Showing posts with label Ed Bickert. Show all posts
Showing posts with label Ed Bickert. Show all posts

Friday, May 24, 2024

Paul Desmond, Ed Bickert, Don Thompson, Jerry Fuller - Live At Bourbon Street

Styles: Saxophone Jazz
Year: 1975
Time: 79:26
File: MP3 @ 320K/s
Size: 181,8 MB
Art: Front

( 7:18) 1. Wendy
(11:23) 2. Wave
( 8:59) 3. Things Ain't What They Used to Be
( 9:40) 4. Nancy
( 9:28) 5. Manha de Carnaval
( 7:18) 6. Here's That Rainy Day
(10:35) 7. My Funny Valentine
( 7:09) 8. Take Five
( 7:32) 9. Line for Lyons

When the Dave Brubeck Quartet broke up in 1967, Paul Desmond worked sporadically playing live dates, probably in part due to his substantial royalty income from his hit composition "Take Five." When Jim Hall was unavailable to play with Desmond in Canada, he recommended guitarist Ed Bickert who, like Hall, is a brilliant accompanist with the kind of musical E.S.P. that Desmond had with Brubeck.

Bassist Don Thompson (who is also a fine pianist and vibraphonist) and drummer Jerry Fuller round out this solid quartet, which worked off and with Desmond when he played in Canada during the remainder of his life. These sessions, drawn from several nights at Bourbon Street in Toronto during the fall of 1975, are intimate performances enjoyed by attentive audiences. The selections include songs that Desmond had recorded with Brubeck or Gerry Mulligan, along with tunes he had played on his own records.

Desmond's cool tone and witty quotes are a treat throughout the album. The toe-tapping blues "Things Ain't What They Used to Be" showcases Bickert's lyrical playing, along the subtly swinging work of Thompson. Desmond playful interpretation of "Nancy (With the Laughing Face)" is typical of his recorded work. The most surprising track is the unusual setting of "Take Five," which takes an exotic route near the beginning of the leader's solo, with a droning vamp underneath him.

First released as a two-LP set by Horizon/A&M in 1976, the album wasn't in print long due to the demise of Horizon, though frustrated collectors welcomed the 2000 Verve CD edition, which not only fit all of the music onto a single disc, but added a previously unissued take of Gerry Mulligan's "Line for Lyons" along with the original liner notes by Desmond and his good friend, journalist Doug Ramsey, plus extensive updated notes by Carl Woideck.

This is easily the cream of the crop of Paul Desmond's post-Brubeck recordings as a leader and rivals the studio albums he recorded with Jim Hall; it is unfortunate that Desmond was diagnosed with lung cancer around the time this recording was first issued in 1976, which cut short a brilliant career far too soon. By Ken Dryden https://www.allmusic.com/album/the-paul-desmond-quartet-live-mw0000061025#review

Personnel: Paul Desmond, alto sax; Ed Bickert, guitar; Don Thompson, bass; Jerry Fuller, drums.

Live At Bourbon Street

Sunday, November 20, 2022

Paul Desmond - Pure Desmond

Styles: Saxophone Jazz
Year: 1975
File: MP3@320K/s
Time: 58:34
Size: 134,3 MB
Art: Front

(4:33) 1. Squeeze Me
(4:54) 2. I'm Old Fashioned
(4:22) 3. Nuages
(3:38) 4. Why Shouldn't I
(3:41) 5. Everything I Love
(4:30) 6. Warm Valley
(4:09) 7. Till The Clouds Roll By
(5:10) 8. Mean To Me
(3:04) 9. Theme From Mash
(6:21) 10. Wave
(4:47) 11. Nuages (Alt. Take)
(4:05) 12. Squeeze Me (Alt. Take)
(5:13) 13. Till The Clouds Roll By (Alt. Take)

With a dry tone, and unhurried phrasing definitive of the emergent West Coast Cool a relaxed alternative to the edgier hard bop coming from New York alto saxophonist Paul Desmond had already made a name for himself with pianist Dave Brubeck's quartet on the legendary Time Out (Columbia, 1959). Desmond also wrote the tune that became Brubeck's signature, "Take Five," and, while he passed away too young at the age of 52 from lung cancer, he's left behind a relatively small but significant legacy of recordings that have sometimes become overlooked with the passing of time.

