Showing posts with label Lori Lieberman. Show all posts
Showing posts with label Lori Lieberman. Show all posts

Saturday, June 4, 2022

Lori Lieberman - Truly

Styles: Vocal
File: MP3@320K/s
Time: 43:35
Size: 100,6 MB
Art: Front

(5:03) 1. You Go To My Head
(3:45) 2. Moonlight In Vermont
(2:29) 3. I Like The Likes of You
(3:21) 4. What Kind of Fool am I
(3:49) 5. Truly
(3:13) 6. It Might As Well be Spring (C'est le Printemps)
(5:19) 7. Killing Me Softly
(3:00) 8. You Are Not my First Love
(3:59) 9. My One and Only Love
(2:57) 10. She Knows Better
(3:26) 11. Love's a Fragile Thing
(3:08) 12. Que Sera, Sera

Truly, quite possibly Lori Lieberman's finest album to-date, both musically & sonically, is guaranteed to become an audiophile favorite. A potpourri of fresh covers from the American Songbook, sprinkled with new, original compositions, embellished by thoughtful arrangements, played by some of the finest musicians, Truly was recorded, mixed and mastered to perfection. Joe Cali, executive producer, assembled a Grammy award winning crew for Truly. Lori 's voice is in shockingly fine form, but wait until you hear Matt Rollings on piano & Hammond B-3 organ and the amazing Lyle Workman on guitar. The album was co-produced by Lori Lieberman and Matt Rollings. Recorded & mixed by Bob Clearmountain and mastered by Darcy Proper. This is Lori's finest sounding album. Eight songs are covers which Lori listened to with her father, while driving in Switzerland as a child, bopping to an eight track car stereo.

Two originals were co-written forty years ago with Joe Harnell and never previously recorded. While there is one fresh composition, the title track "Truly" and a wonderful re-imagining of Lori's classic - "Killing Me Softly". Matt Rollings gorgeous jazz improvisation on piano opens the song, later the song is fleshed out by David Pitch (bass), Victor Indrizzo (drums) & Lyle Workman (guitar). In contrast, the original version, recorded when Lori was 19, sounds truly dated. Lori's new version, here on Truly, is the most heartfelt and brought the experienced Bob Clearmountain to tears. Lori's "Moonlight In Vermont" sounds remarkably fresh and current. The song opens with Matt Rollings piano which provides a wonderful counterpoint to her singing. When the rhythm section and Lyle Workman on guitar join in, the party starts to swing. Lyle Workman's twenty second guitar sorbet is clean & refreshing, every note tugs at your heart. We are talking goosebumps territory here. Lori continues singing with the band in full swing it's glorious. Her singing displays maturity & delivers wonderful shades of emotion & passion. This is a top shelf project and it sounds it. https://sirenrecords.com/UPC/793888291171

Personnel: Lori Lieberman, vocal; Matt Rollings, piano; David Piltch, bass; Lyle Workman, guitar; Victor Indrizzo, drums

Truly

Thursday, July 3, 2014

Lori Lieberman - Takes Courage

Styles: Vocal Pop
Year: 2010
File: MP3@224K/s
Time: 57:34
Size: 92,5 MB
Art: Front

(3:49)  1. Early Wednesday Morning
(4:32)  2. Another Galaxy
(4:28)  3. New York Mining Disaster
(4:18)  4. Gun Metal Sky
(4:19)  5. The Opposite Of Love
(3:38)  6. Only With You
(4:13)  7. When You Were Mine
(5:18)  8. He Needs You
(4:23)  9. Bus Stop
(5:04) 10. More Than This
(4:54) 11. My Baby Needs A Shephard
(4:13) 12. Killing Me Softly
(4:18) 13. Takes Courage

Leonard Cohen came up on stage in one of her concerts and sang “Bird On A Wire”. Don McLean invited her to be a part of his documentary, “American Troubadour,”   Judy Collins called her a gifted songwriter.Highly regarded among her peers and younger artists alike, this legendary artist has gone on to record LP after CD, gleaning the respect of an ever-changing industry  a loyal and devoted base of fans. Best known for Killing Me Softly”, written during her Troubadour days in Los Angeles when her girlfriend, writer Michele Willens, took her to a  Don McLean in concert, she developed her producing and arranging skills into a career that has spanned over fifteen albums. Featured in author, Leo Blokhuis’ book, “Sounds Of The West Coast” which won the Golden Tulip Award, he devotes a chapter that details Lori Lieberman’s early music California in the seventies, the Sunset Strip and the West Coast club circuit that included singer-songwriters such as Joni Mitchell, Jackson Browne, and The Eagles. A true full circle moment occurred a few weeks ago, when she met Don McLean for the first time at his concert in Los Angeles, where he credited the song to Lori Lieberman, and sang its inspiration, “Empty Chairs”, to her. Born in Los Angeles but raised in Switzerland, among Lieberman’s early musical influences were Francoise Hardy, Tom Rush, Cat Stevens “and anything from the States I could get my hands on”.

After attending University in Boston, she signed her first record deal with Capitol Records. The next five LPs on that label included some of the leading studio musicians a young Larry Carlton, members of the “L.A. Express”, Sneaky Pete, and pianist Joe Sample. She toured the U.S. with Randy Newman, Billy Joel, Leonard Cohen, John Sebastian and Rick Nelson, to name a few. For several years,as the  music business went from acoustic to disco, Lori Lieberman spent time away in the hills of Malibu to raise three children. She returned to recording under the guidance of Joseph Cali, who first had the idea to record her with his then partner, Mark Levinson, as a two mic live experience. She was nominated for the Golden Note Award for excellence with “A Thousand Dreams”, on Pope Music, and two CDs followed “Home Of Whispers”, and “Gone Is The Girl”, became staples of the Audiophile community, who embraced her stunning songs, warm vocals and rich orchestrations. Rich Warren, of WFMT Chicago, named “Home Of Whispers” as his number one, most recommended CD of that year. With the release of “Monterey”, on Drive On Records, co-produced by Lori Lieberman and Joseph Cali, with songs composed and arranged by Lieberman, she toured the U.S., receiving airplay as the Indie market increased, highlighting her natural and acoustic sound. “Gun Metal Sky”, released in 2009, marked her debut as an orchestrator for strings and woodwinds. While most of the songs were self-penned, she included interesting and unique versions of songs by some of our most beloved songwriters Emmylou Harris, The Bee Gees, Paul Simon, and the Hollies. Three songs were added to Sirius Radio’s “The Loft”, and performances that included the City Winery in New York, and a premiere concert tour of the Netherlands led to distribution throughout Europe, and a deal with V2 Records...More  http://lorilieberman.com/wordpress/bio/