Park
(6:16) 13. Django
(7:14) 14. What's New?

Not really the last concert ever from the Modern Jazz Quartet but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match. 

Milt Jackson's vibes are chromatically aligned in this amazing way with the piano of John Lewis and somehow the live recording seems to bring out even more tones in the bass of Percy Heath, who feels an even stronger presence here than usual. Connie Kay's work on drums are a masterpiece of percussive understatement and titles include "Softly As In A Morning Sunrise", "Summertime", "The Cylinder", "Blues In A Minor", and "One Never Knows". © 1996-2016, Dusty Groove, Inc. https://www.dustygroove.com/item/550655

Personnel:  Bass – Percy Heath;  Drums – Connie Kay;  Piano – John Lewis ;  Vibraphone – Milt Jackson

The Last Concert