Chris Connor - New Again

Styles: Vocal 
Year: 1987
File: MP3@320K/s
Time: 43:02
Size: 99,8 MB
Art: Front

(3:07)  1. Dearly Beloved
(4:12)  2. Down In Brazil
(3:49)  3. I Never Meant To Hurt You
(3:18)  4. Love Locked Out
(5:42)  5. Astaire Medley
(3:08)  6. Mad About The Boy
(4:19)  7. Antonio's Song
(4:14)  8. I Wish I'd Met You
(5:03)  9. My Foolish Heart
(6:04) 10. Jukebox Medley

The follow-up album to Chris Connor's Classic is similar in the moods it covers, the style of music and the instrumentation. Michael Abene and Richard Rodney Bennett split the keyboard duties, trumpeter Claudio Roditi and Bill Kirchner (on various reeds) have some short solos, and flutist Dave Valentin makes a couple of guest appearances. Connor, at 59, still had a powerful and haunting voice, as she shows on "Dearly Beloved," "My Foolish Heart," and even on a couple of medleys (one of Fred Astaire tunes and the other a "Jukebox Medley"). Listeners should acquire a good sampling of Chris Connor's 1950s recordings first, but her two Contemporary CDs have their value too. ~ Scott Yanow https://www.allmusic.com/album/new-again-mw0000200370

Personnel:  Vocals – Chris Connor;  Acoustic Bass – Michael Moore;  Drums – Buddy Williams; Flute – Dave Valentin; Keyboards – Michael Abene, Richard Rodney Bennett; Percussion – Sammy Figueroa; Tenor Saxophone, Alto Saxophone, Soprano Saxophone, Flute, Clarinet – Bill Kirschner; Trumpet, Flugelhorn – Claudio Roditi

New Again

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Lee Wiley - Music of Manhattan, 1951

Styles: Vocal
Year: 1998
File: MP3@320K/s
Time: 67:06
Size: 155,6 MB
Art: Front

(3:36) 1. Street of Dreams
(3:11) 2. Oh, Look at Me Now
(1:49) 3. Hallelujah
(4:38) 4. Manhattan
(2:58) 5. Manhattan
(4:18) 6. Ghost of a Chance
(3:02) 7. Sugar
(3:07) 8. I've Got a Crush on You
(3:48) 9. Sugar
(2:23) 10. Anytime, Anyday, Anywhere
(3:04) 11. Oh, Look at Me Now
(2:26) 12. Deed I Do
(3:24) 13. That's for Sure
(1:42) 14. 'S Wonderful
(2:08) 15. I've Got a Crush on You
(1:26) 16. Anytime, Anyday, Anywhere
(2:30) 17. Street of Dreams
(2:52) 18. Manhattan
(1:48) 19. Deed I Do
(3:13) 20. I've Got a Crush on You
(4:02) 21. I'm Comin' Virginia
(3:47) 22. Down to Steamboat Tennessee
(1:45) 23. Baby, Won't You Please Come Home

These 1951 selections come from transcription discs and live appearances at Storyville, a Town Hall Concert, and the Rustic Lodge. Wiley was a great vocalist, often associated with Chicago Dixieland musicians. Her primary influence was Ethel Waters, and she had much in common with Billie Holiday as well.

Both had rather raw, “whiskey soaked” timbres and laid-back attacks, and made up for limited ranges and power with excellent taste, sensitivity and the ability to freshen melodies by improvising on them. She was known for her sensitive ballad performances, but sang blues convincingly as well. Her accompanists here include some fine trumpeters, Billy Butterfield, Buck Clayton, Muggsy Spanier, and Red Allen, and pianist Joe Bushkin.

She’s very relaxed and sure of herself. And she’s wonderfully unpretentious. Pianist Stan Freeman, who worked with her, said Wiley “didn’t know what she was singing half the time.” Maybe, but she interprets lyrics meaningfully, accenting words and syllables astutely. Though her vocals have a weary quality, she never gets maudlin, and there are times when she’s buoyant. By Harvey Pekar
https://jazztimes.com/archives/lee-wiley-music-of-manhattan-1951/

Personnel: Vocals – Lee Wiley; Bass – John Field (tracks: 7 to 13), Milt Hinton (tracks: 16 to 20), Mort Stuhlmaker (tracks: 1 to 5); Cornet – Jack Honeywell (tracks: 21 to 23), Muggsy Spanier (tracks: 7 to 13); Drums – Barrett Deems (tracks: 7 to 13), George Wettling (tracks: 1 to 5), Jo Jones (tracks: 16 to 20); Orchestra – Ray Bloch And His Orchestra (tracks: 15); Piano – Dave Bowman (tracks: 6), George Wein (tracks: 7 to 13), Joe Bushkin (tracks: 1 to 5 16 to 20); Trumpet – Billy Butterfield (tracks: 1 to 6), Buck Clayton (tracks: 16 to 20), Henry "Red" Allen (tracks: 21 to 23)

Music of Manhattan, 1951

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Sophia Tomelleri With Massimo Faraò - Sweet And Lovely

