Friday, January 10, 2025

Peter Leitch - From Another Perspective

Styles: Guitar Jazz
Year: 1992
Time: 66:20
File: MP3 @ 320K/s
Size: 154,3 MB
Art: Front

(6:25) 1. For Elmo, Sonny and Freddie
(6:45) 2. 91-1
(6:15) 3. If You Could See Me Now
(8:14) 4. Con Alma
(7:16) 5. Somewhere in the Night
(8:07) 6. Yemenja
(6:51) 7. Ruby, My Dear
(6:22) 8. Elda
(3:35) 9. Embraceable You
(6:26) 10. Blues for Ivan Symonds

Peter Leitch is a New York Based jazz guitarist and composer. He performs in such popular rooms as Sweet Basil, Sweet Rhythm, Jazz Standard, Dizzy's Club Coca-Cola, The Blue Note, Bradley's, Zinno, Visiones and Birdland and has placed several times in the DownBeat International Jazz Critics Poll. He has been profiled in numerous magazine articles.

A tour favorite, Peter and his groups have appeared at festivals and clubs in the U.S., Canada, Europe and Australia. Versatile in a broad range of jazz artistry, he has worked/recorded with some of his profession's greatest performers: Oscar Peterson, Ron Carter, Milt Jackson, Woody Shaw, Pepper Adams, Jaki Byard, Jack McDuff, Kenny Wheeler, Al Grey, and John Hicks.

Peter is also an accomplished black and white photographer and has mounted several solo shows of his work, including of fellow musicians, New York street scenes, Mississippi and the South, and the newest New York to New Orleans. In addition, he has co-created several videos for which he has composed music. This has led to an exploration of new (and old) areas of music. Click on the icons above to see!

In 1997, Peter initiated his Sunday Nights at Walker's, one of New York City's longest running jazz engagements. Still playing more than ten years later, each weekly engagement features a duo performance with a guest artist. Gary Bartz, Ray Drummond, Bobby Watson, Sean Smith, Harvie S, Dwayne Burno, Steve Wilson, Jed Levy and Charles Davis have all shared Sunday's spotlight in this enduring jazz tradition.

During 1993-94, Peter was the Musical Director of "Guitars Play Mingus," the 5-guitar and rhythm section ensemble performing the music of Charles Mingus.

In 1991, Peter was artist-in-residence at Western Australia Academy of the Performing Arts, Perth and Elder Conservatorium, Adelaide.

Peter has been an adjunct professor at Long Island University and has taught at the National Guitar Workshop and the Vermont Jazz Center, the Summer Guitar Workshop at New York University and the Berkeley College of Music. He conducts workshops, master classes and clinics in jazz guitar and improvisation in the United States, Europe, Canada and Australia
. Peter's recordings are available on the Reservoir, Concord and Criss Cross Jazz labels.

Peter Leitch is available with his New York-based quintet, quartet, trio or duo, or as soloist with your rhythm section.From http://peterleitch.com https://www.jazzmusicarchives.com/artist/peter-leitch

Personnel: Guitar – Peter Leitch; Bass, Guest – Ray Drummond; Drums, Guest – Marvin "Smitty" Smith; Flute [Alto], Soprano Saxophone, Tenor Saxophone – Jed Levy Guest, Alto Saxophone – Gary Bartz; Piano, Guest – John Hicks

From Another Perspective

Carmen Lundy - Jazz And The New Songbook - Live At The Madrid Disc 1 And Disc 2

Styles: Vocal Jazz
Year: 2005
File: MP3@320K/s
Time: 60:04 (Disc 1)
Size: 137,7 MB (Disc 1)
Time: 64:30 (Disc 2)
Size: 147,8 MB (Disc 2)
Art: Front

Disc 1

(4:50)  1. In Love Again
(7:50)  2. One More River To Cross
(5:56)  3. Something To Believe In
(5:58)  4. Better Days
(8:00)  5. Where'd It Go
(5:57)  6. Wild Child
(8:55)  7. Afrasia!
(6:34)  8. Happy New Year
(6:01)  9. Long Journey Home


Disc 2

( 5:35)  1. You're Not In Love
( 5:58)  2. All Day, All Night
( 7:59)  3. Walking Code Blue
( 6:34)  4. Send Me Somebody To Love
( 7:36)  5. Old Friend
(14:44)  6. (I Dream) In Living Color
( 5:40)  7. Firefly
( 4:40)  8. Vu Ja De
( 5:41)  9. Good Morning Kiss

