Saturday, June 15, 2024

Gerry Mulligan Quartet & Bob Brookmeyer - Paris

Styles: Saxophone And Trombone Jazz
Year: 1954
File: MP3@320K/s
Time: 61:58
Size: 142,3 MB
Scans:

(3:38) 1. The Lady Is a Tramp
(4:58) 2. I May Be Wrong
(6:25) 3. Gold Rush
(3:35) 4. Makin' Whoopee
(4:16) 5. Laura
(4:25) 6. Soft Shoes
(4:36) 7. The Nearness of You
(6:04) 8. Bark for Barksdale
(4:18) 9. Bernie's Tune
(4:31) 10. Five Brothers
(3:14) 11. Lullaby of the Leaves
(4:50) 12. Limelight
(3:45) 13. Come out Wherever You Are
(3:16) 14. Moonlight in Vermont


Personnel: Baritone Saxophone – Gerry Mulligan; Bass – Red Mitchell; Drums – Frank Isola; Trombone – Bob Brookmeyer

Dianne Reeves - The Grand Encounter

Styles: Vocal Jazz 
Year: 1996
File: MP3@320K/s
Time: 50:26
Size: 116,7 MB
Art: Front

(5:01)  1. Old Country
(3:23)  2. Cherokee
(8:12)  3. Besame Mucho
(3:46)  4. Let Me Love You
(4:54)  5. Tenderly
(6:06)  6. After Hours
(3:27)  7. Ha!
(5:24)  8. Some Other Spring
(5:08)  9. Side By Side
(4:59) 10. I'm Okay

This CD could have been titled Finally! Dianne Reeves has long had the potential to be the top female jazz singer, but so many of her previous recordings were erratic as she skipped back and forth between idioms without committing herself. However, after years of flirting with jazz and being seemingly undecided whether she would rather be a pop star, she at last came out with a full jazz album in 1996, and it is a gem. The supporting cast on the ten selections (which feature different personnel on each cut) is remarkable and everyone gets a chance to play: trumpeters Clark Terry and Harry "Sweets" Edison, altoists Phil Woods and Bobby Watson, tenorman James Moody, trombonist Al Grey, harmonica great Toots Thielemans (on "Besame Mucho"), pianist Kenny Barron, bassist Rodney Whitaker, and drummer Herlin Riley.

In addition, Joe Williams shares the vocal spotlight on "Let Me Love You" and a touching version of "Tenderly," Germaine Bazzle sings along with Reeves on "Side by Side," and a rendition of Charlie Ventura's "Ha!" has a vocal group consisting of Reeves, Bazzle, Terry, Moody, and the young Kimberley Longstreth. Other highlights include Nat Adderley's "Old Country," "Some Other Spring," and "Cherokee." Despite the heavy "competition," the leader emerges as the star of the set due to her beautiful voice and highly expressive singing. This highly recommended CD is the Dianne Reeves release to get. By Scott Yanow
https://www.allmusic.com/album/the-grand-encounter-mw0000081516

Personnel: Vocals – Dianne Reeves, Germaine Bazzle, Joe Williams , Kimberley Longstreth; Vocals, Tenor Saxophone – James Moody; Vocals, Trumpet – Clark Terry ; Alto Saxophone – Bobby Watson , Phil Woods; Bass – Rodney Whitaker; Drums – Herlin Riley; Harmonica – Toots Thielemans; Piano – Kenny Barron; Trombone – Al Grey ; Trumpet – Harry "Sweets" Edison

The Grand Encounter

Spike Robinson - Spike Robinson Plays Harry Warren

Bitrate: MP3@320K/s
Time: 79:02
Size: 180.9 MB
Styles: Saxophone jazz, Mainstream jazz
Year: 2005
Art: Front

[5:46] 1. This Heart Of Mine
[7:44] 2. At Last
[8:41] 3. The Boulevard Of Broken Dreams
[5:27] 4. There Will Never Be Another You
[7:12] 5. I Had The Craziest Dream
[4:01] 6. Shadow Waltz
[6:20] 7. Serenade In Blue
[4:55] 8. This Is Always
[5:20] 9. The More I See You
[3:25] 10. Chattanooga Choo Choo
[4:32] 11. Cheerful Little Earful
[6:11] 12. I Only Have Eyes For You
[4:22] 13. Lulu's Back In Town
[4:59] 14. I Wish I Knew

This CD reissues tenor saxophonist Spike Robinson's 1981 Discovery LP of the same name and adds six additional selections recorded in 1993. The Discovery date was recorded when Robinson was already 51 and found him returning to jazz after a 30-year absence from full-time activity. The cool-toned tenor (heard with pianist Victor Feldman, bassist Ray Brown, and drummer John Guerin) proved to be very much in his prime, a new type of Young Lion who brought back the Four Brothers' sound.