Pure Desmond was only one of two albums the saxophonist made for CTI (though he did record two albums with Creed Taylor for A&M, before the producer started his own label), but it's the absolute winner of the two. A small group album featuring the same three bonus tracks as a previous CD version, with CTI Masterworks' warm remastering and beautiful mini-vinyl-like soft digipaks, it represents a welcome return to print of an album that, despite alcoholism and heavy smoking, finds Desmond in great form just three years before his death in 1977.

With label staple Ron Carter swinging comfortably with Modern Jazz Quartet and longtime Desmond musical cohort, drummer Connie Kay, Pure Desmond stands as one of the altoist's best records as cool as a calming breeze on a summer's day and as dry as a good martini. The album blend of standards ranging from Duke Ellington to Antonio Carlos Jobim also features the tremendously overlooked Ed Bickert, a Toronto, Canada native whose uncharacteristically warm-toned Fender Telecaster had already been heard in the company of fellow Canadians like flautist Moe Kaufman, and bandleaders Phil Nimmons and Rob McConnell, but whose star mysteriously never rose as it deserved, amongst peers like Joe Pass, Herb Ellis and, in particular, Jim Hall.

The tempo never gets past medium, but there's a simmering energy on some of the material, in particular the Jerome Kern chestnut, "Till the Clouds Roll By," heard here in two versions: the original album version, where Bickert's solo is the height of linear invention and occasionally bluesy bend; and a slightly longer alternate take where he builds a solo filled with rich voicings and single note phrases constantly accompanied with periodic chordal injections. The mix and overall tone of the alternate take is a little rawer, with Carter's bass a more visceral punch in the lower register.

Light Latin rhythms also define the session, with the by-then-popular "Theme from M*A*S*H" given a light bossa treatment, as is Jobim's "Wave," which closes the original album on a graceful note, but here acts as a gateway to alternate takes including the ambling opener, "Squeeze Me," and the Django Reinhardt classic, "Nuages," that skips the guitar/sax duo intro and heads straight into an ensemble reading.

With a supportive group that clearly gets the value of less over more, the aptly titled Pure Desmond stands, alongside The Paul Desmond Quartet Live (A&M/Horizon, 1975)his other album with Bickert as the pinnacle of this West Coast cool progenitor's career.
By John Kelman https://www.allaboutjazz.com/pure-desmond-paul-desmond-cti-masterworks-review-by-john-kelman

Personnel: Paul Desmond: alto saxophone; Ed Bickert: electric guitar; Ron Carter: bass; Connie Kay: drums; Don Sebesky: musical supervision.

Pure Desmond

Wednesday, May 1, 2019

Rob McConnell And The Boss Brass - Atras Da Porta

Styles: Trombone Jazz
Year: 1985
File: MP3@320K/s
Time: 48:57
Size: 113,7 MB
Art: Front

(5:14)  1. Easy To Love
(5:24)  2. Flowers
(4:59)  3. Jo Jo's Dance
(5:46)  4. Atras Da Porta
(8:48)  5. Amor Ate O Fim
(7:11)  6. Autumn In New York
(4:57)  7. Didi
(6:34)  8. Bye Bye Blues

Virtually every release by Rob McConnell's Boss Brass is easily recommended to fans of straight-ahead and swinging big bands. Put out by the Canadian Innovation label, this release is a bit unusual in that five of the songs are by Latin American composers, two of which were arranged Jorge Calandrelli; in addition, the 22-piece orchestra plays "Easy to Love," "Autumn In New York," and "Bye Bye Blues." Although the material might be a bit different than usual, the band's distinctive sound is unchanged, and there is plenty of solo space for the usual top-notch players altoist Moe Koffman, guitarist Ed Bickert, flugelhornist Guido Basso, and Eugene Amaro on tenor. An interesting set that finds the big band showing a lot of flexibility. ~ Scott Yanow https://www.allmusic.com/album/atras-da-porta-mw0000195203

