Year: 2024
Time: 40:00
File: MP3 @ 320K/s
Size: 92,6 MB
Art: Front
(3:13) 1. Click Clack
(4:40) 2. Cry Me a River
(3:09) 3. All Of Me
(5:51) 4. My Funny Valentine
(3:35) 5. Cheek To Cheek
(4:42) 6. Summertime
(2:26) 7. Orange Colored Sky
(3:50) 8. No More
(4:28) 9. Harlem Nocturne
(4:02) 10. So We Dance
Erkki from Alba-Recods had put a couple of discs in the envelope for the signatory. Thanks for them. Albahan is primarily known as a wooden law on classical music, but occasionally makes jazz exceptions. The discs now sent differ in style and content and performers quite different. That's why I first focus on female trio Jazz Harmony's product. According to the record, the Jazz Harmony album of the Three Decades Jazz Harmony includes wonderful evergreen jazz standards and its own production. Presented in the guaranteed Three Decades style.
The whole is mainly shaped by old familiar nostalgic jazz standards. Great table setting. I have been involved in dozens of international jazz singers competitions in Finland and in the Baltic countries. As a competition organizer, jury and media representative. And it has always been difficult. Tasks, etc., in live performances against each other. So also on this album. Occasionally, the song harmony of this album is very sweet, American, but not always in the best balances (?). Now, the arrangements are partly lacking in the soul's soul and the state of being fond of well -being. The vocals of the members of the trio are in themselves very good Finnish class. The piano contact of Gilda Nevala's accompaniment is somehow too fascinating, and the quick penetration of the clavies is too many.
On the other hand, the accompaniment of "nude" gave the Estrad singer space. I believe that as a live presentation, the whole is even better. As the only cheerful company for a different break, a couple of tracks have been tried as Armstrong-Hands, which turned into a tasty feminine scratching. A few arrangements also did not please the signatory. I undoubtedly came to mind Finnishness and stream of stream ... Unfortunately, for example, Summertime represented that direction. With the Lady Summertime Jazz Singer Contest, hundreds of spirits are fitted. Slowly and rhythmic. However, now Spark's wandering tenor blasting gave the atmosphere.
But despite all the partial negative things I mentioned above, it is really great that there are such female jazzers to the album in Finland. Because it's a bit older ladies, their experience and routine get (give) many things forgiven. So, so, a nice snack for the songs of the first half of the last century and a nostalgic blasting for the jazz singer at that time, such as Andrew Sisters and homely siblings, Harmony Sisters. On this album, I would have expected Lady to have an even stronger grip on the song. And an intensive more damping feeling.Translate By Google
https://www.jazzrytmit.fi/s8-levyarvostelut/c29-levyarvostelut/three-decades-jazz-harmony
But it's good for me. Great "girls". My listening recommendation on this disc and possible live enjoyment. (Or) Gilda Nevala (vocals, piano), Spark [= Salla Niemi] (vocals, tenor saxophone, altar saxophone, washboard, bass), Esther (vocals, Laundry, Ukulele) Little Grand Trio; Lotta Laaksonen Violin, Anne Korhonen Viola, Maija Juuti Cello Recording, Mixing & Free Mastering Gilda Nevala, Juha Järvinen / Beatlake Oy Pre-Recording Masi Created #3 Mastering Lauri Heikkilä / Astral Studio
The whole is mainly shaped by old familiar nostalgic jazz standards. Great table setting. I have been involved in dozens of international jazz singers competitions in Finland and in the Baltic countries. As a competition organizer, jury and media representative. And it has always been difficult. Tasks, etc., in live performances against each other. So also on this album. Occasionally, the song harmony of this album is very sweet, American, but not always in the best balances (?). Now, the arrangements are partly lacking in the soul's soul and the state of being fond of well -being. The vocals of the members of the trio are in themselves very good Finnish class. The piano contact of Gilda Nevala's accompaniment is somehow too fascinating, and the quick penetration of the clavies is too many.
On the other hand, the accompaniment of "nude" gave the Estrad singer space. I believe that as a live presentation, the whole is even better. As the only cheerful company for a different break, a couple of tracks have been tried as Armstrong-Hands, which turned into a tasty feminine scratching. A few arrangements also did not please the signatory. I undoubtedly came to mind Finnishness and stream of stream ... Unfortunately, for example, Summertime represented that direction. With the Lady Summertime Jazz Singer Contest, hundreds of spirits are fitted. Slowly and rhythmic. However, now Spark's wandering tenor blasting gave the atmosphere.
But despite all the partial negative things I mentioned above, it is really great that there are such female jazzers to the album in Finland. Because it's a bit older ladies, their experience and routine get (give) many things forgiven. So, so, a nice snack for the songs of the first half of the last century and a nostalgic blasting for the jazz singer at that time, such as Andrew Sisters and homely siblings, Harmony Sisters. On this album, I would have expected Lady to have an even stronger grip on the song. And an intensive more damping feeling.Translate By Google
https://www.jazzrytmit.fi/s8-levyarvostelut/c29-levyarvostelut/three-decades-jazz-harmony
But it's good for me. Great "girls". My listening recommendation on this disc and possible live enjoyment. (Or) Gilda Nevala (vocals, piano), Spark [= Salla Niemi] (vocals, tenor saxophone, altar saxophone, washboard, bass), Esther (vocals, Laundry, Ukulele) Little Grand Trio; Lotta Laaksonen Violin, Anne Korhonen Viola, Maija Juuti Cello Recording, Mixing & Free Mastering Gilda Nevala, Juha Järvinen / Beatlake Oy Pre-Recording Masi Created #3 Mastering Lauri Heikkilä / Astral Studio
Jazz Harmony