The 1993 selections with pianist Pete Jolly, bassist John Leitham, and drummer Paul Kreibich are on the same high level. Since the underrated Harry Warren was one of the top songwriters of the 1930s and '40s, Robinson had plenty to choose from on this tribute set. His high-quality repertoire includes "This Heart of Mine," "There Will Never Be Another You," "Serenade in Blue," "Lulu's Back in Town," and even "Chattanooga Choo Choo." A highly recommended and swinging program.By Scott Yanow

Spike Robinson Plays Harry Warren

Carol Albert - Fly Away Butterfly

Styles: Vocal And Piano Jazz
Year: 2017
Time: 43:33
File: MP3 @ 320K/s
Size: 100,3 MB
Art: Front

(4:09) 1. Fly Away Butterfly
(4:09) 2. Awakening
(4:23) 3. On My Way
(4:20) 4. Across The Sky
(4:28) 5. One Way
(3:59) 6. Mas Que Nada
(4:23) 7. Chasing Waterfalls
(5:24) 8. Never Thought It Would Be This Way
(4:09) 9. Transition
(4:09) 10. Fly Away Butterfly (Reprise)

Every so often, an artist comes along that makes you reimagine the possibilities of music. With Fly Away Butterfly
 Album, Carol Albert delivers a seminal and sizzling contribution to the artistic sphere, blending lively melodies with thoughtful and refined arrangements. Every song presents not just different sounds but soundscapes in which Carol invites us to inhabit and explore.

But this album is also one of healing, as Carol lost her husband in 2014, and she turned back to composing music after some years off from her Recording Career. After her “Christmas Mystique” production, she started on this work, tackling the personal issues she has faced and this time, head on. Throughout the opus, we hear, quite beautifully, about Carol’s stages of recovery and healing. And by so doing, she has given us something for each one of us to hold onto.

The title track “Fly Away Butterfly” evokes an ambient groove enlivened by joyful, even mirthful flutes, the soundtrack to a butterfly flying away, from this place to that. Indeed, the track is symbolic, as Carol’s voice is intimate and distant, the delicate balance of love and loss that we all must face during life. “Awakening” flows and builds with an ostinato groove, lilting flutes, and well-placed piano touches. The song is wrought with anticipation and playful exchanges that resolve to the tonic chord, a brilliant display of compositional prowess and acumen. In fact, an encounter with a Blue Morph butterfly in Costa Rica prompted her to write the tune. Perhaps unwittingly, Carol’s has given us a track for our times, to be “awakened” to the tension-and-release, call-and-response of life. That after the very worst times comes recovery and healing. And Carol’s album, listened from start to finish, can be part of a veritable music healing, enriching your soul with creative and artistic ferment.

“On My Way” is even more explicit, an anthem for our times. It’s a song of new beginnings. Her lyrics “On My Way/To a better day/I’ll spread my wings and fly away…” connote not just escapism but realism. In truth, sometimes you need an army of one to get the job done. You have to take things into your own hands. At least with Carol’s horn-drenched tune, you’ll have a musical accompaniment as you face towards the future. “Across the Sky” begins with a Coltrane-like incandescent solo with dreamy, even distant vocals. With her vocal performance, Carol has her audience hanging on every note with anticipation. “One Way” is a song about love and combines some of her favorite elements such as acoustic piano, nylon string guitar, and a hint of Latin percussion. The original version of “One Way” appears on Al Jarreau’s 1988 hit album Heart’s Horizon. “I have always loved the song and thought creating and performing a new arrangement of it would be the perfect celebration of his artistry and life”

In “Mas Que Nada,” the Latin rhythms pulse with fervor and give a stylistic panache to this track, as if you were listening at a dark-lit club with fire-red dancing. What’s more, Carol’s voice displays a richness and versatility of the highest order, with beautiful incantations and vocalizations. As an admirer of Latin music, Carol had me taken with this song. In a word, stunning.

“Waterfalls are all about that instant change in forward momentum, and can be powerful metaphors,” said Carol when describing the track “Chasing Waterfalls.” Her rolling piano propels the momentum of the song back-and-forth, ultimately advancing it without compunction so that we’re immersed, maybe even drenched in a sonic landscape of groove in the province of jam! “Never Thought It Would Be This Way” is a personal introspection into life when things turn out differently than expected. And ain’t that the truth.

The lyrics however aren’t bitter but bittersweet, informed by a life of love and loss. “Transition” brings us back into the ambient world with watercolor harmonies and kaleidoscopic timbres cascading throughout the number. It’s about moving into new realms. And with the last track “Fly Away Reprise,” Carol sends the message that there must be a final letting go. 

In this album, we hear it all, and we are better for it. Carol Albert has given us a musical testimonial borne out of the crucible of loss. We hear both resilience and grace in her music. By giving so much of herself in this music, we not only hear her, but she creates a space for us to join her on the road ahead. By Kabir Sehgal https://www.allaboutjazz.com/news/fly-away-butterfly-new-album-by-carol-albert/

Fly Away Butterfly