Personnel:  Valve Trombone – Rob McConnell;  Alto Saxophone, Flute, Clarinet – Jerry Toth; Alto Saxophone, Soprano Saxophone, Flute, Piccolo Flute – Moe Koffman; Baritone Saxophone, Bass Clarinet – Bob Leonard;  Bass – Steve Wallace; Bass Trombone – Ron Hughes; Drums – Terry Clarke; French Horn – George Stimpson, James MacDonald; Guitar – Ed Bickert; Percussion – Brian Leonard , Memo Acevedo; Piano, Electric Piano – Jimmy Dale; Tenor Saxophone, Flute – Eugene Amaro; Tenor Saxophone, Flute, Clarinet – Rick Wilkins; Trombone – Bob Livingston , Dave McMurdo; Trombone [Lead] – Ian McDougall; Trumpet [Associate Lead], Flugelhorn – Erich Traugott; Trumpet [Lead], Flugelhorn – Arnie Chycoski; Trumpet, Flugelhorn – Dave Woods , Guido Basso, John MacLeod 

Atras Da Porta

Sunday, October 23, 2016

Ernestine Anderson - I Love Being Here With You Disc 1 And Disc 2

Album: I Love Being Here With You (Disc 1)

Styles: Vocal Jazz
Year: 2002
File: MP3@224K/s
Time: 39:46
Size: 64,0 MB
Art: Front

(3:46)  1. I Love Being Here With You
(7:03)  2. All Blues
(5:30)  3. Down Home Blues
(4:26)  4. As long As I Live
(6:50)  5. Please Send Me Someone To Love
(3:30)  6. I Let A Song Go Out Of My My Heart
(4:00)  7. Spring is Here
(4:37)  8. Street Of Dreams


Album: I Love Being Here With You (Disk 2)

Time: 55:25
Size: 89,1 MB

( 7:32)  1. Blues In The Closet (instr)
( 4:42)  2. I Let A Song Go Out Of My Heart
(10:21)  3. I Should Care
( 5:22)  4. There Is No Greater Love
( 7:14)  5. Skylark
( 4:57)  6. On My Own
(15:14)  7. Never Make Your Move Too Soon

This nicely packaged, but hard to follow (I'm still not completely sure who's playing what on which CD) two CD set compiles excerpts from four live performances by Ernestine Anderson, mostly as a guest. The album covers three live performances from 1987 and one from 1990, when the singer was doing some very good work. The CD 2 is a complete replication of the Live at the 1990 Jazz Festival album. Since as far as I know, this album is still available, why it is included here is a bit of a mystery to me. CD 1 is the far more engaging of the two. One of the compilations's highlights for me is Anderson's appearance with the Frank Capp/Nat Pierce Juggernaut Band from Live at the Alley Cat. This was the last of that high flying big band's albums due to the death of co-leader Nat Pierce. Anderson did four numbers on that album. The work on the "Street of Dreams" and "I Let a Song Go out of My Heart" is recommendation enough to run out and try and located that Frankie Capp/Nat Pierce CD. At one point during his career, pianist George Shearing seemed determined to record with just about every singer he could get his arms around. He cornered Anderson for two cuts on his 1987 release Dexterity. He and Shearing come together nicely on the cuts on which Anderson appears, "As Long As I Live" and "Please Send Me Someone to Love". The other album on this medley, again from 1987, and this time features the Concord All-Stars with such luminaries as Dave McKenna, Red Holloway and Dan Barrett occupying seats. There are three cuts from this album, with Anderson and McKenna working out on "I Love Being Here with You" the top item. This album will certainly appeal to Anderson's many fans as well as to those who just love a good singer behind a good band especially the Capp/Pierce outfit. ~ Dave Nathan https://www.allaboutjazz.com/i-love-being-here-with-you-ernestine-anderson-concord-music-group-review-by-dave-nathan.php