Styles: Saxophone And Piano Jazz
Year: 2023
File: MP3@320K/s
Time: 57:16
Size: 131,9 MB
Art: Front

(5:10) 1. Sweet And Lovely
(7:34) 2. I Couldn’t Live Without You
(4:30) 3. Barbados
(4:55) 4. How About You
(5:10) 5. The Shadow Of Your Smile
(8:02) 6. Reflections
(5:50) 7. I Want To Be Happy
(9:12) 8. Ask Me Now
(6:49) 9. Love For Sale

Sophia Tomelleri, born in 1992, graduated in 2013 in classical saxophone at the “G. Verdi” in Milan,then moved to Bavaria and obtained a three-year degree in Jazz saxophone at the “Hochschule für Musik und Theater München” in Munich in 2018.

During this period, he obtained a scholarship to spend a year at the CMDL, a Parisian institute under the guidance of violinist Didier Lockwood. In Paris you have the opportunity to play with John Betsch, Emmanuel Bex, Sava Medan.

Based in Milan, she is a versatile musician and in demand in various formations and musical projects, ranging from the most traditional to contemporary Jazz. In 2020 she won first place for young Jazz soloists in two competitions: the "Luciano Zorzella" award and the "Massimo Urbani" award.
https://www-emmerecordlabel-it.translate.goog/artist/sophia-tomelleri/?_x_tr_sl=it&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc

Sweet And Lovely

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Russ Johnson Quartet - Reveal

Styles: Post Bop
Year: 2023
File: MP3@320K/s
Time: 51:42
Size: 119,3 MB
Art: Front

(6:57) 1. Skips
(9:06) 2. The Slow Reveal
(7:53) 3. Long Branch
(3:08) 4. R.E.M. Unit
(7:17) 5. Agnomen
(6:22) 6. Veiled Invitation
(1:42) 7. T.R.M.
(5:54) 8. Dog Gone It
(3:20) 9. Coda

While he has appeared on seemingly countless releases as a sideman, trumpeter Russ Johnson remains chronically under-recorded as a leader. It thus comes as a cause for rejoicing whenever one sees his name at the top of a release. Thankfully, Calligram Records has helped redress that problem with Reveal, Johnson's latest offering featuring a quartet with violinist Mark Feldman, bassist Ethan Philion and drummer Timothy Daisy. Geof Bradfield and Chad McCullough started Calligram with an eye toward showcasing some of the best talent in Chicago's ever-thriving jazz scene, and Reveal certainly qualifies. With a wide gamut of expression and a true spirit of mutuality, the disc is a terrific representation of Johnson and his colleagues' many talents.

Feldman's appearance on an all-Chicago recording is not a mistake, as the longtime New York city denizen has become a Chicago transplant, following the path that Johnson himself took in the early 2010s. He is an unfailingly dynamic and imaginative improviser, but also supremely responsive, as he darts through and alongside Johnson's lines on the crackling opening track, "Skips."

With an irrepressible groove created by Philion and Daisy, the tune is propelled forward by the obvious rapport shared by the trumpeter and violinist, who have an uncanny ability to anticipate and echo each other's moves. Their deep conversation continues in a very different vein on "The Slow Reveal," a nine-minute patient excavation which puts a premium on close and subtle interactions, as Philion's arco generates an enticing alchemy with Feldman before Johnson enters the mix to tease out his own carefully measured statements. But with this group there is always energy in reserve, and this track eventually finds it, with an intensity fueled by Daisy's restless vortex.

Reveal's nine tracks, all penned by Johnson, work their magic by oscillating between vigor and reflection. "Long Branch," the group's tribute to trumpeter Jamie Branch, is a case in point, with Johnson and Feldman taking the opportunity to delve into the kind of quiet lyricism Branch could herself explore with aplomb but with a seething intensity building underneath as the track unfolds. Fittingly, "REM Unit" possesses a dream-like power, with Philion's wide-ranging technique pivotal in shaping the track's trajectory with Johnson and Feldman.

And "Veiled Invitation" is another moment in which the quartet moves from a pensive to a demonstrative register, as the track commences in a reticent vein but eventually finds its way toward a surging vitality. "Dog Gone It," on the other hand, allows the quartet to let loose from the outset, as its nod to Julius Hemphill's "Dogon A.D." sizzles with menace. Philion's brooding bass and Daisy's relentless rock rhythm push Feldman into a frenzy, but Johnson also thrives on the track's propulsive thrust, with lines that dance and weave through the piece's closing minute.

After the cathartic force of "Dog Gone It," the album concludes with a welcome reverie the beautiful "Coda," with Feldman's delicate upper-register playing almost reaching the ether, while Johnson's mournful trumpet announces the end of a terrific recording.By Troy Dostert
https://www.allaboutjazz.com/reveal-russ-johnson-quartet-calligram-records

Personnel: Russ Johnson: trumpet; Mark Feldman: violin; Ethan Philion: bass; Tim Daisy: drums.

Reveal

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