Listening to Carmen Lundy "live" on Jazz and the New Songbook: Live at the Madrid is truly a remarkable experience and solidifies the adage that she is in a class all her own. On this exceptional two-disc set, the multi-talented vocalist performs 18 of her original compositions accompanied by some of the music world's most talented musicians. Recorded February 18, 2005, at the Madrid Theatre in Los Angeles, CA, the concert opens with the hit song "In Love Again," the optimistic ode to romance that was previously released on Something to Believe In. Lundy's multi-octave range is fluid, sensuous, and sexy. It is captivating as it floats with seductive nuance and swinging rhythms. "Better Days," originally heard on Carmen's Self Portrait CD, opens with Curtis Lundy laying down an alluring bassline, anchored by Victor Lewis' drums and great comping by David Roitstein's keyboards, Phil Upchurch's guitar, and the Los Angeles String Quartet. With a range from soprano to contralto, the tones of her voice flow like the fluid strokes of a paintbrush on a canvas as listeners are treated to the pure ambience of Lundy's potent lyricism, delivered with a powerful voice that urges you to just hang in there. "Wild Child" is another passionate masterwork that features the high-powered upper registers and full bottom registers of Lundy's great voice. A double trio, impeccably complementing her inspired rendition, backs her. 

Mark Shim's soprano sax solo and the great improvisations by the double trio definitely take this song to another level. Steve Turre's conch shell work on "Afrasia" is truly a crowd-pleaser as he introduces the exotic vocals of Lundy and Krystal Davis Williams, who invoke the myriad names given to God in many different cultures. This beautiful prayer is truly indicative of Lundy's exceptional prowess and spiritual connections. Disc two features several songs from This Is Carmen Lundy, including "All Day, All Night," "Send Me Somebody to Love," and "I Dream in Living Color." Bonus tracks include three highly popular Lundy songs whose "official" 48-track concert recordings were lost due to a power surge on that rainy night in Los Angeles. Overall, this double-disc set houses a great mix of ballads, straight-ahead jazz, Latin, fusion, and funk that showcases Carmen Lundy's amazing voice and compositional integrity. Highly recommended.          ~ Paula Edelstein  http://www.allmusic.com/album/jazz-and-the-new-songbook-live-at-the-madrid-mw0000479880

Personnel: Albert Romero, Michelina Wright, Alberto Romero (violin); Rachel Arnold (cello); Bobby Ray Watson, Bobby Watson (alto saxophone); Billy Childs, Billy Childs Trio (piano, keyboards); David Roitstein, David Roitstien (piano); Mayra Casales (percussion); Krystal Davis Williams (vocals, background vocals); Phil Upchurch (guitar); Catherine Lamb (viola); Steve Turre (conch shell, trombone); Mark Shim (soprano saxophone, tenor saxophone); Robert Glasper (piano, keyboards); Curtis Lundy (acoustic bass); Kenny Davis , Nathan East (electric bass); Marvin "Smitty" Smith, Victor Lewis (drums).

Jack Walrath - Out Of The Tradition

Styles: Trumpet Jazz
Year: 1990
File: MP3@320K/s
Time: 58:46
Size: 135,2 MB
Art: Front

(9:22)  1. Clear Out Of This World
(7:11)  2. So Long Eric
(6:46)  3. Stardust
(7:12)  4. Wake Up And Wash It Off!
(7:11)  5. Come Sunday
(7:43)  6. Brother, Can You Spare A Dime?
(7:24)  7. Cabin In The Sky
(5:57)  8. I'm Getting Sentimental Over You

Jack Walrath’s talents have been utilized by Charles Mingus, Ray Charles, Muhal Richard Abrams, Ricky Ford, Sam Rivers, Joe Morello, Mike Clark, Charli Persip, Miles Davis, Quincey Jones, Ray Anderson, Craig Harris, Pete LaRoca, Mike Longo, Elvis Costello, Motown, Larry Willis, George Gruntz, Paul Jeffrey, Gunther Schuller, Hal Galper, the Monk Tentet, Bobby Watson, et al. He has appeared in films, TV and Radio both as a sideman and leader since 1965. He has released 22 record albums as a leader. In addition he has appeared on countless albums with others (Mingus-14, Abrams-3,and others such as Persip, Davis, Lou Rawls, Richie Cole, Ricky Ford, the Jazz Tribe, Joe Lovano, the WDR Big Band, Jamaaladeen Tacuma and Gruntz to name a few). He has written liner notes and articles for DOWNBEAT and the MUSIC REVIEW and for 1 and 1/2 years was a columnist for the INTERNATIONAL MUSICIAN AND RECORDING WORLD. He has been the subject of feature articles in virtually every major jazz trade magazine including. JAZZIZ, DOWNBEAT, MUSIC REVIEW, JAZZTIMES, CADENCE, MUSIC PAPER, HOTHOUSE, JAZZ EMPORIUM, JAZZ FORUM, et al. He has had reviews and appeared in many of the major newspapers around the world. In addition he has biographies and reviews in many books and record guides.