Personnel: Dan Barrett, Charlie Loper, Garnett Brown, Buster Cooper - Trombone;  Ed Bickert, Ken Pohlman - Guitar;  Scott Hamilton, Bob Cooper,  Frank Wess - Tenor Sax;  Red Holloway - Alto & Tenor Sax;  Dave McKenna, George Shearing, Gene Harris, Nat Pierce - Piano; Jimmie Smith, Frank Capp, Harold Jones - Drums; Warren Vache - Trumpet; Steve Wallace, Neil Swainson, Chuck Berghofer, Lynn Seaton - Bass; Snooky Young, Frank Szabo, Conte Candoli, Bill Berry; Dave Edwards, Joe Romano, Marshal Royal - Alto Sax; Bill Green - Baritone Sax

I Love Being Here With You (Disk 1) And (Disk 2)

Monday, January 18, 2016

Sonny Greenwich & Ed Bickert - Days Gone By

Styles: Guitar Jazz
Year: 2000
File: MP3@320K/s
Time: 66:44
Size: 179,3 MB
Art: Front

( 8:26)  1. With a Song in My Heart
( 3:58)  2. I Remember You
( 6:42)  3. Lily
(10:00)  4. Nica's Dream
( 8:57)  5. I'll Take Romance
( 7:46)  6. Oleo
( 8:25)  7. I Know Why
(12:26)  8. Gittar Blues

Canadian guitarist Sonny Greenwich has been on the jazz scene for a long time, but he isn't very well known outside of his native land due to the limited opportunities he's had to record for Americans labels. Bouts of ill health and periodical withdrawals from music have also proven to be a handicap. Greenwich had done quite a bit of recording in Canada prior to this 1979 session, including several albums with Don Thompson, the bassist on this occasion. This informal recording made at Thompson's studio features Greenwich predominately playing lead with seasoned guitarist Ed Bickert playing fills (though he also solos very effectively), as well as drummer Terry Clarke. 

Liner note writer John Norris explains that the occasional distortion comes from the lack of having anyone at the control board, but it isn't a major distraction. All of the music is quite enjoyable even if it wasn't necessarily recorded with the intention of releasing it, as it didn't come out until 2000. The set consists of a heavy dose of standards ("With a Song in My Heart," "I Remember You," and "I'll Take Romance") and classic jazz compositions (Horace Silver's "Nica's Dream" and Sonny Rollins' "Oleo"), all of which are inspired. The lush ballad "I Know Why" (by Harry Warren and Mack Gordon) is a song that ought to be a standard, but has been for the most part overlooked. Greenwich also contributed the lyrical ballad "Lily" and the lengthy finale, "Gittar Blues," was likely created on the spot by the two guitarists. This is one of many fine releases put out by Sackville, a Canadian label well worth exploring as a whole. ~ Ken Dryden  http://www.allmusic.com/album/days-gone-by-mw0000100323

Personnel: Sonny Greenwich, Ed Bickert (guitar); Don Thompson (bass); Terry Clarke (drums).

Days Gone By

Monday, April 6, 2015

Ed Bickert & Don Thompson - At The Garden Party

Bitrate: MP3@320K/s
Time: 66:38
Size: 152.5 MB
Styles: Cool jazz, Guitar jazz
Year: 2004
Art: Front

[6:18] 1. Alone Together
[5:33] 2. A Face Like Yours
[6:29] 3. You Are Too Beautiful
[6:28] 4. What Is This Thing Called Love
[7:39] 5. Who Can I Turn To
[3:03] 6. Walkin' My Baby Back Home
[6:16] 7. Please Be Kind
[6:16] 8. Come Rain Or Come Shine
[5:35] 9. One Morning In May
[6:48] 10. Ease It
[6:07] 11. I'll Wait And Pray

Recorded on January 22, 1978 & December 4, 1976.

The first seven selections on this CD reissue a 1978 duet concert featuring the quiet guitarist Ed Bickert and bassist Don Thompson. A little reminiscent of a famous Jim Hall/Ron Carter collaboration, the music alternates introspective ballads with a couple romps, including a brisk "What Is This Thing Called Love." Bickert's playing is both swinging and sophisticated, often utilizing reharmonized chords, while Thompson functions as an equal partner. The final four selections are from a previously unreleased 1976 studio set with drummer Terry Clarke making the group a quintet. For unknown reasons this session was never completed, but the music is on the same high level as the live duet performance. In fact, the subtle drumming makes it easier for the group to swing harder, with Hoagy Carmichael's "One Morning in May" being a highlight. Recommended. ~Scott Yanow

At The Garden Party                 

Thursday, October 2, 2014

The Ed Bickert Trio - Out Of The Past

Styles: Guitar Jazz
Year: 2008
File: MP3@320K/s
Time: 63:33
Size: 149,4 MB
Art: Front

(7:49)  1. Con Alma
(8:01)  2. Soft Winds
(9:00)  3. When Sunny Gets Blue
(5:28)  4. I'm Just A Lucky So And So
(5:26)  5. Where Is The One
(4:52)  6. Deep In A Dream
(5:34)  7. Have You Met Miss Jones
(7:34)  8. Skating In Central Park
(9:46)  9. Nica's Dream

Ed Bickert was born in Hochfeld, Manitoba on November 29th, 1932, and raised in Vernon, British Columbia. His early interest in guitar was in part influenced by his musical household (his mother and father played piano and guitar in country bands). He was self-taught, developing an interest in jazz harmony by studying and analyzing Stan Kenton records. Via radio broadcasts from the American West Coast, he heard and was influenced by Nat “King” Cole Trio guitarist Oscar Moore, Barney Kessel and Les Paul. In his early teens he gained experience by playing onstage with his parents. In 1952 Ed moved to Toronto, working as a radio station engineer and playing after-hours jazz clubs on the side. Shy and retiring, he was slow to work himself into the Toronto jazz circuit, but by 1955 he was a regular club performer and in 1957, he made his first studio recording date, appearing on Moe Koffman's fluke hit single Swinging Shepherd Blues. 

In the 60s, Ed worked regularly with Koffman and other major figures of Canadian jazz. He was invited to be a founding member of Rob McConnell's Boss Brass in 1968 and has played with that unit ever since, as well as becoming increasingly in demand as a session guitarist. In 1974, on the recommendation of the legendary Jim Hall, the equally legendary Paul Desmond sought out Ed to form a performing quartet, marking Desmond's return to the musical stage after an absence of seven years. Desmond, a jazz star who had seen the world and played with the best, was utterly blown away by Ed's playing, and determined to record with him; this marked Ed's first session for an American label, with consequent wider exposure. During the next three years [Desmond's last], the Desmond-Bickert quartet performed frequently, and many of these gigs were recorded. (Lucky for us! Paul and Ed brought out the best in each other, and their records together constitute a high-water mark in jazz.)

In 1979, Ed recorded a duo album with his fellow Desmond Quartet alumnus Don Thompson the album won the 1980 Juno Award for Best Jazz Recording of the Year. In the 80s, Ed continued to work regularly with Koffman and McConnell. Furthermore, he signed with Concord Jazz Records, which meant even greater exposure in the States. For Concord, he frequently backed up Rosemary Clooney, toured with the Concord Jazz All-Stars, and [finally] began to record as a session leader on a regular basis. In 1983, Ed also became co-leader of a dual-guitar quartet with Lorne Lofsky, an arrangement that lasted a full ten years. The 90s have seen Ed go on unstoppably working with Canada's jazz élite, hotly sought after by fellow musicians but shunning the limelight, playing like God on that same old, worn, creamy-yellow Tele. And finally, on January 7, 1997, our Governor-General appointed Ed as a Member of the Order of Canada in recognition of his “distinguished service” to Canadian music. This entitles Ed to wear a medal like the one pictured over there, and to append to his name the honorific CM. (Chances are he greeted the news with an “aw shucks” worthy of Gary Cooper...) Bio ~ http://musicians.allaboutjazz.com/edbickert

Personnel: Ed Bickert (guitar); Terry Clarke (drums); Don Thompson (bass)