He has written compositions and arrangements for Mingus, Red Rodney, Ira Sullivan, Cecil Brooks III, the Brooklyn Symphony Orchestra, WDR, NDR, UMO Orchestra, Catania City Jazz Orchestra, Charli Persip Superband, Upper Austrian Jazz Orchestra, et al. He has also appeared as a featured artist with most of the above. He was the featured artist with the radio broadcast of the 50th anniversary of the NDR. He has written soundtrack music for “Homicide: Life On The Street” and the Bill Cosby NBC Mystery Movie.In addition to leading his own jazz groups, THE JACK WALRATH GROUP, WHOLLY TRINITY, HARD CORPS, THE MASTERS OF SUSPENSE, and a quintet (which, along with master drummer Mike Clark and master bassist Paul Jackson experimented with rhythms that were to be explored further when Jackson and Clark joined Herbie Hancock’s Headhunters), he was also leader of the MINGUS DYNASTY and THE CHARLES MINGUS BIG BAND. In addition, he has conducted the aforementioned European orchestras and conducted the Mingus work “Epitaph” with the TUCSON JAZZ SOCIETY. In later years he has been touring with the Masters of Suspense, Ray Anderson, Larry Willis, George Gruntz and Sam Rivers. In addition he has been doing special projects around Europe and the US.

He has received composition grants from the National Endowment For The Arts, the Aaron Copland Composition Grant and from the Mary Flagler Cary Trust. He has received performance grants from the NEA and Quad City Arts. He has had compositions/arrangements commissioned for virtually every instrumental combination from symphony orchestra to solo piano. He has written an instruction book that has been published by Advance Music. He has conducted seminars in Italy, Spain, Portugal, Japan, Israel, Finland, the LaGuardia High School and the US. In addition, he has conducted Master Classes and Clinics in many US states and countries at Conservatories all over the world. In New York City he conducted Master classes and/or adult education classes at the Manhattan School of Music, NYU and the New School for Social Research. He has conducted classes from ages 3 to adult and Post-Graduate education through the Quad City Arts, LaGuardia High School of the Performing Arts, and the Myrna Loy Arts Center.

In recent years he has toured/recorded with the Jazz Tribe, George Gruntz, the Mingus Big Band, Mingus Epitaph and the Masters of Suspense. He has repeated many of the aforementioned teaching experiences in addition to conducting seminars in Portugal, Spain and Italy. He has most recently worked through the Litchfield Jazz Camp and the New School (NY). He has continued his recording career as both sideman and leader. His recent records have been some collaborations and co-leaderships with the UAJO, Ze’ Eduardo (Portugal), Bill Moring, Lindsay Horner, the Mingus Big Band; to mention a few. He has another recent album “Invasion of the Booty Shakers” which was released on Savant Records. In January 2008, he led/toured Italy with a quintet stressing “The Spirit of Mingus” which was very, very positively received. He has another upcoming release on Steeplechase Records, called, “Heavy Mirth” "Ballroom" was recently released on SteepleChase. He has been on the faculty twice for the Litchfield Jazz Camp and done seminars in Italy for the New School. In 2009, he was a featured performer/instructor at Siena Jazz in Tuscany. He is currently writing a book of his experiences with Mingus and others and about influential recordings and the “music business.” His Blue Note album, "Master of Suspense" was nominated for a Grammy. Jack Walrath started playing the trumpet at the age of 9 in 1955 while living in Edgar, Montana, a bustling metropolis with the population of 100 (It has since become virtually a ghost town!). He developed a healthy perception of music from lack of negative peer pressure which so often happens in cities. In, 1964 after graduating from Joliet, MT. Highschool, he attended the Berklee College of Music graduating in 1968 with a composition diploma. The diploma program was chosen over that of the degree in order to have classes only of music, therefore actually learning more about music than if he went for a degree! Also he considers his 40 years of major professional experience as the best education of all! http://www.jackwalrath.net/bio/

Personnel:  Jack Walrath – trumpet;  Larry Coryell – guitar;  Benny Green – piano;  Anthony Cox – bass;  Ronnie Burrage – drums

Out Of The Tradition